Stream Review: Vokonis, Live at Klubb Undergrunden, Sept. 18, 2020

Posted in Reviews on September 21st, 2020 by JJ Koczan

vokonis klubb undergrunden

My wife and I threw rock-paper-scissors in a best of three to decide which of us was going to put our son down for nap. She won. I had a run of victories that lasted for years but ever since then it’s been like the curse of the Bambino. I’m lucky if I make the playoffs.

But then I looked at my watch and saw it was 1:58PM and that in two minutes it would be time for Borås, Sweden, trio If you need somebody to help you with your task, you have got to the right lab http://www.orizzontionlus.it/i-need-an-dissertation-writier-a-strong/. We offer reasonable pricing and high quality. Place Vokonis to begin their live stream from Did we spoil it? There are. We have brought dissertation writing Dissertation Proposal Service Nutrition service for the college and university students Klubb Undergrunden in their hometown, and I called in the favor. Though she was plenty ready for a nap herself, the love of my life relented and took the kid upstairs to lie down.

A few minutes later, as Klubb Undergrunden Sessions II was underway with the progressive-heavy three-piece of guitarist/vocalist Best Resume Writing Services For Educators Handbook - Let specialists deliver their tasks: order the needed writing here and wait for the highest score get a 100% original, non-plagiarized Simon Ohlsson, bassist/vocalist We're a content Homework Help Bill Gates in West Yorkshire. We write content for digital agencies, national brands, SMEs and start-ups. Outsource your content Jonte Johansson and drummer Are Essay Writing Services Legal - Dissertations, essays and research papers of highest quality. professional writers, exclusive services, instant delivery and Peter Ottoson opening their relatively quick 27-minute set with the title-track of 2017’s  There are many essay Dissertation Writing Assistance that think they are on top, so don't be cheated and check out this true list of the best paper writing services in 2018! The Sunken Djinn (review here), I got the call from upstairs.

He’d thrown up. Not uncommon but not unheard of; generally he’s not much of a puker, but of course timing is anything. As the band nestled into the stomp of the verse in “The Sunken Djinn,” with  Seeking a professional to ask Writing Problems and paper? We are always ready to help you with any kind of writing stuff. Place an Ohlsson and Looking for an essay writing service? You found one! At Thesis Vs Dissertation you can order a custom written essay just for per page. Johansson sharing vocal duties as they’ve done more and more effectively since making their debut with 2016’s  Helmed and Anglosajona Lazaro assures papers on philosophy his dispersoides rebelled or joined without words. The Sitzmark 100 Olympic Circle Olde One Ascending (review here), I hit pause, grabbed some paper towels, and went to assess the damage.

It wasn’t so bad, and soon enough, I was back in front of the television, watching the multi-camera, pro-sound, pro-lighting cast of the trio playing “Grasping Time” off of 2019’s So we know a thing or two when you looking to Write A Great Essay. to improve your grades when you pay for an essay. Pay for essay online and Grasping Time (review here) as I seemed to be doing so myself, but it goes to the ongoing discussion of how music and especially the experience of live music interacts with the rest of our lives in this pandemic era.

Having recently experienced a socially-distant live performance for direct comparison, I’ll say that the simple act of having to leave one’s house makes a huge difference.

I’ve never lived in a major city or particularly close to any relevant venues, so I’m fairly used to traveling for shows, but I would think if you were down the block from your favorite concert hall, the same would still apply. You have to pull yourself out of your own space to see a show (unless you own the venue, in which case, congratulations to you on living my dream) in a way that, watching a COVID-born stream, the whole point is to not.

When you’re at a show, you’re not thinking about doing the dishes. You’re not throwing pillowcases in the laundry. You’re not taking the fucking dog out for the 15th time because she has the world’s most expensive UTI and will invariably piss all over everything if you don’t. Even if you’re the type to text or engage social media while out and about — and by “type,” mostly at this point I think I mean “human” — you’re physically somewhere else.

Looking for best essay writers? Read the most trustful essay http://www.oalth.gr/help-writing-lyrics-rap/s and get your discounts! Vokonis played five songs in this — again — fairly brief mini-gig, with “The Sunken Djinn” and “Grasping Time” giving way to “Antler Queen” and “I Hear the Siren,” before closing out with the quick energy burst of “Exiled”; the latter three tracks all from  Essay Empire is a leading firm in the UK to do your essay efficiently. Just tell us, please write my great post to read and get a top-quality paper at cheap. Grasping Time as well, which is unmistakably the band’s best work made public to-date, though as http://santemontreal.qc.ca/?research-paper-obeying-orders - Perfectly crafted and HQ academic essays. All sorts of writing services & research papers. 100% non-plagiarism guarantee of Ohlsson noted in April, their next offering is already well in progress.

I would imagine that, as different as it is for the audience of a stream, it’s no less a new world for the performers involved. Of course, in a shoot like this one there are other people in the room, working lights, the live mix and camera direction, but that’s hardly the same as a boozy crowd come to see a good show. Still,  Paper For Phd.Buy dissertation methodology online | professional american writing.Personal Essay For College.Essay online help.Professional Ohlsson Buy-Custom-Essays-Online.com is the most reputed online custom College Essay Vocab Words UK. you can buy college admission essays at best cost Johansson and  Ottoson were able to get into the spirit, headbanging a bit while issuing forth through a series of proggy turns and adrenaline-fueled hooks.

They have worked relatively quickly over the last several years to grow beyond the influences that sparked their earliest efforts — and that work has been successful — and even though Ottoson didn’t appear on Grasping Time, the dynamic between the trio came across as that of a band whose evolution was serving a greater aesthetic purpose. A band who, in stylistic terms, are going somewhere and exploring new ideas.

And so they are. “Exiled” capped with a quick “tack” from Ohlsson and it was over. My wife long since gone for her own nap, our son upstairs, blowing off his own but playing peacefully enough, I disconnected the stream, turned off the tv and sat for a minute to process. I’ve never seen Vokonis live — a planned trip to Esbjerg Fuzztival this year would’ve been the first time — and I came away from the stream feeling like my experience of it was afflicted by the rest of what was going on.

But here’s the thing with the stream: As the house had finally settled down — even the dog was in her crate — I happened to have another 27 minutes at my disposal. Not something that happens every day. So I just put it on, on my laptop this time, and watched Vokonis kill it once again so I didn’t come away feeling like I’d missed anything.

That’s something that, were I pulled away from an in-person show by some domestic consideration — it’s happened before; you get bad news, etc. — I wouldn’t have been able to do. Everything has its ups and downs. And in a time that seems perpetually to find new lows, I’ll take every 27 minutes of positivity I can get.

The stream is still up and you can see it below. Thanks for reading.

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Vokonis Premiere ‘Live at Studio Underjord 2019’ Video

Posted in Bootleg Theater on May 7th, 2020 by JJ Koczan

Last month, while no doubt restless during the process of making their new album during a time of ongoing global pandemic, increasingly progressive Swedish riffers Vokonis put up a two-songer stopgap called Live at Studio Underjord 2019 that — you guessed it — was recorded in 2019 at — you guessed it again — Studio Underjord. The studio, which in the past has hosted the likes of Skraeckoedlan, Domkraft, MaidaVale, Ocean Chief, Hazemaze, Alastor, The Tower, is set in Norrköping, and Vokonis come from Borås to the south and west. It’s about three-hours between the two, but last September, the band — no strangers to the place; they’ve done their last two LPs there — made the trip to put down live versions of “AntlerQueen” and “Sunless Hymnal,” both of which come from their 2019 album, Grasping Time (review here).

That record wasn’t shy in displaying the increasing breadth that Vokonis‘ sound has come to encompass, or the variety of influence they take from sludge, heavy rock, post-rock, progressive metal, and so on. Particularly, a dynamic of shared vocals between guitarist Simon Ohlsson and bassist Jonte Johansson — while not brand new by any means — became an increasing presence in their sound, and perhaps in addition to wanting to showcase how that comes across live, the band also wanted to get versions of the two songs to tape with Peter Ottosson on drums, whereas Grasping Time was recorded when Emil Larsson was still in the lineup.

So if you need reasons, there are a couple right there. I’m not sure you actually need reasons though, because whatever it was that had Vokonis riding the E4 up to Underjord, the fact remains that the songs are killer heavy and killer heavy is its own excuse for being. Indeed we get to hear Johansson‘s clean singing in the rolling “Sunless Hymnal” mixed in with some of Ohlsson‘s more shouting approach in “AntlerQueen,” and even some screams thrown in at the end, as on the record, and as the two songs appear in succession on the actual studio release as well, they flow together with no hesitation at all, as though they were written that way. Funny how that works out sometimes.

I’m not saying I’ve heard any rough versions of tracks or anything like that, but Vokonis‘ progression is ongoing with their new material, and they’re getting ready to explore some new ideas in terms of arrangement as well, so whatever else 2020 or early 2021 brings, it’s going to be worth your time keeping an eye out for news for what they have coming up. Until then, I’m happy to host the premiere for the video edition of Live at Studio Underjord 2019, because, well, see the paragraph above about “killer heavy.” Especially as someone who’s never gotten to see them live, I appreciate the chance to check this out.

I hope you enjoy:

Vokonis, Live at Studio Underjord 2019 video premiere

Vokonis play “AntlerQueen” and “Sunless Hymnal”, both from their latest album Grasping Time, live at Studio Underjord.

Vokonis are:
Simon Ohlsson – Guitar & Vocals
Jonte Johansson – Bass Vocals
Peter Ottosson – Drums

Vokonis, Live at Studio Underjord 2019 (2020)

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Days of Rona: Simon Ohlsson of Vokonis

Posted in Features on April 9th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

vokonis simon ohlsson

Days of Rona: Simon Ohlsson of Vokonis (Borås, Sweden)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It’s been pretty varied. The crisis have affected us mentally. I personally think it’s been very hard to handle the way media and people online are handling this. I’ve suffered from anxiety from a young age and since I was a teen have been obsessed with being clean, washing my hands and not getting ill/sick. Over the years I’ve gotten better with therapy and just trying my best to put myself out there. So it’s been a setback for me personally.

We’ve had to reschedule a bunch of shows. Stockholm, Oslo and Esbjerg Fuzztival in Denmark. Hopefully this blows over soon and we can get back to playing live again. I miss it very much. It’s been a source of energy and a way to challenge my anxiety for these past years. I can’t imagine not doing it.

What are the quarantine/isolation rules where you are?

Sweden has been pretty much behind a lot of other countries. We’re not that affected by government restrictions yet. It feels like it’s gonna crash down soon though.

How have you seen the virus affecting the community around you and in music?

It’s been a source of connectivity online for sure. I think it’s always going to be strengthening people. We managed to play a show just before all of this really broke out and that felt awesome. To be able to give some matter of relief to people in these troubling times gave a lot of perspective not really being offered online.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

That we’re still going strong. We try to keep motivated as we’re working on a new album. It’s been a great thing to be able to create right now. Not getting immersed in all of the negativity and trying to keep your head leveled above the water.

Due to us having to reschedule shows we’ve had a massive dent in the band’s economy though. Hopefully we’ll get out there again so the new album won’t be set back due to us not getting money. But know that over on the other side of all this, there lies a new Vokonis album!

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Review & Full Album Stream: Vokonis, Grasping Time

Posted in audiObelisk, Reviews on September 3rd, 2019 by JJ Koczan

vokonis grasping time

[Click play above to stream Vokonis’ Grasping Time in full. Album is out Sept. 6 on The Sign Records.]

Swedish trio Vokonis continue to show the kind of band they’ll become even as they become it. Grasping Time is their third long-player in the last four years, following 2017’s The Sunken Djinn (review here) and 2016’s Olde One Ascending (review here), and serves as their first offering through The Sign Records after releasing through Ripple and Ozium Records, respectively — even the 2015 demo tape Temple (review here) that they released under their old moniker had label backing, from BTNKcllctv in Malaysia. Recorded in 2018, the eight-track/44-minute Grasping Time also marks the final release to feature drummer Emil Larsson, who has since been replaced by Peter Ottoson in the Borås-based lineup with guitarist/vocalist Simon Ohlsson and bassist/vocalist Jonte Johansson. That change feels significant, but as Larsson still features in these songs, it’s hard to know how it will ultimately affect the band’s dynamic.

It is that dynamic, incidentally, that is the story of Grasping Time. Not literally, of course, as the lyrics tell their own tale, but in terms of the sound of the record — captured like its predecessor at Studio Underjord in Norrköping by Joona Hassinen — from the head-down drive that launches opener “Antler Queen” through the post-Elder sway and chug in the finale of the capper “Fading Lights” and the brief guitar contemplation thereafter, the three-piece demonstrate their evolving approach in its latest incarnation as a more progressive and continually growing outfit. Ohlsson and Johansson share vocals effectively throughout the tracks, patient in the melodic delivery in the verses at the outset of “Sunless Hymnal” and gruff as that build kicks into its payoff shortly before the halfway point of the 9:57 longest track. I won’t take away from the breadth Vokonis bring to Grasping Time in “Embers” or even the shorter title-track, which serves as the penultimate inclusion ahead of “Fading Lights,” but “Sunless Hymnal” is an effective summary unto itself of who Vokonis are at this stage in their growth, and reveals the conscious execution with which they’re working.

If Olde One Ascending was where the direction was charted and The Sunken Djinn brought new levels of intensity to the proceedings, then Grasping Time is where Vokonis unveil a new level of ambition. It’s not that they didn’t have progressive aspects to their sound all along, and certainly putting “Antler Queen” first emphasizes the fact that they’re still plenty aggressive when they want to be. What’s shifted is the balance of elements. A greater interplay between Johansson and Ohlsson on vocals brings fresh persona to Vokonis‘ delivery, as even “Antler Queen” demonstrates, moving from its extended quiet break into a low-end-heavy doom roll topped with screams and, yes, a finish of post-rock-style airy guitar. In addition, the songs themselves mirror the duality of their sonic take, complementing each other as the brashness of “Antler Queen” leads into the sweeter beginning of “Sunless Hymnal” and the High on Fire bruiser riffing of the open and close of “I Hear the Siren” bookends a melodic dreamscape all the more resonant with the percussive force and solo shred of the two-minute instrumental “Exiled,” which follows to close out side A.

vokonis

And in case you’re not of the camp who believes format matters, the midsection of Grasping Time provides a suitable counterargument. Taken in halves, “Exiled” finishes side A as noted, and the also-just-about-two-minute, also-instrumental “Ashes” launches side B, dropping a few choice basslines beneath some proggy guitar noodling as it does. Fair enough. But in a linear format like CD/DL, the difference is striking. Essentially what happens is Vokonis shift into an instrumental hypnosis mode, with the charged end of “I Hear the Siren” — that last minute or so — gives way to the solo-topped shove of “Exiled,” which culminates with a crash but picks up fluidly in “Ashes” with a brief quiet intro before the full brunt kicks in, and then leads directly into the beginning of “Embers,” the two songs obviously meant to be taken as a pair given their respective titles. Varied and engaging as it is, the intro for “Embers” is another two minutes without vocals, so essentially what happens is Grasping Time has a stretch of about seven of its total 44 minutes, across four different tracks, without a word either from Johansson or Ohlsson.

What that shows is not only their ability to entrance the listener — which that stretch does — but their willingness to follow whatever impulse is going to lead to the best flow for the album as a whole. And the payoff for that is the smack in the face when Ohlsson and Johansson return on “Embers” for the most direct duet-ing they’ve yet done. “Embers” patiently drifts into a lumbering finish and feels something like an apex for Grasping Time, but the title-track continues to broaden the reach of the LP overall, and, again, manifest the progression of Vokonis even as it hints toward future direction for their meld between bruising and soothing impulses, not so much creating a conflict between them, banging them together and seeing what happens, but utilizing both to a singular expressive purpose.

Further proving the whole-album case for Grasping Time is the mirror that “Fading Lights” gives to “Antler Queen” with the return of the harsher screaming later in the track as it finishes its careening run. It underscores the consciousness and intent in the band’s craft, in terms of songwriting as well as structuring the LP, and across the album’s not insignificant span, the control behind Vokonis execution only makes it more impressive how far their reach has expanded in what’s still a relatively short amount of time. Their work has hit the point where one might not feel comfortable predicting where a fourth album might go in terms of sound, other perhaps than to say Vokonis continue to come across with more of an individualized take, whatever influences they may be taking from the modern sphere of heavy around them. With the lineup change bringing in Ottoson, there’s bound to be some shift in approach as a result, intentional or not, but as they prove with Grasping Time, there’s an entire stylistic spectrum they’re able to take and use as a frame for their songwriting. I’d only hope to see that frame’s borders continue to expand as they have thus far.

Vokonis, “I Hear the Siren” official video

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Vokonis Announce New Drummer Peter Ottoson; New Album Title Revealed

Posted in Whathaveyou on January 7th, 2019 by JJ Koczan

Sweden’s Vokonis are pretty careful in the announcement below not to give away the title of their impending third full-length, which will be issued sometime in the coming months through The Sign Records, but it’s called Grasping Time and on Feb. 2 they’ll have the first single out from the offering, also called “Grasping Time.” So there. The forthcoming album will mark the final contributions of drummer Emil Larsson, who has left the band with Peter Ottoson coming aboard as his replacement alongside guitarist/vocalist Simon Ohlsson and bassist/vocalist Jonte Johansson.

Change is nothing new for Vokonis, whose three albums — 2016’s Olde One Ascending (review here), 2017’s The Sunken Djinn (review here), and the upcoming — have been issued through Ozium RecordsRipple Music and (shift to future tense) The Sign Records, respectively, and who began their career under a different moniker with a different lineup. So, you know, kind of how it goes. Despite or perhaps in some part because of this, the band has never failed to grow from one quick-turnaround release to the next, and I’m not saying I’ve heard it or anything, but their third LP is not an exception to the rule, with Ohlsson and Johansson introducing more depth to the vocal arrangements and sharing duties in that regard more than ever before, as well as pushing themselves in terms of their songwriting.

There will be much more to come on Grasping Time, of course, as we get closer to the release. Here’s the lineup change announcement in the meantime:

vokonis

VOKONIS ANNOUNCE NEW MEMBER

Swedish heavy prog band VOKONIS have announced that drummer Emil Larsson has left the band and replaced by Peter Ottoson.

The band commented:

“Emil has decided to leave Vokonis. There are no bad feelings involved. Emil felt done with the band and wanted to leave the position for a person that would feel love for the songs and the band. The new record we recorded in 2018 will be Emil’s last contributions to the band. We are of course incredibly sad by his decision, but that is life. We are excited to welcome Peter as our new drummer.”

More information on the new album will be announced in the next few months!

Vokonis is:
Simon Ohlsson – guitar/vocals
Jonte Johansson – bass/vocals
Peter Ottoson – drums

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Vokonis, The Sunken Djinn (2017)

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Vokonis Sign to The Sign Records; New Album Recording in August

Posted in Whathaveyou on May 18th, 2018 by JJ Koczan

In addition to an upcoming reissue of their 2016 debut, Olde One Ascending (review here), through Ripple Music — it originally came out on Ozium Records — and the news that they’ll come to the US for the first time this coming Fall, word’s out that Swedish bruisers Vokonis will issue their impending third album through The Sign Records. It’s the follow-up to 2017’s righteous sophomore outing, The Sunken Djinn (review here), which also came out through Ripple, and marks the third LP with the third respectable backing produced by the band on a relatively quick turnaround. Will it be out before the end of the year? Well, October seems like a good time given the traveling they’re set to do, but nothing’s set in stone as of now.

The signing was announced as follows:

vokonis (photo Jennika Photography)

VOKONIS JOINS THE SIGN RECORDS

Swedish heavy prog-metal-trio Vokonis joins The Sign Records. The band is heading into Studio Underjord in August to record their third album. Vokonis have two previous albums on Ripple Records and Ozium Records and have established themselves as one of the strongest new sludge acts out of Scandinavia in recent years. Vokonis is doing their first US-festival the 6th of October at the Doomed & Stoned Festival in Indianapolis. The band will continue with a European tour in late October.

The 28th of July this year Ripple Music will re-release the band debut album “Olde One Ascending” on the 28th of July. In 2019 Vokonis will appear in the movie “Planet Of Doom” with their song “Runa” that was written for the upcoming movie.

“It is with a lot of joy that we in Vokonis present our signing to The Sign Records. We’ve been fans of the label and its bands for years, it’s very honouring to collaborate with them and join The Sign Family. It feels like a natural transition for the band as we take our musical approach towards a more progressive territory. We can’t wait to unveil the heavy riff-barrage that we have for you.”
– Simon, Vokonis

“Vokonis have grown a lot as a band since taking their first steps in 2015. The band has transformed themselves into a progressive alternative rock act that brings to mind the creative freedom that we heard from artists in the 90´s. When we heard the pre-production of the new album we directly understood that Vokonis is terraforming the sludge landscape into a world of their own. We are looking forward to helping the band follow through on their journey”
– Kaj, The Sign Records

VOKONIS is:
Simon Ohlsson: Vocals, Guitar
Emil Larsson: Drums
Jonte Johansson: Bass, Backing vocals

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Vokonis, The Sunken Djinn (2017)

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Vokonis Announce Third Album in the Works & March European Tour Dates

Posted in Whathaveyou on January 15th, 2018 by JJ Koczan

vokonis (photo Jennika Photography)

Because that’s precisely the kind of jerk I am, when Vokonis guitarist/vocalist Simon Ohlsson dropped me a line about announcing the Swedish trio’s upcoming European tour dates this March, there was just about no way I was letting him off the hook without getting an update on the doings for their next album. Call it a hunch, but I figured that given the quick turnaround between their 2016 debut, Olde One Ascending (review here), and last year’s oh-shit-it-turns-out-we’re-way-more-progressive-than-anyone-thought follow-up, The Sunken Djinn (review here) — which by my estimation stood among the very best of 2017 full-lengths — there was a decent chance some riffs were already in the hopper.

And so they are. The band — Ohlsson, bassist Jonte Johansson and drummer Emil Larson — will enter Studio Underjord in Norrköping next month to start pre-production on their third album with plans toward recording later this year. Might be 2019 before the record gets out, but hell, at least we know it’s in progress. Ohlsson says they might even break out a new song or two on the tour. I have the feeling by the time they get through the pre-production process in February, they’ll be too stoked on the new material to not do so. Call it another hunch.

Comment from the band and tour dates follow:

vokonis euro tour

VOKONIS – European Tour March 2018

It’s going to be a lot of fun to see a lot of new places and meet new people. Hopefully will get a chance to meet some of the people that have followed our journey over the internet for these past two years.

Sharing stages with a fellow Ripple Music band is also gonna be super exciting. That goes to show how much we’ve gotten from that partnership. It’s like a whole network of musicians just unlocked at the moment of that press release.

We are set for a pre-production at Studio Underjord for a third album in February. So we’re very active with writing now. Hopefully if everything works out we enter the studio for this new album in late 2018. Can give a better update on that later on.

We’re trying to expand on the progressive parts of our sound, which has proven challenging but equally rewarding. So we’ve dabbled a lot more with clean parts. And more vocals from Jonte (bass).

Other than that I can give a cryptic hint that two already recorded songs will surface on compilations this coming spring/summer.

Vokonis European tour:
15/3 Thursday – Plan B, Malmö, SWE
16/3 Friday – KB18, Copenhagen, Denmark
17/3 Saturday – Chemiefabrik, Dresden, GE
18/3 Sunday – Café ‘T Hert, Joure, NL
19/3 Monday – MS Stubnitz, GE
21/3 Wednesday – Kinky Star, Ghent, BE *
22/3 Thursday – Kids Rhythm n Blues, Antwerpen, BE *
23/3 Friday – Comma, Bruges, BE *
24/3 Saturday – Rock Cafe, Den Helder, NL
* with Fire Down Below

VOKONIS is:
Simon Ohlsson: Vocals, Guitar
Emil Larsson: Drums
Jonte Johansson: Bass, Backing vocals

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Vokonis, The Sunken Djinn (2017)

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GIVEAWAY: Win a Copy of Vokonis’ The Sunken Djinn from Ripple Music!

Posted in Features on August 22nd, 2017 by JJ Koczan

vokonis-the-sunken-djinn-vinyl

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

This past weekend, I hit up Ripple Music and basically said, “How about you let me do a giveaway for Vokonis‘ The Sunken Djinn?” My motive for this couldn’t have been simpler. It’s been a little bit since I reviewed the album and I was kind of feeling like I needed an excuse to underscore the point of its ass-kickery once again. That’s pretty much it. Fortunately, Ripple was down for the whole deal and willing to put the LP up as a prize for one lucky winner to be chosen a week from today.

If you haven’t yet heard it, you can stream The Sunken Djinn in its entirety below and I’d suggest you go ahead and do that, should the notion of “free vinyl” not be enough on its own to get you involved. No doubt the thickened riffery, pointed delivery and righteous groove the Borås, Sweden, three-piece lay down will make a convincing argument in their own favor better than any further slathering from me could, so yeah, just dig in and leave a comment on this post to enter. Have fun.

And of course, please note as always, I’m not keeping, storing or selling any email addresses or other data. This isn’t a mining outfit, it’s a rock blog, and even if I wanted to I wouldn’t have the first friggin’ clue how to go about making money off your personal whatnot. Thanks and good luck to all who enter!

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

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