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Live Review: Sleep and Earthless Meets Heavy Blanket in Boston, 08.24.14

Posted in Reviews on August 27th, 2014 by JJ Koczan

Sleep. (Photo by JJ Koczan)

I parked behind what used to be Boston’s legendary punk venue The Rat and made my way over a bridge across the Masspike, which cuts right through the city, and down a street behind Fenway Park to the House of Blues. It was Sunday night. The evening prior, I’d been in Pennsylvania watching All Them Witches, King Buffalo and King Dead (review here) win hearts and minds at The Living Room in Stroudsburg. I was beat from the drive, but this was Sleep, and some things you just don’t miss when you’re lucky enough to get the chance to see them.

Earthless Meets Heavy Blanket (Photo by JJ Koczan)House of Blues. Big. Corporate, but clearly run by professionals. Mezzanine tickets cost more, I think. The privilege of standing further away at a premium. Uh huh. I walked in and over to the crowded merch area — even Sleep‘s t-shirts seemed to cause a mosh pit to break out — and found Arik Roper selling vinyl, pillowcases, posters, etc. He seemed to be busy all night, and for good reason. Sleep‘s new single, “The Clarity” (review here), had just gotten a 12″ release, and legitimately it was sweet looking. Then, poof, it was gone.

Run down though I was — and, if I’m honest, still am — I’d have had a hard time pretending not to be excited for this show. Anytime Sleep comes around, it’s a special occasion, something to be celebrated, and the support slot being filled by a one-off Earthless Meets Heavy Blanket jam only added to the appeal, the influential San Diego trio — it seems fair to think of them at this point as a nexus for the current crop of heavy psych bands coming out of that area — teaming up with J. Mascis (Heavy Blanket, Witch, Dinosaur Jr.) for what if I’m not mistaken was the first time since their performance at Roadburn 2012 (Sleep also played that year), a staggering landmark of jammed heavy recently issued as the Earthless Meets Heavy BlanketIn a Dutch Haze vinyl and CD (review here). As far as nights go, I knew this was going to be a good one.

There was no grand introduction as Earthless — guitarist Isaiah Mitchell (also Golden Void), bassist Mike Egington and drummer Mario Rubalcaba — took the stage, no “Guess who this is!” posturing. They rolled in, turned on their amps, Rubalcaba took his seat behind the drums, in front of the riser that Sleep‘s Jason Roeder would soon occupy, and slammed into 45 minutes of straight jamming. The interplay between Mitchell and Mascis, who shared a side of the stage, was unbelievable, and as Egington and Rubalcaba locked a foundation down early, the guitarists set about tripping out solos and effects washes and riffs that would carry through for the entirety of the cosmic exploration. Whatever you might’ve called the piece — “In a Fenway Haze?”Sleep (Photo by JJ Koczan) — it moved up and down and sideways, was molten in its changes and overwhelming in its sprawl.

The thing to do was to lose yourself in it. That’s harder in a live space — at least sober — than when listening to a record, but if anyone was ever going to take you on a ride, it was these cats. And they did. Even the big rock finish of the set was about five minutes long, everything huge, swirling and terrifying in both cohesion and scale. I dug it, I dug it, I dug it, and I’m willing to bet six new bands formed in the crowd while Earthless Meets Heavy Blanket played. All the better. Sleep would be on a different rip when they came out, but were no less glorious, the kings of stoner riffing riding high both on the new single and on the promise of an inaugural Australian tour to come, and a couple more shows on this run as well. Bassist/vocalist Al Cisneros (also Om), guitarist Matt Pike (also High on Fire) and Roeder (also Neurosis) came out after a short break, and it was plain from the start of opener “Sonic Titan” that everyone was having a really good time on stage.

I think back to the first time I saw Sleep, four years ago in Brooklyn. They killed. God damn were they loud. But watching them play, you could see the differences in how they handled themselves on stage. Cisneros came across like he might’ve with Om, a very contemplative, subdued presence. Pike, in contrast, was battle-axe brazen, everything one might expect from watching a High on Fire gig. As the two founding members of the band with Roeder between them, the split in personality was evident, right there to be seen. At House of Blues, it was just the opposite. Not only in how Cisneros and Pike interacted, but in their individual presences and in how solid the three-piece was with RoederSleep weren’t so much a reunion act whose members went on to find success in other bands. That disparity was nonexistent. They were a vital trio, reveling in their classic material — Sleep’s Holy Mountain featured heavily with “From Beyond” and “Holy Mountain” early and “Aquarian” and “Dragonaut” after delving into “Dopesmoker” — but more than ever that I’ve seen them, very obviously ready to move forward as well.

Perhaps that was most evident in Cisneros‘ performance. He toyed with the rhythm of his vocal delivery for “Dopesmoker” and elsewhere — the clarion lines “Drop out of life with bong in hand/Follow Sleep (Photo by JJ Koczan)the smoke toward the riff-filled land” marked by a sustained, almost growling “drop” — and when the stoner caravan of “From Beyond” arrived, it did so with delighted emphasis on “stoner.” Predictably, at some point late in the set, someone tossed a joint on stage, and Pike, who had an electric cigarette on standby, gave it over to Cisneros, who lit up and earned a round of applause for it. He was far from the only one in the room.

“Dragonaut” got the biggest response of the night, which one would expect, but for me, seeing them play “The Clarity” complete with the sampled, compressed intro of its central riff, was a particular highlight, and the appeal of watching Sleep perform their first new recorded material in over a decade’s time wasn’t lost on the crowd either. They closed out with a wash of noise and riffs in “Antarcticans Thawed” and “Cultivator,” as if to further emphasize the vitality and relevance of their project and its ongoing nature. By then, House of Blues was a place of worship, and anywhere Sleep wanted to go, the place was ready to follow. Their utter command of their sound, the joy and chemistry they conveyed in delivering it, and the sheer volume with which they did were remarkable. Even before they were done I found myself asking what could’ve been better, any sense of impartiality I might posture having been reduced to a pummeled mush of fanboy glee.

Feedback carried over after they were done, but those who hadn’t left still showed appreciation after the amps were turned off — pretty sure that was Stoneburner‘s Damon Kelly I saw tech’ing, and if so, I wonder if he was in charge of the endearingly fake setlist at the front of the stage with some choice Montrose song titles like “Rock the Nation” and “Clown Woman” — and there was a short cry for one more song before the house lights came up. Soon enough, it was time to mill out and back across that highway-spanning bridge to the car, the bounce of “Dragonaut” still holding sway on my consciousness, though, admittedly, that seems to be a permanent condition.

More pics after the jump. Thanks for reading.

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The Obelisk Radio Adds: Earthless Meets Heavy Blanket, Fever Dog, Thine, Dwellers and Electric Lucifer

Posted in Radio on June 17th, 2014 by JJ Koczan

These are a little later than I’d prefer, but if I ran everything on time around here as much as I wanted to, it would probably take me 24 hours a day. Sometimes you have to go to the post office, or to The Patient Mrs.‘ workplace to scam free printer paper. I’m just saying things come up that can alter the course of your planned afternoon. One can either be flexible or go insane.

So, better (perpetually) late than never, and I hope you’ll agree with me that this stuff was worth waiting for.

Adds for June 17, 2014:

Earthless Meets Heavy Blanket, In a Dutch Haze

Behold the megajam: The jam that launched a thousand jams, and insert further hyperbole here, because this one earns it. At Roadburn 2012, the illustrious lineup of J. Mascis (Witch, Dinosaur Jr.) and his Heavy Blanket bandmate Graham Clise (also Witch and Lecherous Gaze) joined forces with Earthless‘ rhythm section, bassist Mike Egington and drummer Mario Rubalcalba for a one-time-only, off-the-cuff instrumental jam that has since become the stuff of legend. Yes, a legend two years later. Now dubbed “Paradise in a Purple Sky,” that hour-long one-track excursion into pure heavy psychedelic bliss is available as Earthless Meets Heavy Blanket‘s In a Dutch Haze, and the vibe is less that of a live album than a historical document. Call it lightning in a bottle, call it any other cliche you might want, but chances are In a Dutch Haze is going to be the best live release you hear this year, and if the echoing intertwining guitar solos and unhindered thudding groove — immaculately captured by Marcel van de Vondervoort — aren’t enough to stir your soul and drive you to creation, then I’ve got nothing for you. This is heavy psych at its most vibrant and righteous. Burning World Records, Outer Battery Records.

Thine, The Dead City Blueprint


The Dead City Blueprint (out on Peaceville Records) is actually the third full-length from UK-based Thine, but it’s also their first since 2002, so the feel winds up somewhat like a debut anyway. What happened in the interim? Well, drummer Dan Mullins from the two-guitar five-piece has doubled in My Dying Bride since 2006, so that could at least partially explain the delay. Whatever else may have caused the stoppage, Thine make up for the years with 10 deep explorations of dark, melancholic rock. “Out of Your Mind and into a Void” is almost singularly indebted to Damnation-era Opeth, and opener “Brave Young Assassin” finds Thine somewhere between a less keyboarded Katatonia and a more active version of Anathema at their moodiest, but “The Precipice” provides an early peak to The Dead City Blueprint with a surprise reinterpretation of NWOBHM guitar intricacy and wonderfully arranged vocals from Alan Gaunt, whose performance takes the piece to someplace entirely the band’s own. Winding, airy lead lines in “The Rift” will be a dogwhistle to those in the know, but the piano-inclusive apex of “Scars from Limbo” and ambient finale “Adrift through the Arcane Isles of Recovery” speak to an individuality in development, and if Thine get a follow-up out sometime before 2026, I wouldn’t be surprised to find them grown further into their style. Thine on Thee Facebooks, Peaceville Records.

Dwellers, Live at Bar Deluxe 29-04-2014


As the title hints, Live at Bar Deluxe 29-04-2014 is a new live release from Salt Lake City heavy rockers Dwellers, recorded in their hometown at the end of April. That puts it prior to the street date for their second album, Pagan Fruit (review here), but two cuts from that — “Rare Eagle” and “Totem Crawler” — make appearances anyway alongside highlights drawn from the first Dwellers offering, 2012’s Good Morning Harakiri (review here). Both those records were on Small Stone, but this 34-minute set is a self-release free download, essentially a band-endorsed bootleg to be spread around. The audio quality is definitely in the “audience recording” vein, but clear enough to let the spaciousness of “Old Honey” sink in as it flows out of “Ode to Inversion Layer,” and as this is as close as I’ve yet come to seeing Dwellers — the three-piece of guitarist/vocalist Joey Toscano, bassist Dave Jones and drummer Zach Hatsis — live, I’m more than inclined to take it. Hearing Toscano nail the chorus to “Totem Crawler” as well as he does here only emphasizes how much I need to catch a gig sooner rather than later. Maybe it’s a fan piece, but screw it, I’m a fan. Dwellers on Thee Facebooks, Dwellers on Bandcamp.

Fever Dog, “Iroquois”


Just a quick look from these jammy Palm Desert youngsters at what their forthcoming sophomore full-length, Second Wind, will hold, but “Iroquois” bodes well, and in its two-minute span one can hear space rock ideals beginning to make themselves felt amidst a still tonally weighted push, the band’s confidence emerging as their sound continues to expand. Comprised of guitarist/vocalist/thereminist Danny Graham, bassist/noisemaker Nathan Wood and drummer Joshua Adams (also synth), Fever Dog show they have a clear dedication to being more than a heavy rock band, and as brief as “Iroquois” is, the immediateness with which it enacts a vibe puts Second Wind on my list of most anticipated albums for the second half of this year. Lot of potential for the desert’s next generation. Fever Dog on Thee Facebooks, Fever Dog on Bandcamp.

Electric Lucifer, Coming to the Mountain


Not to be confused with Cincinnati’s Electric Citizen, Cleveland-based triple-guitar stoner rollers Electric Lucifer get down to some post-Electric Wizard idolatry on their Dec. 2013 Coming to the Mountain three-track EP. The nod is central and effective, and with three guitars at work, riffing is obviously half the point, though the leads mesh naturally with well-held grooves on “Electric Lucifer,” which leads off, and the subsequent “Phantoms from the Outer Rim” and “Red Wizard,” the last of which finds Electric Lucifer at their most blown-out, proffering stoner rock for stoner rockers with a clear passion for the tenets of the genre. There isn’t much fancy about it, but with a reemerging interest in straightforward Sabbath worship and a subsequent full-length released shortly after from Electric Lucifer, easy to think the five-piece would hit a nerve for heads already converted and looking to nod out. Electric Lucifer on Thee Facebooks, Electric Lucifer on Bandcamp.

Also added this week were releases by John Garcia and Swedish stoner punkers Lightsabres. For the full list of updates and more, check out The Obelisk Radio updates page.

Thanks as always for reading and listening.

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Earthless Meets Heavy Blanket 2012 Roadburn Jam to See Vinyl Release

Posted in Whathaveyou on May 29th, 2014 by JJ Koczan

Over the last couple years, Roadburn has given birth to some legendary jams. Their late-night set in 2012 might not have been the first time J. Mascis (Witch, Dinosaur Jr.) kicked it off with the guys from Earthless, but in the couple years since it’s become a landmark for the fest and a model of one-off collaborations they’ve continued to refine. That set, under the title In a Dutch Haze, will be released on vinyl shortly, and it’s available to preorder from Outer Battery Records and Roadburn/Burning World Records now.

The lineup was Graham Clise and Mascis, both of Heavy Blanket, and Mario Rubalcalba and Mike Eginton of Earthless. Thus, Earthless Meets Heavy Blanket.

The PR wire has it like this:

EARTHLESS Meets HEAVY BLANKET “In A Dutch Haze” to be Released July 8

Titanic Team-Up Featuring Psych Rock’s Heaviest Hitters Takes Physical Form!

Monstrous Mash-Up From Members of Dinosaur Jr., Lecherous Gaze, OFF!, Rocket From the Crypt, Sweet Apple, Witch and More Delivers Whiz-Bang Wallop the Likes of Which the World Has Never Heard Before!!!

This July, a colossal collaborative concert, previously privy only to those who were fortunate enough to have helped fill a Netherlandic concert hall multiple moons ago, will be unleashed in awesome audio form as EARTHLESS Meets HEAVY BLANKET In A Dutch Haze. The out-of-this-world recording will see a July 8 release date via Outer Battery Records / Roadburn Records.

Back-story: an impromptu heavy psych JAM between J Mascis (DINOSAUR JR, SWEET APPLE, WITCH and one of both Rolling Stone and SPIN’s “Greatest Guitarists of All Time”) and California space rock masters EARTHLESS at the 2009 SXSW Festival left an onlooking crowd stunned and breathless. When word of the performance spread, the world-renowned musicians were asked to play the main stage of Holland’s annual international rock festival, Roadburn, to attempt to recreate the magic that revved-up an Austin audience at what was thought to be a one-time event.

Fast forward to the 2012 installment of the fantastic fest; when EARTHLESS’ guitarist Isaiah Mitchell had to back out at the last minute due to unforeseen circumstance, six-string shredder Graham Clise from J Mascis’ loud, psychedelic project HEAVY BLANKET (and who also plays with Mascis in WITCH and in the bitchin’ Bay Area band LECHEROUS GAZE) stepped in on second guitar. Backed by the best rhythm section in today’s adventurous rock world — Mario Rubalcaba and Mike Eginton from EARTHLESS — the quartet stormed the stage for what would become an incredible one-time happening, leading to almost a full hour of some of the most mind-bending heavy psych imaginable. The epic jam session gave birth to shredding psychedelia and hard rock blues underpinned by the muscular rhythmic sensibilities of kraut-rock and the unbridled energy of 70’s guitar rock. The formidable foundation laid by drummer Rubalcaba became a jumping off point for Mascis, Clise and Eighton to explore their inner cosmoi for consciousness-expanding riffs and music-induced psychedelic experiences.

Track listing:
1.) Paradise in a Purple Sky (58:34)

Now, the rest of the planet can ready their receivers and hoist headphones on high as the full live set from that magical evening in Tilburg is set to be unleashed upon an unsuspecting world! Far-out, gatefold-spanning artwork by San Francisco tattoo artist and designer Tim Lehi (High on Fire, Black Anvil, Xasthur) perfectly animates this incredible audio adventure, while matchless mastering by Carl Saff (Boris, Guided By Voices), pushes this priceless performance over-the-top. Flame retardant clothing is highly recommended!

EARTHLESS Meets HEAVY BLANKET In A Dutch Haze is available for pre-order purchase now at this location. The initial LP pressing takes the form of a special, 2xLP on purple sky vinyl, limited to 300 copies. Collectors, don’t delay!

http://burningworldrecords.com/artist/earthless-meets-heavy-blanket
http://www.outerbatteryrecords.com/products/earthless-meets-heavy-blanket-in-a-dutch-haze

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