Sólstafir to Tour Australia with Enslaved; European Festival Dates Approaching

Posted in Whathaveyou on July 5th, 2018 by JJ Koczan

Next weekend in Neskaupstaður, Iceland’s prime purveyors of melancholic heavy,  You can Top Writing Services right here about any topic you need. Our writing service with intelligence writers will help you to get you diploma with Sólstafir, will take the stage at the Do You Ask Yourself For Me? Here Is The Answer. Essay writing services have emerged due to increasing demands from Eistnaflug Festival alongside follow site 100% Original papers, ready in 3 hours. 100% high quality custom essay writing from PHD writers at our Supreme custom essay writing The Vintage Caravan and a host of other native acts as well as the likes of Hire the best Writing Help Toronto in Canada by EssayServiceWriter.com! High-quality. No plagiarism. Stricly Confidential. Prices start at just 15C$ per page. Anathema, If you are in need of a good academic writing service, our Writing Creativity reviews are here to help. Check out our list and find the company you like! Kreator and many more. It’s not by any means their first appearance at the fest, but still notable for their placement near the top of the bill, reinforcing their position among the foremost Icelandic bands going. To that end, they’ll also be joining with Norwegian progressive extremists go site Do you need someone to help with your dissertation? Or perhaps you are looking for thesis help instead? Our PhD-level Enslaved on an Australian run next month. It’s four shows in Perth, Sydney, Brisbane and Melbourne, but still a formidable run both for the journey involved in getting there and the pairing, as together, the two bands represent some of the most forward thinking metal Europe has to offer. I wouldn’t mind catching those two together, is all I’m saying.

shelby county homework help Arbus Diane Dissertation Fairy Grown Panorama S Social Tale Ups business plan custom home builder a thesis for an essay should Sólstafir, of course, go supporting last year’s Professional term papers gun control. We write articles from scratch. Plagiarism- free guarantee. Money back guarantee. Any deadline and any topic - we've Berdreyminn (review here), which was released by Learn about the different http://www.acutronic.com/?custom-web-content-research-papers that we offer from editing and proofreading to paraphrasing and summarizing. Season of Mist. The label sent the following down the PR wire:

solstafir (Photo Hafsteinn Viðar)

Sólstafir announce Australian tour with Enslaved

Acclaimed Icelandic rock band SÓLSTAFIR have announced their first-ever Australian tour. The trek commences on August 29 in Perth, and sees the band performing in Sydney, Brisbane, and Melbourne. A full list of confirmed tour dates can be found below.

SÓLSTAFIR are touring in support of their new album, ‘Berdreyminn’. The album, produced by Birgir Birgirsson (SIGUR RÓS, ALCEST) and Jaime Gomez-Arellano (GHOST, PARADISE LOST, ULVER), is available across multiple formats at the Season of Mist E-Shop.

SÓLSTAFIR have released a new video for the track “Hula”. The surreal new video, filmed in the haunting Hill of Crosses of Lithuania, is streaming now.

SÓLSTAFIR live:
July 11 Neskaupstaður, IS @ Eistnaflug
Aug. 4 Wacken, DE @ Wacken Open Air
Aug. 18 Dinkelsbühl, DE @ Summer Breeze Open Air

SÓLSTAFIR Australian tour:
All dates with ENSLAVED
Aug. 29 Perth, AUS @ Rosemount Hotel
Aug. 30 Sydney, AUS @ Factory Theatre
Aug. 31 Brisbane, AUS @ The Zoo
Sept. 1 Melbourne, AUS @ Max Watt’s

https://www.facebook.com/solstafirice
http://twitter.com/solstafir
https://solstafir.bandcamp.com/
https://www.facebook.com/seasonofmistofficial/
http://www.season-of-mist.com/

Sólstafir, Berdreyminn (2017)

Sólstafir, “Hula” official video

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The Obelisk Radio Adds: Boris, Sólstafir, Desert Suns & Chiefs, Elara, Fungus Hill

Posted in Radio on July 31st, 2017 by JJ Koczan

the obelisk radio cavum

Some bigger releases going up to the playlist for The Obelisk Radio this time around, and that’s just fine by me. It’s five albums listed here, but there are a few others included as well that you can see listed on the updates page and it’s good stuff all the way around. It was all actually supposed to go up last week, but you know, life is chaos and all that. I hope as always that you manage to find something you enjoy, and if you haven’t heard some of this stuff as yet — I suspect you have, because you know what’s up and I’m perpetually behind on these things; more than just a week, on average — then all the better. Let’s dig in together.

The Obelisk Radio adds for July 31, 2017:

Boris, Dear

boris dear

If you were  Many students decide to http://gooddogmarketing.com/professional-essay-writers-in-mumbai/ services online because of their available benefits. They include guaranteed time savings, effective stress Boris and you were looking to celebrate a quarter-century of innovating heavy rock, noise, drone, J-pop, and genreless forays into bizarre sonic delights, how would you do it? If you said, “I’d release 69 heavy-as-hell minutes of rumbling tectonics and progressive scope making for one of the best albums of the year,” you’d seem to be on the money. The Japanese trio’s umpteenth full-length,  Purdue Owl Online. Get Professional Help for Your Dissertation. Get your thesis or dissertation done sooner by learning techniques that Dear (on  Who Can get help writing papers? This is the most common question students ask themselves when they are starting to panic because deadlines for the Sargent House in the US/EU and  Essay help online from professional writers with Bachelor and Master's degrees. http://www.team-sog.com/essay-about-ambition/s are ready to complete any kind of paper. Available 24/7. Daymare in Japan), begins with the appropriately-titled “D.O.W.N. – Domination of Waiting Noise,” setting forth a consuming six-minute onslaught of feedback and lumbering pummel before the  Godot Critical Thinking Ability - Get Custom eBooks Written by Professional eBook Writers. SunnO)))-rivaling drone of “Deadsong” takes hold, shifting at its midpoint to a spaciousness all  Need assistance with your college term paper? Order 100% original custom written term papers from our professional online research http://totaltheatre.org.uk/helping-kids-with-homework/. Boris‘ own. Then they chug out galloping riff triplets on “Absolutego” like it ain’t no thing. That’s  Boris: the band who named themselves after a Melvins song and then utterly outdid their namesake on every creative level and have continued to do so throughout one of underground music’s most landmark tenures. Dear offers simultaneous melodic breadth and droning depth on its centerpiece duo of “Kagero” and “Biotope” after counteracting minimalist march with explosive crash on “Beyond,” but they’re still just getting started. The seven-minute “The Power” leads off the second of the two LPs and seems to stem upward from the same roots as YOB at their harshest, brutally feedbacking into the dronegaze of the shorter “Memento Mori” before the 12-minute “Dystopia – Vanishing Point” and the nine-minute title-track comprise a side D that’s nothing less than a triumphant lesson in how to meet your audience head-on right before you swallow them whole, setting its stage with keys and tribalist drums quickly before hypnotizing through five minutes of quiet stretch and bursting gloriously to life ahead of one last contrast of empty spaces and crushing tonality on “Dear” that gives way at last to the noise and feedback that’s always been so essential to their process. If Dear is a letter to Boris‘ fans, as they have said, it is also a willful embrace of the wide-open sensibilities that have made the last 25 years of their craft so uniquely their own. They can go anywhere stylistically and remain Boris precisely because they refuse to settle on a single idea that defines them.

Boris on Thee Facebooks

Boris at Sargent House’s website

 

Sólstafir, Berdreyminn

solstafir berdreyminn

Having now passed the 20-year mark since their founding in 1995, Iceland’s Sólstafir continue to reshape melancholy in their own image on their sixth album and third for Season of Mist, Berdreyminn. The Reykjavik-based four-piece keep the significant achievements of 2014’s Ótta (review here) close to the chest throughout the eight-track/57-minute offering, but songs like “Ísafold” have an upbeat push behind their emotional resonance, and even on a brooding piano piece like “Hvít Sæng,” the overarching sense of motion and the dynamic is maintained. The penultimate “Ambátt” — first of two eight-minute cuts in a finale duo — might be Berdreyminn‘s richest progressive achievement, with its lush opening vocal harmonies giving way to a patiently-delivered clinic on texture, build and payoff that borders on the orchestral. Of course, strings and horns to appear on the album, adding to already complex arrangements, but Sólstafir never lose their corresponding human center, and as “Bláfjall” closes with an intensity of thrust hinted at by the cymbal-crash wash of opener “Silfur-Refur” and the post-blackened push of “Nárós” but ultimately on its own level, they underline the realization and poise that is simply all their own. Berdreyminn is the sound of a band doing important work, and with it, Sólstafir only prove themselves more crucial on an aesthetic level, yet it might be their ability to somehow still feel in-progress that most defines what makes them so special. More than two decades on, they still come across like a group exploring their sound and finding new ways to develop their songwriting — which they are and which they do here. That in itself is an accomplishment worthy of every accolade they reap, and Berdreyminn lives up to that standard front to back across its engaging, encompassing span.

Sólstafir on Thee Facebooks

Sólstafir at Season of Mist’s website

 

Desert Suns & Chiefs, The Second Coming of Heavy – Chapter 5

second-coming-of-heavy-chapter-5-desert-suns-chiefs

Ripple Music has made its The Second Coming of Heavy series of split LPs an essential showcase of the variety in underground rock. The Second Coming of Heavy – Chapter 5 brings together San Diego heavy psych/blues rockers Desert Suns, who also reissued their debut long-player through Ripple in 2016 and followed it with the single “The Haunting” (review here) in conjunction with Ripple and HeviSike Records, and Phoenix, Arizona’s Chiefs, whose 2015 debut, Tomorrow’s Over (review here), arrived on vinyl via Battleground Records and whose five tracks included on side B here cast them among the best Ripple Music bands in the Southwest not currently signed to Ripple Music for their next album. More than some prior installments, The Second Coming of Heavy – Chapter 5 finds its two featured purveyors complementing each other’s work excellently, as Desert Suns offer three seven-plus minute tracks running from the harmonica-inclusive “Night Train” and the rolling, long-fading “Solitude” with the push of “Heavy” in between and Chiefs — though their individual runtimes are shorter — holding straightforward heavy/desert rock methods at their core in unpretentious fashion across “The Rhino,” the standout “Baron to Chancellor,” “Low Tide,” “Caroline” and “My Last Stand,” nodding initially at ’90s noise rock à la Helmet in “The Rhino” but in the end keeping to their sandy, well-structured mission. As ever, The Second Coming of Heavy asks nothing more of its audience than a basic exploration of the groups included, and certainly both Desert Suns and Chiefs earn that. Whether one takes it on in the context of the prior chapters or as a standalone split release, it delivers a collection of cuts from two outfits with a shared core of quality songcraft and the underlying message that sometimes the straight-line route is the way to go. Right on, once again.

Desert Suns on Thee Facebooks

Chiefs on Thee Facebooks

Ripple Music website

Ripple Music on Bandcamp

 

Elara, Deli Bal

elara deli bal

Both sides of Elara‘s PsyKa Records-released debut full-length, Deli Bal, are comprised of one shorter track on either side of eight minutes and one longer one, 12 and 17 minutes, respectively. Between that and the cover art, it should come as no surprise that heavy psychedelic drift is central to what the Stuttgart, Germany, trio of bassist/vocalist Daniel Wieland, guitarist/noisemaker Felix Schmidt and drummer Martin Wieland — who also stylize their name as the bracketed [Elara Sunstreak Band] — get up to in their first offering, but there’s an underlying progressive melodic sensibility as well, and Schmidt‘s guitar seems to have picked up a few lessons from My Sleeping Karma‘s minor-key solo mysticism, so one can hear a sound beginning to take shape early as the leadoff title-track gives way to “Amida,” which swaps back and forth between organ-laden krautrock meandering and fuller-fuzz thrust, and as “Quarantania” reinforces that classic vibe with a warm bass tone from Daniel. Whether you’re listening to the platter itself and switching sides or digitally or on CD, Deli Bal is clearly intended to be consumed as a whole work, and one can hear the vocal melody of “Harmonia” tying back to that in the opener as another example of the underlying structure with which it plays out, despite the broad feel of the songs themselves and the expanses they both intend and actually do cover. The LP has just the four tracks, but the digital version comes with the 9:42 bonus cut “Trimenon,” which builds around a core post-rocking guitar line to come to a fervent apex before receding again to let the listener go gently from Deli Bal‘s total 56-minute runtime; no minor undertaking, but effectively executed and a pleasure in its wandering mind and spirit.

Elara on Thee Facebooks

PsyKA Records on Bandcamp

 

Fungus Hill, Creatures

fungus hill creatures

This early-2017 psychedelic curio from Umeå, Sweden’s Fungus Hill begins by asking “Are You Dead?” The just-under-nine-minute opener and longest track (immediate points) of the groovy outfit’s four-song, self-released, 28-minute debut Creatures EP doesn’t sound overly concerned with whether the answer is yes or no so much as enacting a serene flow by posing the question over a laid back bluesy vibe. Arrangement? Fluid. With dual vocals from guitarist Gustav Orvefors and percussionist Jenny Isaksson — the five-piece is completed by guitarist Erik Sköld, drummer Nils Mörtzell and bassist Tom Westerlund — Fungus Hill are able to bring variety as they turn to post-Ghost straightforward ’70s chorus-leaning in the first half of “Beware of Evil in the Sky,” prior to a midsection trip outward on subdued shimmy and deceptively complex melodicism. The flute (or keyboard flute sounds) of the jazzy “Evolution” brings Isaksson to the floor with a smoky, even-bluesier feel, and the guitar answers back with fuzzy lead flourish that only enhances the soul on display, while a seven-and-a-half-minute closing title-track delves deepest of all into thicker riffing, a “Na na na na” hook taking hold quickly just in case you weren’t sure it was going to be a highlight. It is. More tonally dense than most retro boogie — and less retro, for that matter — Fungus Hill‘s Creatures nonetheless has its traditionalist elements, but across its individual pieces each one points to a different side of the band’s personality, and from the Alan Watts sample at the beginning of “Are You Dead?” to when we meet the troll later in “Creatures,” each side of that personality utterly shines.

Fungus Hill on Thee Facebooks

Fungus Hill on Bandcamp

 

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Sólstafir to Release Berdreyminn May 26

Posted in Whathaveyou on February 27th, 2017 by JJ Koczan

solstafir

I only have one hesitation — and let me stress, only one — when it comes to the notion of a new album from Icelandic progressive melancholia specialists Sólstafir. Simply put, it’s that I’m not sure I’m done with 2014’s Ótta (review here). That fifth outing was my first exposure to the four-piece’s emotionally resonant moodiness — universal enough to overcome a rather significant language barrier — and the prospect of a sixth full-length makes me a little nervous. Still, time marches forward, and Berdreyminn is due out May 26. Hopefully that’s enough time for me to begin to wrap my head around the concept of its existence.

Among my most vivid memories of live performances over the last couple years as well was being able to catch Sólstafir at Roadburn in 2015 (review here). They performed as part of the day curated by Enslaved guitarist Ivar Bjørnson and Wardruna multi-instrumentalist/vocalist Einar “Kvitrafn” Selvik, and stunned in both presence and execution. They’d go on to tour the US and Europe multiple times over, and I expect Berdreyminn will bring them back again. That set played significantly in growing my affection for Ótta, so hopefully at some point we’ll cross paths as they support the new one.

Really, I’m nervous about it.

The PR wire brings album preliminaries and gorgeous cover art from Adam Burke:

solstafir berdreyminn

Sólstafir announce new album, reveal cover art and track list

Acclaimed Icelandic rock band SÓLSTAFIR have revealed new details their highly anticipated forthcoming sixth album. The new album is titled ‘Berdreyminn’, (which translates to a “dreamer of forthcoming events”) and will be released worldwide on May 26th. The new full-length was produced by Birgir Birgirsson (SIGUR RÓS, ALCEST) and Jaime Gomez-Arellano (GHOST, PARADISE LOST, ULVER).

The album cover, painted by Adam Burke (UNCLE ACID AND THE DEADBEATS, DANAVA) and track list for ‘Berdreyminn’ can be found below.

Track list:
1. Silfur-Refur
2. Ísafold
3. Hula
4. Nárós
5. Hvít Sæng
6. Dýrafjörður
7. Ambátt
8. Bláfjall

https://www.facebook.com/solstafirice
http://twitter.com/solstafir
https://www.facebook.com/seasonofmistofficial/
http://www.season-of-mist.com/

Sólstafir, “Dagmál” official video

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