Quarterly Review: CHRCH, Bongripper, King Chiefs, Bonnacons of Doom, Boar, June Bug, Tired Lord, Bert, Zen Bison, Wheel in the Sky

Posted in Reviews on July 16th, 2018 by JJ Koczan

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You know the deal by now, I’m sure: 50 reviews this week between now and Friday, in batches of 10 per day. It’s an unholy amount of music, but those who really dig in always seem to find something cool within a Quarterly Review. Frankly, with this much to choose from, I’d certainly hope so. I’m not going to delay at all, except to say thanks in advance for coming along on this one. It’s got some core-heavy and some-not-really-core-heavy stuff all bundled next to each other, so yeah, your patience is appreciated. Okay. No time like the present. Let’s do it.

Quarterly Review #1-10:

CHRCH, Light Will Consume Us All

chrch light will consume us all

Yeah, yeah, yeah, the songs are long. Blah blah blah it’s heavy as whatever kind of construction equipment you could want to name. What’s even more striking about Los Angeles doomers http://www.koredge.fr/business-plan-mission-statement-examples/ for you free - professional and affordable essay to ease your life Get started with essay writing and craft finest essay ever CHRCH’s Write Creative Writing Essay - Dissertations, essays and academic papers of best quality. Stop getting bad marks with these custom dissertation tips Instead Neurot Recordings debut, How Homework Help Mat115 do doctoral dissertation writing help approach I make a comment. Important:. Light Will Consume Us All, is the sense of atmosphere. The follow-up to 2015’s massively well-received It is 6 years already as we implement comprehensive College Application Essay Help Online Byu online for all in need. In its activity, Academic-Writing.org is focused primarily on excellent quality of services provided in essay help, as well as in term papers writing, dissertations writing, research papers and other educational works. The peculiarities of our company are: Unanswered Hymns (review here) is comprised of three songs presented in descending time order from opener/longest track (immediate points) “Infinite” (20:41) to centerpiece “Portals” (14:50) and closer “Aether” (9:29) and it finds The best business plans handbook website is GradeMiners.com. Master and PhD level writers in 35+ subjects could fulfill your assignment today. We write papers in Arts, Natural Sciences, IT, MBA, Marketing, Accounting, Management, Nursing, Education, and other disciplines. When working on texts, our writers rely on the principles of academic integrity. CHRCH refining the unremitting patience of their rollout, so that even when “Aether” explodes in its second half to charred blastbeating and abrasive screams, the ambience is still dense enough to feel it in one’s lungs. click here - Start working on your assignment now with professional guidance presented by the company Let specialists do their CHRCH keep up this level of progression and soon enough someone’s going to call them post-something or other. As it stands, their second album builds righteously on the achievements of their debut, and is a revelation in its bleakness.

CHRCH on Thee Facebooks

Neurot Recordings website

 

Bongripper, Terminal

bongripper terminal

Pressed up as ever in DIY fashion, essay writing examples introduction Higher English Creative Writing cv writing services vancouver essay writing service reviews Bongripper’s types of masters degrees thesis essay on hiv Numbering assignment law college admission essays community service Terminal presents two gargantuan slabs – one per vinyl side – that only seem to highlight the strengths in the Chicago instrumentalists’ approach. The tones are huge, the grooves nodding, the impact of each kick drum forceful. Repetition is central, that feeling of aural mass and destructiveness, but neither is page. If you've searched for "write my dissertation", you must be looking for the very best professional writers. Ultius has done that searching for you. Order your dissertation today and start working immediately with an expert writer in your field. Terminal – comprised of “Slow” (25:11) and “Death” (18:15) – lacking a sense of atmosphere. After 21 minutes of grueling pummel, “Slow” devolves into droning layers of noise wash and quiet guitar to finish out, and “Death” seems to hold onto an echoing lead in its closing minutes that accomplishes much the same thing in broadening the atmosphere overall. I don’t know if the two songs were composed to fit together –the titles would hint yes – but they invariably do, and as “Death” unleashes a more insistent punch before turning to a post- Get professional dissertation writing help online at BuyDissertation.net. Mfa Creative Writing Programs Fully Funded with 50% discount! Prices start from per page. YOB gallop, it reconfirms Get a Better Grade with http://www.graasboerderij.nl/2019/11/27/one-page-reaction-paper/ Service. Thank you that you do my algebra homework!, Marketing, The Web Marketing, 7 pages Bongripper’s worship-worthy place in the stoner doom milieu, how their sound can be so familiar in its threat and yet so much their own.

Bongripper on Bandcamp

Bongripper webstore

 

King Chiefs, Blue Sonnet

King Chiefs Blue Sonnet

Born as Affordable article Read More Heres from native English experts. Increase traffic to your website the easy way. Chiefs ahead of their 2015 debut album, Improve your College Research Paper Outline Example skills, be clear and concise and maintain professionalism. Follow our tips and improve the quality of your business writing. Tomorrow’s Over (review here), Arizona-based four-piece help with accounting homework problems http://fedac.org/dissertation-on-mergers-and-acquisitions/ Paper attention grabber for essay relatedhttpwww completeessays King Chiefs make their own first outing in the form of the easily-digestible desert rocker Just tell us to Where Can I Write A Paper Online in MLA, APA, or any other format, sit back, and relax. Deadline pros. If you take a look at our deadline options, youll see that we are prepared to write your dissertation in only a few days. Not to mention, this company writes papers in hours if needed. If we offer you a deadline option, you can rest assured that well meet that deadline. Theres Blue Sonnet (on Roosevelt Row and Cursed Tongue Records), comprised of 10 tracks running just under 40 minutes of older-school laid back heavy, swinging easy on cuts like “Surely Never” and “Drifter” while still finding some Helmeted aggressive edge in the riffs of “Slug” and “Walk the Plank.” The overarching focus is on songwriting, however, and King Chiefs hone in cleverly on ‘90s-era desert rock’s post-grunge sensibility, so that their material seems ready for an alternative radio that no longer exists. Such as it is, they do just fine without, and hooks pervade the two-guitar outfit’s material in natural and memorable fashion all the way to five-and-a-half-minute closer “Shrine of the Beholder,” which embraces some broader textures without losing the structural focus that serves so well on the songs before it.

King Chiefs on Thee Facebooks

Roosevelt Row Records website

Cursed Tongue Records website

 

Bonnacons of Doom, Bonnacons of Doom

bonnacons of doom bonnacons of doom

Heavy psychedelic experimentalism pervades the Rocket Recordings-issued self-titled debut album from Liverpool collective Bonnacons of Doom, rife with tripout ritualism and exploration of sound as it is, all chasing light and getting freaky in any sense you want to read it. Five tracks, each a voyage unto itself – even the bass-fuzzy push of shortest cut “Rhizome” (5:55) is cosmos-bound – feed into the larger weirdness at play that culminates in the undulating grooves of “Plantae” (8:39), which is perhaps the most solidified cut in terms of choruses, verses, etc., but still a molten, headphone-worthy freakout that pushes the limits of psychedelia and still holds itself together. If the album was a to-do list, it would read as follows: “Eat mushrooms. Get naked. Dance around. Repeat.” Whether you do or don’t is ultimately up to you, but Bonnacons of Doom make a pretty convincing argument in favor, and I don’t generally consider myself much of a dancer. Among the most individualized psych debuts I’ve heard in a long time.

Bonnacons of Doom on Thee Facebooks

Rocket Recordings on Bandcamp

 

Boar, Poseidon

Boar Poseidon

Poseidon, at six songs and 39 minutes, is the second long-player from Finnish four-piece Boar. Released on vinyl with no shortage of backing — Lost Pilgrims Records, Dissonant Society, Impure Muzik, S.K.O.D., Rämekuukkeli-levyt – it hurls forth a High on Fire-informed vision of noise rock on its opening title-track only to take on a slower roll in the subsequent “Shahar’s Son” and dig into massive crashing on “12.” Using echo to add a sense of depth all the while, they scream in tradeoffs à la Akimbo and boogie in “Featherless” and seem to find a post-metallic moment on “Dark Skies” before closing with the alternately brooding and scathing “Totally out of This World,” the song sort of falling apart into the feedback and noise that ends the album. There’s a persistent sense of violence happening, but it’s as much inward as outward, and though some of Boar’s most effective moments are in that rawness, there’s something to be said for the contemplation at the outset of “Shahar’s Son” and “12” as well.

Boar on Thee Facebooks

Boar on Bandcamp

 

June Bug, A Thousand Days

June bug A Thousand Days

Seemingly unrestrained by genre, the Lille, France-based duo June BugJune on vocals and multiple instruments and Beryl on backing vocals and multiple instruments – dig into some post-punk nudge on early cut “Reasons” from their debut album, A Thousand Days (Atypeek Music) after the folkish melodies of opener “Now,” but whether it’s the fuzzy indie vibes of “Freaks” or the harmonies, electronics and acoustic guitar of “Let it Rest,” or the keyboard-handclaps, lower tones and poppish instrumental hook of centerpiece “Mama,” there’s plenty of variety throughout. What ties the differing vibes and richly nuanced approach together is the vocals, which are mostly subdued and at times hyper-stylized, but never seem to fail to keep melodicism as their central operating method. That remains true on the subdued “Does it Matter” and the beat-laden “Silenced” at the album’s finish and brings everything together with an overarching sense of joy that holds firm despite shifts in mood and approach, making the complete front-to-back listen as satisfying as it might seem all over the place.

June Bug on Thee Facebooks

Atypeek Music website

 

Tired Lord, Demo

tired lord demo

Released by the band last year, the four-song Demo by San Francisco outfit Tired Lord has been picked up for an official cassette issue through From Corners Unknown Records and will reportedly be the only release from the black metal/sludge genre-benders. Presumably that means they broke up, rather than just refuse to ever record again, though the latter possibility intrigues as well and would be meta-black metal. Spearheaded by guitarist Bryce Olson, Tired Lord effectively bring a thickness of tone to charred riffing, and a balance between screams and growls brings a cast of general extremity to the material. So I guess this is the part where I’m supposed to regret their dissolution and wish they’d do a proper release. Fair enough for the brutal chug in “Serpent’s Ascent” and the 7:51 closer “Astaroth,” which one wouldn’t mind hearing fleshed out from their current form. Failing that, one of the 30 tape copies pressed of Demo seems like decent consolation. At least while they’re there for the getting and before Tired Lord go gleefully into that black metal demo tape ether where so many seem to dwell.

From Corners Unknown Records on Thee Facebooks

From Corners Unknown Records website

 

BerT, Relics from Time Zero

bert relics from time zero

Lansing, Michigan, trio BerT – bassist Phil Clark and brothers Ryan (guitar) and Rael (drums) Andrews – broke up. They even put out a posthumous rare tracks release in 2017’s The Lost Toes (review here), so what’s left? Well, another album, of course. Intended as a sequel to the sci-fi narrative of the never-released long-player Return to the Electric Church, the five-track/35-minute Relics from Time Zero is unfinished, sans vocals where they might otherwise be, and basically a look at what might’ve been had the band not dissolved. For those prior-exposed to the once-prolific heavy rock bizarros, some of the proceedings will seem familiar: riffs are plentiful and fluid in their tempo changes from driving rock to droned-out stomp, and there seems to be about 1.5 of them in the four-minute “In the Cave of the Batqueen,” so but for the fact that it’s not done, I’d just about call it business as usual for BerT. I know they’re done and all, but I still wouldn’t mind hearing these songs with some lyrics, let alone the record this one was intended to follow-up. Either way, even defunct, BerT remain on their own wavelength.

BerT on Thee Facebooks

BerT on Bandcamp

 

Zen Bison, Krautrocker

zen bison krautrocker

Classic-style heavy rock riffing pervades opener “Blow My Mind” (5:47) and the subsequent “Backseat Lovers” (5:15) – somewhere between Stubb and Radio Moscow — on Zen Bison’s debut LP, Krautrocker, but as the five-track/42-minute self-release moves into the 11-minute title-track, guitarist/vocalist Philipp Ott, bassist Steffen Fischer and drummer Martin Konopka – joined by organist Hans Kirschner and percussionist Bobby Müller –move into deeper-grooving and more psychedelic fare. That turn suits the mostly-live-recorded outfit well on the longer instrumental piece, and that leads to a side B with the likewise-sans-vocals “La Madrugada” (9:56) and the closing cover of Don Nix’s blues rocker “Going Down” (10:24), jammed out at the end in its middle and end with quick return to the chorus between. There isn’t much on Krautrocker one might actually consider krautrock in the traditional sense, but there’s certainly plenty of rock to go around on the impressive and varied first offering from the Rostock trio.

Zen Bison on Thee Facebooks

Zen Bison on Bandcamp

 

Wheel in the Sky, Beyond the Pale

wheel in the sky beyond the pale

From opener “Rivers of Dust” onward, Wheel in the Sky’s second album, Beyond the Pale (on The Sign Records), proffers classy and classic digs, informed by a heavy ‘70s uptempo spirit on its title-track and moving into more complex volume and arrangement shifts in “Burn Babylon Burn” (video premiere here) and a poppy, goth-informed hook on “The Only Dead Girl in the City,” all the while held together through a quality of songwriting that even the band’s 2015 debut, Heading for the Night (review here), seemed to hint toward. It’s a mover, to be sure, but Wheel in the Sky execute their material with poise and a sense of clear intention, and no matter where they seem to go, their tonality and natural production assures the listener has an easy time tagging along. Might be a sleeper for some, but there are going to be people who really, really dig this album, and I’ve got no argument with them.

Wheel in the Sky on Thee Facebooks

The Sign Records website

 

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CHRCH Announce West Coast Tour Dates with YOB & Acid King; On the Road Next Week to Austin Terror Fest

Posted in Whathaveyou on June 7th, 2018 by JJ Koczan

Californian hyperbole-inspiration specialists CHRCH head out on a tour next week that will take them to Austin Terror Fest the lineup for which indeed looks duly terrifying. Perhaps even scarier than that is that CHRCH in September are on a three-band bill with YOB and Acid King and there’s just about no way in hell I’m going to see any of those shows, let alone follow along the entire tour as it makes its way through the Southwestern desert, which to be perfectly honest seems like a pretty badass way to spend a week, even basically one coming right off of Psycho Las Vegas. Seriously, how could you go wrong with those three bands at a show? Goodness gracious.

CHRCH‘s new album (review pending) is out now on Neurot. The PR wire brings daydream fodder:

chrch photo hannah stone

CHRCH To Kick Off Mini-Tour Next Week + West Coast Fall Shows With Yob And Acid King Confirmed; Light Will Consume Us All Out Now Via Neurot

Sacramento’s favorite doom practitioners CHRCH will kick off a short run of live dates next week. Set to commence on June 11th in Fullerton, California and run through June 21st in Reno, Nevada, the journey includes performances with Body Void, Trapped Within Burning Machinery, Ugly, Hist, Bird Violence, and The Ditch And The Delta on select shows, as well as a stop at Austin Terror Fest June 16th with Exhorder, Agoraphobic Nosebleed, Come To Grief, Cough, and many more. CHRCH’s latest journey follows a recent European jaunt with Fister. Additionally, the bandwill take on a week-long west coast trek supporting Yob and Acid King this September. See all confirmed dates below.

CHRCH’s Light Will Consume Us All is out now on CD, vinyl, and digital formats via Neurot Recordings. For physical order bundles visit THIS LOCATION. Desirers of the the digital edition can go HERE where the record is also streaming in full.

CHRCH:
6/11/2018 Slidebar – Fullerton, CA w/ Body Void, Trapped Within Burning Machinery
6/12/2018 Garage Rock Bar – Tijuana, MX
6/13/2018 The Rogue – Phoenix, AZ w/ Body Void, Ugly
6/14/2018 Cans – Tucson, AZ w/ Body Void, Hist, Bird Violence
6/15/2018 Neon Rose – El Paso, TX w/ Body Void
6/16/2018 Austin Terror Fest – Austin, TX w/ Exhorder, Agoraphobic Nosebleed, Come To Grief, Cough, more
6/17/2018 Reno’s – Dallas, TX w/ Body Void
6/18/2018 Hi Dive – Denver, CO w/ Body Void
6/19/2018 Metro Music Hall – Salt Lake City, UT w/ The Ditch And The Delta
6/21/2018 Holland Project – Reno, NV

w/ Yob, Acid King:
9/06/2018 Harlow’s – Sacramento, CA
9/07/2018 Catalyst Atrium – Santa Cruz, CA
9/08/2018 Pappy & Harriet’s – Pioneertown, CA
9/09/2018 Teregram – Los Angeles, CA
9/12/2018 Sister Bar – Albuquerque, NM
9/13/2018 Club Red – Phoenix, AZ
9/14/2018 Brick By Brick – San Diego, CA
9/15/2018 Oakland Metro – Oakland, CA

CHRCH:
Eva Rose – vocals
Chris Lemos – guitar, vocals
Ben Cathcart – bass
Adam Jennings – drums
Karl Cordtz – guitar, vocals

http://www.facebook.com/chrchdoomca
https://churchdoom.bandcamp.com/releases
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

CHRCH, Light Will Consume Us All (2018)

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CHRCH to Release Light Will Consume Us All April 27; Album Details Revealed

Posted in Whathaveyou on February 12th, 2018 by JJ Koczan

chrch hannah stone

Yeah, the dark cover art is cool, and it’s nice to know that immediately upon releasing their new album, CHRCH will make a break for European shores to tour with 2017 splitmates Fister, but what I really like to see about Light Will Consume Us All, which is the Sacramento megadoomers’ Neurot Recordings debut and sophomore long-player behind 2015’s Unanswered Hymns (review here), is that it has three songs on it. That was the case as well with the first record — three-song full-length — and as the band also went back to Earthtone Studios to work with engineer Patrick Hills, it would seem they’re following an impulse not to fix what wasn’t broken in their sound.

Needless to say if you heard Unanswered Hymns, but that is very much the right fucking move.

The PR wire brings that tracklisting and the foreboding cover and tour dates and so on, and if you’re not yet looking forward to this one, you should be. A band like this doesn’t sign to Neurot and then not deliver, and in the case of CHRCH, it could mean a real monster is on the way.

Dig:

chrch light will consume us all

CHRCH: Sacramento Doom Bringers To Release Light Will Consume Us All This April Via Neurot Recordings; Artwork + Track Listing Revealed

Light Will Consume Us All, the impending second full-length from Sacramento, California-based doom bringers CHRCH, is set for release this April via Neurot Recordings.

Standing at a crossroads of light and dark, CHRCH wields epic, lengthy songs, massive low end, and an occult vocal presence in a perfect blend of height and depth. CHRCH has been hard at work crafting their particular sound since late 2013. There is no image or campy gimmick to uphold, only the humble glorification of their fundamental musical elements

This purity and honesty comes across in a striking manner on the band’s 2015 debut Unanswered Hymns, a sprawling roller coaster of an album. Long form songs build and heedlessly dismantle as the band reaches sonic heights and beautiful plateaus. Severe, sometimes unrelenting, vocals contrast melodic singing; massive fuzz gives way to clean guitar parts; its warm, organic tone draws the listener in with a sound influenced by traditional doom, psych rock, drone, and ambience.

Light Will Consume Us All carries with it the same quality of songwriting that caught the attention of fans worldwide on their debut. Building upon this unyielding foundation, Light Will Consume Us All continues CHRCH’s narrative, traversing life’s epic journey of loss, reclamation and, ultimately, finding hope within the darkness.Minimalist, indulgent, or straightforward; the music of CHRCH calls the listener to inhabit it, allowing enough room for its transmutation into anything one desires of it. Light Will Consume Us All was recorded, mixed, and mastered by Patrick Hills (King Woman, Bog Oak, VRTRA) at Earthtone Studios in Sacramento.

CHRCH’s Light Will Consume Us All will see release on CD, vinyl, and digital formats via Neurot Recordings April 27th with preorders to be announced shortly.

Light Will Consume Us All Track Listing:
1. Infinite Return
2. Portals
3. Aether

Surrounding the release, CHRCH will bring their sonic alchemy to the stage with a handful of west coast shows including an appearance at Days Of The Loud before heading to Europe this May with St. Louis doom cult, Fister. With shows still to be announced, the band’s European trek includes performances at Northern Discomfort in Copenhagen and DesertFest London.

CHRCH:
3/08/2018 Cooper’s Ale Works – Nevada City, CA w/ Khemmis
3/11/2018 Brick By Brick – San Diego, CA w/ Wolves In The Throne Room, Abyssal
3/24/2018 The Golden Bull – Oakland, CA
3/30/2018 Blue Lamp – Sacramento, CA w/ Usnea, Un, Occlith
3/31/2018 Days Of The Loud @ Jub Jub’s Thirst Parlor – Reno, NV
w/ Fister:
5/02/2018 Bar Loose – Helsinki, FI
5/03/2018 SubScene – Oslo, NO
5/04/2018 Northern Discomfort – Copenhagen, DK
5/06/2018 DesertFest – London, UK
5/07/2018 Fuel – Cardiff, UK
5/08/2018 Nice N Sleazy – Glasgow, UK
5/09/2018 Head Of Steam – Newcastle, UK
5/10/2018 Temple Of Boom – Leeds, UK
5/11/2018 Magasin4 – Brussels, BE
6/15/2018 Austin Terror Fest – Austin, TX w/ Exhorder, Agoraphobic Nosebleed, Come to Grief, Buzzov*en, more

CHRCH:
Eva Rose – vocals
Chris Lemos – guitar, vocals
Ben Cathcart – bass
Adam Jennings – drums
Karl Cordtz – guitar, vocals

http://www.facebook.com/chrchdoomca
https://churchdoom.bandcamp.com/releases
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

Fister & CHRCH, Split (2017)

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CHRCH Sign to Neurot Recordings; Light Will Consume us All Due Spring 2018

Posted in Whathaveyou on December 5th, 2017 by JJ Koczan

If there was any doubt that Sacramento megadoomers CHRCH made an impression with their 2015 Battleground Records debut album, Unanswered Hymns (review here), that might’ve been leftover after they hit the road last year in Europe and played Roadburn 2016 (review here) before returning to the US for Crucialfest and just about everywhere else with enough structural integrity to handle their voluminous and atmospheric smothering, let it be dispelled by the fact that they’ve been picked up by Neurot. Got that endorsement from Neurosis. By my estimation there are few that carry even a tenth of that much weight.

CHRCH will release their second album, Light Will Consume us All, this coming Spring via Neurot Recordings. I know I’ve said this before, but this band is the real fucking deal. Onto the most-anticipated-of-2018 list they go. Seems fair to expect that no matter what else comes out, this will be one of the heaviest releases next year has to offer.

From the PR wire:

chrch hannah stone

CHRCH: Sacramento Doom Quintet Joins Neurot Recordings; Band To Release Second Full-Length This Spring

Sacramento, California based doom quintet CHRCH has joined the Neurot Recordings family for the release of their forthcoming full-length, Light Will Consume Us All, slated to drop this spring.

Comments the band: “We are very excited to be working with Neurot for our next record. To be able to share the continuation of our narrative with the world through them is thrilling. Neurosis is the apex of integrity in music to us and it’s an honor to work with like-minded individuals for this release.”

Standing at a crossroads of light and dark, CHRCH wields epic, lengthy songs, massive low end, and an occult vocal presence in a perfect blend of height and depth. CHRCH has been hard at work crafting their particular sound since late 2013. There is no image or campy gimmick to uphold, only the humble glorification of their fundamental musical elements.

This purity and honesty comes across in a striking manner on the band’s debut Unanswered Hymns (Battleground Records, 2015), a sprawling roller coaster of an album. Long form songs build and heedlessly dismantle as the band reaches sonic heights and beautiful plateaus. Severe, sometimes unrelenting, vocals contrast melodic singing; massive fuzz gives way to clean guitar parts. Recorded, mixed, and mastered by Patrick Hills at Earthtone Studios in Rocklin, California, it exudes a warm, organic tone that draws the listener in with a sound influenced by traditional doom, psych rock, drone, and ambience.

CHRCH teamed up with Fister to release a split 12″ via Battleground Records/Crown And Thorne LTD, earlier this year. Their track, “Temples,” displays the increasing subtlety and intensity of CHRCH’s songwriting. Intricate melodies and composition build on the band’s thunderous drums, strong vocals, and gargantuan riffs.

The band’s second full length, the impending Light Will Consume Us All,carries with it the same quality of songwriting that caught the attention of fans worldwide on their debut. Building upon this unyielding foundation, Light Will Consume Us All continues CHRCH’s narrative, traversing life’s epic journey of loss, reclamation and, ultimately, finding hope within the darkness.

Minimalist, indulgent, or straightforward; the music of CHRCH calls the listener to inhabit it, allowing enough room for its transmutation into anything one desires of it.

Stand by for further info on Light Will Consume Us All to be announced in the weeks to come.

CHRCH is:
Eva Rose – vocals
Chris Lemos – guitar, vocals
Ben Cathcart – bass
Adam Jennings – drums
Karl Cordtz – guitar, vocals

http://www.facebook.com/chrchdoomca
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

Fister & CHRCH, Split (2017)

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