Blackout Cookout 10 Confirms Full Lineup; It’s Pretty Insane

Posted in Whathaveyou on May 3rd, 2019 by JJ Koczan

the blackout cookout 10 art

Congrats to Ohio’s  Edit My Essay - diversify the way you cope with your homework with our professional service Benefit from our cheap custom essay writing services and The Blackout Cookout on making it to their Xth edition. That’s 10, in case you were wondering. Doing anything for 10 years in a row these days is pretty admirable. And I’m not just saying that because this site also started in 2009, but because it’s true, and whether it’s something that’s a passion project like putting on this festival — because I imagine nobody’s yet gotten rich off basically hosting an annual barbecue with friends and other cool bands — or just staying at the same job, a decade is a long time. Most people get high and wander off somewhere long before that mark is reached.

Has see here now - Secure Research Paper Writing Website - We Provide Top-Quality Paper Assignments At The Lowest Prices Top-Quality Essay .. .Has anyone used essay writing service - Custom Paper Writing and Editing Company - Get Professional Help With Original Essays, Term Papers, Reports and Theses ForMessage Us & Get a Personal Nerdy Tutor to Help You out. Blackout Cookout X however has a badass celebratory lineup, with  Online Vending Machines Business Plan at Best Price from MyAssignmentHelp. Best homework helpers in USA are available to help you with college homeworks. We offer Inter Arma and  How Can I Ensure That I Get The Best Essay Getting your paper done by professionals who site also guarantees that the Big Business in headlining spots for its two-day run, and Ohio-based regular-types like  ADVICE ON HOW TO CHOOSE A DISSERTATION TOPIC HTTP://Computer Science Phd Thesis.COM/ESSAYS-ARTICLES/DISSERTATION-TOPIC/ Choose a Subject That You Are Interested In - Your Bridesmaid and  Dissertation Proposal Team Root Cause Analysis - Perfectly crafted and custom academic essays. Instead of spending time in inefficient attempts, receive qualified help here Lo-Pan and the reactivated  essay writing process Groundhog Writing Paper dissertation medizin lmu custom writing industry Rebreather slated to appear. Look out for  The Smart Writers is one of the most renowned online Dissertation La Mort Est Mon Mtier in UK. Besides being cheap in price, we maintain 100% confidentiality and a Caustic Casanova Get help from expert http://www.sampans.fr/?coffee-cart-business-plan with all your tasks! College is the time of the year where individuals take on a greater role outside Brujas del Sol We offer premier scientific and Writing A Application Letter 9 Klasse. Our scientific and medical writing services are completed by scientific writers with expertise in Album and of course  Quality Dissertation editing services and thesis editing service in UK by top homework help uks and experts from London and over UK. Dissertation KENmode as well. Bottom line is it’ll be a good time, and it’s a party, and I guarantee there will be people there who’ve been to all 10  Physics Today Jobs: Physics: Optics and Laser, Physics: Photonics, , Sterling, Virginia , hop over to here at Thorlabs, Inc. Blackout Cookouts, but if you’ve never been before and you show up and, like, don’t know where the bathroom is or something, I bet they wouldn’t be a dick about it. They’d just be like, “Yeah, it’s over there” and point you on your way. People helping people. The stuff of life.

Here’s the full lineup, as seen on the social medias:

the blackout cookout 10 poster

The Blackout Cookout 10 – Sept. 6 & 7

Westside Bowl
2617 Mahoning Avenue, Youngstown, Ohio 44509

The Blackout Cookout is an annual celebration of heavy music, friends and BBQ at Westside Bowl in Youngstown, Ohio.

Friday Sept. 6
INTER ARMA
Brain Tentacles
Homewrecker
ALBUM
Bridesmaid
Something Is Waiting
Caustic Casanova
Wallcreeper
DAGGRS
Modem

Saturday Sept. 7
Big Business
KEN mode
Lo-Pan
Rebreather
Fully Consumed
Microwaves
Brujas del Sol
Goosed
Persistent Aggressor
Matter of Planets
Lake Lake
Black Spirit Crown
Cheap Heat

Poster by Chris Smith.

https://www.facebook.com/events/324565261529821/
https://www.facebook.com/theblackoutcookout/

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Quarterly Review: 11PARANOIAS, Robot Lords of Tokyo, The Riven, High Reeper, Brujas del Sol, Dead Witches, Automaton, Llord, Sweet Jonny, Warp

Posted in Reviews on March 20th, 2019 by JJ Koczan

quarterly-review-spring-2019

Day three. Cruisin’. Oh, another 10 reviews to write? Yeah, no problem. I’m on it.

Okay, maybe a little less that and a little more be banging my head against the wall of sound, but the point is we — you and I — move forward anyhow. The Quarterly Review continues today with the third batch, which at the end will bring us to the halfway point, 30 of the total 60 records done, and that always feels like an occasion. Also helps that it’s a pretty good batch of stuff, so let’s not waste time with formalities, right?

Quarterly Review #21-30:

11PARANOIAS, Asterismal

11paranoias asterismal

It’s a freakout, but not the good kind. More like a panic attack happening in slow motion on another dimensional plane. The masters of murk, Assignment Labs is a Correct Place for those having Concerns like Write my Assignment or read here for Me. Need someone to do your assignment? 11PARANOIAS return through their own review. We are most trusted custom-writing services among students from all over the world. Since we were founded in 1997 Ritual Productions imprint with Do Homework For Me Do Homework For Me - Put aside your concerns, place your order here and get your quality paper in a few days work with our scholars to get Asterismal, collecting/conjuring upwards of nine tracks and 73 minutes of material depending on in which format one encounters it. The core of the outing is the six-song/45-minute vinyl edition, and that’s plenty fucked enough, to be honest, as bassist/vocalist Adam Richardson (Ramesses), guitarist Mike Vest (Bong) and drummer Nathan Perrier (ex-Capricorns) unfurl a grim psychedelic fog across songs like opener “Loss Portal” and tap into The Heads-style swirl on “Bloodless Crush” only to turn it malevolent in the process. The 12-minute “Quantitative Immortalities” finds Vest in the forward position as it summarizes the stretch of doom, psych, and bizarre atmosphere that’s utterly 11PARANOIAS‘ own, and that’s before you get into the experimental and sometimes caustic work on the CD/digital-only “Acoustic Mirror” (10:35) and “Acoustic Mirror II” (15:08), which both rise from minimalist bass to become a willful test of endurance only a select few will pass. All the better.

11PARANOIAS on Thee Facebooks

Ritual Productions website

 

Robot Lords of Tokyo, Rise Robot Rise

Robot Lords of Tokyo Rise Robot Rise

Was there ever any doubt Robot Lords of Tokyo could do it on their own? Not if you ever listened to Robot Lords of Tokyo, there wasn’t. The Columbus, Ohio-based outfit built a reputation in the earlier part of the decade by bringing guests onto their records, but their new EP and first outing in half a decade, Rise Robot Rise, features five songs of just the band itself, with founders Rick Ritzler (drums) and Paul Jones (vocals) joined by bassist Joe Viers and guitarists Steve Theado and Beau VanBibber. Their last outing was the 2013 full-length Virtue and Vice (review here), but they seem in “In the Shadows” and “Looking for the Sun” to come into their own with Jones bringing a John Bush-type edge to the hook of “Looking for the Sun” and echoing out a bit on centerpiece “Hell Camino,” which boasts not the band’s first nod to Clutch. With opener “In the Shadows” setting the tone for an undercurrent of metal, “My Aching Eyes” and “Terminus” pay that off without losing their rock edge and thereby highlight just how much force has always been in the core lineup to start with.

Robot Lords of Tokyo on Thee Facebooks

Robot Lords of Tokyo at CDBaby

 

The Riven, The Riven

The Riven The Riven

Issued by The Sign Records, the self-titled debut from Sweden’s The Riven (also discussed here) hones in on classic heavy rock but never actually quite tips all the way into vintage-ism. It sounds like a minor distinction until you put the record on and hear the acoustic guitar lines deep in the mix of “Far Beyond” or the echoing vocal layers in the second half of the later “Fortune Teller” and realize that The Riven are outright refusing to sacrifice audio fidelity for aesthetic. There’s no shortage of shuffle to be had, rest assured, but The Riven are less concerned with aping traditionalism than updating it, and while they’re not the first to do so, the fact that on their first record they’re already working to put their stamp on the established genre parameters bodes well, as does the bluesy float of “I Remember” and the mellow vibing early in “Finnish Woods.”

The Riven on Thee Facebooks

The Sign Records on Bandcamp

 

High Reeper, Higher Reeper

high reeper higher reeper

Philadelphia exports High Reeper offer their second full-length through Heavy Psych Sounds in Higher Reeper, upping the stakes from their 2017 self-titled debut (review here) in more than just title. In the intervening two years, the five-piece have toured extensively, and it shows in the pacing and general craft of the eight songs/38 minutes here, from the perfectly-timed nod at the end of “Buried Alive” to the face-slap proto-trash riff that starts the subsequent “Bring the Dead,” from the mountaintop echoes of “Obsidian Peaks” (note the “Hole in the Sky” riff rearing its head) to the howling roll through “Plague Hag” and into six-minute closer “Barbarian,” as High Reeper hone elements of doom to go with their biker rock sleaze. Stellar guitar is a running theme beginning with opener “Eternal Leviathan,” and Higher Reeper quickly proves that if you thought the debut had potential, you were right.

High Reeper on Thee Facebooks

Heavy Psych Sounds website

 

Brujas del Sol, II

brujas del sol ii

if the 6:40 album opener “Teenage Hitchhiker” from Brujas del Sol‘s Kozmik Artifactz-delivered II makes anything plain, it’s that the songs that follow on the seven-track/43-minute outing are going to pay attention to texture. Still about half-instrumental, the Columbus, Ohio, four-piece veer from that modus with “Sisterlace,” the New Wave-y “Fringe of Senility,” the delightfully dream-toned “White Lights,” and the final Floydian section of closer “Spiritus,” adding vocals for the first time and leaving one wondering what took them so long. Nonetheless, the winding lines and later subtly furious drums of “Sea Rage” and the scorching leads of the penultimate “Polara” bring the proggy mindset of the band that much more forward, and if II is transitional, well, it was going to be anyway, because a band like this never stops growing or challenging themselves. They certainly do here, and the results are an accomplishment more than worth continuing to build upon.

Brujas del Sol on Thee Facebooks

Kozmik Artifactz website

 

Dead Witches, The Final Exorcism

dead witches the final exorcism

The centerpiece of Dead Witches‘ sophomore album, The Final Exorcism, is a play on ’60s psych-garage-folk that asks “When Do the Dead See the Sun?,” and the rest of the LP that surrounds provides the answer: The sun isn’t showing up anytime soon, for the dead or otherwise. After issuing their first full-length, Ouija (discussed here), in 2017, the multinational horror-cinema doomers brought aboard vocalist Soozi Chameleone alongside drummer Mark Greening (Ramesses, ex-Electric Wizard), bassist Carl Geary and guitarist Oliver Irongiant, and one might be tempted to think of The Final Exorcism as a kind of second debut were it not for the fact that it’s so cohesive in its approach. With Greening‘s swinging march at the foundation, cuts like the title-track and “The Church by the Sea” stomp out thick-toned and grainy organic creep, plundering through the cacophonous “Lay Demon” en route to the abyssal plod of “Fear the Priest” at the end, fearsome in purpose and realization and hopefully not at all “final.” Like any good horror franchise, there’s always room for another sequel.

Dead Witches on Thee Facebooks

Heavy Psych Sounds website

 

Automaton, TALOS

automaton talos

It was hard to know where Automaton were headed after they remixed their debut EP, Echoes of Mount Ida (review here), and released it in LP format with two additional tracks. The original version was raw and weighted, the remix spacious and psychedelic. With TALOS, their first proper long-player (on Sound Effect Records), they answer the question with seven songs/48 minutes of expansive and richly atmospheric post-metal, seeming to take from all sides and shift their focus between crushing with dense tones on 11-minute opener and longest track (immediate points) “Trapped in Darkness,” as well as the frantically drummed “Automaton Marching,” “The Punisher” or the end stage of “Talos Awakens” and honing more of a varied and atmospheric approach throughout the sample-laced “Giant of Steel,” the drifting “Submerged Again” and the minimalist acoustic-led closer “Epilogue,” all the while donning both an overarching concept and a new level of production value to bolster their presentation. It is a significant step forward on multiple fronts.

Automaton website

Sound Effect Records website

 

Llord, Cumbria

llord cumbria

Raging and experimental, the rumble-laden Barcelona duo Llord make their full-length debut on Féretro Records with Cumbria, which culls together five punishing-but-still-atmospheric tracks of plod and drive as bassist Aris and drummer David share vocal duties and bludgeoning responsibilities alike. Ill-intentioned from the get-go with the two-minute “Adtrita Sententia,” Cumbria unfurls its 29-minute run like a descent into low-end madness, varying speed and the amount of samples involved and bringing in some guest gralla on “Brega” and closer “Kendal/Crewe,” but finding itself in a consistent tonal mire all the same, shouts reverberating upward from it as through trying to claw their way up during the collapse of earth beneath their feet. It is brutal — an extreme vision of atmospheric sludge that makes the concept of a guitar riffing overtop seem like an indulgence that would only dull the impact of the proceedings as they are, which is formidable.

Llord on Bandcamp

Féretro Records on Bandcamp

 

Sweet Jonny, Sweet Jonny

sweet jonny sweet jonny

I can’t claim to be an expert on the ways of Britpunk classic or modern, but UK swagger-purveyors Sweet Jonny weave a heaping dose of snearing attitude into their self-titled, self-release debut album’s 12 tracks, and it comes set up next to a garage rock fuckall that isn’t necessarily contradicted by the actual tightness of the songwriting, given the context in which they’re working. “American Psycho,” well, that’s about American Psycho. “Sick in the Summer?” Well, guess that could be taken multiple ways, but somebody’s sick in any case. You see where this is going, but Sweet Jonny bring character and addled-punk charm to their storytelling lyrics and barebones arrangements of fucked-up guitar, bass and drums. I don’t know what the punkers are into these days, but the vibe here is rude in the classic sense and they bring a good time feel to “Superpunch” and “It Matters Not” — which stretches past the four-minute mark(!) — so what the hell? I’m up for something different.

Sweet Jonny on Thee Facebooks

Sweet Jonny website

 

Warp, Warp

warp warp

If the approval stamp of Nasoni Records isn’t enough to get you on board — and it should be, frankly — the Sabbathian lowercase-‘g’ ghost rock Warp proffer on their self-titled debut is bound to turn heads among the converted. The Tel Aviv-based outfit tear through eight tracks in a crisp, bitingly fuzzed 28 minutes, taking on classic boogie and doom alike before they’re even through opener “Wretched.” They get bonus points for calling their noise interlude “‘Confusion Will Be My Epitaph’ Will Be My Epitaph,’ as well as for the shuffle of “Gone Man” that precedes it and the stomp of “Intoxication” that comes after, the latter a rhythmic complement to the central progression of second cut “Into My Life,” which only departs that snare-snare-snare to soar for a dual-layered solo. Hard not to dig the space-punk edge of “Hey Little Rich Boy II” and the throttled-back stoner nod of closer “Enter the Void,” which is done in under five minutes and still finds room for the album’s best stop-and-crash. Fucking a.

Warp on Bandcamp

Nasoni Records webstore

 

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Brujas del Sol Premiere “Sisterlace”; II Preorders Available; Art and Tracklisting Revealed

Posted in audiObelisk, Whathaveyou on October 5th, 2018 by JJ Koczan

brujas del sol

We’re getting dangerously close to the previously-announced Oct. 19 release date for Brujas del Sol‘s second album, II. Preorders have gone up through the label, Kozmik Artifactz, and below, you’ll find the unveiling of the Will Fugman cover art and the tracklisting, as well as the premiere of the track “Sisterlace,” which is the first audio to come from the heavy progressive mostly-instrumentalists’ latest work. The song features on side A of the vinyl, following “Teenage Hitchhiker” and “Sea Rage,” and features a echoing tones that are spacious and resonant in a way that very much typifies a lot of what’s coming from the Columbus, Ohio-based four-piece, as well as vocals from guitarist Adrian Zambrano, which only serve to make it more memorable as it moves into a fuzzy crunch and uptempo push ahead of “Fringe of Senility,” which rounds out the first half of II with a New Wave/krautrocking feel still marked out by Zambrano‘s own drifting guitar.

Zambrano is joined in the band by bassist Derrick White, drummer Josh Oswald and keyboardist Phillip Reed, the latter two of whom would seem to have come aboard since 2015’s Starquake 7″ (review here), which followed the digital track “Occultation” and their prior full-length debut, 2013’s Moonliner. In the five years since that first outing, Brujas del Sol have undergone not just the lineup changes, but a process that makes them both more patient in their execution and also more purposeful as songwriters. II ranges pretty broadly, but it’s by no means inaccessible, tapping spacey Floyd and Hawkwind impulses and filtering through prog rock as only Rush fans could do.

Art, info and audio follow here. Dig:

brujas del sol ii

Adrian Zambrano on “Sisterlace”:

“Sisterlace” was the first song we wrote for this album and coincidentally, the first song we decided needed vocals. The title came to our bassist, Derrick, in a strange dream, which inspired us to write it. If we had to choose the quintessential Brujas song, with all the elements that define our band, this is it.

Preorders available at: http://shop.bilocationrecords.com/navi.php?suche=brujas+del+sol&lang=eng

Brujas del Sol, II tracklisting:
Teenage Hitchhiker
Sea Rage
Sisterlace
Fringe of Senility
White Lights
Polara
Spiritus

Album art work done by Will Fugman, http://willfugman.com/

The album release show is Nov. 9 at Rumba Cafe with Pale Grey Lore and Playing to Vapors.

Brujas del Sol is:
Adrian Zambrano – High end/Vocals
Derrick White – Low end
Josh Oswald – Percussion
Phillip Reed – Keyboards

https://www.facebook.com/BrujasdelSol/
https://brujasdelsol.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

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Brujas del Sol Sign to Kozmik Artifactz; New Album II out Oct. 19

Posted in Whathaveyou on August 29th, 2018 by JJ Koczan

Columbus, Ohio-based atmospheric heavy rockers Brujas del Sol — who might be more progressive than they are psychedelic but are still a pretty good bit of both and why quibble anyway? — have signed to Kozmik Artifactz. They’ll release their second album, titled simply II, through the storied imprint on Oct. 19 with the full vinyl treatment. The four-piece was last heard from with late-2015’s single, Starquake (review here), and II will follow some five years behind their 2013 debut, Moonliner. That outing was released through Devouter Records.

Brujas del Sol mark the latest in an impressive and geographically varied string of pickups for Kozmik Artifactz, which in addition to the label comprises one of the leading European distros, and one wonders if perhaps in aligning with them, Brujas del Sol might have eyes on a European tour sometime in 2019. Or maybe they just wanted to put the record out on wax. That’d be fair enough, and Kozmik Artifactz certainly seem to know what they’re doing when it comes to such things. I guess the point is kudos all around. I’ll hope to get to hear the album.

The label’s announcement follows here:

brujas del sol

***NEW SIGNING – BRUJAS DEL SOL***

Today we officially welcome Brujas del Sol to the Kozmik fold. We’ll be releasing their new album “II” on the 19th of October, on heavy weight gatefold vinyl.

“We are very thrilled to be a part of the Kozmik Artifactz family. It is an honour to be among such an incredible line-up of bands.

Our new album, II, comes on the tail end of big changes among the members in the band. Both musically and personally. With influences within the prog, psych and post-rock communities, we feel we will be a nice addition the Kozmik Krew.

Those who enjoy hypnotic rhythms, fuzzy and modulated guitars, pulsating analogue synthesis and songs that blend progressive, space rock and heavy influences will appreciate II.”

Brujas del Sol is:
Adrian – High end/Vocals
Derrick – Low end
Josh – Percussion
Phillip Reed – Keyboards

https://www.facebook.com/BrujasdelSol/
https://brujasdelsol.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Brujas del Sol, Starquake (2015)

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Quarterly Review: Beastmaker, Low Flying Hawks, CHVE, Brujas del Sol, Mammoth Weed Wizard Bastard, The Shooters, Boss Keloid, Hors Sujet, Warchief, Seedship

Posted in Reviews on March 31st, 2016 by JJ Koczan

the obelisk quarterly review spring 2016

It seems like a day doesn’t go by that I don’t find something in one of these piles (metaphorical, sometimes literal) of records that keeps me coming back. Today is once again spread across a pretty wide stylistic swath, and that’s by design to keep my brain from going numb, but if there’s a unifying theme across all of it, let it be a sense of scope and bands and artists who are trying to take what’s been done before and push it forward or in some new direction. That’s not universal — nothing is — but today might be the most adventurous of the days included this quarter, so I hope you’ll keep open ears and an open mind as you make your way though.

Quarterly Review #31-40:

Beastmaker, Lusus Naturae

beastmaker lusus naturae

Expectations are high for Fresno trio Beastmaker in no small part because their first album, Lusus Naturae, arrives through Rise Above Records. Whether they’ll take their place among the venerable UK imprint’s genre-shapers of the last half-decade, Uncle Acid, Ghost, etc., remains to be seen, but there can be little question Lusus Naturae lives up to the standard of offering something individual even as it plays off familiar conceptions. Beastmaker’s doom is classic without sounding like much of anything else, and as they unfold “Arachne” and catchy pieces like “Mask of Satan” and “You Must Sin,” they arrive aesthetically cohesive and demonstrating accomplished songwriting finding a space of its own surrounding Sabbathian and Cathedral-driven ideals with semi-psych, semi-cultish tendencies, not wanting to be put in one place or the other but successfully engaging a melting pot of modern doom in “Burnt Offering” and the plodding “It.” Whatever the wider response winds up being, Lusus Naturae will without a doubt stand as one of 2016’s best debuts.

Beastmaker on Thee Facebooks

Rise Above Records

 

Low Flying Hawks, Kofuku

low flying hawks kofuku

If you’re hand-picking dream rhythm sections, getting Trevor Dunn to play bass while Dale Crover drums would probably be the picks of any number of players, but initials-only core duo EHA and AAL of Los Angeles’ Low Flying Hawks actually went out and got the Mr. Bungle and Melvins personnel to play on their Toshi Kasai-produced Magnetic Eye Records debut LP, Kofuku. Aside from keeping good company, the album’s 10 tracks/53 minutes are marked by a spaciousness that not even the tonal heft of early cut “Now, Apocalypse” seems to fill as EHA and AAL balance post-rock, doomed lurch and darker psychedelics with blackened screams and fervent rhythmic push – see “White Temple” and “Wolves Within Wolves.” They round out with the lumbering 11-minute “Destruction Complete,” a heavy rock march topped by airborne, dissonant leads that keeps its head even as it plods onward into oblivion. Not as unipolar as it might first appear in terms of sound, but the mood of Kofuku points consistently downward.

Low Flying Hawks on Thee Facebooks

Magnetic Eye Records

 

CHVE, Rasa

chve rasa

The crux of CHVE’s Rasa is in resonance. Amenra frontman Colin H. van Eeckhout (his solo-project’s name derived from his initials) constructs a flowing half-hour of fluid drone, intermittent percussion – first tribal, then a straightforward kind of march, slow but not still – and atmospheric vocal on the single track that comprises the work, seeming to take influence from calls to prayer as much as atmospheric noise. At higher volumes, the piece is consuming, his voice surrounds with the almost constant wash of tone, but even at more reasonable levels, the sense of purpose and ritual remains. Of course, Amenra are noted for the use of the word “mass” in their album titles, and while Rasa departs from the direct tonal heft of much of what van Eeckhout does in his main outfit, there is a sense of mass here in terms both of presence and in terms of the worship being enacted.

CHVE on Thee Facebooks

Consouling Sounds

 

Brujas del Sol, Starquake

brujas del sol starquake

How do you fit an 11-minute track onto a 7” release? Easy, you break it in half. Such is the method of Ohio instrumentalists Brujas del Sol, who follow their Moonliner EP trilogy with the late-2015 single Starquake, presented on the limited H42 Records platter as “Starquake Pt. I” and “Starquake Pt. II” but comprising nonetheless a single piece that backs airy, post-rock-tinged guitar with a decided forward rhythmic motion, resulting in an overarching build that, while there’s a natural moment for the split, is hypnotic front to back, a swirl of effects calling it mind space rock improvisation even as the plotted momentum of drums and bass resumes. Starquake is enough to make one imagine what kind of variety and spontaneity Brujas del Sol would bring to a debut full-length, so in that it very much does its job, but it makes a good case for standing on its own as well as it hits its second apex and finishes in a residual wash of cosmic noise.

Brujas del Sol on Thee Facebooks

H42 Records

 

Mammoth Weed Wizard Bastard, Noeth ac Anoeth

mammoth weed wizard bastard noeth ac anoeth

Offered through New Heavy Sounds, Noeth Ac Anoeth is the debut full-length from Welsh cosmic doom four-piece Mammoth Weed Wizard Bastard. It is comprised of three songs and incorporates the half-hour-long “Nachthexen,” which was also the title-track of the band’s prior 2015 EP (review here), their rumble brought to bear through the capable knob-turning of Conan’s Chris Fielding at Skyhammer Studio. The vocals of Jessica Ball manage to cut through the ensuing tonal murk of her bass and the guitars of Paul Michael Davies and Wez Leon, and James Carrington’s drums live up to the near-impossible task of making “Les Paradis Artificiels,” “Slave Moon” and “Nachthexen” go, each developing its own plodding momentum amid the purposeful thickness overdose and atmospheric sensibility enhanced both by Davies’ work on keys and Ball’s vocals. “Slave Moon” winds up at a gallop and almost operatic, but there’s no way the highlight wasn’t going to be “Nachthexen,” which offers chug dense enough and spaces wide open enough to easily get lost in. Time well spent, all around.

Mammoth Weed Wizard Bastard on Thee Facebooks

New Heavy Sounds

 

The Shooters, Dead Wilderness

the shooters dead wilderness

Spanish heavy rock four-piece The Shooters present their third album, Dead Wilderness (on Red Sun Records/Nooirax Producciones), as two sides even on the CD pressing, each half of the record ending with an extended cut over the 10-minute mark. All told it’s six songs/49 minutes of solidified, mostly straightforward Euro-style riff-led heavy grooves, tapping into some Dozer influence on “War on You” but offering more spacious burl on “Lucifer’s Word,” which starts side B after the push of “Roots” rounds out side A. There’s little by way of letup, but moments like the quiet start and bridge of “Black Mountain” do a lot of work in adding complexity to The Shooters’ hook-minded approach, and 11-minute finale “Candelabrum” builds on that with a patient linear unfolding that casts off some tonal heft in favor of a more atmospheric take. That ultimately lets Dead Wilderness bring an individual edge to established stylistic parameters, from which it greatly benefits.

The Shooters on Thee Facebooks

The Shooters on Bandcamp

 

Boss Keloid, Herb Your Enthusiasm

boss keloid herb your enthusiasm

Granted, a title playing off Curb Your Enthusiasm and, well, herb, might make you think the band is just goofing around, but UK riffers Boss Keloid offer more substance with their second album, Herb Your Enthusiasm, than they do wackiness. The sound – captured by Chris Fielding at Skyhammer Studio – is positively massive, bolstered by guest appearances from Fielding himself and his Conan bandmate, Jon Davis, who also owns Skyhammer and Black Bow Records, the imprint releasing the LP, and given to swells of largesse and huge rolling grooves that still remain righteously fuzzed, as on “Escapegoat” or “Lung Valley” the quieter complement to opener “Lung Mountain.” Vocalist Alex Hurst assures any quota of burl is met, but has more to his approach melodically than riff-following chestbeating, and guitarist Paul Swarbrick, bassist Adam Swarbrick and drummer Stephen Arands present instrumental flow and turns behind that give the record a sense of personality beyond its weedian play. Not a minor undertaking at an hour long, but satisfying in tone and execution.

Boss Keloid on Thee Facebooks

Black Bow Records

 

Hors Sujet, Nous N’y Trouvons que le Doute

hors sujet nous ny trouvons que le doute

I guess it’s fair to call late 2015’s Nous N’y Trouvons que le Doute the debut full-length from Toulouse-based one-man outfit Hors Sujet, though multi-instrumentalist/atmosphere-conjurer Florent Paris has done a variety of soundtrack work and released numerous other textures in EPs and a variety of other offerings, so take that for what it’s worth. More important is the rich sense of ambience Paris brings to Hors Sujet in the seven included songs, from the dystopian doom of “Au Plus Loin, la Mer / L’hiver Peureux” to the wistful drone wash of “Le Souffle, Peu à Peu (Pt. 2),” which has its companion piece earlier in the album. Of special note should be 27-minute closer “Et Maintenant, le Ombres,” acting as a summary of the proceedings as much as expansion thereupon, concluding an often quiet outing with a stark cacophony that gorgeously builds from the minimalism before it to a raucous finish worth of the breadth Paris shows in his work throughout.

Hors Sujet on Thee Facebooks

Hors Sujet on Bandcamp

 

Warchief, Warchief

warchief warchief

Initially released by the band in summer 2015, the self-titled debut from Finnish progressive heavy rockers Warchief sees vinyl issue through Phonosphera Records, its two sides consumed by organic execution across four tracks moving beyond traditional structure in favor of a more varied approach, from the rumbling heft that emerges in opener “Give” through the goes-anywhere near-psychedelia of 21-minute closer “For Heavy Damage.” Warchief, the Jyväskylä-based four-piece of Teemu Pellonpää, Juho Saarikoski, Esa Pirttimäki and Tommi Rintala, feel right at home working in longer-form material, whether it’s that closer or the nine-minute “Life Went On” preceding, and given their breadth I wouldn’t be surprised if they would up with a single-song album sometime in the future. With that in mind, perhaps most encouraging about their self-titled is the fact that it seems so exploratory, very much like the beginning of creative growth rather than a finished product on display. One hopes they continue to flesh out stylistically and build on the foundation they’ve set here.

Warchief on Thee Facebooks

Warchief on Bandcamp

 

Seedship, Demo 2015

seedship demo 2015

Riffing their way into the post-Electric Wizard league of rumble purveyors, Minneapolis newcomers Seedship avoid any cultish trappings on last fall’s Demo 2015, their first release. A marked tonal thickness is nearly immediate, but along with the slow-motion nod and overarching density, melodic vocals cut through the morass to give a human aspect to the groove. Of the three tracks, “The Edge of Expiry,” “The Condemned Adrift” and “The Desperate Odyssey,” not a one is under eight minutes long, and as they plod their way through the opener (also the longest track; immediate points), Seedship enact a sci-fi theme that carries through the release as a whole, which scuffs up the approach some in the closer, but always keeps its spacier elements intact, even as it kicks the pace in the ass at around six minutes in and lets loose a release for all the tension built up prior before a final slowdown ends out. They seem to have a lot already worked out sound-wise, so should be interesting to hear where they go with it.

Seedship on Thee Facebooks

Seedship on Bandcamp

 

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Brujas Del Sol Release Starquake 7″ on Dec. 14

Posted in Whathaveyou on October 28th, 2015 by JJ Koczan

brujas del sol

After three EPs and the digital single “Occultation” released earlier this year, Ohio heavy psych rockers Brujas del Sol will release their new Starquake 7″ on Dec. 14 through H42 Records. This marks the first offering on the label for the band — who now share guitarist Adrian Zambrano with fellow Columbus natives Lo-Pan —  and a teaser has been posted below to give a sense of the trippery that seems bound to ensue on the two-part title-track that will consume both sides of the platter. You can hear that below, because, you know, multi-sensory experience and whatnot.

Preorders start Nov. 1, which is apparently in like four days — who knew? — and more info follows, thanks to the generous grace of the PR wire:

brujas del sol starquake

NEW BRUJAS DEL SOL 7”-Single ‘STARQUAKE’ COMING 14 DEC 2015 from H42 RECORDS!

BRUJAS DEL SOL ‘STARQUAKE’ 7”-Single
H42 Records H42-023 lim. Edition, handnumbered
OUT: 14. DEC 2015 / PRESALE: 1 NOV 2015
A1/B1: Starquake (Pt. I & Pt. II)

LIM TOTAL 250 COPIES
70 clear stardust/gold glitter Edition
100 clear orange marbled Edition
130 space black Edition

BRUJAS DEL SOL is a psychedelic quartet from Columbus that focuses their attention toward fuzzed out, loud, swirly, droney compositions. After their heaped with loads of great reviews Debut LP ‘Moon Liner’ from 2013 the Columbus Four went back to the studio to work on a new epic song: The new song ‘Starquake’ is about 11 minutes and with strong bonds of Hawkwind to Pink Floyd with a lot of genius hypnotic tunes.

Now two years after their debut BRUJAS DEL SOL is back with a bang! ‘Starquake’ will be released end of 2015 over H42 Records. Brujas Del Sols ADRIAN is also known as the new guitarist of Lo-Pan! Once again Alex from www.zeichentier.com is responsible for the artwork!

Bio:
Old bandmates Adrian Zambrano (guitar, vocals) and Derrick White (bass) formed BRUJAS DEL SOL with drummer Jason Green in the fall of 2011. Instead of pre-writing songs, the band took a more organic approach; recording every improvised jam session. After a few months, hours of musical ideas were captured. Listening back, the band picked a couple of favourites which became their first songs. A variety of musical ingredients began to melt into a sound of their own; hypnotic krautrock, fuzz-laden blues grooves, swirling surf-rock, ambient drones all found their ways into songs.

During the spring of 2012 the band hit Electraplay Studios which yielded two EPs-Moonliner volumes 1 & 2. As the writing process became more demanding, the band wanted to add a keyboardist. Ryan Stivers joined that summer and the band went forth composing music for the last installation in their Moonliner trilogy.

While spending most of the summer writing and opening for national acts A Place to Bury Strangers and Black moth super rainbow, Moonliner volume 3 was recorded and finally released December of 2012.

Band:
Adrian – High end/Vocals
Derrick – Low end
Cody – Percussion
Ryan – Keyboards

http://brujasdelsol.bandcamp.com/
www.facebook.com/H42Records
www.h42records.com
www.twitter.com/H42records
www.h42records.8merch.com

Brujas del Sol, Starquake 7″ teaser

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Lo-Pan, Deadsea, Brujas del Sol & Others’ Practice Space Robbed

Posted in Whathaveyou on December 9th, 2013 by JJ Koczan

Though in the past I’ve advocated its use in everything from cases of sexual assault to murder to someone cutting me off in traffic, I don’t actually believe in the death penalty. Among the strongest arguments in capital punishment’s favor, however, are people who steal from bands. Seriously, I don’t know how many times I’ve said it. Steal from corporations. They have money, and the tens of thousands of dollars’ worth of shit like the below is nothing to them. To take equipment from people who actually either broke their asses playing out to earn the money to buy it or who balance a dayjob existence with their insatiable need to create something is fucking disgusting. I hope when the cops find whoever did this, they’ve been hit by a bus.

Along with a slew of others robbed early this past Saturday morning in a Columbus, Ohio, rehearsal space, Lo-Pan lost equipment and sent out the following updates via Thee Facebook. Goes without saying that if you’re in that part of the world and you see any of this stuff, do whatever you can to help the bands get it back.

Bummer note to start a week on, but imagine how the bands feel:

Our hearts go out to friends from Brujas Del Sol, Ride to Ruin, Fevernest/Struck By Lightening, Prosanctus Inferi, and others that had gear stolen in the break-in at our rehearsal facility. We also lost items but our lost gear pales in comparison to that of some others.

Be on the lookout for lists of stolen gear from these bands and others and let’s try to help them find their stuff. Mostly lots of guitars were taken and a couple of larger items.

Stealing a bands gear is one of the most low-bottom things you can do. Don’t do that. Just don’t.

A big thank to everyone for the outpouring of interest following the theft of our rehearsal space Friday night/Saturday morning. We had over 240 shares of our status with the gear list in 15 hours…that is amazing. Word has spread far and wide and we thank all of our friends for your assistance.

Let’s keep up the good work and get this equipment back where it belongs. The police are working hard and progress is happening. You may not see specifics regarding leads or suspects in the interest of preserving the investigation but rest assured that work is being done.

Special thanks to the amazing Columbus Arts Community, which has come together in a manor seldom seen. Respect.

Here is an up to date list of all things taken from our rehearsal space last night. PLEASE REPOST THIS EVERYWHERE.

A. Yakuza Heart Attack
Brat Curse – white Japanese Fender Mustang
B. Struck By Lightning/ Earthburner/
200? Gibson Les Paul Custom – Black w/ Gold hardware Lace drop and gain pick ups installed. Dimarzio strap locks. Oversized string gauge set up.
1978 Gibson RD Artist – Vintage Burst w/ Gold hardware Lace drop and gain pick ups installed Chris Krump engraved on the trus rod cover Schaller strap locks Oversized string gauge set up.
60th Anniversary eddition American Fender Telecaster – Tri Burst w/ Black pick guard. Oversized string gauge set up.
Jackson Rhodes – Black. String through body.
1979 Gibson G3 Bass Guitar – Vintage Burst. Missing bridge cover. Oversized string gauge set up.
200? Gibson Les Paul Studio – Black w/ Gold hardware. Neck repair. Dimarzio strap locks.
200? Gibson SG Special – Ebony w/ Chrome hardware. Dimarzio x2n bridge pick up. Dimarzio Air Norton neck pick up. Dimarzio strap locks.
198? Peavy Dyna Bass Guitar – Black Dimarzio strap locks.
Mexican Fender P Bass – Black w/ Black pick guard. EMG active pick ups. Chip on top horn. Dimarzio strap locks.
2 198? Peavy Mark IV Bass Amps. Electrical tape on the front.
Roadrunner RRMBGABS Molded bass guitar case – Black. Monster cables and Mogami cables inside.

C. Bummers/Tight Bros
Fender Telecaster (made in mexico, 3 saddle bridge, brown sunburst with paint chipped off the entire back)
Fender Stratocaster Standard (made in Mexico, black with white pickguard, large amount of sticker residue on body)

D. Lo-Pan
1 off brand custom stratocaster in case…pieced together not really traceable
2 – JBL PA towers 2×15
1- Shure SM 57

E. Brujas del Sol
2002-4 LAKE PLACID BLUE (white pickguard) crafted in japan Fender Jaguar
2009/10 TWO TONE SUNBURST (black pickguard) American Special Fender Stratocaster
2003/04 ALL BLACK Made in Mexico Telecaster
2002-5 Ibanez Omar Rodriguez Pro Model. White with Red tortoise guard.
1988/89 MIJ White Jazz Bass
Warmoth Custom P/Jazz Bass Surf green/Black pickguard. (one of a kind)
2012 Fender Pawn shop Bass XI. Black. Tortoise guard.

F. Magnumb Opus
Fender Deluxe Reverb 1×12 22W Amp (serial on request) – black casing with silver face
A second Fender Deluxe Reverb 1X12X22W Amp (serial on request)
(Bypass switch is missing on this amp on the back panel)
Ibanez AF 55 Art Core Hollow Body Guitar Red – Valued at 450.00

G. Little Professors
1 Fender Deluxe Jazz Bass(most likely Mexican made) Cream body w/ Tortoise pick guard
1 Maroon Hollow body Silvertone Guitar
1959 Danelectro Reissue guitar, black body w/ white pickguard

H. Smoking Guns/Matt Monta
untouched

I. Weight of Whales
Fender Modern Player Telecaster Thinline Deluxe
Fender Frontman 212R with a bunch of local stickers on top
Behringer XENYX X1622USB USB Mixer with Effects
Dell Inspiron XPS Laptop
Ibanez 1977 Acoustic Guitar
Wood Fender Ukulele
Black Rogue Mandolin
Black Mexican Fender Stratocaster

J. ROEVY
Pioneer DJM 900 Nexus
Odyssey Black Flight Case

K. RIde to Ruin
Black Gibson Les Paul with three pickups (two gold and one pearl) in an epiphany hardshell case with lots of stickers
White 60’s Gibson Melody maker with a neck repair, one hum bucker in the bridge and one single coil in the neck in a gibson hardshell case (the serial number is painted over)
Green Lotus double cutaway with two humbuckers in a heavy duty flight case with a billy preston stencil on it
Black Epiphone Les Paul with two pickups and very heavy gauge strings in a soft-shell case.
Black Samic Strat copy in soft shell case

L. Deadsea
Modulus Quantum 5 5-string bass with graphite neck- dark green/black (serial number available upon request)
Ibanez Professional Model 2681 blonde guitar with pearl inlay on body and neck (serial number available upon request)
B.C Rich NJ Warbest Deluxe
Ibanez Xiphos XPT700

https://www.facebook.com/lopandemic

Lo-Pan, Live at The Eye of the Stoned Goat 3, Brooklyn, July 27, 2013

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