Live Review: Roadburn 2018 Hardrock Hideout, 04.18.18

Posted in Features, Reviews on April 18th, 2018 by JJ Koczan

butcher on stage photo jj koczan

04.19.18 – 12:11AM CET – Wednesday night – Hotel Mercure Rm. 224

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It was an 8:30PM start for a bill with  Our How To Write An Application Letter For Loan services provide cheap homework answers online for every Question. Let the best homework helper assist you now! Witch Trail Pay fair a price for the qualified http://www.stfl1.at/?help-with-writing-a-dissertation-aims-and-objectives. Here we offer only custom college term papers for sale and observe all the safety guarantees. Speed Queen and  domyessay info Phd Thesis Mining Engineering paper about management buy and sell of palay business plan Bütcher, in that order, and after a nap that I was going to take whether I wanted to or not, I made it down to  We Provide the read review. We offer writing from scratch for all dissertation chapters. You can order any chapter from the order form. We also offer dissertation editing services and dissertation proofreading services, for those who have already written the content, but need assistance with the finishing touches. These are only a few of the PhD-level services we offer: Law Cul de Sac well in advance of the start time.

Here’s how it went from there:

Witch Trail

witch-trail-photo-jj-koczan

I already wish I’d bought a copy of their 2017 album, do my homework they said http://www.bellefontaine-hautjura.fr/?distribution-channels-in-a-business-plan college admissions letter essay writing 2013 Thole, which doesn’t bode well for the weekend to come in terms of pulling the trigger on merch-regrets, but so it goes. The three-piece were easily the odd-men-out on the bill and that seemed like a position they should be well used to considering the complexity of the stylistic blend they play, running anywhere from alt-noise riffing in the ’90s style to doomed crash and plod to blackened blastbeating and screams. Based in Ghent, they impressed on cuts like “Splendour” and “Unnatural Caresses,” which took their time unfolding the aesthetic gamut, but never seemed more patient than was warranted or failed to justify one turn into the other. They were right on, in short, and it’s a good thing Thole is up as a name-your-price download so at least I can mitigate my not-CD-buying woes. It’s not the same of course, but it’s hard to argue with, anyhow. They had a couple hiccups during their set but were my pick for the night, hands down, with a sound that seemed as likely to pique the interest of Fenriz as that of Thurston Moore. Not an easy bridge to cross for most bands.

Speed Queen

speed-queen-photo-jj-koczan

High tops, studded belts, two guitars speed-picking, fists raised, beer downed, Speed Queen had the thing nailed, and the thing was classic thrash. For their traditionalist West Coast presentation — see above re: high tops, etc. — they were notably tight, which was doubly remarkable considering the liberal amount of beer pounded while on stage. Frontman Thomas Kenis, with “1992” tattooed on one wrist and an infinity symbol tattooed on the other — it’s good to have goals — didn’t even lose his balance in all that windmill headbanging during songs like “Speed Queen,” “Midnight Murder” and “Live Hard” early in the set. “King of the Road,” somewhat sadly, was not a cover (in fact it’s the title-track of their 2017 debut EP), but “Nice Boys Don’t Play Rock ‘n’ Roll” was, and they gave the Rose Tattoo track a thrashing sneaker to the ass no less fervent than that delivered to their originals. By the time they were deeper into their set, the shouts of “Hey! Hey! Hey!” were coming from more than just their road crew, and it was plain to see Speed Queen‘s classic style had won the hearts and increasingly addled minds of the assembled.

Bütcher

butcher (Photo by JJ Koczan)

Their setlist promised a “Speed Metal Attakk,” and that’s precisely what Antwerp-based five-piece Bütcher delivered as they supported last year’s debut album, Bestial Fükkin’ Warmachine. Need I say more? Probably not, but I will. A rare moshpit was formed at the Cul de Sac, which generally I wouldn’t think has the size to support such a thing, let alone the festival temperament, and yours truly got shoved around a bit as I watched the band deliver their oldskööl metal onslaught, one slicing, punishing cut into the next. Frontman R. Hellshrieker was quick to throw a spiked-armband claw when not holding onto his upside-down-spiked-cross mic stand, and guitarists KK Rippeand DB Deströyer tore into classic-style everything while bassist JA Pulsatör and drummer PB Tormentor pummeled ahead into the forward-thrust grooves. It was heavy, duh, and while I could say I was tired, jetlagged, needed to go back to the hotel and write, and so on, the truth is that Hellshrieker and his elaborately named companions gave oldschool metal a culminating representation worthy of being called true homage, and still managed to find space to inject a personality of their own into the proceedings. I’m telling you, I’ve seen a lot of bands play the Cul de Sac. I can’t recall any of them inducing a mosh. Clearly that takes something special in intent and execution, and Bütcher‘s unabashed metal-for-the-love-of-metal was exactly that.

I’m at least several things, if not many. Two or three. One thing I’m not is the “partying kind.” Socialization? Good times? Sounds utterly horrifying, and I don’t care what anti-anxiety meds you put me on, it won’t be enough for me to not notice how much that party isn’t me-in-front-of-laptop. Weirdo Canyon was jumping off for a Wednesday night — a whole other level on which Roadburn 2018 was being launched, and as I walked out of Cul de Sac, I not only saw Walter and Becky, but Lee from The Sleeping Shaman — with whom I’m once again sharing a hotel room and considering myself fortunate to be in his company — and the artist Cavum, Yvonne, the photographer Dante Torrieri, the dudes from Mirror Queen and a goodly portion of the San Diego Takeover guys with whom I’d rode into town this morning. Strange sometimes to feel like you don’t belong in the one place you belong. That’s all I’ll say about it.

Tomorrow’s a busy day. First day of the fest, sure, but also the first day Lee and I will be finalizing the Weirdo Canyon Dispatch and, for the first time, sending it off to a professional press to be done ahead of doors opening. That makes me less guaranteed to get a copy, but I’m going to try anyhow, of course. This is our fifth year of the WCD daily festival fanzine. It’s hard to imagine how stupid lucky I am to be able to be here and to work on that as a part of my trip every year. I’ve been looking forward to sitting in the office for months. Really.

Lots more to come. Thanks for reading in the meantime. Some extra pics after the jump if you’re up for such things.

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Roadburn 2018 Announces Cul de Sac Lineup with Bison, Comet Control, Mirror Queen, Hair of the Dog and More

Posted in Whathaveyou on February 15th, 2018 by JJ Koczan

roadburn 2018 banner

And so we see Roadburn 2018 once again open its gaping maw of righteousness to hurl forth another barrage of acts to its long-since-completely-overwhelming lineup. You know how many distinct acts are discussed in the press release below? 32 by my count. And granted, I’ve never been much for counting, and a couple of them were previously announced and are playing additional sets, etc., but do you see my point?

My point is this: Roadburn 2018 makes an announcement for its smallest venue — the get-there-super-early-no-earlier-than-that Cul de Sac — and tightens up a few other odds and ends, and all of a sudden you’ve basically got an entire other festival being announced. 30 bands? That’s a fest. Roadburn throws it all out there like, “Oh it’s nothing. We do this every year.” And they do.

So who’s my absolute gotta-see on this list? If you read the names below and have been hanging around here for a bit, you can probably already guess it’s Comet Control. I was hoping they’d be added since they’re touring with Earthless and still supporting 2016’s much-loved Center of the Maze (review here). I’ll be there for them for sure — scheduling conflicts be damned. If it means there’s a chance I might get to watch that band play “Artificial Light,” I don’t care if I have to set up a tent in the middle of the Cul de Sac floor. I’m not missing it.

Here’s the update from the PR wire:

Roadburn 2018: Cul de Sac bands, pre-show party & more!

Roadburn’s artistic director, Walter Hoeijmakers comments:
“The sales of day tickets alongside weekend passes have surpassed our expectations and we’re on course for another sell out year at Roadburn. We couldn’t be happier as we dive headlong into putting the finishing touches to the 2018 edition.

“We still have the side programme to announce, and of course, the all important schedules, but for now, we think there’s plenty for you to sink your teeth into with this announcement. The depth and variety of talent on show here is truly stunning.”

CUL DE SAC
The Cul de Sac may be Roadburn’s smallest venue, but each year a hell of a lot of talent is packed into it’s confines. 2018 is no different with a stellar line up of bands both big and small who will be squeezing into the diminutive space and packing an enormous punch.

THURSDAY will see Une Misère reprise their performance with a second set. They’ll be joined by instrumental duo Insect Ark, hard rockin’ New Yorkers Mirror Queen, Dutch force of nature – Black Decades, the droning riffs of Galg, plus your personal soundtrack to the end of times courtesy of Sum of R.

FRIDAY has Earthless’ tour mates, Comet Control preparing for lift off, extreme metallers Départe from Down Under, Danish export Hexis, Dutch death metal darlings, Ulsect and a second set from Worship that promises some special surprises.

SATURDAY will see Planning for Burial perform again, mining his back catalogue for gems. Hair of the Dog will return to Roadburn, and be joined by fellow 2016 alumni Concatenatus, plus Mania’s mix of doom and black metal, and Phantom Winter’s suffocating sludge.

SUNDAY sees tour mates Bison and LLNN roll into Tilburg in an uncompromising fashion. They will be joined by the progressive sounds of Hidden Trails, a dual pronged Dutch attack in the form of Dystopia and Nefast, and visceral Italians, Syk.

SAN DIEGO TAKE OVER
Good news for fans of psychedelic riffs! There are new additions to the San Diego Take Over, and they’re sure to bend your mind further into previously unknown directions. Unraveling the threads that run between the family of bands that make up the SDTO would require a headspace much clearer than anyone involved is quite capable of, but suffice to say that the pedigree running through the bands is of the standard you have come to expect.

RED OCTOPUS mix influences such as early Sabbath, Hawkwind and Can into a psychedelic wonderland.

ARCTIC is a California power trio steeped in the roots of early 70’s blues/psych, á la Blue Cheer and Band of Gypsies, while drawing elements of modern heavy, reminiscent of early Sleep. Heavy, sludgy, stoner psych played with a slow, driving energy. The band features three pro skaters, Figgy on guitar, Frecks on drums and Nuge on bass.

VOLCANO is a soundtrack for an ancient apocalypse. Primordial rhythm and afro-inspired melodies fill their grooves. The rumble in the distance grows, the forest falls silent. Let their trance fuel the dance, while theres still time. Let the lava flow…

PHARLEE was forged in the middle of the white-hot psychedelic jam scene in San Diego, California from members of Harsh Toke, Sacri Monti and Joy. But don’t let their geographical origin and associated acts mislead you. Pharlee walks their own path on scorched-earth. Forgoing the weed-fuelled jams of their counterparts for full-on the speed-ruled riffage. Partying off the sounds of Priest, Motorhead, Betty Davis and ACID, Pharlee create a new shrilling sound.

The San Diego Takeover is supported by the Performing Arts Fund NL.

TOBY DRIVER & ZVI
These two component parts of Kayo Dot will be making their presence felt at Roadburn 2018 as they perform (separately) on Thursday, 19 April.

As a solo performer, on guitar, keyboard, and voice, Toby Driver has been exploring dark, austere neofolk akin to Grouper, Talk Talk, Current 93, and others, with a subtle progressive and unsettling edge, featured in his recent release, Madonnawhore (The Flenser, 2017). Along with songs from Madonnawhore, he will also be performing pieces from his forthcoming solo album, They Are The Shield, and additionally, a few left turns are of course to be expected.

Zvi is guitarist / vocalist Ron Varod (Kayo Dot, Sabbath Assembly, Psalm Zero, Myrkur) performing and recording solo since 2004. During the 40 minute run time of Zvi’s 2016’s Death Stops Us All, Varod gently wakes us up with a whispered vocal over nylon string guitar, pummels us with throbbing noise and lulls us back to sleep with droned out suspended clusters and Talk Talk-esque clean guitars.

RRRAGS
Formed by singer / drummer Rob Martin (formerly of Bliksem), guitarist Ron Van Herpen (Astrosoniq, ex-The Devil’s Blood) and Rob Zim (bass, Lords of Altamont), RRRags emulates the sounds and styles of power trio’s such as Grand Funk, Blue Cheer and James Gang. But in addition to their fuzzed-out and soulful approach, there are also touches of psychedelica and psyfunk, which sets the band apart from the current crop of Sabbath worshipers, or old school hardrock devotees.

HARD ROCK HIDEOUT
Roadburn’s annual pre-party returns! For those in Tilburg on Wednesday evening, before the festival kicks off “proper”, we welcome Roadburners to the city in style! This year we have teamed up with Babylon Doom Cult Records in Belgium to present speed metallers Bütcher, and Speed Queen, plus genre-crossing Witch Trail.

The Hard Rock Hideout is FREE and will take place at the Cul de Sac.

As with last year, the festival’s wristband exchange will be open on Wednesday, April 18 between 18.30-23.00 for early arrivals to pick up their passes in advance of Roadburn kicking off on Thursday.

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Roadburn 2018 Cul-de-Sac Announcement Video

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