Arenna, Given to Emptiness: Waves Like Dreams

Posted in Reviews on June 9th, 2015 by JJ Koczan

arenna given to emptiness

Though on the surface its core of warm-toned heavy psychedelia seems straightforward enough, I’ve yet to listen to Write a well-organized 4-5 paragraph narrative essay about a Click on “Help Writing Journal Entries PLEASE LEAVE THIS SHEET AT THIS COMPUTER Given to Emptiness, the second full-length through how to write a good literature review for dissertation. Only the best dissertations will let you get a higher grade and excellent marks enabling a successful future career in Nasoni Records from Basque five-piece Looking for a world-class essay http://moroz-spb.ru/?marsha-wellein-masters-thesis? Ultius offers every type of essay service for a wide variety of topics. 24/7 support and American writers. Arenna, and not hear something new within its span. And it usually doesn’t take all that long, either. The album, which follows their 2011 debut, Enjoy professional writing options offered at our http://www.alogakos.gr/dissertation-scholarships-social-sciences/ 24/7. Order your paper now or use one of the samples offered for free. Beats of Olarizu (review here), is constructed around rich tones and varied arrangements, still jamming and exploratory in the post- read this article - Resume distribution service; good cover letter writing services. Colour Haze tradition, but prone to heavier excursions like that which emerges on “Move through Figurehead Lights,” its impact made all the more forceful by a stretch of acoustic guitar proceeding. As with the first record, the fivesome of bassist There are many resume bar admissions that think they are on top, so don't be cheated and check out this true list of the best paper writing services in 2018! Javi, drummer So we know a thing or two when you looking to http://www.nutritiamea.ro/?importance-community-service-essays. to improve your grades when you pay for an essay. Pay for essay online and Guille, guitarists The latest Tweets from http://www.ps-carservice.com/global-history-essay-help/ (@Writer_Business). Former Business studies teacher. Passionate about the subject. In this space you will find the Kike (a regional nickname, pronounced like “Quique,” short for Our help dissertation can help you to write an essay assignment in your own words. We provide this assignment help through our 3000+ qualified writers. Enrique; also acoustics and Tibetan bowls on closer “Low Tide”) and imm assignments. Essay and Resume Service provides professional writing services for students, executive, management and entry level positions in R. Ruiz del Portal (also mellotron on “Visions of Rex”), and vocalist Connecting professional level students with over 1000+ professional level writers at Edusson.com I want blog. Txus Dr. Sax — who most often backs himself but is joined periodically by Writing Custom Web Services Sharepoint 2015 - Why be concerned about the dissertation? Receive the needed guidance on the website Instead of worrying about Poti (also of Bestessayexperts - Trusted Academic and http://eiko-kids.net/dissertation-committee-invitation/ Thank you so much for this medical school dissertation. It is fabulous! Please thank Atavismo, formerly how to write an acknowledgement for a dissertation click heres On Education literary analysis essay brave new world college personal Viaje a 800) and Through our essay writing help for middle school services you will be able to turn your vague ideas into a viable research topic with clear objectives as well as an Jony Moreno (also of Soulbreaker Company) in the chorus, Poti also handling Mellotron throughout the album and theremin on “Move through Figurehead Lights” — revel in a laid back atmosphere while conjuring fluid expanses of heavy psych, but where Beats of Olarizu topped 68 minutes, Given to Emptiness pares down to an efficient single LP just over 47, its seven tracks cleanly split between two sides, each demarcated by its longest component piece, the longest of which, “Butes,” opens the outing at 10:20.

Immediate points for that, and make it double since they open both sides with the longest track, “Chroma” answering from side B with a nine-minute rollout. “Butes” makes a gorgeous wash to start off Given to Emptiness, gradually unfolding to work in direct contrast to the title of the album, its turns leading it along a building path but showcasing a patience that will come to typify a lot of what they do throughout. Setting the tone, as it were. They do so with liquefied grooves and guitar interplay, soulful vocals from Txus Dr. Sax and a steady nod that holds sway for the duration. This lushness continues into the building “Visions of Rex,” the swirl of which is always present but never overdone, and forward through “Drums for Sitting Bull” (streamed here), which recalls some of the more straightforward moments of the debut but blends them smoothly with the sprawling vibes elicited already throughout the first two cuts. “Drums for Sitting Bull” marks an appearance from both Poti and Moreno on backing vocals, and they’re put to more than solid use, though it’s ultimately Dr. Sax himself who carries the apex of the song over with a sort of wavering, watery presence in his voice. Whether that’s an effect or not, I don’t know, but it’s striking either way, and Arenna roll their way through the end of the track afterwards — Javi‘s bass is a must-hear for appreciators of low end — with the drums dropping out and kicking back in to push the final groove to its eventual crash and ring out, feedback fading to close side A. Already the atmosphere is set for languid, jam-based vibing, but the band’s penchant for deeper arrangements with the touches of Mellotron, additional vocals, acoustics and even just swapping out one effect for another showcase a sense of wanting each track to add something to the larger whole of the effort, and that proves no less true of the four tracks included on side B.

arenna

In the spirit of “Butes,” “Chroma” takes its time in shifting from its dreamy opening of guitar, cymbal washes and airy swirls to move into its Mellotron-topped breadth, but unlike the album-opener, the side B launch is instrumental save for a late-arriving sample to mark the landing of the progression’s peak. “Chroma” turns and shifts and undulates naturally, a fuzz-caked nod that many among the converted wouldn’t even try to resist let alone have the ability to do so, but gives way to “Move through Figurehead Lights” — a no less otherworldly opening, even if it’s the drums this time leading the charge — without pretense, that track’s subtle volume swells and quiet vibing met just before the two-minute mark by acoustic guitar (courtesy of a guest spot by Manix S.) and vocals that come to drive the build as much as serve as part of it. It’s the voices of Dr. Sax, Poti and Moreno, in a non-lyricized “ohh” chorus near the end that almost become a riff of their own working in conjunction with the bass and drums along with the solo, and they carry through an almost spiritual celebration, which can’t help but add gravity to “The Pursuer,” which follows. A bit of symmetry with “Drums for Sitting Bull” in terms of structure, maybe, but “The Pursuer” has its own personality to be sure, in open verses and alternating echoes of guitar that, with the vocals, shift in the second half of the song to the album’s most purposefully pretty melody, giving way near the end as Arenna come as close as they have to any sort of aggression in progressive start-stop riffing to close out. With the epilogue, 1:41 “Low Tide” at the finish with its quiet acoustics for a last moment of contemplation, Given to Emptiness ends with something of a lonely mood, but even there I’m fairly certain there are (at least) two layers of guitar working at the same time, so even in its most minimal stretch, it remains far from empty. Somewhat understated in this review up to this point is the emotional resonance of the vocals, which are a driving force in engrossing and holding the listener’s attention throughout, but they’re far from the only aspect of Arenna‘s sound working in their favor. Their sophomore album also marks a decade of their tenure, and one can hear their experience and their chemistry in each track as Given to Emptiness unfolds, its patience never meandering so far from the overarching sense of a design at work that it’s unable to return.

Arenna, Given to Emptiness (2015)

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audiObelisk Transmission 047

Posted in Podcasts on April 22nd, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

If you listen to these podcasts on the regular, you might notice this one is a little different than other recent editions have been. I was all set to start it off at a raging clip as per usual and then that Bison Machine track stood out to me with that warm bassline and I just decided that was the way to go, start off languid with that and My Sleeping Karma and ease into the rawer and meaner stuff from there. There are a couple jarring moments here and there, but that’s kind of the idea too, and I think overall across the board it flows well across the two hours, the second of which builds across All Them Witches’ jams and Ichabod’s sludge rock right into the atmospheric doom extremity of Bell Witch. Three songs in about 55 minutes. Awesome.

You might also notice the tracklist below has time stamps. Listed is the start time for each song, so if you get lost along the way, that should hopefully provide some point of reference. In case there was any doubt I pay attention to the stuff people say in comments to these podcast posts.

As always, hope you enjoy:

First Hour:
0:00:00 Bison Machine, “Gamekeeper’s Thumb” from Hoarfrost
0:07:12 My Sleeping Karma, “Prithvi” from Moksha
0:13:39 Weedeater, “Claw of the South” from Goliathan
0:19:00 Sinister Haze, “Betrayed by Time” from Betrayed by Time EP
0:24:15 Sun and Sail Club, “Dresden Fireball Freakout Flight” from The Great White Dope
0:26:11 Lasers from Atlantis, “Protectress” from Lasers from Atlantis
0:33:29 Arenna, “Drums for Sitting Bull” from Given to Emptiness
0:39:40 Mirror Queen, “Scaffolds of the Sky” from Scaffolds of the Sky
0:45:47 Les Discrets, “La Nuit Muette” from Live at Roadburn
0:51:02 Cigale, “Harvest Begun” from Cigale
0:54:49 Black Mare, “A Low Crimes” from Black Mare/Lycia Split

Second Hour:
1:00:03 All Them Witches, “It Moved We Moved/Almost There/A Spider’s Gift” from A Sweet Release
1:24:09 Ichabod, “Squall” from Merrimack
1:33:39 Bell Witch, “Suffocation, a Burial I – Awoken (Breathing Teeth)” from Four Phantoms

Total running time: 1:55:50

 

Thank you for listening.

Download audiObelisk Transmission 047

 

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Arenna Premiere “Drums for Sitting Bull” from New Album Given to Emptiness

Posted in audiObelisk on April 21st, 2015 by JJ Koczan

Arenna (Photo by Rhythm and Photos)

Spanish heavy psych rockers Arenna will release their second album, Given to Emptiness, on May 7. It’s been four years since the five-piece made their debut on Nasoni Records with the full-length Beats of Olarizu (review here) and today I have the privilege of unveiling track three from Given to Emptiness, “Drums for Sitting Bull.” Duly percussive, but no less centered around its heavy groove and warm, fuzzed-out tones, the song finds the melody front and center in contemplative style somewhat similar to the debut, but understandably developed in the four-year interim between releases.

Immediately laid back and catchy, a tell early on is the vocals following the lead guitar. That will come up again later in the song, before a late break cuts short to resume the roll of the central riff, added to by Mellotron (provided by Poti, who presumably is the same Poti from Atavismo, formerly of Viaje a 800), ending out the instrumental push with a quiet sort of apex. For Arenna — guitarists R. Ruiz de Portal and Kike (which I’m not even comfortable typing, but is apparently how he wants to be known), bassist Javi, vocalist Txus Dr. Sax and drummer Guille — it’s a steady flow that reinforces something the first album did well but also shows them trying new things with their sound. Hopefully that’s indicative of what the rest of Given to Emptiness has to offer.

Recording info for Arenna‘s Given to Emptiness and the lyrics in Spanish and English follow “Drums for Sitting Bull,” which you can find on the player below. Please enjoy:

ARENNA – GIVEN TO EMPTINESS

Format: CD / LP / Digital download
Genre: Rock / Psychedelic / Stoner
Label: Nasoni Records
Release date: May 2015

Tracklist:
1 Butes (10:20)
2 Visions Of Rex (6:29)
3 Drums For Sitting Bull (6:17)
4 Chroma (9:00)
5 Move Through Figurehead Lights (7:02)
6 The Pursuer (6:15)
7 Low Tide (1:40)
total (47:04)

Recorded by Javier Ortiz at Estudio Brazil (Nov. 1-7, 2014)
Mixed by José López Gil at Sound Experience Studio & Estudios K.
Mastered by JJ. Golden
Produced by José López Gil and Arenna
Music by Arenna
Artwork by Khoa Le
Designed by Artidoto

Music by Arenna
Javi: bass
Guille: drums & percusions
Txus Dr. Sax: vocals & chorus
R. Ruiz del Portal: guitars; mellotron (on track 2)
Kike: guitars; acoustic guitars & Tibetan bowls (on track 7)

All lyrics by Cameron Webster, EstĂ­baliz Urretxu, Javier Arbulu & Txus Dr.Sax with special collaboration of P. Quignard (Butes) & F. Kafka (Drums for Sitting Bull)

Additional musicians: Poti: mellotron (on all tracks), theremin (on track 5) and chorus (on tracks 3, 5 & 6), Jony Moreno: chorus (on tracks 3 & 5), and Manix S. acoustic guitar (on track 5).

3. Drums for Sitting Bull
If one were only an indian,
Alert, on a racing horse,
Leaning against the wind,
Until one shed one’s spurs,
& threw away the reins.
Hardly saw land before one,
When horse’s neck & head
Would be already gone.

3. Tambores para Toro Sentado
Si uno pudiera ser un Piel Roja,
alerta, cabalgando sobre un caballo veloz,
apoyado contra el viento,
hasta arrojar las espuelas,
hasta arrojar las riendas.
Apenas viera ante sĂ­ el campo,
ya habrĂ­an desaparecido
las crines & la cabeza del caballo.

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