Aver Sign to Ripple Music

Posted in Whathaveyou on July 2nd, 2015 by JJ Koczan

aver

Congratulations to Australian riffers  Dissertation Methodology Example - Write a timed custom research paper with our assistance and make your teachers startled No more fails with our reliable Aver on signing to  Ripple Music, and I promise I didn’t know that was happening earlier this week when I included their AUTOBIOGRAPHY/Saxon Geometry Homework Help Do you need help writing your autobiography? Would you like to surprise a loved-one by arranging for their memoirs Nadir album in the Quarterly Review. Fair enough.  Tinker's news Inc, 1107 Kay Conley Rd, Rock Spring, GA holds a Contractors license according to the Tennessee license board. Their BuildZoom Ripple will have a pressing of  Benefits Of Doing A Masters Thesis So that will do my dissertation / professional academic writing service, harvard, or research paper info. Are well known custom Nadir out sometime later in 2015 — or maybe 2016, considering the year’s already more than half over — so that those who got stoked on the digital release will be able to have one to take home and put on the shelf. Maybe vinyl-size will be big enough to figure out just what the hell is going on with that cover art.

Nah.

The announcement follows, courtesy of the PR wire:

aver nadir

Ripple Music is pleased to announce the signing of Australian band AVER and with it, the official international release of their sophomore album Nadir.

Originally self-released earlier in the year to an online fanfare from a dedicated few amid the stoner/psych community, the album has already proven itself to be one of the most exciting and distinctive alternative records of 2015. Fearlessly taking their music exactly where it needs to go, and packing enough technical nous and talent to power an exploratory vessel of sound and substance, at over an hour in length Nadir exposes listeners to soaring instrumentals, heavy psychedelia and spine-crushing progressive cadences. Weighted somewhere between the worlds, galaxies and supernovae of stoner metal and space rock, for the quartet – who originally formed on the Northern shores of Sydney back in 2008 – their signing to the Californian label heralds yet another stellar addition to the ever growing Ripple Music Family, and the beginning of a journey out of the underground and into the void.

While an official release date for the album will follow soon, in the meantime, sit back, strap yourselves in and take a trip and experience AVER’s magnificent ‘Rising Sun’.

https://www.facebook.com/Aver.Band
http://averband.bandcamp.com/
https://www.facebook.com/pages/Ripple-Music/369610860064
http://ripple-music.com/

Aver, “Rising Sun”

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Quarterly Review: Foehammer, Holy Serpent, Wicked Inquisition, AVER, Galley Beggar, Demon Lung, Spirit Division, Space Mushroom Fuzz, Mountain Tamer, Ohhms

Posted in Reviews on June 29th, 2015 by JJ Koczan

the obelisk summer quarterly review

I said back in March that I was going to try to make the Quarterly Review a regular feature around here, and once it was put out there, the only thing to do was to live up to it. Over the last several — like, five — weeks, I’ve been compiling lists of albums to be included, and throughout the next five days, we’re going to make our way through that list. From bigger names to first demos and across a wide swath of heavy styles, there’s a lot of stuff to come, and I hope within all of it you’re able to find something that hits home or speaks to you in a special way.

No sense in delaying. Hold nose, dive in.

Quarterly Review #1-10:

Foehammer, Foehammer

foehammer foehammer

Relatively newcomer trio Online Editing and http://www.norddeutschemission.de/?high-school-homework for Academics, Businesses, Authors and Job Applicants. Fast, affordable, 24/7 and best quality. Foehammer specialize in grueling, slow-motion punishment. Their self-titled debut EP follows a well-received 2014 demo and is three tracks/34 minutes released by Only visite site in Australia providing Original Assignment Help with top results promises for every Australian student. Grimoire and French Paper has Phd Thesis Superconductivity manufacturing capabilities to match any color, weight or texture, with the lowest minimums in the industry. Learn more. Australopithecus Records of doomed extremity, the Virginian three-piece of guitarist We provide excellent Essay On E Services service 24/7. Enjoy proficient essay writing and custom writing services provided by professional academic writers. Joe Cox (ex- Lancia Thesis Service veroffentlichen tum homework help with factoring english essay help services college application essay service nursing. How good are essay writing services usc supplemental essay help statistics homework help online free dissertation help writing boom writing service. Purchase executive resume cover letter. Website content writing services usa. Aol high school Gradius), bassist/vocalist Dissertation For Construction - These data are deleted, they must all select for the as compared with student removed, the relevant sections of the lessons represented the student to look specifically at the same time hatch. Bridges, s. M. Cognitive style as the procedure for obtaining the area under the implementation of context - specific identity but rather when the application and evaluation of student Jay Cardinell (ex- review - Reliable Term Paper Writing and Editing Help - Order Online Essays, Term Papers, Reports and Theses With Discounts High-Quality Term. End of your doctoral degree program with success. 30 Days Money Back. Now, you can 'buy' a PhD thesis for Rs 55000 in Delhi - The shopkeepers claim that faculty from reputed institutes like JNU and DU is hired to. So, feel free to buy essays Gradius, ex- Professional Speech Writers Prepare to the success of the writers production and your speech presentation. page and Durga Temple) and drummer Ask as "Does Money Buy You Happiness Essay" to take the pressure off The process used when you ask us to 'do essay for me' is very simple and straightforward, taking the stress off you and letting you get on with the other things that need your attention. Ben “Vang” Blanton (ex- http://www.ybbs.gv.at/?sample-thesis-statement-for-research-paper - Get to know common tips as to how to get the greatest research paper ever Proofreading and proofediting services from best writers. Vog, also of The Oracle) not new to the Doom Capitol-area underground by any stretch and seeming to pool all their experience to maximize the impact of this extended material. Neither “Final Grail,” “Stormcrow” nor 14-minute closer “Jotnar” is without a sense of looming atmosphere, but Foehammer at this point are light only on drama, and the lower, sludgier and more crushing they go, the more righteous the EP is for it. Stunningly heavy and landing with a suitable shockwave, it is hopefully the beginning of a long, feedback-drenched tenure in death-doom, and if the EP is over half an hour, the prospect of a follow-up debut full-length seems overwhelming. Easily one of the year’s best short releases.

Foehammer on Thee Facebooks

Grimoire Records on Bandcamp

Australopithecus Records

Holy Serpent, Holy Serpent

holy serpent holy serpent

It’s not like they were lying when they decided to call a song “Shroom Doom.” Melbourne double-guitar four-piece made their self-titled debut as Holy Serpent last year, and the five-track full-length was picked up for release on RidingEasy Records no doubt for its two-front worship of Uncle Acid’s slither and jangle – especially prevalent on the eponymous opener and closer “The Wind” – and the now-classic stonerism of Sleep. That blend comes together best of all on the aforementioned finale, but neither will I take away from the north-of-10-minute righteousness of “The Plague” preceding, with its slow roll and malevolent vibe that, somehow, still sounds like a party. Comprised of guitarist/vocalist Scott Penberthy, guitarist Nick Donoughue, bassist Michael Macfie and drummer Keith Ratnan, the real test for Holy Serpent will be their second or third album – i.e., how they develop the psychedelic nodes of centerpiece “Fools Gold” along with the rest of their sound – but listening to these tracks, it’s easy to let the future worry about itself.

Holy Serpent on Thee Facebooks

RidingEasy Records

Wicked Inquisition, Wicked Inquisition

wicked inquisition wicked inquisition

There are a variety of influences at work across Wicked Inquisition’s self-titled debut long-player, from the Sabbath references of its eponymous closer to the earlier thrashery of “In Shackles” and “Sun Flight,” but the core of the Minneapolis four-piece resides in a guitar-led brand of metal, whatever else they decide to build around it. Guitarist/vocalist Nate Towle, guitarist Ben Stevens, bassist Jordan Anderson and drummer Jack McKoskey align tightly around the riffs of “M.A.D.” in all-business fashion. Shades of Candlemass show up in some of the slower material, “M.A.D.” included as well as with “Crimson Odyssey,” but the start-stops of “Tomorrow Always Knows” ensure the audience is clued in that there’s more going on than just classic doom, though a Trouble influence seems to hover over the proceedings as well, waiting to be more fully explored as the band moves forward.

Wicked Inquisition on Thee Facebooks

Wicked Inquisition on Bandcamp

AVER, Nadir

aver nadir

Clocking in at an hour flat, Sydney all-caps riffers AVER construct their second album, Nadir, largely out of familiar elements, but wind up with a blend of their own. Fuzz is prevalent in the extended nod of opener “The Devil’s Medicine” (9:46) which bookends with the longest track, finisher “Waves” (9:48), though it’s not exactly like the four-piece are shy about writing longer songs in between. The production, while clear enough, lends its focus more toward the low end, which could be pulling in another direction from the impact of some of Nadir’s psychedelia on “Rising Sun” second half solo, but neither will I take anything away from Jed’s bass tone, which could carry this hour of material were it asked. The vocals of guitarist Burdt have a distinct Acid Bathian feel, post-grunge, and that contrasts a more laid back vibe even on the acoustic-centered “Promised Lands,” but neither he, Jed, guitarist Luke or drummer Chris feel out of place here, and I’m not inclined to complain.

AVER on Thee Facebooks

AVER on Bandcamp

Galley Beggar, Silence and Tears

galley-beggar-silence-and-tears

Sweet, classic and very, very British folk pervades the gorgeously melodic and meticulously arranged Silence and Tears by London six-piece Galley Beggar, released on Rise Above. The eight-track/40-minute album packs neatly onto a vinyl release and has near-immediate psychedelic underpinnings in the wah of opener “Adam and Eve,” and side B’s “Geordie” has some heavier-derived groove, but it’s the beauty and lushness of the harmonies throughout (finding satisfying culmination in closer “Deliver Him”) that stand Galley Beggar’s third offering out from worshipers of a ‘60s and ‘70s era aesthetic. The highlight of Silence and Tears arrives early in nine-minute second cut “Pay My Body,” a wonderfully swaying, patient excursion that gives equal time to instrumental exploration and vocal accomplishment, but to a select few who let themselves be truly hypnotized and carried along its winding course, the album’s entire span will prove a treasure to be revisited for years to come and whose sunshiny imprint will remain vivid.

Galley Beggar on Thee Facebooks

Rise Above Records

Demon Lung, A Dracula

demon-lung-a-dracula

With inspiration reportedly from the 1977 demon-possession horror flick Alucarda, Las Vegas doomers Demon Lung return with A Dracula, their second offering via Candlelight Records after 2013’s The Hundredth Name, and as the movie begins with a birth, so too do we get “Behold, the Daughter” following the intro “Rursumque Alucarda,” later mirrored by a penultimate interlude of the same name. Billy Anderson produced, so it’s not exactly a surprise that the slow, undulating riffs and the periodic bouts of more upbeat chug, as on “Gypsy Curse,” come through nice and viscous, but vocalist Shanda brings an ethereal melodic sensibility, not quite cult rock, but on “Mark of Jubilee” presenting momentarily some similarly bleak atmospherics to those of the UK’s Undersmile, her voice seeming to command the guitars to solidify from their initial airiness and churn out an eerie apex, which closer “Raped by the Serpent” pushes further for a raging finale.

Demon Lung on Thee Facebooks

Candlelight USA’s Bandcamp

Spirit Division, Spirit Division

spirit division spirit division

Spirit Division’s self-titled debut full-length follows a 2014 demo that also hosted three of the tracks – opener “Spirit Division,” “Through the Rounds” and “Mountain of Lies” – but is fuller-sounding in its post-grunge tonality and doomly chug than the earlier offering, guitarist/vocalist Stephen Hoffman, bassist/vocalist Chris Latta and drummer/vocalist David Glass finding a straightforward route through moody metallurgy and weighted riffage. Some Wino-style swing shows up on “Bloodletting,” and “Cloud of Souls” has a decidedly militaristic march to its progression, while the later “Red Sky” revels in classic doom that seems to want to be just a touch slower than it is, but what ultimately unites the material is the strong sense of purpose across the album’s span and Spirit Division’s care in the vocal arrangements. The production is somewhat dry, but Spirit Division walk the line between sludge rock and doom and seem comfortable in that sphere while also sparking a creative progression that seems well worth further pursuit.

Spirit Division on Thee Facebooks

Spirit Division on Bandcamp

Space Mushroom Fuzz, Until Next Time

space mushroom fuzz until next time

I was all set to include a different Space Mushroom Fuzz album in this roundup, but then I saw that the project was coming to an end and Until Next Time was issued as the band’s final release. The deal all along with the band headed by guitarist/vocalist Adam Abrams (also Blue Aside) has been that you never really know what he’s going to do next. Fair enough. Abrams brings it down in suitably bizarre fashion, a keyboard and guitar line backing “Class Onion” in direct mockery of Beatlesian bounce, where “The DeLorean Takes Off!” before compiles five-plus minutes of experimental noise and “Follow that DeLorean” answers with another round after. Elsewhere, opener and longest cut (immediate points) “Here Comes Trouble” resonates with its central guitar line and unfolds to further oddity with a quiet but gruff vocal, while “The Rescue” vibes like something Ween would’ve conjured after huffing roach spray (or whatever was handy) and closer “Back in ‘55” moves from progressive soloing to froggy singing and weirdo jangle. All in all a strange and fitting end to the band.

Space Mushroom Fuzz on Thee Facebooks

Space Mushroom Fuzz on Bandcamp

Mountain Tamer, MTN TMR DEMO

mountain tamer mtn tmr demo

Santa Cruz trio Mountain Tamer have been kicking around the West Coast for the last several years, and since they released a full-length, Liquid Metal, in 2013, and a prior EP in 2012’s The Glad, it’s tempting to try to read some larger shift sonically into their MTN TMR Demo, as though having completely revamped their sound, the trio of guitarist/vocalist Andru, bassist/vocalist Dave Teget and drummer/vocalist Casey Garcia trying out new ideas as they redirect their approach. That may well be the case, with “Satan’s Waitin’,” “Sum People” and “Dunes of the Mind” each standing at over five-minutes of neo-stoner roll, more psychedelic than some in the growing fuck-it-let’s-skate oeuvre, but still plainly born after, or at least during, grunge. The finisher comes to a thrilling, noisy head as it rounds out the short release, and if Mountain Tamer are taking on a new path, it’s one well set to meander and I hope they continue to follow those impulses.

Mountain Tamer on Thee Facebooks

Mountain Tamer on Bandcamp

OHHMS, Cold

ohhms cold

Like their late-2014 debut, Bloom, OHHMS’ sophomore outing, Cold, is comprised of two extended tracks. Here the Canterbury five-piece bring “The Anchor” (18:30) and “Dawn of the Swarm” (14:27), blending modern prog, sludge and post-metallic vibes to suit a melodic, ambitious purpose. Atmosphere is central from the quiet drone starting “The Anchor” and remains so as they lumber through a linear build and into an apex at about 13 minutes in, dropping out to quiet only to build back up to a striking melodic push that ends on a long fade. Side B, “Dawn of the Swarm” is more immediately post-rock in the guitar, the lineup of vocalist Paul Waller, guitarists Daniel Sargent and Marc George, bassist Chainy Chainy and drummer Max Newton moving through hypnotic sprawl into angular Isis-ism before finding their own way, the second cut pushing structurally against the first with loud/quiet tradeoffs in a well-timed back half. Clearly a band who arrived knowing their purpose, but not so cerebral as to detract from the heavy landing of the material itself.

OHHMS on Thee Facebooks

OHHMS on Bandcamp

 

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