It’s only three tracks long, but I still feel like Business Game Plan is a nice opportunity for students to get a high mark at the end of the term by submitting a well-composed assignment without missing the deadline. In truth, most students have trouble choosing a topic idea, studying literature, selecting data sources, writing a text, formatting it, and completing everything on time. In addition, your favorite instructor may be too busy Last Rizla‘s 2018 EP, Order an essay from a reliable http://www.kybun.com/?did-bruce-lansky-create-homework-helper service. Our professional ghost writers will create a perfect A+ paper from scratch! Mount Machine — still available on 12″ vinyl through The go here provides a professional writing service to help you find the right words to get your message across to your target audience accurately and succinctly. From a few paragraphs to thousands of words, we can craft your story for you, saving you much time and stress. Fuzz Ink Records — has enough aggro riffing for a full-length album. Like if you were to take angry riffs per capita, they’d be well over the line. Whatever the line is. I don’t know. Shit is fucked, is what I’m trying to say.

Denizens of the well populated Athenian heavy underground and associates of the likes of Tudor Dimofte Phd Thesis from best custom essay writing services in the industry ranked by professionals Sadhus, The Smoking Community, the initials-only four-piece have been at it in one form or another for well over a decade. Their self-titled debut came out in 2009 and in 2011 they took part in the Format For A Research Proposal. We have a highly professional and qualified writing staff. Our writers have great writing experience and always do their Miss Fortune was a Henhouse Manager compilation (review here) that I’ve come over time to look at as something of a demarcation of the next generation of Greek heavy as noting its own arrival. A succession of shorter offerings have followed, with help on dissertation knowledge management College Dissertation Abstracts University Utah Zinch help concluding essay university british columbia phd thesis Mount Machine as the latest of the bunch, and its three cuts follow a not dissimilar pattern to that of “Dive,” the video for which you can see premiering below. In that they’re riffed, and fucked.

Alright, to be fair, “Battles: Rambo” spaces out a bit in its middle and is a little less decisively noise rock than “Dive,” which opens the release, but whether you’re bludgeoned with a shovel or a hammer, you’re still getting your skull caved in. “Dive” makes an even better choice to feature as a video because its central riff is particularly memorable, though the slower initial rollout of the final slammer the in-Greek title “Chályvas” of which translates to “Steel” carries a bit more atmosphere to go with its building cacophony and suitably maddening screams. Those screams by the way? They’re awesome. I know not everyone gets into harsh vocals, but there’s just something about a killer rasp that I continue to find admirable. Not everyone can do it, and not everyone who can do it can manage to sustain it over a longer term, but it just brings Buy Dissertation; Freelance Writing Service Online at ThesisPanda. Can�t compose a unique and correct piece of academic writing? Don�t have enough time, strength, and nerves to do it? Then, it is time to think where to find good dissertations to buy! Luckily for you, our writers are ready to compose a brilliant academic work on time, and you can get it at affordable prices and with some Last Rizla‘s entire approach to a new level of raw punishment.

Glad to premiere the clip for “Dive,” which you can see right here. EP stream is down toward the bottom of the post for your streaming discomfort:

Last Rizla, “Dive” official video premiere

Official video of the happy song Dive from the fantastic album Mount Machine.

Dark tour on Saturday January 18, 2020 on the meat market of Piraeus and Piraeus Academy. A laid back look at the daily struggles of older adults participating in music groups. No volcano or glass building was damaged during filming.

Directed and edited by Nöl.

Everything is Love.
Last Rizla.

Produced by Last Rizla and George Leodis.
Recorded, engineered and mixed by George Leodis at Wreck-It Sound Studios, Corinth, Greece, January 2018.
Assistant engineer Ramon aka Rambo.

Mastered by Brad Boatright at Audiosiege, Portland, USA.

Artwork and layout by Last Rizla.
Handprinted by Fuzz Ink.
fuzzink.com

Last Rizla are G., C., K., S.

Last Rizla, Mount Machine (2018)

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Yes, this will do nicely, thank you. Greek sludge metallers college application essay service how to start http://d13.documenta.de/uploads/tf/?cheyney-university-admissions-essay Solutions essay writing my favourite teacher freelance writers for hire Sadhus, The Smoking Community released their sophomore full-length, pay someone to do my online homework visit here Ivy League dissertation research methodologies funny college application essay Big Fish (review here), during the pre-holiday doldrums of late-2018. Maybe you heard it. Maybe you haven’t yet. Either way, the Athens-based outfit took it upon themselves to loose a willfully atrocious barrage of aggro riffing and aggro everything else across the record’s 33 minutes, and they still managed to keep some underlying groove befitting their ‘The Smoking Community’ designation. Right on? Yeah, right on.

I’ll probably never get to see this band live. They’re an awfully far way from me, geographically speaking, and while I’ve been fortunate enough to do some traveling in my time, ain’t nobody breaking the door down to fly me to Athens for a show. As such, seeing the multi-camera, pro-shot video for “Sobbing Children” from  The this page provides a professional writing service to help you find the right words to get your message across to your target audience accurately and succinctly. From a few paragraphs to thousands of words, we can craft your story for you, saving you much time and stress. Big Fish only underscores the reasons to dig on  Help Writing A Thesis Paper and spend the rest of your free time on your hobbies. 2] Get expert writing help. Sometimes, the topic you are supposed to write a thesis on is so difficult you have no idea how to start. Even if you take a look at the Michelle Obama thesis paper, it won�t help you much. No matter how many samples you view before you get down to task accomplishment, there is no guarantee you Sadhus. Their sound comes across raw and mean in its delivery, and has the unmistakable energy of a stage performance behind it. I guess I’m old enough that I still think this kind of thing is really awesome. Even back when videos were on tv, bands rarely did live clips, and most full-concert videos are boring as hell. Something like this is between the two. It lets you know what you’re missing by not showing up to the gig and it still represents what the band were going for when the put together  visit. Just give them a call so that they can lead you through the ordering process:Explain your academic needs to us so we can Big Fish as a whole. It might not be a novelty at this point, but even a multi-cam live shoot is more effort than a lot of bands put into making videos, and “Sobbing Children” — the lyrics to which were surely presciently based on my yesterday afternoon — legitimately looks well made.

Most important of all,  The time for using check my blogs has come. To answer your question, Sam � yes, I can help you. Looking around before you pay a fortune to best dissertation writing service that simply popped in an ad on your social media profile or looked attractive when you used the search engine, is the wisest thing a student can do. Sadhus own the stage. The show was back in December, right around the time of the album’s release, so for all I know it was actually the release show, which would explain why they seem to be having such a good time amidst all that slaughter. Either way, it’s a cool clip of a cool song and it’s fitting well under the banner of “current mood” for yours truly, so have at it.

Enjoy:

Sadhus, The Smoking Community, “Sobbing Children” official live video

Sadhus, The Smoking Community – Sobbing Children from the album “Big Fish” released by Fuzz Ink· Records (FZZ010)

Recorded & filmed live at Temple, Athens, 8 Dec. 2018

Filmed by Steve Kekis, Alex Masmanidis, Ilias Moschovas
Edit by Steve Kekis
Production House: GNP Productions

Recorded by George Giannikos
Mixed & Mastered by Dimitris Metaxakis

FOH Engineer : Dimitris Metaxakis
Lighting Engineer : Ismini Starida

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[Click play above to stream ‘Flesh’ by Sadhus, the Smoking Community. Their album, Big Fish, is out Dec. 18 on Fuzz Ink Records.]

With raw-throated screams atop dutifully hempen riffing, Looking for http://www.nordicskiteam.com/?research-paper-war? We can deliver you custom crafted papers within your set deadline. Order any paper type from pros of personalized writing Sadhus, the Smoking Community conjure visions on their Professional basicss catering for clients worldwide at all career levels - Established in 2003 Fuzz Ink-issued second album, Big Fish, of sludge metal as a test of physical endurance. And by that I mean their own as well as trying to see how much punishment the listener can take. Will vocalist Stavros still have a larynx by the time the eight-minute “Lazarus” has finished? Can they hold it together during the tense buildup of “Flesh?” In truth, one might feel winded by the time the cacophony of opener “Hyper Roller” has finished, and it’s only 2:46 long. Joining Stavros in the band are guitarist Thomas G., bassist Nikos and drummer Greg, as well as Steve, who’s credited as being the “rolling engineer,” though whether that has more to do with recording or joints, I wouldn’t hazard a guess, and together the Athens-based band bring to mind the chaotic sludge aggression of bands like -(16)-, the this-is-a-lifestyle-ism of Bongzilla and Dopethrone, and the sense of fuckall that Eyehategod pioneered.

Though their work dates back to their 2011 involvement in the Miss Fortune was a Henhouse Manager compilation (review here) of the then-burgeoning Greek underground, Big Fish is their second album behind a 2014 self-titled that led to a couple split releases in the interim. Not a lack of productivity, necessarily, but neither are Sadhus putting out records for their own sake. Clearly this kind of disaffection requires something to drive it. Across the six-song/33-minute offering, I’m not sure if that’s personal, social or political, but it’s there. Stavros‘ vocals are all but indecipherable, but they get their point across anyway, and the point is “fuck you.” As “Lazarus” slams home its plodding, crashing, noise-laden apex, the message comes through clearly instrumentally as well as vocally, and their scathe is central to it.

They have a quiet part here and there throughout the album’s span — in “Flesh” or the title-cut that opens side B, for example — but there’s no question the more abrasive aspects of their sound are intended to be the central impression. That is, the quiet parts are how they change it up, where punishment is the norm. So be it. There are two basic modes of songwriting brought forth and they find the band balancing — so much as one would call any of this “balanced” — between longer songs and shorter ones. Four years ago, the self-titled worked in the same way, with three tracks over seven minutes long (one over eight) and three tracks shorter, under five minutes. Divisions are less stark on Big Fish than they were on the debut, with “Flesh” (4:52) and the penultimate “Sobbing Children” (3:42) and even “Hyper Roller” seeming to work toward an eventual bridging of the gap, though there seems to be little to no compromise either in overall intensity or in the length of the longer songs, so maybe they’re just working their way into a more exclusively longform modus.

If that were the case — and mind you, I wouldn’t predict either way for certain — they well prove able to carry themselves through more extended material, with “Lazarus” and “Big Fish” providing a back-to-back bludgeoning when taken in linear format that comprises nearly half the album’s runtime, and closer “I.P.S.,” which would seem to stand for “intelligent psycho sludge,” rounding out with a suitably vicious roll and chug, dipping into some more angular riffing late but keeping consistent in the overarching impression with the bulk of the album before it in terms of sheer destructive impulse. That comes through clearly in a recording that benefits from a stage-born energy without sacrificing clarity where it’s needed — Big Fish sounds angry, not sloppy. Thomas‘ and Nikos‘ tones are righteously thick and Greg‘s drumming is apparently up to the charge before it of pushing all that viscosity up the hill of its own creation, and Stavros is able to cut through not only his own vocal cords but the surrounding melee in order to be a key frontman presence even on the record. It isn’t necessarily a new dynamic for sludge metal, but Sadhus bring it to bear with a force that is decidedly their own.

Ultimately, Big Fish is the kind of record that makes you want to watch out for broken glass. Or flying glass. Or a glass bottle smashed into your cranium. Either way, it involves glass and blood that’s possibly yours. Maybe that’s a sign of inherent violence in the music, but while one might argue “Lazarus” has a “mosh part,” the guitar solo in “Sobbing Children” seems more typical of the band’s persona, and it’s not about punching your neighbor so much as lashing out at oneself or characterizing the violence that surrounds on an everyday basis. Maybe that’s reading too much into it, but Sadhus, the Smoking Community don’t necessarily direct their anger at a single target, instead presenting it as a general state to be manipulated as they see fit throughout their songs. It is brutal. And it is angry as a matter of will, but there’s a dynamic in the sound too, between longer slabs and bursts like “Hyper Roller” at the outset, in tempo and in volume.

All of these things come together as tools in Sadhus‘ arsenal, and they’re wielded in such a way as to keep the impact of Big Fish consistent the whole way through, so that even as they bring together two disparate sections in one song, that contrast becomes part of the overarching sound and the maddening atmosphere that pervades. As to the physical challenge aspect of it, Sadhus seem to come out of “I.P.S.” just fine, like they could do another five songs in the set, easy, but they’re right to keep it short, to get in and get out and leave their audience dazed from what just happened. It’s one more way Big Fish is effective in its delivery of its purported intelligent psychosis, and that lurking intelligence would seem to be the factor tying it all together. Also marijuana.

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I promise you I’m not just posting this track because of its title. But the title certainly doesn’t hurt. Athenian heavy rockers Half Gramme of Soma will release their second album, Groove is Black, in May through Fuzz Ink Records, and ahead of making it available for preorder — presumably that’s coming soon, since “May” is going to hit any minute now — they’re streaming the opening cut… “Gloomy Eggplant.”

Yes, friends. “Gloomy Eggplant.”

If you’re the type to keep a list of the best song titles of the year, and if “Gloomy Eggplant” doesn’t make that list — shame on you.

But again, I’m not just posting the track — which you can hear at the bottom of this post courtesy of Half Gramme of Soma‘s Bandcamp — because of the title. It’s a righteous heavy build over the course of six minutes and the bodes well for the rest of the album to come. I haven’t heard the full release yet, but heavy grooves abound here and that’s never a bad place to start.

From the PR wire:

Half Gramme Of Soma – Groove Is Black ‘New Album’

Fuzz Ink Records proudly presents Half Gramme Of Soma’s – Groove Is Black second album release.

After the second sun abruptly forced its mass in, the now binary star thrust into a violent spiral orbit towards its imminent destruction. Captive to constant daylight and under the heat of 349PW, the gigantic entities were left stranded on the deserted planet that, due to gravitational distortions, awkwardly resembled familiar vegetables. Moments before reaching their kindling point, they swallowed their last drop; their bodies burst into flames and their psyche into the black.

Half Gramme of Soma is a 5-piece Rock band formed in early 2011, based in Athens, Greece. Blending heavy rock sounds with a wide range of influences, HGoS were introduced to the Greek music scenery by their strong live appearances. In early 2013 they put out their s/t debut album which was followed by the “Marche au Noir” Ep in late 2014. Since the start of 2015 Half Gramme of Soma consist of new members from the wider Smoking Community, housed in the 13th floor of an infamous Piraeus’ appartment block. In May 2017, the second full-length studio album, and first with the current lineup, Groove is Black?, is going to land on earth and rock our rocky home with some otherworldly vibes.

Release date May 2017 on cd and vinyl via fuzz ink records!!! pre-orders soon!

01. Gloomy Eggplant
02. Mega Rollo Booster
03. Red Kiss
04. Groove is Black
05. Jerk
06. Doofie
07. No Man’s God
08. Drowned

Half Gramme of Soma are (from left to right):
Motor – Vox
Choco – Guitars
Mak – Bass
Psilos – Guitars
ToPill – Drums

https://halfgrammeofsoma.bandcamp.com/
https://www.facebook.com/hgosband/
https://www.facebook.com/telaradiko/
http://shop.fuzzink.com/

Half Gramme of Soma, “Gloomy Eggplant”