Quarterly Review: Leather Nun America, Corsair, Sea, The Munsens, Gondola, Space Mushroom Fuzz, Deep Aeon, Teepee Creeper, Hellrad, Venus Sleeps

Posted in Reviews on April 2nd, 2015 by JJ Koczan

the obelisk quarterly review

Day four. I’d be lying if I said I wasn’t feeling it, but you know, that’s what caffeine is there for. If I push past the day’s quota of mental energy, fine. Hasn’t stopped me yet, and there are only 20 reviews of the total 50 left. Not quite the home stretch, but it’s up there on the horizon. Some cool stuff today, and that always helps as well.

Quarterly Review #31-40:

Leather Nun America, Buddha Knievel

leather nun america buddha knievel

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Nine Records on Bandcamp

Corsair, One Eyed Horse

corsair one eyed horse

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Corsair on Thee Facebooks

Shadow Kingdom Records

Sea, Demo

sea demo

“Seer,” “Moros” and “Chronos” are the first three tracks to be released by Boston newcomer post-metallers Sea, but already their Demo showcases an impressive atmospheric breadth. Churning riffs from guitarists Liz Walshak (who also drew the cover; ex-Rozamov) and Mike Blasi (Rhino King) are given added depth from bassist/vocalist Stephen LoVerme (Olde Growth), and propelled ahead by drummer/engineer Andrew Muro, though there’s room left in each cut for ambience as well, “Seer” trading off, “Moros” beginning a linear build, and “Chronos” finding a middle-ground in switching between harsh and clean vocals before a slowdown brings about the chugging, memorable finale. Opening with its longest cut (immediate points), Demo proves an ambitious first release, but there’s nothing Sea set out to do on it that they don’t accomplish, and I take it as a particularly encouraging sign that in three cuts, there’s just about no structural repetition to be found. That bodes well in the classic demo sense, but more than what’s to come, these songs are already worth hearing.

Sea on Thee Facebooks

Sea on Bandcamp

The Munsens, Weight of Night

the munsens weight of night

Aggressive Sabbath-style doom with East Coast roots – The Munsens recorded at Moonlight Mile with Mike Moebius (Pilgrim, Kings Destroy) in NJ – Weight of Night finds the trio amidst the legal flora of Denver, Colorado, which is a fitting enough setting for the three riff-led cuts they offer on the tape. Of them, side one’s “Slave” is the most decidedly Iommic, a layered solo rounding out after “Under the Sun”-style descent — it also opens with a sample of Julie Newmar as the devil from The Twilight Zone — but both “Weight of Night” and side two’s 11-minute “The Hunt” boast the root influence as well, though the latter is invariably a standout for its crawling progression, almost Pallbearer-esque, that pushes up the tempo in its second half, arriving at a driving pace that’s even farther from where it started than the runtime would have you believe. The opening title-track works somewhat similarly, but ends with a piano interlude, and the shouting, metallic vocals hold back later on “The Hunt,” making its lumbering all the more hypnotic.

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The Munsens on Bandcamp

Gondola, Get Bent

gondola get bent

Philly trio Gondola waste just about no time showing off primo guitar antics on their Budro Records-released Get Bent LP, a penchant for jamming underscoring a lot of the wah-drenched movement on opener “Brain Ghost” and its side A compatriots “Psychic Knife,” “Poison Path” and “The Hornet.” There’s a decidedly stoner influence, vocals gaze-out Dead Meadow-style on “Psychic Knife,” but a Naam jam in “Brain Ghost” and the Fu Manchu drive of side B highlight “Electric Werewolf” offer plenty of variety within that sphere, guitarist/vocalist Rocky Rinaldi, bassist/vocalist Jordan Blumling and drummer Tim Plunkett finding space to make their own thanks in no small part to a palpable chemistry between them. Heavy rock and roll, and a damn good time, Get Bent comes across more as a suggestion than an imperative by the time the arm’s returned after “Life Cult” but either way, Gondola’s jam-laden push and brainmelter leads make this one a howler not to be missed, and just because it vibes hard doesn’t meant the songs don’t move.

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Gondola on Soundcloud

Space Mushroom Fuzz, Future Family

space mushroom fuzz future family

Consistently unpredictable and reliably prolific, Boston outfit Space Mushroom Fuzz – spearheaded by Adam Abrams of Blue Aside – isn’t through opener “Let’s Give Them Something to Hate About” before a sampled bong and sickly-sweet solo interwine with a progressive psychedelic jam. One never really knows what’s coming from Space Mushroom Fuzz, and on Future Family, it seems to be a blend of traditional songwriting with the project’s long-established weirdo sensibilities. “A Day in the Strife” is particularly Floydian, but even that has a structure, and “Saving all My Love for U2” has just about the heaviest, most straightforward push I’ve heard from Abrams in this context, even though there’s plenty of freakout to be had as well. What holds the release together is the persistent anything-goes vibe, which is maintained even unto the acoustic-led swirl of closer “L’Americana,” not quite fully departing an underlying cynicism, but escaping sonically the irony in some of the album’s titles in a manner that’s sincere whether or not it wants to be.

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Space Mushroom Fuzz on Bandcamp

Deep Aeon, Temple of Time

deep aeon temple of time

The key to Deep Aeon’s Temple of Time (released on H42 Records) is in the momentum the German four-piece commence to build on opener “Element 24” and how utterly unwilling they are to relinquish it at any point over the release’s 29-minute span. Even six-minute closer “River” has a shuffle – and handclaps. Vocalist Marcel Röche keeps a gruff edge to his voice throughout, but that could just as easily be from keeping up with guitarist Alexander Weber, bassist Axel Meyer and drummer Nikolaj Marfels. Songs like “Floating” and side-B launch “With that Priest on the Back Seat” offer straightforward fuzzy heavy rock, but rhythmically, Temple of Time swings and swings and swings and there’s just no getting away from it. If the record was 50 minutes long, I’m not sure it would be sustainable – someone’s bound to need to catch their breath, band or listener – but for being in and out in under half an hour, Deep Aeon make a clean, efficient run with little use for letup. Bonus points for the Alexander von Wieding artwork.

Deep Aeon on Thee Facebooks

H42 Records

Teepee Creeper, Ashes of the Northwest

teepee creeper ashes of the northwest

“Come with me, let’s go get high,” urges Teepee Creeper guitarist/vocalist Jon Unruh on “Rainbow Sex Glow” from his band’s seven-track/33-minute Ashes of the Northwest full-length, recorded by Mos Generator’s Tony Reed, who also drums and whose band released a split 7” with Teepee Creeper last year (review here). I won’t say “let’s go get high” sums it all up, but a lot of it. Riffs rule the day, and deservedly so, on tracks like “Far Far Away,” the live-tracked “Crushing the Gods of Men” and “The Raven’s Eye,” which caps with a particularly righteous roll. Rounded out by bassist Jeremy Deede – no slight presence in the mix – and now featuring drummer Ian Hall, Teepee Creeper seem to get better the higher the volume goes, the impressive and open-sounding tones surrounding the listener on the aforementioned “Rainbow Sex Glow” like a meaner version of Texas’ Wo Fat, and yes, that is a compliment. The album may or may not reduce their native region to ashes, but it’s bound to turn some heads in their direction.

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Teepee Creeper on Soundcloud

Hellräd, Things Never Change

hellrad things never change

How right the umlaut-happy Hellräd are when the Philly sludge slammers posit that Things Never Change. Their destructive, blown-out grime makes its nihilism plain in songs like “Homegrown Terrorist,” “My Jihad Against My Own Mind,” “Dopefiend Jesus,” and of course “Smoke More Crack,” weighted, lumbering grooves switching off at a clip with full-speed punker fuckall. Guitarist Mike Hook, noisemaker/vocalist Dirty Dave (not the same Dirty Dave from The Glasspack), bassist Herb Jowett and drummer Robert Lepor get down to all-out bludgeonry from the start of “Street Zombies,” the opener and longest track (immediate points) at 6:55, but there’s just something about the rolling groove of “Fuck Up (All I’ll Ever Be)” that hits home. Probably not as primal in its making as the energy with which it’s conveyed might lead one to believe, the ultra-nasty 38-minute debut full-length is nonetheless likely to leave a dent in your skull. Or have your skull leave a dent in something else. A wall, maybe. Or another skull.

Hellrad on Thee Facebooks

Hellrad on Bandcamp

Venus Sleeps, Dead Sun Worship

venus sleeps dead sun worship

Working in longer form on the four original tracks included on Dead Sun Worship, their full-length debut, Dublin four-piece Venus Sleeps make an atmospheric centerpiece out of the Syd Barrett cover “Golden Hair,” which in the context of what surrounds it is almost an interlude. Shades of Electric Wizard show themselves on the howling “I am the Night,” but the opening duo of “Ether Sleeper” and “Dawn of Nova” is more progressive, the guitarist/vocalist Sie Carroll, guitarist/backing vocalist Steven Anderson, bassist Seán O’Connor and drummer Fergal Malone exploring a psychedelic blend of doom and heavy rock riffing that comes to the fore again on 11-minute closer “Age of Nothing,” despite that song’s healthy dose of wah. The range they show in the original material seems only bolstered by the cover, and especially as their debut, the ambition and scope Venus Sleeps showcase is admirable. There are moments when the production seems to contract when a given part wants it to expand, to sound bigger, but Dead Sun Worship lacks nothing for clarity in purpose or execution.

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Venus Sleeps on Bandcamp

 

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Corsair Release Video Teaser for One Eyed Horse

Posted in Whathaveyou on October 7th, 2014 by JJ Koczan

corsair

Virginian progressive heavy rockers Corsair will release their second full-length for Shadow Kingdom Records, One Eyed Horse, in January 2015. The double-guitar four-piece toured Europe earlier this year and recorded the follow-up to 2012’s Corsair (review here) last winter in their native VA, which is where we find them in the new video teaser they’ve posted ahead of the album.

Presumably, the farmscape we’re seeing is that surrounding White Star Sound in Louisa, Virginia, where basic tracks for One Eyed Horse were done live with engineers Adam Wolcott Smith and Andy Gems over the course of last December/January, with vocals, solos and other additional recording added at Mulberry Inn in Charlottesville by bassist/vocalist Jordan Brunk and guitarist/vocalist Marie Landragin. The band is completed by guitarist/vocalist Paul Sebring and drummer Wade Warfield. What we see in the clip seems to be the live tracks being laid down, though there could be some solo stuff mixed in there as well — Corsair use a lot of lead guitar — but it’s pretty obviously a laid back atmosphere in the studio, lots of laughs, funny faces, goofy voices, early drinking, the occasional pillow positioned as a phallus, and so on. All the usual shenanigans, in other words, which is as it should be.

There aren’t any vocals shown, but we still seem to get enough to get an idea of what Corsair are up to this time around, and it’s cool to get a glimpse of how it came together as it was happening:

Corsair, One Eyed Horse video teaser

Corsair have also released three tracks from the album for streaming on their Bandcamp page, “Ghostlands,” “One Eyed Horse” and “Brothers,” and I’d be remiss if I didn’t include them as well. Once again, One Eyed Horse is out in January 2015 through Shadow Kingdom Records. More to come, I’m sure:

Corsair on Thee Facebooks

Corsair on Bandcamp

Shadow Kingdom Records

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