Dozer to Reissue First Three Albums on Heavy Psych Sounds

Posted in Whathaveyou on December 13th, 2019 by JJ Koczan

dozer

Even the press release can’t make it through the first sentence without speculating about a new Dozer record. It’s been more than a decade now since the Swedish heavy rock kingpins delivered Beyond Colossal (discussed here) on Small Stone as their swansong, but they’ve made sporadic live appearances since Desertfest in 2013, and they’re nothing if not due for a record. You won’t hear me complain in the slightest about the work guitarist Tommi Holappa has done with Greenleaf in the interim, of course, but still. Come on, dudes. Time to make it happen. I ain’t gettin’ any younger.

My hope here is that these reissues, of Dozer‘s rightly-heralded-as-classic first three albums, 2000’s In the Tail of a Comet (discussed here), 2001’s Madre de Dios and 2003’s Call it Conspiracy (discussed here), will do like Heavy Psych Sounds‘ Nebula reissue series did and result in a new studio release. And you know what? If Dozer wanted to call a new album Holy Shit too, they’d be entirely justified in doing so.

Dozer are touring Australia next November, and as much as I’ve ever wanted anything, I want to go.

These are up for preorder and out March 13 and March 20, as the PR wire informs in this handy graphic:

dozer admat

Swedish heavy rock pillars DOZER sign to Heavy Psych Sounds Records for the reissue of their first three albums ; preorder up now!

A first sign for a comeback? Definitely a news that will make every riff lovers and fuzz fan’s heart beat faster: legendary stoner rockers DOZER have signed a deal with Heavy Psych Sounds Records for the reissue of the their first three records in the beginning of 2020!

‘In The Tail Of A Comet’ (2000, Man’s Ruin Records), ‘Madre De Dios’ (2001) and ‘Call It Conspiracy’ (2003, both out via Molten Universe) are absolute stoner rock masterpieces. These three records elevated the European scene to a higher level, influencing heavy rock generations for decades with a songwriting that made them stand out them from any other band in the early 00’s. Not only DOZER have had a huge influence on European stoner bands, but one can definitely say they own the title of Godfathers of European Stoner Rock.

It is yet unsure if the band will ever return with a new release, however fans can enjoy this very special trinity. All three reissues will come out this March on Heavy Psych Sounds and as special colored vinyl editions; a bonus for all fans: ‘In The Tail Of A Comet’ will be also released on single vinyl for the first time ever!

Guitarist Tommi Holappa comments: “Our first three albums were recorded a long long time ago when we were still young and dumb! But don’t you worry, we are still dumb, just old and dumb! Finally our first babies will be reissued on vinyl again after being sold out for years! Enjoy!“

Says Rajko Dolhar of Heavy Psych Sounds:”We are so stoked to present a big comeback, a dream come true! Heavy Psych Sounds Records is reissuing the first three albums of the Swedish legendary band Dozer: In The Tail Of A Comet, Madre De Dios and Call It Conspiracy! It’s an honor for us having this incredible band in our growing HPS fuzz family!”

PREORDER Dozer’s timeless classics ‘In The Tail Of A Comet’, ‘Madre de Dios’ and ‘Call It Conspiracy’ at THIS LOCATION.

DOZER is:
Tommi Holappa – Guitar
Fredrik Nordin – Guitar/Vox
Johan Rockner – Bass
Olle Mårthans – Drums

https://www.facebook.com/dozerband
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

Dozer, Live at Duna Jam 2009

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Friday Full-Length: Dozer, Call it Conspiracy

Posted in Bootleg Theater on July 11th, 2014 by JJ Koczan

Dozer, Call it Conspiracy (2002)

I think I’ve made my nerddom for Swedish heavy rockers Dozer plain over the years, but if not, let me just reinforce: The band fucking rules. From their early albums on Man’s Ruin, 2000’s In the Tail of a Comet and 2001’s Madre de Dios right on through the harder edged 2002 Molten Universe third outing, Call it Conspiracy, and their Small Stone era, which brought about 2005’s Through the Eyes of Heathens and 2008’s Beyond Colossal. All the splits, EPs, singles, etc., along the way, Dozer simply don’t have a bum release. There was no point at which they didn’t kick ass.

When it comes to Call it Conspiracy, I’ve always thought of it as the transitional moment for the band. Based as ever around the powerhouse riffs and full-speed charge of guitarist Tommi Holappa and Fredrik Nordin (the latter also vocals), Johan Rockner‘s bass and the driving thud of then-drummer Erik Bäckwall, Dozer‘s songwriting always made them a mandatory band, head and shoulders above most acts proffering heavy rock and roll then or now. But Call it Conspiracy stands out in their catalog as the bridge between the first two and the second two albums, moving away from the Kyuss loyalism of their beginnings and at the same time setting up the progression into bigger tones and a more generally bombastic sound on records four and five. It’s the center-point along that line — in output, not time; the first three Dozer albums were released in three years, the last two in twice that — and very much stands up to that stylistically. In that, it’s unlike anything else they’ve ever done. It was a leap from Madre de Dios for sure for arriving the next year, and when Through the Eyes of Heathens showed up three years later, Dozer had moved even further away from desert rock. Call it Conspiracy was a moment captured — like a snapshot of Dozer coming into their own as a band.

And while I already said it, I’ll reiterate that the songs themselves are unfuckwithable. The rush of “Rising,” the swagger of “Man Made Mountain,” the way “Crimson Highway” seems to invite a sing-along even when you’re hearing it for the first time. Dozer have been making periodic live appearances since last spring, and they released the Vultures EP (review here) last year, collecting unused tracks from the Through the Eyes of Heathens sessions, but as Holappa (Obelisk Questionnaire here) has been busy with Greenleaf — whose fifth album, Trails and Passes (review here), came out earlier this year — there’s been no word of a studio return from Dozer. Needless to say I’m keeping my fingers crossed.

Hope you enjoy.

Up until today, I was doing really well with the rules I’d posted last week that I was trying to live by while The Patient Mrs. is in Athens. It’s 9:30PM and I haven’t left the house in two days. I knew that was gonna be a tough one when I wrote it, but was hoping I’d be able to keep up. Today and yesterday, neither the time nor the desire nor the need to go anywhere has been present. I might get in the car and drive around for 10 minutes when I’m done here, so at least I can say I did something, but otherwise, yeah. Been a lot of the couch, not a lot of not the couch. The little dog likes it.

Next week, reviews of Dunst and Grifter. It’ll probably take me two days (at least) to transcribe it, but I’m going to try to get the Lowrider interview up as well. Look out for another batch of Radio adds, and one way or another, some vinyl’s getting written about. I still need to hook up my stereo. You’d think that would’ve been a day one activity moving into the new place, but all the CDs are still packed away as well.

Trying to find a new high-volume CD storage solution. I was looking at some radio station library racks online and I think something like that might be the way to go, but I have no idea where one acquires such a thing, let alone what it might cost. But yeah, I’m thinking it might just be time to buy a shelf that lets me store 18,000 CDs and then just fill it over the next however many years. In case you’re wondering, I’d probably take up a little more than a third of that now. I don’t know if you knew this, but in addition to the stuff I buy, I keep everything sent to me for this site. I don’t sell promos, or give them away, or anything like that. Every single CD that’s been sent to me, regardless of if it’s a CDR in a slimline or a sleeve or a full-art jewel case, gatefold digipak, whatever, it goes in the archive. I keep it all. Tapes and vinyl too. And not in some random pile either. It’s taken care of. Loved. I can’t nearly write about everything that comes in these days, but I hold onto everything. Even the press releases. Seriously. I’ve got files of them.

Got off on a tangent there. Anyway, I hope you dig the Dozer and that you’ll join me in my letter-writing campaign to Tommi Holappa to get the tracks from their first several singles released as an early works compilation à la Church of Misery. I was thinking about starting one of those White House petitions. Get Obama on the case.

Alright. I’m gonna go get in the car and wander aimlessly for a bit so I can say I did. Hope you have a tremendous and safe weekend. Please check out the forum and the radio stream.

The Obelisk Forum

The Obelisk Radio

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