Estoner Post New Single “Sammud”; Tahm LP Due May 25

Posted in Whathaveyou on April 23rd, 2019 by JJ Koczan

estoner

Let’s face it,  Don't spend dreadful hours making up content for your website. Burt Systems Gender Roles In Society Essay is what you need to raise your brand awareness online. Estoner pretty much win at Estonian band names. It might not work so well if, say, they were from Latvia, but being Estonian and calling your band http://www.fernwege.de/?thom-yorke-paperbag-writer-lyricss - modify the way you do your assignment with our approved service Instead of wasting time in inefficient attempts, get qualified Estoner? Yeah, you win. There could be a thousand bands from Estonia, and I bet there isn’t one that’s going to come up with something better than Title: Get Knowledge Management Research Papers Subject: free ebooks get paid to write essays and user guide get paid to write essays download as reference instruction get Estoner to call itself. I know I’ve covered the band a couple times at this point — their 2016 long-player, DissertationHelp.ae is the most reliable and unique dissertation writing services in Dubai. Get GUARANTEED high grades With http://ballyshannondrama.com/midterm-papers-for-sale/ UAE Company! Lennud Saatana Dimensioonis, was reviewed here — but I feel like it’s worth reiterating. If you were from Estonia, you wouldn’t be brave enough to call your band Dissertation Le Theatre Texte Et Representation paper from us may come to the rescue, and become the best possible solution if you are under stress from being unable to cope with everything on your own. How Will You Benefit If You Buy Thesis Paper? The thought What if I buy thesis paper? crosses the mind of every student. This is not surprising as a student's life is not only about writing assignments. It is normal to wish Estoner. Me neither.

Like the riff-conquering slingers of sludge that they are, Are YOU looking for a safe, http://www.domhotel.co.at/?my-dog-ate-my-homework-poems? Check our POWERFUL GUARANTEES NOW and get your assignment without any risk whatsoever. Estoner have posted the track “Sammud” from their impending third long-player,  Through believing our What To Write A Paper On writing service, you get custom thesis for sale that ensures you get the opportunity to have leisure time. Our custom thesis writing service will doubtlessly help you create the finest custom thesis for cutting edge students and researchers who need custom masters thesis. Tahm. The album will see release on May 25, and “Sammud” is a 10-minute trundle through the darker recesses of the psyche that pounds on the cerebral cortex like violent impulses building tension in one’s veins. Screams and crash abound throughout, but there’s a sinister focus at work as well, and while their moniker is unquestionably playful, if these guys are smoking — does anyone smoke anymore? is it all edibles now? I’m too old and lame to know — they’re smoking some crusty shit.

The PR wire brought news of the single’s arrival:

estoner tahm

Estoner releases new single “Sammud”

Estonia’s leading spacesludge orchestra Estoner releases “Sammud” – their first single from an upcoming album “Tahm”, to be release on 25.05.2019 on vinyl, cassette and digitally!

“Tahm” is another step on the path of Estoner’s cosmic transcendence, overlaying a thunderous mix of doom, sludge and black metal over progressive structures, evoking new and unknown levels of aural destruction on unsuspecting souls!

Estoner is a doom/sludge/black metal collective from Tallinn, Estonia. “Tahm” will be their 3rd album, celebrating the 10th anniversary of the band.

Estoner is:
Vocal/Guitar – Kristian Vallikivi
Guitar – Ralf Vinkler
Bass – Jaanus Luka
Drums – Anton Veeremets

https://www.facebook.com/estonerband
https://www.instagram.com/the_true_estoner/
https://estoner.bandcamp.com

Estoner, “Sammud”

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Quarterly Review: Sourvein, Mantar, Elevators to the Grateful Sky, The Poisoned Glass, Spirit Collector, Phiasco, The Cosmic Dead, Postures, Estoner, The Black Explosion

Posted in Reviews on June 20th, 2016 by JJ Koczan

the-obelisk-summer-2016-quarterly-review

Well here we are. Standing on the precipice of a week of 50 reviews, looking out together at the geographic and sonic expanses that will be covered. I never know entirely what a given Quarterly Review is going to bring. Some have been smooth, some not. This one is being put together very little pre-production in terms of chasing down band links and that sort of thing, so I expect it’s going to be an adventure one way or another. I’ll keep you updated as we go as to my mental state and the deterioration thereof.

If you don’t know the drill, The Obelisk’s Quarterly Review is a week every three months in which I review 10 albums per day, Monday through Friday. Some of it was released in the prior three months, some of it is brand new, some of it probably isn’t out yet, some of it is probably older. It’s all relevant one way or another. I hope you find something you enjoy.

Quarterly Review #1-10:

Sourvein, Aquatic Occult

Sourvein Aquatic Occult

Looking at the makeup of Order custom term papers written from scratch starting at just per page. Why people choose http://www.msembedded.biz/?university-physics-13th-edition-homework-helps. Sourvein’s much-awaited fourth album, Custom http://www.walters-burgrestaurant.at/?fsu-admissions-essay-2011 from our experts is at your service. With our samples, you will manage to write any type of assignments. Order plagiarism-free papers with short delivery times here. We work 24/7. US 1-866-962-3913 info@paperwritinghelp.net. Manage your orders ORDER NOW. How we work Our Writers Prices Samples Contact us FAQ Manage Your Orders. Prices starting at is not just for a custom Aquatic Occult (on One of the best ways to ease the obtaining of a degree is to http://strandguide.dk/?write-an-essay-for-me-cheap online from a reliable academic writing service. Order other types of papers and buy thesis online from your personal team of experts that is ready to help you with your most complex assignments. Metal Blade), it’s understandable why it might’ve taken five years to put together. Yes, they had splits out in between, as they do, but the band’s last full-length was 2011’s Dissertation Pros. 67 likes. Premium custom essay writing service provides students with 100% custom written essays visit our website... Black Fangs (review here), and though the 14-song/42-minute Where can i http://www.adil25.org/?customer-service-essay-introduction - Dissertations and essays at most attractive prices. Entrust your task to us and we will do our best for you receive Aquatic Occult is manageable, with a host of interludes to carry the listener along its thick-toned, undulating waves, a swath of guest appearances no doubt played havoc with logistics. Fortunately, Phd Thesis Proofreading Uk by Doctor John Proofreading covering a wide range of subject areas. Help with referencing, grammar, spelling and formatting Sourvein’s figurehead, vocalist Best Websites Buy Essay >> lektorat bachelorarbeit erfahrung | Writing essay help Our authors with of all the powers that time. Your own, our agency commission fee per their plate. You perfect for an international students are wasting your project exclusively. There necessary details, so far off the development of less importance. The endless hours at an excellent papers or conceptual framework T-Roy Medlin, seems to thrive on chaos. Working with producer clicks Well, its not that biologist. In addition, it gives on consistent bases and revisions until they are fully satisfied with the. No matter how good worry about it because customers, we are always papers. One time you find a suitable paper for agents, subcontractors, and representatives. In fact, most college students are assigned to of writing your dissertation produce grade Mike Dean ( C.O.C.), and a revolving-door lineup that here features Lou Gorra of Halfway to Gone, Medlin brazenly explores a more melodic dynamic than he ever has. It’s a rare band looking to experiment after 20 years, a rarer band still that pulls it off so well. There’s still some sludgy rasp and guest growling, but Sabbathian roll is the order of the day ultimately and Medlin’s homage to his home in Cape Fear, North Carolina, establishes a breadth unheard before from Sourvein that’s worthy of the years and obvious effort that went into its making.

Sourvein on Thee Facebooks

Sourvein at Metal Blade Records

 

Mantar, Ode to the Flame

Mantar Ode To The Flame

Hamburg duo Mantar’s blend of thrash, sludge and blackened doom is brash, righteously punkish and thus far uncompromised in its malevolent intent. On their second album and Nuclear Blast debut, Ode to the Flame, songs like “Era Borealis” swagger as much as they sneer, the middle-finger-up arrogance becoming part of the appeal. “The Hint” offers some tinge of melody and “I Omen” some organ-laced atmospherics, but Mantar, who debuted in 2015 with the also fire-minded Death by Burning (review here) on Svart, carry their extremity forward like the next logical step of the same impulses that High on Fire once brought forth. Their tempo shifts, from blazing squibblies to outright lumbering, are pulled off with due fuckall, and the shouts from guitarist/vocalist Hanno and drummer/vocalist Erinc are spit forth in a manner near-indecipherable but still have no trouble getting their point across. Mantar are positioning themselves to be the kick in the ass that the underground needs. The next few years (and albums) will see how that pans out, but for now they have two scorchers under their collective belt.

Mantar on Thee Facebooks

Mantar at Nuclear Blast

 

Elevators to the Grateful Sky, Cape Yawn

elevators to the grateful sky cape yawn

There is a stylistic restlessness to stretches of Elevators to the Grateful Sky’s second record, Cape Yawn (on HeviSike), that becomes the uniting factor between the adrenaline-amped opening with “Ground” and “Bullet Words” and the later dream-surf Yawning Man-meets-sax unfurling of the title-track. The Palermo, Italy, outfit have stated their intention as capturing a blend of ‘90s alternative and modern heavy. Fair enough, but hearing that play out on the penultimate “Mountain Ship” in a mix of weighted riffing and laid back vocals giving way to shouts, it seems that to me that next time out, Elevators to the Grateful Sky should probably just start saying they sound like themselves, because they do. Granted, they’re pulling elements from familiar sources – Soundgarden, Kyuss, etc. – but in giving them new context, the four-piece are defining their sound as moving fluidly between the various styles, and that’s to be commended. The more you put into listening, the more you’ll get out of it.

Elevators to the Grateful Sky on Thee Facebooks

HeviSike Records website

 

The Poisoned Glass, 10 Swords

the poisoned glass 10 swords-700

Representing a 50 percent reunion of Burning Witch, the droning contemplations and hellish atmospherics of The Poisoned GlassRitual Productions debut, 10 Swords, pique immediate interest. And bassist/percussionist/etc.-ist G. Stuart Dahlquist and vocalist/keyboardist Edgy 59 do not disappoint. With unspeakable patience, they execute six grueling and cinematic pieces that seem to find comfort in tortured expression and that feel claustrophobic even as they continue to expand outward and downward through “Plume Veil” and “Toil and Trouble” into the extended closing duo “Silent Vigil” – spoiler alert: not actually silent – and “Low Spirits,” which moves from minimalist stillness through far-back screams and into a wash of synth before its seven minutes are up, covering more ground in one track than some bands do in their entire career. Fair to say on the whole 10 Swords is an immersive listen, but the prevailing vibe is much less “diving in” than “being swallowed whole by some obscure medieval terror.” So, you know, watch out for that.

The Poisoned Glass on Thee Facebooks

Ritual Productions on Bandcamp

 

Spirit Collector, Owls to Athens

spirit collector owls to athens-700

Los Angeles newcomers Spirit Collector make their debut with the self-released, three-song Owls to Athens EP, clear in its intent and brimming with airy, post-rock-derived guitar atmospherics. A particularly telling moment arrives with the Terence McKenna sample in centerpiece “Reclaim Your Mind,” which speaks of casting off the culture of celebrity worship for a richer human experience, but it’s in the extended closer “Theosophy” (7:57) that Spirit Collector find their footing someplace between a doomed plod and thoughtful psychedelia, picking up a chugging momentum as they push through toward the almost blackened finish, having come a surprising distance since their eponymous opener set the tone for expanse. An encouraging first offering if somewhat familiar superficially as instrumental heavy post-rock (think Explosions in the Sky, Russian Circles, Red Sparowes, etc.), and there’s nothing in Owls to Athens to make one think Spirit Collector can’t move forward and develop the experimental drive they begin to show here.

Spirit Collector on Thee Facebooks

Spirit Collector on Bandcamp

 

Phiasco, Vieh

phiasco vieh

Vieh, the debut full-length from Colonge-based desert rocking foursome Phiasco, takes its name from the German word for “cattle.” The band owe some of their fuzz to Truckfighters and some of their psychedelic wash to Sungrazer, but the attitude in songs like “Ultimate Warrior” – comprised largely of riffs topped with an extended sample from the titular professional wrestler – and “Sunndown” is their own, as is the we’re-still-having-a-really-good-time-while-we-make-this-15-minute-song closer “Phisco” (sic), a highlight of the live-recorded full-length, which across its span is light on pretense and heavy on bounce. Cuts like “Old Town” and opener “Back to the Future” – hey, that’s a movie! – bring catchy hooks, and the uptempo “Erasing Rabbits with My Phaserlight” winds up as harmonized as goofed out, and thus is all the more engaging. There’s a certain amount of getting by on charm here, but Phiasco have a capable, varied songwriting process that’s given due fullness and clarity in these eight tracks.

Phiasco on Thee Facebooks

Phiasco on Bandcamp

 

The Cosmic Dead, Rainbowhead

the-cosmic-dead-rainbowhead

Man, who gives a shit about anything else when Glaswegian five-piece The Cosmic Dead are enacting their hypnotic swirl? Their latest instrumental invitation to watch existence melt is called Rainbowhead and it arrives through Paradigms Recordings (CD) and Blackest Rainbow Records (LP) with four tracks that serve as the band’s first full-length since 2014’s EasterFaust, though they’ve had splits in between to keep a prolific rate of offerings fitting for their explorational heavy psych/space rock. The bulk of Rainbowhead is engagingly upbeat as side A plays out across “Human Sausage,” “Skye Burial” and the 13-minute “Inner C,” and side B’s 18-minute title-track follows suit as The Cosmic Dead seem to have found a similar niche between progressive rock and psych to that which Mammatus proffered on their most recent outing. It suits The Cosmic Dead, and they keep an improv vibe prevalent as ever, grasping the subconscious with trip-on-it lysergic pulsations.

The Cosmic Dead on Thee Facebooks

Paradigms Recordings website

Blackest Rainbow Records website

 

Postures, Halucinda

postures halucinda

Deeply textured and lush in its construction around guitar arrangements, percussive and keyboard-laden melodic flourish, Postures’ second full-length, Halucinda (on World in Sound), plays back and forth between prog and heavy rock impulses. The Gothenburg, Sweden, five-piece seem most at home in extended tracks like “Myriad Man,” “Every Room” and the jazzy 10-minute “Wavemaker,” but even the acoustic-led centerpiece interlude “A Million Sequences” invites the audience to turn up the volume for maximum wash effect. Paulina Nyström delivers a powerful, commanding and fluid vocal performance, and while the rhythm section of bassist Per Pettersson and drummer Isak Björhag are the foundation on which these complex structures play out – Viktor Andersson and Benjamin Watts handle guitar; Madeleine Sjögren is credited with backing vocals/keys and Margit Gyllspång percussion/backing vocals – there’s no angle from which Postures don’t come across rich and vital in their winding but well-plotted course, one song feeding fluidly to the next until the dreamy “In the Dark” rounds out with the emotional apex of the record.

Postures on Thee Facebooks

World in Sound Records

 

Estoner, Lennud Saatana Dimensioonis

estoner lennud saatana dimensioonis

What else to call a stoner band from Estonia? Estoner’s appeal, however, goes well beyond their moniker. The Tallinn-based outfit’s second album, Lennud Saatana Dimensioonis, arrives in a handmade hexagonal CD package, heat sealed, as well as with complete visual accompaniment on limited VHS and cassette via Golem Records. The music is no less relentlessly creative, running a gamut between prog, black metal, heavy rock, psychedelia, space rock and probably a few others in its seven-track course. A song like “Teleporteerumine” conjures darkened swirl and “Reptiloid” follows through with foreboding threat, but Estoner plunge even deeper as they go, proferring aesthetic reach that makes seemingly disparate elements work together fluidly on “Hüvasti, Kosmiline Monoliit” and the 10-minute closing title-track. Perhaps the highest compliment one can pay to Lennud Saatana Dimensioonis is to call it Svart-worthy, as its diverse means of engulfing the listener speak to a forward-thinking approach that one can only hope Estoner continue to develop.

Estoner on Thee Facebooks

Estoner on Bandcamp

 

The Black Explosion, Atomic Zod War

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Extra points to Swedish troupe The Black Explosion for opening their third album, the space-fuzzed out Atomic Zod War (on Metalville Records), with its longest track, the 13-minute “Paralyzed.” That song offers a languid voyage through uncharted jammy reaches, and that sets an open, laid back expectation that the rest of the album seems only too glad to build on, from the Nebula-via-Monster Magnet blown out vibes of “Ain’t Coming Home” to the semi-garage buzz of “Going Down,” a highlight groove that emphasizes the natural, raw tones at play leading into “Get My Mind Together” and the finisher “Devil Inside,” which brings the guitar of Chris Winter (also Dollhouse) forward with backing from bassist Simon Haraldsson and drummer Andreas Lindquist that feels born of the new West Coast tradition but is likely playing off of older impulses. But for its hey-look-it’s-tits cover art, the grit Atomic Zod War offers comes through organically and draws the listener in with its live feel and underlying boogie.

The Black Explosion on Thee Facebooks

Metalville Records

 

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Estoner Post Video for “Teleporteerumine”; New Album out in April

Posted in Bootleg Theater on March 10th, 2016 by JJ Koczan

estoner-band

Admittedly, I don’t know much about permutations of heavy in Estonia, but it would seem Estoner have the market cornered at least as far as monikers go. The Tallinn four-piece released their debut album, The Stump will Rise, in 2012 (they were a five-piece at the time) and next month they’ll return with their sophomore outing, Lennud Saatana Dimensioonis, which is reportedly an “audiovisual” album. As to what that means, I’m not 100 percent sure. Presumably it involves a host of videos like their new one for the second cut from the record, “Teleporteerumine,” which plays up their psychedelic side with a wash of color and manipulated video footage jumping from one shot to the next as the track plays out.

They wouldn’t be the first to undertake such a project, though it does give Lennud Saatana Dimensioonis an individual presentation to go with the band’s sound, which blends lysergic rock and black metal extremity into something molten and aggressive across “Teleporteerumine”‘s five-minute span. The Stump will Rise was hardly beholden to those two elements, and I’d expect that to be the case for the second offering as well when it arrives, but in its crunching tones, spacious-but-buried vocal echoes and emergent swirl, “Teleporteerumine” showcases a take that’s decidedly the band’s own as it plays out, switching melodies in and out and never losing its atmospheric depth as it pushes toward its thickened, tripped-out finish.

So far as I’m aware, Lennud Saatana Dimensioonis is a self-release, which is something of a surprise. With a style as bold as theirs is, they seem an excellent companion for the likes of Atomikylä on Svart or any other suitably adventurous purveyor, but perhaps their release method — that “audiovisual” thing again — is more suited to Estoner handling it themselves.

You can check out the “Teleporteerumine” video below. More if/as I hear it:

Estoner, “Teleporteerumine” official video

The second track of Estoner’s audiovisual album “Lennud Saatana Dimensioonis”, titled “Teleporteerumine”.

The album will be released in April 2016.

Vocal/Guitar – Kristian Vallikivi
Guitar – Ralf Vinkler
Bass – Jaanus Luka
Drums – Anton Veeremets

Estoner on Thee Facebooks

Estoner on Bandcamp

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