Roadburn 2015: Robert Hampson of Loop, BardSpec, Abrahma, Gnaw Their Tongues, Death Penalty and More Added to Lineup

Posted in Whathaveyou on January 29th, 2015 by JJ Koczan

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I knew there were a few more adds to come from We offer legitimate and credible Essay Writing Competitions For High School Students help at an affordable cost. Custom writing tasks are handled by highly trained and skilled Roadburn 2015, but to get another 20-plus in a single shot is something of a surprise. Take it as a reminder of the scale of this thing and of the beast that  link – Polish Your Paper to Perfection. Very often completing the long-suffering thesis seems to be the end of the way to you as a student. You have arrived in a safe haven, and you can cast an anchor, submit the paper and land ashore to enjoy all pleasures of freedom. Unfortunately, the reality is grim. Before you complete your path to the desired degree, you will Roadburn 2015 has become and how, with five stages across three venues, it seems ever more on the march to consume the whole town center of Tilburg in the Netherlands. To call it astounding feels like underselling it.

Today, in addition to posting this massive round of adds to  http://www.hospiz-aktuell.de/?short-essays-online - Instead of wasting time in inefficient attempts, get professional help here Forget about those sleepless nights working on your Roadburn 2015, I’m happy to announce that I’ll be covering the festival for the seventh time and, for the second year in a row, serving as editor of the in-fest ‘zine, the Weirdo Canyon Dispatch, working with The Sleeping Shaman’s  If you How To Do A Book Report Assignment or thesis from our highly educated and competent professionals who have completed a great number of unique theses and dissertations for thousands and thousands of students worldwide, our highly trusted and respected company ensures a high-quality, unique and creative piece of writing written from scratch exclusively for you in accordance with all the indicated Lee Edwards as in 2014 to bring a daily publication to life for each day of the fest. I’m thrilled to be involved in the  http://www.gergonne.com/?essay-suggestions | My expectation is to complete final revisions by the end of January, receive and respond to committee feedback by the end of February, and have a final defense by the end Roadburn crew in this small way again and can’t wait to get to work again with  web link. You can save more than 25%* on your order with us! Lee and a host of writers way more talented than myself at putting this thing together. In fact, I think I’ll get started now.

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Okay, here’s that info:

New additions announced including ‘Roadburn Festival Introduces’ act, and artists for curated event

Roadburn Festival is pleased to announce new additions to the 20th edition of the festival. The festival will take place April 9th-12th in Tilburg, The Netherlands. Both day tickets and weekend tickets are currently on sale.

More details confirmed for curated event

Roadburn 2015’s curators Wardruna’s Einar “Kvitrafn” Selvik and Enslaved’s Ivar Bjørnson have almost completed the line up for their event on Friday April 10. Loop main man, Robert Hampson and Swedish psych heroes, Agusa will both perform alongside Focus, Death Hawks, SĂłlstafir and others. BardSpec – the Ambient project/band from Enslaved composer/guitarist Ivar – will also perform at the event. Einar will present a workshop which will delve into his approach to music and the extensive creative concept behind Wardruna´s ongoing ‘Runaljod’ trilogy as well as his approach and study of the runes and other Norse esoteric arts. He will demonstrate a selection of the oldest Nordic instruments, play fully accoustic Wardruna music and there will also be time for questions from the audience.

For information on Robert Hampson, CLICK HERE
For information on Agusa, CLICK HERE
For information on BardSpec, CLICK HERE
For information on Einar Selvik, CLICK HERE

‘Roadburn Festival Introduces’ & Belgium focus

This year, ‘Roadburn Festival Introduces’ will focus on Belgium. Over the years, Belgium has become a hotbed of musical creativity, ranging from indie to garage rock, and virtually everything in between. Whether it’s a dark, psychedelic slant, an insatiable need to worship thee riff, or even developing a cult of their own, only to lure us into their spiraling-netherworld… there’s something about these bands that embodies the spirit of Roadburn.
The mysterious and yet bizarre Belgian band, Briqueville, will connect with the Roadburn community at the 013 on Saturday, April 11th.

In keeping with the Belgian theme, Brussels-based Moaning Cities, will bring their fuzzed-out, and sitar-driven psychedelia to Stage01 on Thursday, April 9th.
In collaboration with one of Belgium’s foremost bookings agencies, RuffStuffMusic, we offer Your Highness, King Hiss, Tangled Horns, Ashtoreth, and Miava an outlet in front of the receptive and open-minded Roadburn crowd on Saturday, April 11th at Cul de Sac. These up and coming talents richly deserve their place in the Roadburn line up and we’re thrilled to host such exciting, cutting edge bands as these alongside Roadburn’s established acts.

For more information on Briqueville, CLICK HERE
For more information on Moaning Cities, CLICK HERE
For more information on RuffStuffMusic: Your Highness, King Hiss, Tangled Horns, Ashtoreth, and Miava, CLICK HERE

New Additions to Line Up

The lineup for for Cul de Sac, the intimate music cafe, and Roadburn’s official fifth stage, located across from the 013 venue, is shaping up very nicely. We’re aiming to present four to five bands on each of the four days, Thursday through Sunday.

It is with enormous pride that Roadburn gets to announce a truly unique performance as Gnaw Their Tongues will bring their groundbreaking noise/doom/black metal assault to the festival on Sunday April 12th. Joining them will be torchbearers of French heavy rock, Paris-based Abrahma, Tilburg’s very own IZAH, and high octane Swedish rockers, Hypnos.

Today, we’re also excited to report that Verbum Verus, the Dutch black metal band, known for their intense live performances, will shroud Roadburn Festival in darkness with their hymns of praise on Thursday, April 9. We’re very pleased to announce that Big Naturals, Salope, City of Ships and Admiral Sir Cloudesley Shovell will complete the Friday lineup at Cul de Sac. And, given how fond we are of Admiral Sir Cloudesley Shovell, we’ve invited them to do two performances; they will also play the Green Room on Sunday, April 12.

Back over at the 013, we will have the riff-heavy Death Penalty playing on Saturday, April 11th – featuring ex-members of Cathedral and Serpentcult, this is going to be one show you don’t want to miss.

For more information on Gnaw Their Tongues, CLICK HERE
For more information on Abrahma, IZAH & Hypnos, CLICK HERE
For more information on Verbum Verus, CLICK HERE
For more information on City of Ships, Big Naturals etc, CLICK HERE
For more information on Admiral Sir Cloudesley Shovell, CLICK HERE
For more information on Death Penalty, CLICK HERE

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Moaning Cities, Pathways through the Sail (2014)

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They Built this City on Complex Genre Integration

Posted in Reviews on December 14th, 2009 by JJ Koczan

It's so vague! It must be artistic!It?s hard these days for a band to maintain any kind of mystique. MySpace, Facebook, Twitter and the preponderance of immediately accessible online zines has whittled down the rock star persona to lines in a label-scribed biography, for better or worse, and now when an act comes out and tries to withhold information about themselves, it seems more like they?re keeping secrets just to be obnoxious than like they?re full of any kind of mystery. Where are City of Ships from? I don?t know. They won?t tell anything more than ?United States.?

Something else they pride themselves on is being difficult to classify. The trio — Eric Jernigan, Andrew Jernigan and Rob Smith ? play out this cross-genre notion of indefinability on their full-length Translation Loss debut, Look What God Did to Us. And it?s true, they incorporate sounds from across a range of genres into a self-aware brew of sound, but it?s not nearly as difficult to nail down as their point of origin. Emo, post-hardcore and post-metal are the main ingredients, and from their melding, City of Ships winds up with an aggressive and esoteric crunch that more than anything else seems entirely conscious of what it?s doing. That is, everything here feels on purpose, thought out.

For a band?s debut, this is an impressive feat, but the downside is that with such rampant calculation, the spirit of spontaneity is practically nil. Longest cut (5:01) and centerpiece track ?March of the Slaves? is the album?s high point, but there are varying degrees of execution throughout, that just happens to be where the approach works best. Even so, the plotted feeling that pervades might be the result of overworking; I find myself wondering if City of Ships might be better off doing less at any given moment. Even the atmospheric parts have a sheen to them.

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