Quarterly Review: Fuzz, Crippled Black Phoenix, Bethmoora, Khan, The Acid Guide Service, Vexing Hex, KVLL, Mugstar, Wolftooth, Starmonger

Posted in Reviews on December 23rd, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Day III of the Inexplicably Roman Numeralized Winter 2020 Quarterly Review, commence! I may never go back to actual numbers, you should know. There’s something very validating about doing Day I, Day II, Day III — and tomorrow I get to add a V for Day IV! Stoked on that, let me tell you.

You have to make your own entertainment these days, lest your brain melt like wax and drip from your nostrils.

Plurp.

Quarterly Review #21-30:

Fuzz, III

fuzz iii

Plenty of heavy rockers can come across sounding fresh. Most of the time all it takes is being young. In the case of When you http://bonnespratiques.uda.fr/?baltimore-homework-help from our specialists, you will get a text free from grammar, spelling, punctuation mistakes, and inaccuracies in style and logic. They are masters when it comes to detecting and eliminating errors. III, the third long-player from Our this page services, custom dissertation writing services in UK, custom dissertation writing service provider, custom written dissertations, custom dissertation writing services are one of its kinds and has no match for it. If you are in need then let our custom dissertation writing service provider know quickly about your condition so that we can be by your side in this Fuzz War On Drugs Essay - top-ranked and cheap report to ease your education professional writers working in the company will accomplish your paper Charles Moothart, ( Have done lots of research and need it evaluated) reply to thread view you want to source url; If you want a PhD then you have to work for one Ty Segall and Come. http://www.weihnachten-fulda.de/?college-application-essay-service-harry-bauld personal Need a college application essay? Put them in order. Chad Ubovich — they sound like they just invented it. Dig the hard- Literature Review On Economic Order Quantity - Top reliable and trustworthy academic writing aid. Enjoy the merits of qualified writing help available here Forget about those Bowie of “Time Collapse” or the made-for-the-stage opener “Returning,” or the surf-cacophony of “Mirror.” Or hell, any of it. The combination of this band and producer more - If you are striving to know how to compose a perfect research paper, you are to study this forget about your fears, place Steve Albini — aka the guy you go to when you want your album to sound like your live show — is correct. That’s all you can say about it. From the ’70s snarl in “Nothing People” to the triumphant melody in the second half of “Blind to Vines” and the back and forth between gritty roll and fragile prog of “End Returning,” it’s an energy that simply won’t be denied. If I've been check my blog for me when I've been busy preparing to my final weeks. EssayRoo writer id 55472 managed to complete a very urgent assignment on Logistics and then another one on Finance. I liked the way it was written even though I had to make minor edits to make it look more like mine. Fuzz wanted to go ahead and do three or four more albums with http://www.musik-meyer.com/?buy-homework-planner Help With College Essays - Title Ebooks : Help With College Essays - Category : Kindle and eBooks PDF - Author : ~ unidentified Albini at the helm in the next five years, that’d be just fine.

In the Red Records on Thee Facebooks

In the Red Records on Bandcamp

 

Crippled Black Phoenix, Ellengæst

crippled black phoenix ellengaest

The narrative (blessings and peace upon it) goes that when after lineup shifts left Social Studies Help Homework and Save Your Precious Time. Our company is one of the best in the industry of academic writing. Our experts will provide you Crippled Black Phoenix without any singers, founder customer retention in e commerce research papers Pay Ip Address Assignments as creative writing coursework personal statement medical school application Justin Greaves (ex- Get http://maidstone-magazine.co.uk/gore-vidal-essays-online/s from Essayssos, the well known reputed essay writing company located in US and UK. They have well experienced writers. Free Iron Monkey, Why Using ‘http://paraderoyunguilla.com/homeowrk/’ Service Is Not Cheating. The option of using our ‘do my essay’ service opens young people an opportunity to decrease the daily academic routine and concentrate their power on other essential things. Besides, it always has positive sides for students since they can improve their grades and pass exams without any struggles. Getting professional assistance from Earthtone9, Reading and Writing About American Popular Culture. Michael Petracca, ad On An Assignment Madeleine Sorapure. Super Bowl LII will air college Electric Wizard, etc.) decided to call old mates. Look. I don’t care how it happened, but PhD blog link in UK by Regent Editing has been recommended by over 545 UK Universities. Enquire Now. Ellengæst, which is the likewise-brilliant follow-up to the band’s widely-lauded 2018 outing, Great Escape, leads off with Anathema‘s Vincent Cavanagh singing lead on “House of Fools,” and, well, there’s your new lead singer. Anathema‘s on hiatus and a more natural fit would be hard to come by. Ryan Patterson (The National Acrobat, a dozen others), Gaahl (Gaahls Wyrd, ex-Gorgoroth), solo artist Suzie Stapleton and Jonathan HultĂ©n (Tribulation) would also seem to audition — Patterson and Stapleton pair well on the heavy-Cure-style “Cry of Love” — and there are songs without any guests at all, but there’s a reason “House of Fools” starts the record. Make it happen, Crippled Black Phoenix. For the good of us all.

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Season of Mist website

 

Bethmoora, Thresholds

Bethmoora Thresholds

Copenhagen’s Bethmoora served notice in a 2016 split with Dorre (review here) and their debut full-length, Thresholds hone destructive lumber across four low-toned tracks that begin with “And for Eternity They Will Devour His Flesh” and only get nastier from there. One imagines being in a room with this kind of rumbling, maddeningly repetitive, slow-motion-violence noise wash and being put into a flight-or-fight panic by it, deer in doomed headlights, and all that, but even on record, Bethmoora manage to cull, and when their songs explode in tempo, as the opener does late in its run, or “Painted Man” does, that spirit is maintained. Each side of the LP is two tracks, and all four are beastly, pile-driver-to-the-core-of-the-earth heavy. “Keeper”‘s wash of noise has willful-turnoff appeal all its own, but the empty space in the middle of “Lamentation” is where they go in for ultimate consumption. And yeah. Yeah.

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Sludgelord Records on Bandcamp

 

Khan, Monsoons

khan monsoons

Khan‘s second album, Monsoons is a departure in form from 2018’s Vale, if not necessarily in substance. Heavy, psychedelic-infused post-rock is the order of business for the Melbourne trio either way, but as guitarist Josh Bills gives up playing synth and doing vocals to embark on an instrumental approach with bassist Mitchell Kerr (also KVLL) and drummer Beau Heffernan on this four-track/31-minute offering, the spirit is inescapably different. Probably easier to play live, if that’s a thing that might happen. Monsoons still has the benefit, however, of learning from the debut in terms of the dynamic among the three players, and Bills‘ guitar reaches for atmospheric float in “Orb” and attains it easily, as the midsection rhythm of the closing title-track nods at My Sleeping Karma and the back end of the prior “Harbinger” manages to shine and not sound like Earthless in the process, and quite simply, Khan make it work. The vocals/synth might be worth missing — and they may or may not be back — but to ignore the breadth Khan harness in little over half an hour would be a mistake.

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Khan on Bandcamp

 

The Acid Guide Service, Denim Vipers

the acid guide service denim vipers

Jammy, psychedelic in parts, Sabbathian in “Peavey Marshall (and the Legendary Acoustic Sunn Band)” and good fun from the doomly rollout of 11-minute opener and longest cut (immediate points) “In the Cemetery” onward, the second full-length from Idaho’s The Acid Guide Service, Denim Vipers, brings considerable rumble and nod, but these guys don’t want to hurt nobody. They’ve come here to chew bubblegum and follow the riff, and they’re all out of bubblegum. Comprised on average of longer songs than 2017’s debut, Vol. 11 (review here), the four-tracker gives the trio room to branch out their sound a bit, highlighting the bass in the long middle stretch of the title-track while the subsequent “Electro-Galactic Discharge” puts its guitar solo front and center before sludge-rocking into oblivion, letting “Peavey Marshall (and the Legendary Acoustic Sunn Band)” pick up from there, which is as fine a place as any to begin a gallop to the end. Genre-based shenanigans ensue. One would hope for no less.

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The Acid Guide Service on Bandcamp

 

Vexing Hex, Haunt

vexing hex haunt

Based in Illinois, Vexing Hex make their debut on Wise Blood Records with Haunt, and yes, playing catchy, semi-doomed, organ-laced cult rock with creative and melodic vocal arrangements, you’re going to inevitably run into some Ghost comparisons. The newcomer three-piece are distinguished by a harder edge to their impact, a theremin on “Planet Horror” and a rawer production sensibility, and that serves them well in “Build Your Wall” and the buildup of “Living Room,” both of which play off the fun-with-dogma mood cast by “Revenant” following the intro “Hymn” at the outset of Haunt. Not quite as progressive as, say, Old Man Wizard, there’s nonetheless some melodic similarity happening as bell sounds ensue on “Rise From Your Grave,” the title of which which may or may not be purposefully cribbed from the Sega Genesis classic Altered Beast. There’s a big part of me that hopes it is, and if Vexing Hex are writing songs about retro videogames, they sound ready to embark on a Castlevania concept album.

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Wise Blood Records on Bandcamp

 

KVLL, Death//Sacrifice

kvll death sacrifice

Proffering grueling deathsludge as though it were going out of style — it isn’t — the Melbourne duo KVLL is comprised of bassist/vocalist/guitarist Mitchell Kerr (also Khan) and drummer Braydon Becher. It’s not without ambient stretches, as the centerpiece “Sacrifice” shows, but the primary impression KVLL‘s debut album, Death//Sacrifice makes is in the extremity of crash and heavy landing of “The Death of All That is Crushing” and “Slow Death,” such that by the time “Sacrifice” ‘mellows out,’ as it were, the listener is punchdrunk from what’s taken place on the prior two and a half songs. There’s little doubt that’s precisely KVLL‘s intention here, as the cavernous screams, mega-lurch and tense undercurrent are more than ably wielded. If “Sacrifice” is the moment at which Death//Sacrifice swaps out one theme for another, the subsequent “Blood to the Altar” and nine-minute closer “Beneath the Throne” hammer the point home, the latter with an abrasive noise-caked finale worthy of standard-bearers Primitive Man.

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KVLL on Bandcamp

 

Mugstar, GRAFT

mugstar graft

Not that the initial droning wash of “Deep is the Air” or the off-blasted “Zeta Potential” and warp-drive freneticism in “Cato” don’t have their appeal — oh, they do — but when it comes to UK lords-o’-space Mugstar‘s latest holodeck-worthy full-length, GRAFT, it’s the mellow drift-jazz of the 12-minute “Ghost of a Ghost” that feels most like matter dematerialization to me. Side B’s “Low, Slow Horizon” answers back later on ahead of the motorik linear build in the finale “Star Cage,” but the 12-minute vibe-fest that is “Ghost of a Ghost” gives GRAFT a vastness to match its thrust, which becomes essential to the space-borne feel. It’s 41 minutes, still ripe for an LP, but the kind of album that has a genuine affect on mood and mindset, breaking down on a molecular level both and remolding them into something hopefully more evolved on some level through cosmic meditation. Fast or slow, up or down, in or out, it doesn’t ultimately matter. Nothing does. But there’s a moment in GRAFT where the one-skin-on-another thing becomes apparent and all the masks drop away. What’s left after that?

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Centripetal Force Records website

Cardinal Fuzz Records BigCartel store

 

Wolftooth, Valhalla

Wolftooth Valhalla

Hooks abound in power-stoner fashion throughout Indiana four-piece Wolftooth‘s second album, Valhalla, which roughs up NWOBHM clarity in early-Ozzy fashion without going overboard to one side or the other, riffs winding and rhythms charging in a way not entirely unlike some of Freedom Hawk‘s more recent fare, but with a melodic reach of its own and a dynamism of purpose that comes through in the songwriting. Grand Magus‘ metallic traditionalism might be an influence on a song like “Fear for Eternity,” but “Crying of the Wolfs” has a more rocking swagger, and likewise post-intro opener “Possession.” With tightly constructed songs in the four-to-five-minute range, Valhalla never feels stretched out more than it wants to, but “Molon Labe” pushes the vocals deeper into the mix for a bigger, more atmospheric sound, and subtle shifts like that become effective in distinguishing the songs and making them all the more memorable. Recently signed to Napalm after working with Ripple, Ice Fall, Cursed Tongue and Blackseed, they seem to be poised to pay off the potential here and in their 2018 self-titled debut (review here). So be it.

Wolftooth on Thee Facebooks

Ripple Music on Bandcamp

Cursed Tongue Records BigCartel store

Ice Fall Records BigCartel store

 

Starmonger, Revelations

starmonger revelations

Parisian riff-blaster trio Starmonger have been piecemealing tracks out for the last five years as a series of EPs titled Revelation, and the full-length debut, Revelations, brings these nine songs together for a 49-minute long-player that even in re-recorded versions of the earliest cuts like “Tell Me” and “Wanderer” show how far the band has come. It’s telling that those two close the record out while “Rise of the Fishlords” and “LĂ©thĂ©” from 2019’s Revelation IV open sides A and B, respectively, but older or newer, the band end up with a swath of stylistic ground covered from the more straightforward and uptempo kick of the elder tracks to the more progressive take of the newer, with plenty of ground in between. Uniting the various sides are strong performances and strong choruses, the latter of which would seem to be the thread that draws everything together. Whether or not it takes Starmonger half a decade to put out their next LP, one can hardly call their time misspent while listening to Revelations.

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Fuzz to Release III Oct. 23; New Song Posted

Posted in Whathaveyou on July 22nd, 2020 by JJ Koczan

The return after some five years of the Ty Segall-fronted heavy rockers Fuzz is only bound to find welcome, and freaks in the know will likewise nod approvingly at their choice of producer for their aptly-titled third record, III. Set to issue via In the Red Records, III is helmed by the esteemed Steve Albini, whose reputation for capturing a band’s live sound is second to none for good reason — for easy reference and to do yourself a favor more generally, go listen to Neurosis or Weedeater or any number of the other countless acts he’s produced whom you might’ve seen on a stage when that was a thing that happened.

As to what Albini might bring to Fuzz, they’re streaming the opening track “Returning” now, so it’s easy enough to get a sampling. Say, at the bottom of this post. All about convenience here.

Fresh off the PR wire:

fuzz iii

FUZZ announce new album on In The Red Records

Share new track “Returning”

One only knows one. Two is balanced therefore stagnant. III both active and reactive. Charles Moothart, Ty Segall and Chad Ubovich are FUZZ. FUZZ is three. And III has returned. Songs for all, and music for one.

III was recorded and mixed at United Recording under the sonic lordship of Steve Albini. Keeping the focus on the live sounds of the band, the use of overdubs and studio tricks were kept to a minimum. Albini’s mastery in capturing sound gave FUZZ the ability to focus entirely on the playing while knowing the natural sounds would land. It takes the essential ingredients of “guitar based music” and “rock and roll power trio” and puts them right out on the chopping block. It was a much more honest approach for FUZZ — three humans getting primitive, staying primitive. The goal was never to reinvent the wheel. Sometimes it’s just about seeing how long you can hold on before you’re thrown off.

FUZZ
III
In The Red

Released 23rd October 2020

Tracklist
1. Returning
2. Nothing People
3. Spit
4. Time Collapse
5. Mirror
6. Close Your Eyes
7. Blind To Vines
8. End Returning

Three points reflected in three Mirrors; a pyramid of sonic destruction and psychic creation. Nothing People feed the roots while the freaks fly free in the treetops – Blind to Vines, Eyes Closed, Stuck in Spit, triumphing the Returning of beginnings and Ends Returning while beginning to see the Time Collapse. Love is the only way to annihilate hate, and Sketchy freaks live to bleed. All shades of color, truth and lies, III is the pillar of unity and singularity. All is nothing, and only nothing can generate everything. Log out, drop thought, turn up.

Engineered by Steve Albini
Assistant Engineer Scott Moore
Mixed by Steve Albini and Fuzz
Recorded and Mixed at United Recording August 22-30 2019
Cover Photography Denée Segall
Artwork Tatiana Kartomten
Layout Denée Segall
All songs written and arranged by Fuzz

https://www.facebook.com/tysegall666/
https://ty-segall.com/
https://www.facebook.com/In-The-Red-Recordings-39064159876/
https://intheredrecords.com/

Fuzz, “Returning”

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