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Darsombra Premiere “Call the Doctor” Video in All Time Zones

Posted in Bootleg Theater on April 20th, 2022 by JJ Koczan

darsombra

Well, it’s 4:20 somewhere. Today, as you may or may not already know, is April 20. High holiday for stoners, or at very least what would be one if everybody wasn’t just high all the time now anyway. By the way, legal weed sales in Jersey start tomorrow. Kind of jerk move to make it April 21, but whatever.

Anyhoo, about two weeks ago, Darsombra‘s Brian Daniloski — a friendly chap if e’er I’ve encountered one — reached out with what seemed like a fairly crazy idea. The duo — he and Ann Everton — are about to embark on their Spring tour going hither and yon, and to celebrate the day and the impending tour and the release of their upcoming 53-minute maxi-single cassette that, no, is not an album so don’t ask, and they wanted to premiere a video for the song “Call the Doctor.” Well heck, I’m on board for that.

Fine. Thing was, Darsombra weren’t just unveiling a video, which is pretty standard. They wanted to premiere the clip at 4:20PM in every time zone across the planet, so that all peoples in all nations could watch “Call the Doctor” at the appropriate moment on the just-right day and bask in the droner weirdness. It seems to have taken some finagling to make it happen, but they’ve done the thing, and today, you’ll find the clip below.

I haven’t even seen it yet. No clue what’s going on in it, flashing lights, whether it’s safe for work, any of that kind of thing. I’ve got a tab open in my browser with the countdown on for when it’s available in my time zone (Eastern US) and I’m looking forward to it, but if you haven’t watched, as of me writing this sentence, we’re in the same boat. Doesn’t matter. Darsombra‘s shenanigans are good times. If you’ve got friends in Secaucus, let ’em know.

Enjoy:

Darsombra, “Call the Doctor” 4/20 premiere

IT’LL BE 420 ALL OVER THE WORLD!!!

Darsombra’s new Official Music Video to “Call The Doctor” will be streaming LIVE in YOUR time zone on April 20th, 2022, at 4:20pm no matter where in the world you are!

Tune in to youtube.com/darsombra (direct link to livestream: https://youtu.be/zMce0VITr9c) to catch the brand new video (a meditation on the Earth origins of every science-fiction/fantasy narrative, and lovingly described as Star-Trek-meets-David-Attenborough), which will be playing on a loop at 20 minutes after the hour, every hour, on April 20th, from 12:20am EDT (UTC-4) through 11:20pm EDT—in other words, from 4:20pm at the International Date Line (UTC-12) to 4:20pm Kamchatka time (UTC +12)! Tell all your friends in Siberia! (and Belize! and Poland! and Micronesia! and Zimbabwe! and Secaucus, NJ!)

At 11:35pm EDT (UTC -4) on April 20, the video will be available on our youtube channel here: https://youtu.be/-s_rb3YlVi8

HAPPY 420!!!

DARSOMBRA SPRING TOUR 2022
Apr 23 – Pittsburgh (McKees Rocks) PA @ Black Forge II
Apr 24 – Cincinnati OH @ Northside Tavern
Apr 25 – Bloomington IN @ The I Fell
Apr 26 – Springfield MO @ Lindberg’s
Apr 27 – Oklahoma City OK @ Aces of 8
Apr 29 – Santa Fe NM @ Cirque Du So Gay
Apr 30 – Albuquerque NM @ Guild Cinema
May 4 – Flagstaff AZ @ Kickstand Kafe
May 6 – Tijuana Mexico @ Torre Astral
May 7 – San Diego CA @ The Brown Building
May 8 – Mexicali Mexico @ Planta Libre
May 13 – Los Angeles CA @ The Offbeat
May 14 – San Luis Obispo CA @ Mee Heng Low
May 15 – San Francisco CA @ Bottom of the Hill
May 24 – Colorado Springs CO @ Fritzy’s
May 25 – Denver CO @ Skylark
May 27 – Lawrence KS @ Eighth St. Taproom
May 28 – Kansas City MO @ miniBar
May 29 – Dayton OH @ Blind Bob’s

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http://www.darsombra.com/

Darsombra, Call the Doctor / Nightgarden (2021)

Darsombra, “Transmission” official video

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Darsombra Announce West Coast Touring Starting Oct. 1

Posted in Whathaveyou on September 22nd, 2021 by JJ Koczan

Everybody’s favorite dronefreak two-piece Darsombra return to the road headed west to begin a round of shows on Oct. 1 in probably-already-snowing-there Minnesota. They’ll nobly be bringing their one-of-a-kind weirdness to venues and what I’ll assume will also be a couple show-up-and-where-can-I-plug-this-in kind of spots, as they’re wont to do. It’s been a long time since I’ve seen Brian Daniloski and Ann Everton do their thing in-person, but the creative freedom they embody remains admirable, and they posted the Call the Doctor / Nightgarden 25-minute two-songer back in April to prove it.

A new full-length? Sure, one of these days, maybe. Honestly, I’m not sure why they don’t just record every show they play and put that out, improving their way into a discography in the thousands over however many years, but we live in a dimension of many yet-unexplained phenomena, so I’ll just go ahead and plop that on the long list of shit I don’t know and roll along anyhow. Blerp blerp. Also I kind of feel like a square thinking of them doing something so mundane as an album at this point. So suburban, this one.

They posted dates on social media and the algorithm very kindly presented it to me thusly:

darsombra (photo by Elgaroo Brenza)

Surprise! Darsombra is about to go on tour again!

For the month of October, we will be making our way from the east coast to the Pacific northwest and back again. It’s been almost two years since we’ve embarked on a long tour, and touring sure looks a lot different now. There will be both outdoor and indoor performances, as well as sporadic pop-up shows. We will be taking measures to prevent the spread of COVID-19 as we travel, such as being fully vaccinated, masking, and regular testing. Please check with the venue in your area, as there will be COVID protocols in place at many of them.

DARSOMBRA TOUR FALL 2021
Oct 1 – Duluth MN @ Blush
Oct 2 – Fargo ND @ Red Raven
Oct 3 – Soldier Creek SD @ Vinyl-ly Alive
Oct 5 – Rapid City SD
Oct 8 – Seattle WA @ Darrell’s
Oct 9 – Olympia WA @ Cryptatropa
Oct 15 – Portland OR @ High Water Mark
Oct 20 – Boise ID @ The Shredder
Oct 23 – Lincoln NE @ 2SMOOV
Oct 24 – Rock Island IL @ The Spot

We’re very excited to take the show on the road again! We’ve missed you all immensely! Keep an eye on our social media accounts for the latest updates on pop-up shows, as well as the status of our scheduled shows (changes may occur).

Looking forward to Octobering with you!

Much love!
DARSOMBRA

http://facebook.com/darsombra
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Darsombra, Call the Doctor / Nightgarden (2021)

Darsombra, “Transmission” official video

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The Obelisk Questionnaire: Brian Daniloski of Darsombra

Posted in Questionnaire on April 9th, 2021 by JJ Koczan

Brian Daniloski darsombra

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Brian Daniloski of Darsombra

How do you define what you do and how did you come to do it?

I define myself as Brian Daniloski, and life is what I do, all the time, until I die. If I had to give a bio to the world of what I would like to be remembered for, I would describe myself as an artist. My primary artistic practices are music composition, playing music, and performing music (which to me is different than, but also involves, playing music), among other artistic practices, like decorating my home, making breakfast, gardening, etc. Beyond that, I am also a yoga teacher and student, bicycle-riding, hiking, nature-loving, peace-loving, kind of a person, and I do a whole bunch of other not very exciting things too.

As to how I came to do the bio-to-the-world stuff, I dreamed of being a musician when I was about 9, soon after getting the (at that time) new KISS album, Rock and Roll Over. KISS changed my life. I started plunking around on a guitar shortly after that. My first guitar was a very shitty acoustic guitar that I picked up at a yard sale. I’m pretty sure it didn’t even have all six strings. It was the kind of guitar that would discourage most people from playing guitar, but I would pick out stuff like “Smoke on the Water” or the Twilight Zone theme by ear, and do pick slides and funny glissando runs up and down the strings all day to amuse myself and anyone nearby.

About a year or two after that, I got my first electric guitar and started taking guitar lessons from a music store in town. I learned several basic chords and some Beatles songs, but never learned to read music very efficiently. Although I could read a chord chart (if the chords weren’t too technically intense, and then eventually there was guitar tablature, which is much easier to read than traditional music notation), I pretty much taught myself to play music by ear, and sometimes, whenever I had the rare opportunity in those days, by watching another guitarist. At some point a neighborhood friend showed me how to play a barre chord, and that was a major revelation. I did the whole jam-by-myself-in-my-teenage-bedroom thing for many years before I felt confident enough in my abilities to play with others.

During the last years of high school, I started performing in some not-so-serious bands with friends, and did that sort of thing on and off for the next few years. We only ever played a couple of shows. I tried writing a tune here or there, but it wasn’t until I bought a four-track cassette recorder that I started really getting into composing.

Around that time, I also started going to underground shows. Before this, I was just going to a lot of arena rock shows, but those musicians were like untouchable gods to me. The chasm between playing in my bedroom or jamming with some friends in a garage, and actually playing a show on a stage to an audience seemed intimidatingly immense. It wasn’t until I saw the Butthole Surfers perform an awesome mind-bending show for a sold-out enthusiastic audience in this small shithole basement punk rock club in Baltimore, that I started to think that perhaps that chasm wasn’t as big as I’d imagined.

Soon after that, now in my early twenties, I started a band with my younger brother. That was in the late ’80s. Very quickly, we started getting serious with it. By serious, I mean we started writing songs, making and releasing recordings, and playing live shows. Within a few years, it went from just playing shows around Baltimore, Maryland, to playing shows that were within a 4-6 hour driving radius from Baltimore, to touring pretty regularly all over the US.

I haven’t stopped doing that sort of thing since. Only the cast of characters that I’ve done it with, and how far away we’ve been able to tour, has changed over the years. Over 30 years in, and I still spend a good chunk of every year as a wandering musician exploring the globe (2020 not so much — although we did get to perform our first show in Mexico before the pandemic shut everything down), and pretty much every day of my life I am involved in music, or some artistic creative process, and thankful of that.

I feel especially fortunate and grateful to have found a partner in crime to do this with. I’m not so sure that I would still be doing this the way I do it at this age, had the circumstances been different. Leaving behind significant others to go driving around in a van full of dudes for chunks of time, like I used to, doesn’t have as much appeal for me these days. I still do the same thing, driving around in a van to play shows, but the atmosphere is much more agreeable with my partner and bestest buddy along for the adventure.

Describe your first musical memory.

I remember deriving a great deal of joy from this enormous record-player-stereo-console-furniture-thing that my parents had. It must have been about the size of a refrigerator lying on its side. This would have been the early ’70s. They would play vinyl LP records on it like The Beatles Abbey Road, Bob Dylan, The Rolling Stones, soundtracks to popular musicals of the time, Smothers Brothers comedy albums, and childrens records. There was a lot of music and dancing in the living room. I instantly loved music.

Describe your best musical memory to date.

“Best” is a really hard word for me, but one of my favorite musical moments was playing music outside by the side of the highway in rural Wyoming during a total solar eclipse. The high from the performance was incredible even though there were only two people in attendance — two tourists from Germany just happened to show up to watch the eclipse right as we were getting ready to start playing, a father and his son. The dad seemed to dig it okay; the son, not so much, as he seemed more interested in whatever he was doing on his smartphone. We were so charged from playing the show that we drove four hours to the Badlands of South Dakota, set up our gear again at the top of a mesa, and played over the Badlands as the sun went down that same day. There aren’t a lot of days like that.

When was a time when a firmly held belief was tested?

I feel like my beliefs are questioned and tested all the time, so I try not to hold them too firmly. I’m always questioning everything, even myself. I think it was .38 Special that said “Hold on loosely, but don’t let go. If you cling too tightly, you’re gonna lose control.” I can go along with that sentiment, even if I’m not too crazy about the band or the song.

But seriously, reality is not real, or it is at least highly subjective, and therefore malleable. Once one accepts this, then it’s kind of hard to have too firm of a hold on a belief or idea. I think it’s good to have one’s beliefs tested. If your beliefs can’t withstand a test or two, maybe it’s time for a reassessment of that belief.

Where do you feel artistic progression leads?

Down the rabbit hole, hopefully!

How do you define success?

My personal definition of success is being able to spend most of one’s time doing what one wants. I’ve always aimed at that, to varying degrees of success. ;)

What is something you have seen that you wish you hadn’t?

Well, it’s nothing horrible like being in a war, but on my way home from work one day, I saw two kittens run into a busy intersection and get run over by some cars right in front of me. That was something I wish I hadn’t seen. Other than that, I’m sure there’s a long list of bad movies that would fit the bill.

Describe something you haven’t created yet that you’d like to create.

We haven’t created the next Darsombra album yet, but we’re working on it, and having a blast! One day I’d like to create an all-synth album, but it’s really hard to put the guitar down, it’s like a third arm. Perhaps a time machine. That might be fun.

What do you believe is the most essential function of art?

Self-expression. Then after that, I’d say inspiration and/or evocation.

Something non-musical that you’re looking forward to?

I look forward to socializing like we used to before the pandemic, being able to hug family and friends (instead of acting under the assumption that we’re all lepers), and not having to wear a mask as much.

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Darsombra, Call the Doctor / Nightgarden (2021)

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The Obelisk Questionnaire: Ann Everton of Darsombra

Posted in Questionnaire on April 8th, 2021 by JJ Koczan

Darsombra Ann Everton

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Ann Everton of Darsombra

How do you define what you do and how did you come to do it?

I am a filmmaker, a musician, and above all, an artist. Making video art was my first creative path after exploring all sorts of art forms in my youth (graffiti, printmaking, oil painting, sculpture, performance art) — I had three days of education in Final Cut Pro 4 when I was in college, concentrating on Visual Arts, writing, and language. From those three little days of learning how to edit videos, I began working in video almost exclusively (save for photographic and graphic design work), from 2003 until now — but in 2013, I started to play music as well.

But I skipped the important part, which is that I met Brian Daniloski in 2009, and began collaborating with him in Darsombra in 2010. Initially, we’d just project my video work on Brian when he played (Darsombra was a solo act before August 2010) — that quickly evolved into me making video work specifically composed to Brian’s music. In 2012, we released our first album together (not including the DVD-album, Mega-Void, released a little earlier in 2012), Climax Community, on German label Exile on Mainstream. I composed, shot, and edited video work to the entire album, as well as doing the album art and graphic design, and Brian composed, played, and recorded all the music (though he was gracious enough to ask my opinion on different parts of the songs!). And then, in 2013, we changed it up again and I started to learn how to play music after we purchased a synthesizer.

I had had some musical background as a kid, playing violin, and singing at school and in church choirs, but music had always been a passion for me more as a listener than a player, performer, or singer. I was shy and didn’t like to practice — and I grew up in all-female educational environments for most of my youth, so I actually didn’t like the sound of the female voice (or my own voice, even). In 2013, I felt the call to perform on stage with Brian — previously our shows looked like him on stage and me in the audience, being the projectionist. With my background in photography and video work, I figured synth would be easiest for me — it’s a lot of little knobs and levers to change your parameters to your desire, like a camera. Also… it’s hard to make a synth sound really bad! My first (and only, so far) synth was the Roland Gaia — many folks take umbrage to it, but I love the sounds it makes.

I also sing (at last), and play percussion — singing was hard for me, even though the idea of using your body as an instrument was appealing to me as well. I had no faith in my voice, and it was not until one of my yoga teachers, Anjali Sunita (who was trained extensively in North Indian classical music), explained to me how you could sing from different parts of your body, and sing as a devotional act, the same way you practice yoga — a yoking of the individual to the ultimate. A touch to the universe, a touch of the infinite — that’s when I got past my prejudices against the female voice and began to really enjoy singing again. Also, singing with Darsombra is fun — we hardly ever sing lyrics, and we play with our voices a lot. We test our abilities and use our breath and posture to reach for the next level — it’s a practice, like yoga, that involves my entire body. Plus it’s a great way to convey feeling to strangers — even (or especially) without the use of language.

Percussion’s just great fun to get that stress or anger or nervousness out — I mostly play the gong, but I’ve been using bells a lot too. The challenge is timing — but that is why I love playing music, it’s so much like yoga. I never appreciated practicing until I started practicing yoga, in 2008—that’s part of the reason why my childhood attempts at being a musician were fruitless. I didn’t have the drive, so I didn’t have the discipline. Yoga changed that for me, initially as a physical practice — now as a subtle practice. I guess you could say I have a lot of creative outlets — I didn’t even mention writing, which I still (clearly) enjoy! And, of course filmmaking—my first love, and still my deepest.

Describe your first musical memory.

I was a very small child, in a church choir of fellow very-small-children, set to sing “Good Morning, Starshine” from Hair with all the other littles for a variety show. Though we had rehearsed the song, right before the performance the choir leader stressed to us how important it was to sing as loud as we possibly could… I took this quite literally and screamed my head off, making the little girl next to me burst into tears… I believe my folks have a VHS of the fateful performance somewheres!

Describe your best musical memory to date.

See above. Just kidding… I don’t have a best. Absolutely every one of the hundreds of shows we’ve played has been memorable, for better or worse, and almost every show of the thousands I’ve chosen to attend as an audience member has been memorable, usually for better… though seeing Magma in a small club in Quebec City was life-affirming. We had incredible seats, I shot so much video (one day it will make its way online), and they even gave a shout out to the folks “who came all the way up from Baltimore” to enjoy this rare, beautiful performance. I especially remember the lighting — Magma’s music tells a story without familiar words, and whoever was doing those lights was in on the narrative. So much narrative with just sound and light, no language (but Kobaïan, which not a lot of people speak).

When was a time when a firmly held belief was tested?

These are really good questions! This is a tough one for me… but I feel called to kinda take ahold of this train and drive it down the sexuality track. Ok… this may be a little obtuse.

Dear loves of Brian and I just broke up — a couple, together for 15 years, our lovers for the past four. I thought they would be together forever — so, in a very literal way, that belief was tested and scrapped — but it taught me something about myself, to believe my loves were so solid in their own relationship — I was projecting. And I see it so, so much as a performer — people see Brian and I on stage and project their fantasies of what our relationship must be like, how they wish they had a relationship like ours, etc., etc. I know this because people tell me this all the time, thinking they’re paying me a compliment, but they have no idea — what we call love and fidelity and sexual freedom may be completely different from what they’ve projected on us. They never project “queer poly pansexual freaks on a hunt for an orgy”… they often project “monogamous heterosexual.” My gears don’t turn that way. So test them beliefs… reality is so much more nuanced, thank goddesxxx…

Where do you feel artistic progression leads?

I’m trying to find out! My grandmother was an artist, a painter, accomplished in the regions in which she worked, fairly unknown outside of them. She painted images of Black people and communities in Birmingham in the 1950s, images of rural Alabama, moody landscapes, moody still-lifes. . . my life is haunted by her work, and her legacy. I only knew her until I was 13, and the last eight years of her life could not be called living. She stopped making art when I was quite young, and I never really got to know her. I have some very strange memories of her, though.

She has left my family (which is very small) with hundreds of paintings, water colors, oils, pastels… I love them, they are so moody and haunting and beautiful, pictures of another world you’d drift in and out of like an episode of The Twilight Zone. Her work is her legacy, and her progress as an artist led to… ? Misery? Obscurity? I never saw her live to see true reward for her work—and yet, she had a lifetime’s worth of it carried with her, and then with my father and auntie, and now, to me and the rest of my family. So I’m not really sure where artistic progression leads—does it lead to poverty, obscurity, dementia, people around you thinking you’re nuts, a haunted house crammed floor to ceiling with junk? Artists are weird birds. We float up there in the loft of reality, especially if we don’t get grounded by expanding our families. (Grounding’s not a bad thing, by the way.) We dream deep, but we can flake on reality hard. Or, at least, sometimes I do.

In my own life as an artist, I have been cheered to see one thing hold true for the artist who keeps making art—the longer you stay at it, the better it gets, the more people are familiar with your work, enjoy it, get it, the more opportunities you get. . . the trick is, you’ve gotta keep doing it. In 2007, I did a short artist residency in rural Hungary, on lake Balaton. There was a Hungarian artist there that my 25-year-old self had such a crush on. So, of course, I was all ears to his very good advice, which was, “Keep making art. See where it goes. Never stop making art.” Very simple, so right—the world will give you a million-and-one reasons to stop being an artist, but if you just sort of keep doing it… I agree with his beautiful Hungarian ass! Keep making art and see where it goes!

How do you define success?

Ideas made manifest through action.

What is something you have seen that you wish you hadn’t?

At the suggestion of my dear Zoom writing group, I will answer this challenging and intriguing question by reflecting on touring life in general… you will never take your own bathroom for granted again. When we’re on the road, particularly in North America, we travel in a van equipped with a place to sleep and a place to prepare food, but no plumbing… so I will just sort of describe a scenario to you, dear reader:

You wake up in a van, in August — it’s hot, it’s about 10:30am (you went to bed at 4 after working at the venue till 2 and then enjoying a post-show hang with friends from the bill), and you’re mostly comfortable because your van is conveniently parked under a tree in a driveway at a friend’s place. Said friend also sleeps in a mobile unit, which is quite clean, but they rent the unit from another friend who has a small house — to which the driveway is attached. The home is made from scraps of other homes and houses another musician, who is devoted to his craft but struggles with hygiene and household chores, as well as his health and alcohol addiction. He is a kind, gracious man, so you can’t refuse his hospitality when he offers you the use of his facilities (i.e. driveway, toilet, shower) — plus, his tenants are your friends and fellow performers from the night before, so that’s where the fun is.

So yes, you wake up at 10:30 — nature calls. Not the sort of nature which is easy to heed the call of in a plumbing-less van or in the bushes. You decide to hazard the toilet. The screen door of the trailer slams behind you as you enter, seeing the space for the first time in the daylight, wet, gray-green carpet squishing underfoot. You pass a small, economically-sized kitchen, covered in dried food and piled with dirty dishes in the sink and on the counter. Also on the counter is a gelatinous savory food item (like potato salad?) in a large bowl with plastic cling wrap on top, slightly puffed outwards, a halo of fruit flies alighting up in a vortex above the bowl as you walk by and feel the creaky, gritty floor shake the counter and disturb the bowled substance’s equipoise. The small cloud of flies eventually settles back down onto the engorged plastic wrap as you pass and enter the bathroom, pulling the thin plastic door closed behind you, and the toilet appears clean enough — yes, you can certainly do your business here. But wait! What’s that on the bathroom sink? It sort of looks like something from a deranged scientist’s lab — vials and jars and tubes of liquid await their next worldly purpose, whatever it may be, and all the liquid is yellow. You ask yourself… will I relax in this environment, surrounded by jars of urine?

I sincerely hope I did not incur some bogus vibes from recounting this memory… you asked!

Describe something you haven’t created yet that you’d like to create.

Well, I am in the midst of composing and shooting the video art/music videos for this new single we’re about to release… I am soooooooo excited to share it, as well as the album it’ll be on (though that will probably come later in 2021 — the single first, hopefully by spring). So, technically, that counts!

I love composing video art to the music we make — it’s always such a surprise what comes up when I’m in the right frame of mind and listening deep. Sometimes I see scenes I don’t want to film, or to make real — that happened a lot during the first half of Transmission, composing the video. This time around, we have two songs, one 15 minutes in length, and the other 10 minutes — for us, pop songs! Well, one is more of a dance track, of all things, and the other is a lullaby waltz/spacewalk (with brief but significant hand-of-doom shenanigans) — so I’ve got some fun ideas I’ll be shooting and editing soon. Lots of dancing, lots of play, lots of space and sci-fi. But I’m curious to see what comes up in future deep listens…

I often see color schemes for the songs before any sort of theme or narrative comes up — for example, the color scheme for “From Insects… to Aliens (The Worms Turn)” was blue, cyan, black, and white (and maybe bright green too) — for the first half of “Transmission” it was black, red, and white; for the second half, yellow, blue, magenta, green, cyan… basically, rainbow! For these new songs on the single, one is yellow, blue, and white (and black); the other, black, blue, cyan, green… purple? Like the colors of a ’70s fantasy landscape painted on the side of a van… That’s what the deep listen is for — to figure that out, and if there’s a story, like how “Insects…” tells a story about insects out-evolving humans, becoming sentient and developing methods of space travel and colonization. Actually, the “Thunder Thighs” video is about space colonization too… I sense a theme here…

What do you believe is the most essential function of art?

Transcendence. Level up!

Something non-musical that you’re looking forward to?

As of 2020 quarantine, I have become a HUGE fan of Star Trek: The Original Series (and The Animated Series, too — which I may like as much or even more than The Original Series). Neither Brian nor I had seen any Star Trek, so we decided to start from scratch — at first, I was a little turned-off by the old-school sexism of the show, though it was clearly of its time. . however, then I fell into the world of Star Trek fanfiction, and I’ve, ahem, never looked at Kirk or Spock the same since! So, I’m looking forward to publishing my own Star Trek fanfiction online, very soon… bet ya didn’t know I’m such a big nerd!!!

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https://www.instagram.com/darsombra/
http://www.darsombra.com/

Darsombra, Call the Doctor / Nightgarden (2021)

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