It’s good to see you again, Desertfest London. The 2022 lineup of the esteemed British edition of Desertfest brings some returning presences who were to have been at the 2020 edition, then the 2021 — both of course gone the way of corona. But we see Electric Wizard, Shellac and Witchcraft in headlining spots, while Corrosion of Conformity will bring their delayed 25th anniversary of Deliverance to Camden Town, and returning kingpins Orange Goblin will play, along with YOB, Truckfighters, Earthless, My Sleeping Karma, Mos Generator, Conan, The Obsessed, the reunited Josiah, Lowrider come for a Refractions victory lap well earned, along with Elephant Tree, Elder, Steak, Deathrite and a ton from the UK’s own ever-blossoming underground scene — Blind Monarch, The Brothers Keg, King Witch, the more established Alunah and Trippy Wicked, and so on and so many.

Note Slomosa. Note Wolftooth. I would expect both to be touring Europe around this time. Green Lung too, for that matter.

There’s no way this isn’t going to be one to remember and it is my sincere hope to be there for it. Maybe I’ll see you there. Maybe we can hug.

Kudos and thanks to the Desertscene crew — Sarika, Jake and Reece — on and for a job well done.

Here’s looking forward:

DESERTFEST LONDON ANNOUNCE FULL LINE-UP FOR 2022 ·

A DECADE IN THE DESERT
CELEBRATING TEN YEARS WITH THE BIGGEST & MOST DIVERSE LINEUP YET

EXCLUSIVE UK PERFORMANCES FROM
WITCHCRAFT
(FIRST UK SHOW IN OVER A DECADE)
and
SHELLAC

As the home for all the things truly heavy, leading independent UK festival Desertfest have announced their full line up for 2022, which will take place in Camden, London from Friday 29th April – Sunday 1st May.

Celebrating their tenth year, next year’s festival promises to be their biggest and most diverse yet. Covering six venues across the heart of Camden and now including a full line up at The Roundhouse on both Saturday 30thApril and Sunday 1st May.

Founding owner of Desertfest Reece Tee comments, “Desertfest is 10 years old! I’m so proud that our independent festival has stood the test of time. What we have created is special, a decade of great bands, great friends and amazing memories. This year’s line up is a true reflection of how diverse Desertfest has become and with such a loyal audience, Desertfest can champion the underground for decades more to come.”

Headlining the Friday will be Swedish heavy rock masters Witchcraft, with a UK exclusive performance and their first UK show in over a decade.
Saturday’s headliners are none other than Chicago’s Shellac, who in another UK exclusive will be bringing their experimental post-hardcore sound to the Roundhouse. Fronted by the iconic Steve Albini, Shellac are one of those bands we all need to experience live, at least once. Whilst closing the festival on Sunday will be UK doom legends Electric Wizard, whose heavy sound encompasses the spirit of Desertfest.

Other acts confirmed include the likes of Corrosion Of Conformity, Orange Goblin and Truckfighters who all played the festival in its debut year in 2012 and there are further UK exclusive performances from hardcore-punks Integrity and the Ukrainian psych space rock trio Somali Yacht Club.

The festival will also see desert legends Brant Bjork and Nick Oliveri’s new band Stoner, who will be playing the Electric Ballroom and doomed heavy metallers Khemmis making their UK debut at The Underworld.

Please see below for the full Desertfest 2022 line up / stage splits.
Tickets are on sale now and are available at www.desertfest.co.uk

NEW TICKETS FOR 2022
Weekend Ticket (all venues) – £132 +fees
Friday Day Ticket (all venues) – £45 +fees
Saturday Day Ticket (all venues) – £50 +fees
Sunday Day Ticket (all venues) – £50 +fees
Saturday Roundhouse only – £35 +fees
Existing ticket holders from 2020’s postponed event have a number of options as the festival is now larger, with an added Roundhouse line-up on Saturday 30th April & Sunday 1st May.

EXISTING WEEKEND + DAY TICKET HOLDERS OPTIONS
Full refund
Weekend roll-over to 2022 without Roundhouse upgrade (access only to Electric Ballroom, Underworld, Black Heart & The Dev)
Weekend roll-over to 2022 with Roundhouse upgrade – £15 +fees
Day ticket holders can upgrade to a full weekend ticket – £92 + fees – or will be issued a refund. Upgrade options only available until May 7th ’21.
For any ticketing enquiries please contact sarika@desertscene.co.uk

Desertfest 2022’s artwork is hand drawn by legendary artist Arik Roper who has created illustrations for the likes of Sleep, Earth, Sunn O))), High on Fire, Kvelertak, Windhand and many more. As always, posters and other merch will be available to buy at the festival.

https://www.facebook.com/events/464163361105416/
http://www.desertscene.co.uk/support
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest
https://www.desertfest.co.uk/

Electric Wizard, Live at Desertfest London 2016

If there’s one thing Eyehategod aren’t short on, it’s history. Though just their sixth full-length in a career that goes back more than 30 years, the New Orleans sludge forebears represent a style of volatility that more than two generations of bands have sought in one way or another to emulate, and almost no one has come close to their chaotic, held-together-by-a-thread spirit. A History of Nomadic Behavior is their first outing for Century Media since 2000’s Confederacy of Ruined Lives and is separated from that record — in terms of studio LPs, at least — only by 2014’s self-titled, a “return” offering through Housecore Records that followed years of touring resurgence and legend-building.

There is almost nothing one might reasonably ask of A History of Nomadic Behavior that it doesn’t deliver. Certainly, the band — who also stylize the name as EyeHateGod — have seen several changes over the last 10 years, with the 2013 death of drummer Joe LaCaze and the departure of guitarist Brian Patton, who had been with Eyehategod since 1989 and 1993, respectively. Founding guitarist Jimmy Bower (also The Mystick Krewe of Clearlight and drums for Down) and vocalist Mike IX Williams are well intact, and along with longtime bassist Gary Mader and drummer Aaron Hill, Eyehategod present their stage-honed antipathy across 12 tracks and 42 minutes of the willfully destructive riff-punk that became sludge largely in their (and Crowbar‘s, to be fair) wake, because to call it anything else was and is simply inappropriate.

Inevitably, A History of Nomadic Behavior will be some listener’s first Eyehategod record. For as long as the band is tenured and as much of their audience might have aged along with them, their regular touring over the last 15 or so years has ensured that subsequent generations of listeners are likely to take them on, and while their early work in 1990’s In the Name of Suffering and the essential 1993 follow-up, Take as Needed for Pain, remain staples of the genre canon, it’s just not where everyone is going to start.

So what of the album as an introduction to the band? Williams is a poet, and, yes, he knows it. His vocals — recorded by esteemed producer and his Corrections House bandmate Sanford Parker — are arguably the rawest element on display throughout songs like “Fate What’s Yours,” “High Risk Trigger” and the closing “Every Thing, Every Day,” and his lyrics are spit through in guttural, vocal-cord-straining fashion, and by now it’s hard to think of him doing anything else except for the periodic drawl that complements, as in “Current Situation.” It’s easy to imagine his approach as a physical sensation; guttural in the truest sense in being from the gut. His disaffection, accompanied by a long and chronicled past of addiction, is nothing less than a hallmark of Eyehategod‘s work, and that’s true from the moment he arrives following the initial feedback of opener “Built Beneath the Lies” to the last shouts of “Kill your boss!” before “Every Thing, Every Day” cuts to noise and a final manipulated sample about being scared to go to sleep.

The narrative around A History of Nomadic Behavior — beyond the simple ‘there’s a new Eyehategod record and this is it’ — is that it finds Williams as a lyricist engaging with sociopolitical issues in a new way. Fair enough, but one would by no means call these songs, even “Current Situation,” political. “Circle of Nerves” strikes as a fitting summary of the anxiety of the last year of pandemic and social division, and “High Risk Trigger” takes a somewhat similar perspective in waiting for the shoe to drop, whatever shoe that might be and whatever its dropping might bring, but the lyrics are impressions and the delivery is harsh, and if you find you’re turned off by Williams feeling ‘ways about stuff,’ as Futurama once put it, my simple advice is to get over yourself.

For accompaniment, Bower‘s riffs are no less integral to Eyehategod being Eyehategod, and he wields feedback with the hand of a master. Noise is a crucial factor throughout A History of Nomadic Behavior, whether it’s serving as an intro as on “Current Situation” — how could it not? — or offsetting the start-stop chug of presumed side B opener “Anemic Robotic.” Fast or slow, punked or stoned, the guitar captures the sense of sway and crash that makes up so much of the band’s rhythm — and of course Mader and Hill have their roles in that too — and as recorded by James Whitten (who also mixed and mastered, with Parker having a hand in the mix as well), the guitar, bass and drums come through balancing thickness and grit, clarity and rawness as if to preserve the latter without sacrificing the former. It’s a tough niche to find, sound-wise, but listening to “The Trial of Johnny Cancer” — which introduces the paranoid sample that “Every Thing, Every Day” concludes — there’s still plenty of dirt in Bower‘s tone as Williams declares, “I’d rather be a corpse than a coward.”

The simple truth of A History of Nomadic Behavior is that the stakes aren’t that high for Eyehategod in putting out a new release, and nothing I say about it is going to matter in the slightest. They’re a live band, and they’ve worked hard to earn that reputation. New album or not, they were going to tour, and it doesn’t seem likely that A History of Nomadic Behavior is going to usurp their ’90s-era records as the foundation of their legacy. They steamroll through this collection of songs as they steamroll through everything. They know their audience — new or old — and there’s even a “Smoker’s Place” tucked late into the tracklisting to give a breather before “Circle of Nerves” and “Every Thing, Every Day,” reminiscent of Down‘s “Doobinterlude.”

Three-plus decades later, Eyehategod have kicked their way through every last expectation of their demise and stood the test of time. Their output is pivotal sludge, and though they’re not by any means prolific in terms of LPs, they know how to harness their signature ferocity in a studio setting when it comes right to it. Maybe the highest compliment one could pay A History of Nomadic Behavior is to say it sounds like Eyehategod. There was no way it would’ve come out otherwise.

Eyehategod, “High Risk Trigger” visualizer

A History of Nomadic Behavior lnk.to

Eyehategod website

Eyehategod on Thee Facebooks

Eyehategod on Instagram

Century Media website

Century Media on Thee Facebooks

Century Media webstore

New Orleans sludge institution EyeHateGod will release their first album in seven years, A History of Nomadic Behavior, in Spring 2021. They’ve re-signed with Century Media for the new offering, which will be the follow-up to their 2014 self-titled, a record for which they’ve consistently toured since its release. Actually, they were kind of on tour before they released it too. Pretty much since they started up again, they’ve been touring. You might say: they have a long track record of moving around from place to place.

There has to be some better way to phrase that.

I’ll confess I never really checked out the self-titled, because the rest of the universe was slathering it with hyperbole anyway and at that point why bother, plus I kind of found it easier to live without than I expected. I don’t know if I’m even cool enough to get to hear this one — the answer to that question more often than not is “no” — but A History of Nomadic Behavior is due out in Spring just the same, and it’s the joy of my day to get to post a quote from Mike Gitter, whom I remember fondly from his days at Roadrunner Records in NYC.

From the PR wire:

EYEHATEGOD RETURN TO CENTURY MEDIA RECORDS

NEW ALBUM, A HISTORY OF NOMADIC BEHAVIOR, ARRIVES SPRING 2021 (DATE TBA)

EyeHateGod have returned to Century Media Records, with an eye towards a Spring 2021 release for the band’s first album in seven years: A History of Nomadic Behavior (date TBA).

A joint statement from the band on the band and label reunion: “EyeHateGod are pleased to announce we’ve signed a licensing deal with Century Media Records USA and Europe…! We welcome the new changes along with the new year coming, and want this union to benefit everyone involved, especially our rabid and disturbed fans across the globe!”

“We’re happy to announce solidifying our worldwide relationship with EyeHateGod,” added Director of Century Media Records, Phillipp Schulte. “While Century Media has worked with the guys in the past, we’re excited to begin a new chapter with a record that easily ranks amongst this hard-working, heavy-touring band’s best. We are very much looking forward to releasing EyeHateGod’s A Historic of Nomadic Behavior.”

“EyeHateGod are survivors on every level,” says Century Media Records Vice President of A&R, Mike Gitter. “Since 1988 they’ve been part of the framework of extreme music and A History of Nomadic Behavior will be no exception. Theirs is a tough and turbulent road that would have stopped most bands dead in their tracks. Not these NOLA legends. Century Media has been part of their career from the early days and we’re excited to be working together again. EyeHateGod is here to stay.”

The cover art for A History of Nomadic Behavior has been revealed as the band and label prepare to share additional details about the album in coming weeks.

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
https://www.instagram.com/eyehategodnola
http://www.centurymedia.com
http://www.facebook.com/centurymedia
http://www.cmdistro.com

EyeHateGod, “Medicine Noose” official video

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Mike IX Williams of EyeHateGod (New Orleans, Louisiana)

—

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Same as everyone, some shows cancelled. We were taking the rest of the year off anyway, except for two different Psycho Fest shows and a couple make up gigs. So no tours were booked. We just came back from Europe from the Napalm Death tour and got back in America right in the middle of the madness. Everybody is healthy and safe. In fact Jim is all buff now. Weightlifting looks good on him!

What are the quarantine/isolation rules where you are?

I really don’t know because I’ve made up my own rules; stay the fuck away from humans, wear a mask and a black bandana with black gloves only, if I go outside. My mind has been in isolation since I figured out how to put an Alice Cooper record on the turntable so I’m fine with this. Can’t wait to tour again though, but it takes what it takes. No rush if it will flatten this thing.

How have you seen the virus affecting the community around you and in music?

It’s awful. Club workers, promoters, booking agents, recording studios, engineers, sound persons, record stores, roadies, drum techs, tour managers, merch sales people and more… All out of work for now. If the Ramones were alive, the guy who was the pinhead and carried the Gabba Gabba Hey sign would be out of work…

It’s an all around bummer.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I’ve been working on more writing and spoken word stuff, I’m playing guitar and doing artwork as well. I know the other guys are writing. I need to find a studio open as I need to finish vocals on the new EyeHateGod album. This time off was supposed to be for that, but everything is closed as of now. I’ll do them in a garage with Protools if someone will hook me up. EHG will be back out on the road possibly end of the year (Psycho Smokeout in October?) but definitely next year. We want everyone to be safe and healthy and buy our merch from www.eyehategod.ee

There’s a USA store and a European store. Keep your masks on and social distance for the rest of your lives, I am..!

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
https://www.instagram.com/eyehategodnola

Did you know it’s Labor Day weekend? I had no idea, but yeah, I guess we’re there. Look, I don’t know. I’m just trying to get through the days over here one at a time. All of a sudden it’s coming on autumn and the nights are getting colder and Black Cobra and Eyehategod are about to headline Scorched Tundra XI over the next two nights and I guess that means summer’s winding down. Chicago’s got two righteously curated bills to go with those headliners for the two-night event, as well as a badass poster to go with it, so if you happen to be in the area or, you know, live there, you might consider heading out to the show as an alternative to whatever else your plans were as you start your three-day weekend. Or four-day weekend. Or maybe you’re just unemployed and have some cash to go out. Either way, good shows deserve attendance, so attend.

Go with a friend. You strike me as the popular type. Go Whatsapp somebody and see if they’re free. I bet they are.

Dig it:

SCORCHED TUNDRA XI LINEUP: EYEHATEGOD, BLACK COBRA, CLOUD RAT, ASEETHE & MORE OVER LABOR DAY WEEKEND 2019

Scorched Tundra is proud to announce the entire lineup for its eleventh edition. Taking place on Friday/Saturday, August 30th and 31st at The Empty Bottle in Chicago, ST XI features newcomers and veterans of the festival from across the country.

Friday August 30th
Black Cobra
Cloud Rat
Varaha

Saturday August 31st
Eyehategod
Aseethe
Luggage
Hitter

Tickets can be purchased at these links:

Friday 8/30: https://www.eventbrite.com/e/scorched-tundra-xii-black-cobra-cloud-rat-varaha-the-empty-bottle-tickets-63083915690

Saturday: 8/31: https://www.eventbrite.com/e/scorched-tundra-xi-featuring-eyehategod-aseethe-luggage-hitter-the-empty-bottle-tickets-62997685774

Scorched Tundra’s mission is to give a new generation of up and coming – as well as established – artists a unique live platform in Gothenburg and Chicago. “The eleventh edition of Scorched Tundra focuses once again on talent from near and far. While headliners have historical connections with this festival, much of the lineup will be new to the festival and provide a wide musical variety, all at the convergence of dark, heavy and progressive. Balancing the dynamics of this lineup was an interesting and enjoyable challenge for this edition: I look forward to taking it in with you on Labor Day Weekend,” states organizer Alexi D. Front.

Tickets for August 31st and September 1st will be $20 per night.

https://www.facebook.com/events/2188327617956216/
https://www.facebook.com/ScorchedTundra/
https://www.instagram.com/scorchedtundra/
http://scorchedtundra.com

Black Cobra, Imperium Simulacra (2016)

I went back and looked, and on the posters for Desertfest Belgium 2018, every band’s logo appeared. It looked pretty crowded by the time their full lineup was announced, but that’s how it was. This year, it’s the second announcement for 2019, and already they’re showing some names written out in regular, non-logo letters. What does this tell you? Well, it might mean they’re going to add even more bands than last year. It might mean they want to highlight some of the bigger names, like Sleep, Eyehategod, Bongripper, Nebula, and so on. Or it might just be that they got someone new in to do the graphic design and that’s how they wanted to do it. Always possible to be reading too much into anything. Or everything, as it were. Hi. I look at a lot of festival posters. One tends to notice these things.

Anyway, six new bands added to Desertfest Belgium 2019 and nary a clunker to be found in the bunch. Info came down the PR wire:

DFBE’19 NEW NAMES! EYEHATEGOD, BONGRIPPER, NEBULA & MORE

We’re back, kickin’ butt and dropping names!

We have a couple of hard-hitting sludge and doom monsters added to our line-up, beginning with the absolute trailblazers of them all: EYEHATEGOD from New Orleans has been at it for over thirty years, and their most recent tour showed them in prime form. We’re excited to welcome them to our Antwerp Fest for the first time! Hailing from Chicago, BONGRIPPER is not a band of many words but their colossal and thoroughly evil riffage speaks big and loud volumes. And to complete this Unholy Triad, how about the legendary NEBULA who are back in the game with a new album that will be aptly named ‘Holy Shit’, and we have nothing further to add.

But of course, that’s only half the story… if you’re looking for some straight-up no-frills rock with killer hooks and catchy shout-along choruses, FIREBALL MINISTRY is your ticket – classic hard rock done right! And since no Desertfest would be complete without some proper Sabbath worship, we’re delighted to have HIGH REEPER on board, the proto-metal alliance from Reeperville (or so they claim). And finally, the glorious sound of the West Coast will be revived with CRYPT TRIP, sweet grooves and harmonies with just a touch of classic Dead.

Some old, some new, all fresh… we think this is is shaping up to be another DFBE line-up for the books, and we hope you all agree! More to come in 2 weeks time, stay tuned…

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/2260579413999993/
https://twitter.com/DesertfestBE

Oh, you know me. Just sitting on ass on a chilly proto-Spring morning, daydreaming of shuffling over to Portugal for a weekend this August, flying into the Azores and then over to Porto, taking a car, train, or maybe just some other magical means of conveyance out to Moledo on the coast and then pretending to be a human among all the skinny Europeans at SonicBlast Moledo 2019, which has just added the likes of Earthless, Graveyard, Eyehategod, The Devil and the Almighty Blues, High Fighter, Cardiel and Jesus the Snake to a lineup that was already (un)fairly packed before them, with Om and Orange Goblin and Windhand and so on.

Maybe I’m sipping my 45th cup of coffee on the second or third day of the fest and watching Minami Deutsch expand minds via psychedelic jams, or maybe Dopethrone have made even that most pristine of locales (in my mind, anyway) seem utterly filthy with their crusty sludge. Either way, the point is I’m there to see it. In my daydreams.

Announcement from the fest:

We’re very proud to share with you the latest additions to SonicBlast Moledo 2019 line up:

Revered swedish heavy rock band Graveyard, NOLA kings EYEHATEGOD, San Diego cosmic warriors Earthless, The Devil And The Almighty Blues and their slow, dirty, heavy blues (which today are releasing their new album “Tre”), the intense and powerfull High Fighter, mexican power duo Cardiel and one of the freshest talents emerging from the portuguese underground, JESUS THE SNAKE!

3 days that you’re never ever forget!

Om (usa) + Graveyard (sw) + Eyehategod (usa) + Orange Goblin (uk) + Earthless (usa) + My Sleeping Karma (ger) + Windhand (usa) + Monolord (se) + Lucifer (se) + The Obsessed (usa) + The Devil and The Almighty Blues (nor) + Dopethrone (can) + Toundra (es) + Satan’s Satyrs (usa) + Sacri Monti (usa) + Harsh Toke (usa) + Petyr (usa) + High Fighter (ger) + Zig Zags (usa) + Kaleidobolt (fi) + Cardiel (mex) + Maidavale (se) + Minami Deutsch (jp) + Maggot Heart (se) + Jesus The Snake (pt) ++ some more tba ++

Artwork by Branca Studio

SonicBlast Moledo 2019
8, 9 and 10 of August
Moledo
Portugal

https://www.facebook.com/events/183265999284942/
https://www.facebook.com/sonicblastmoledo/
https://sonicblastmoledo.com/

A heartfelt happy fifth anniversary to Abraxas Events in Brazil. For the last half-decade, brothers Felipe and Rodrigo Toscano have worked diligently and passionately to both bring outside heavy to Brazil and to foster their national scene, making an impact almost immediately with their first tour having been Mars Red Sky, who’d wind up recording their second album while they were in the country. That kind of work has only continued since then, and from bands like Radio Moscow to Neurosis, to the founding of Abraxas Records as a natural extension of their booking arm, the company keeps growing while remaining true to its core principles.

Five years will be marked with a two-night Abraxas Fest in São Paulo and Rio de Janiero. Both nights are headlined by Eyehategod and Samsara Blues Experiment, showcasing the reach to established US and European acts, while support will be from Noala and ITD (aka Into the Dust) the first night and Pantanum and Jupiterian the second, highlighting the domestic underground of Brazil.

Seems like a killer time either way, and many more to Abraxas, in terms of both years and festivals:

ABRAXAS FEST – Eyehategod & Samsara Blues Experiment

In October we will celebrate our 5TH ANNIVERSARY. We have prepared a special celebration and we have already called our audience for this great party! We will have the legendary North American band eyehategod for the first time in Brazil, and also the German power trio samsara blues experiment, plus two local opening bands in each of the shows (Noala and itd, day 13/10 in São Paulo and jupiterian And pantanum day 14/10 in Rio de Janeiro!

See you soon!

Art: Victor Bezerra

Abraxas was founded in September 2013 by the brothers Felipe and Rodrigo Toscano, debuting with the tour of the French band Mars Red Sky. Focusing on an audience whose taste transits between rock and roll and classical psychedelia from the 60s and 70s and more modern strands like Stoner, Doom and Sludge, but still without an identity or even a scene established in Brazil, Abraxas quickly became a benchmark in the national circuit by successfully promoting not only the circulation of foreign bands throughout the country, but also a constant and growing movement of local bands themselves.

Tickets: https://www.sympla.com.br/abraxas-fest-2018—5-anos—rio-de-janeiro__279932

https://www.facebook.com/events/428628674243793/
https://www.facebook.com/events/1925147550842727/

https://www.facebook.com/abraxasevents/
https://www.instagram.com/abraxasfm/
https://www.abraxas.fm/

Eyehategod, Live in St. Petersburg, Russia, April 22, 2018