Begotten Post “Judges” Video; Self-Titled Reissue Due July 21

Posted in Bootleg Theater on May 30th, 2022 by JJ Koczan

begotten begotten

July 21 has been set as the release date for the Black Farm Records vinyl remaster of the 2001 self-titled debut from New York’s Begotten. The Brooklyn-and-now-not-just-Brooklyn-based trio have been active again for a few years now — their 2018 Demo EP (review here) offered crunch-riff delights beyond proof of life, and they followed with an EP last year — and Begotten has been waiting for its LP issue for at least the last 12 months, as the label announced intentions toward having it out in July 2021. That is a significant delay and nothing if not emblematic of the times.

Perhaps all the more appropriate, then, that the band should have a new video up for “Judges” from the record, which takes a classically-metallic harsh view of current realities: climate change, wildfires, the planet dying under our feet and largely by our own collective hand. From its initial Sabbathian lurch to the more shuffling finish, it’s a representation of the doom-for-doomers mentality of the group, and it’s hard to ignore either the relevance of the lyrics more than two decades later — yup, shit still sucks, maybe even more, considering Begotten‘s original July 2001 release puts it before the Sept. 11, 2001, terrorist attacks on New York and the 20 years of war, fire, flood, plague and political decay that have followed — or the fact that if you sat “Judges” alongside much of the current heavy underground sphere, which they’re basically doing with the vinyl reissue, it fits. Primitive times call for primitive riffs. Begotten wield theirs with due judgment.

Near as I can tell, the Roger Lian remaster of the album featured here is the one the band previously had streaming on their Bandcamp (player at the bottom of this post; if I’m wrong on that I’ll correct as need be), but in any case, doom is doom and this is doom, so doom on, doomers. Oh, did I mention Begotten were a sludge band? Ha.

I’m not generally one for issuing direct challenges to bands and I won’t here either, but I’d love to hear what Begotten could come up with for a brand new full-length.

Enjoy “Judges” and consider the possibilities. Further word on the reissue follows, courtesy of Black Farm:

Begotten, “Judges” official video

Greetings from the Farm!

Remember when we announced the reissue of Begotten’s debut album in July?

Well, the test pressing has been play tested and approved!

The whole reissue process has taken a little more time than expected, but everything is turning up super nicely.

Roger Lian (Slayer, Pantera, …) handled the vinyl remaster and rearranged track order to suit the vinyl specifications, and it sounds that huge!

Scott “Wino” Weinrich has been kind enough to pen a few words in the liner notes for this 20th anniversary reissue, and the very first time on vinyl!

Begotten’s debut is the last ever release Man’s Ruin records put out in 2000, and it’s such an honour to finally give this piece of history the vinyl treatment it has deserved for 20+ years.

No doubt you will love this new presentation of Begotten’s Doom landmark.

More news to come as soon as we can confirm exact release date.

Stay safe, drop Doom!

Begotten, EP (2021)

Begotten, Begotten (2018 Remaster)

Begotten on Facebook

Begotten on Instagram

Begotten on Bandcamp

Black Farm Records store

Black Farm Records on Instagram

Black Farm Records on Facebook

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Begotten to Reissue Self-Titled Debut on Black Farm Records

Posted in Whathaveyou on July 21st, 2021 by JJ Koczan

As the PR wire notes right off the bat, today’s the 20th anniversary of Begotten‘s self-titled debut, which has the distinction of having been the final release through Frank Kozik‘s now-legendary, genre-defining Man’s Ruin Records imprint. July 21, 2001. Guess what? The whole world was about to go to shit. Still on its way down. The fucking ocean caught fire last month. People barely blinked.

So anyway, cool for the New York sludgecrunchers that they’ve linked arms with Black Farm Records to give the album a proper vinyl reissue. I’ve no doubt it’ll be rad. What I’m a little hurt by, though, is that Begotten put out a new two-songer in March and no one even told me. You mean you’ve got 17 minutes of new heavy nod and I’m just sitting around typing away writing about 110 releases that aren’t that over the last couple weeks? Hardly seems fair. Last I heard from them was their 2018 demo (review here). Clearly I need to get caught up.

So yeah, right on with the reissue, but I’m gonna dig into the new stuff too. Both, as it happens, are streaming at the bottom of this post:

begotten

BEGOTTEN was Man’s Ruin last release 20 years ago today

Begotten celebrate the 20th Anniversary of their Man’s Ruin debut and announce the limited edition vinyl of the album on Black Farm Records.

Notoriously BEGOTTEN became the last band to release a record on legendary stoner/doom label Man’s Ruin two decades ago today. Now Black Farm Records announces the 20th Anniversary Limited Edition Vinyl of the band’s self-titled release. The label, based in northern France, specializes in high quality collectible vinyl releases.

New York City in the late nineties was all about hardcore, punk and fast rock. Playing doom and stoner rock was an act of rebellion. The original self-titled Begotten album was recorded analog reel to reel and came out with Man’s Ruin’s dying breath. This was shortly before the World Trade Center went crashing down – which among all the other horrors also brought Begotten and many other NYC bands to a crashing halt. The demise of Man’s Ruin Records was as harsh a blow to the music scene, as the fall of the towers were to the City.

Two decades later, the 20th anniversary limited edition vinyl emerges just as a global plague begins to dissipate in the U.S. The meaning behind songs like “Electric Hell,” “Judges,” “Garabed’s Freedom,” resonates perhaps more than ever now. What can be heard on the album is the music of three people who have remained loyal to each other, loyal to the spirit of the music, and loyal to themselves. The album has been remastered for vinyl by Roger Lian (of Slayer fame) – the same guy who mastered it the first time for CD from the reel to reel mixes.

Begotten is Matthew Anselmo on Guitar, vox, (and synth on “Narkotizer”); Rob Sefcik on drums; Amanda Topaz on bass, vox (and bullwhip on “Garabed’s Freedom”).

begotten001.bandcamp.com
instagram.com/begottendoom
facebook.com/BegottenDoom
blackfarmrecords.bigcartel.com
instagram.com/blackfarmrecords
facebook.com/blackfarmrec

Begotten, EP (2021)

Begotten, Begotten (2018 Remaster)

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