Zippo Premiere “Comatose” Video

Posted in Bootleg Theater on May 17th, 2016 by JJ Koczan

Zippo (Photo by Daniele Di Egidio)

I’m not sure what the story of the video for  Essay Writing Key Phrases welcome to the college essay writing service across the Internet! Our professional essay writers are glad to offer you their assistance Zippo‘s track “Comatose” actually has to do with the song itself, but it certainly captures the mood of brash, noise rock aggression. It’s a tale of classic gangster violence — a slice of life and death presented in kind with the Italian band’s rumbling, shout-topped groove. The song comes from  Order Custom Papers. You can write it we try ti find by our writers. It is rare to college will do well watch requires a good are sick, or. Zippo‘s fourth album,  Research Writing Services - Get key tips as to how to get the greatest dissertation ever No more Fs with our high class essay services. confide your essay to After Us, which was released back in March via UK imprint  Our see it here service is working twenty-four hours per day, AUPaperWriting.com is a great place to find a reliable person to write your paper. Apocalyptic Witchcraft, and finds the band hitting the decade mark since their debut full-length while also working as a four-piece for the first time. While a  Best Websites For College Papers - Find out all you have always wanted to know about custom writing Let the professionals do your homework for you. Instead of having trouble Toshi Kasai mix might account for some of the edge one hears in “Comatose,” there’s always been more than one side to  try here for free - Use this service to get your sophisticated paper delivered on time receive a 100% original, plagiarism-free thesis you Zippo‘s approach, and that holds true for  Essay Avenue is Get More Info offering essay help through its dedicated essay writers, get 40% discount on your first essay writing order! After Us as well.

While “Comatose” bruises like the brawl at the end of its video, “Familiar Roads” — which follows immediately on the album — builds tribal tension into prog-metal harmonies as “Adrift (Yet Alive)” digs into grunge scour and unhinged layers of fuzzgrind, and even a seemingly simple cut like the earlier “After Us” refuses to be defined in its asking the question of what might happen if  Bush summary: Do my math Dissertation History Ict In Teaching for where can i buy a speech me. Mike Patton fronted  DLTK's see page Paper. Looking for a way to create themed writing paper? The next few steps will allow you to choose a theme for the top and bottom Alice in Chains. And all of this happens before closer “The Leftovers” waits until about the sixth of its total seven minutes to lock-in  Freelance Copywriter - Copy & Co is a Freelance Copywriting Agency located in Cape Town South Africa. We provide Home Inspector Business Plan to an array of After Us‘ cohesive payoff, the prior six minutes of build obviously a tension inflicted on purpose, so while the relatively brief push of “Comatose” is telling on some levels, it’s by no means everything  While writing essays may be a difficult task for most students, omitting to edit the work lowers the quality. Avoid this through Professional Writing Services Zippo have to say with the album.

And it’s more gutpunch than handshake, but if you missed the record release in March and the band’s prior video for “Low Song,” as I did, it’s a vicious but enticing introduction. Made me want to dig further, anyhow.

Enjoy the video below, followed by more info from the PR wire:

Zippo, “Comatose” official video

‘Comatose’ is the second video from Zippo’s 4th album ‘After Us’, released in March by the Uk label Apocalyptic Witchcraft. The video is directed by Francesco Brancacci.

Zippo have always been about the music, which is actually very hard to define as they include elements of Prog Rock, Psych, Stoner, Sludge, Doom, Noise and even Post-Metal. Zippo thrive on creating different sounds and challenging people to use their very heart and soul to fully experience the band’s musical vision.

A winning philosophy has seen Zippo release three critically acclaimed albums: Ode To Maximum (Self-produced, 2006), The Road To Knowledge (Subsound Records, 2009), Maktub (Subsound Records, 2011). Album number four was unleashed by Uk based Apocalyptic Witchcraft Recordings in March 2016.

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Zippo website

Apocalyptic Witchcraft Recordings website

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Quarterly Review: Corrections House, Antimatter, Colossus, Bastard Lord, Monocluster, Valley, Shatner, Australasia, The Moth Gatherer, Super Witch

Posted in Reviews on January 6th, 2016 by JJ Koczan

the obelisk quarterly review winter

Well, this is where we hit and pass the halfway point. It’s been a good week so far. Busy, but good. I hope you’ve found something that you dig or agree with or whatnot. I know it’s kind of hard to dig through 10 releases at once, but even if you see cover art that strikes a nerve, going with that impulse is rarely a bad idea, particularly when the level of commitment involved is clicking play on a Bandcamp player to get a taste. Pretty wide range today, so let’s dig in.

Quarterly review #21-30:

Corrections House, Know How to Carry a Whip

corrections house know how to carry a whip

Since they made their debut as a unit in 2013 with Dayrep. THE SECOND PART. If order custom term paper writing it is not, feel free to skip this Last City Zero (also on Resume Writing Services Edison Nj works on strong principles of ensuring that each customer who places their trust in us goes back happy. We know how important Neurot), the don’t-call-it-a-supergroup "I need a professional writer to write me an essay online," you thought and LESS ESSAY TIME. MORE YOU TIME can you "http://www.lubersacpompadour.fr/?how-to-write-a-high-school-application-queen Corrections House – vocalist Buy an essay online at our website. We are a reliable site where you can both http://www.vasmetal.net/ghostwriter-chardonnay-2013/s and learn how to write a great paper on your own. Mike Williams ( Eyehategod), guitarist/vocalist Scott Kelly (Neurosis), saxophonist/vocalist Bruce Lamont (Yakuza, Bloodiest) and programmer Sanford Parker (Buried at Sea) – have spread their bleak gospel of totalitarian industrial vehemence to audiences in the US and Europe. Their second offering, Know How to Carry a Whip, is bolder sound-wise and retains a very human, punk rock core with Williams’ sneer playing off Kelly’s gutturalism on “White Man’s Gonna Lose” and nearly goes goth in doing the same with Lamont in the later “When Push Comes to Shank,” but across the 45-minute span, the songs remain in the key of abrasion, and ultimately that’s what most unites them. As noisy as closer “Burn the Witness” gets, I can’t help but think of the acoustic, Lamont-led centerpiece “Visions Divide” as the bleakest moment of the record, twisting folkish conventions into a dystopian soundscape, but Williams’ spoken drug-poetry on “I was Never Good at Meth” provides stiff competition.

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Neurot Recordings

Antimatter, The Judas Table

The Judas Table

Lush in its arrangements and doling out extreme measures of melancholy across its 56 minutes, Antimatter’s sixth album, The Judas Table (on Prophecy Productions), brings sonic depth to bear in rich textures of electric and acoustic guitars, keys, and the strength-through-fragility vocals of remaining founder and songwriter Mick Moss. The group’s last offering, 2012’s Fear of a Unique Identity (review here), pushed them into fuller tones, and an early cut like “Killer” builds on that, but the crux of The Judas Table is in subdued and brooding pieces like “Little Piggy,” remorseful and seething in kind as it moves through an acoustic-led arrangement marked out by strings and a sense of grace. “Integrity” asks the question, “What’s the point if no one else has any?” and sets a depressive run through one of the record’s grader builds, but Antimatter are hardly contained to one style here, as the New Wave inflection on “Can of Worms” or the rumbling apex of highlight “Stillborn Empires” demonstrate.

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Prophecy Productions

Colossus, The Breathing World

colossus the breathing world

Not to be confused with their Swedish countrymen who operated under the same moniker and whose lineup included a post-and-pre-Candlemass Messiah Marcolin, Stockholm’s Colossus play a decidedly progressive blend of Peaceville-style doom and metal, the trio of guitarist/vocalist Niklas Eriksson, bassist Peter Berg and drummer Thomas Norstedt adding a near-immediate inflection toward the epic via Primordial-style vocal patterning on opener “Yehi Aour/Wanderers” that holds for much of their 48-minute sophomore outing, The Breathing World (on Perennity Records). “Darkling Root” and more so the chugging “Fuga Mundi” delve into blackened fare in the guitar, but it’s just one of an array of genres in Colossus’ arsenal and in the case of the latter, soon enough complemented by Opethian prog noodling and soulful vocalizing. These turns, which more often than not happen in an instant, are a great strength of The Breathing World, but would fall flat without the crisp, confident delivery the band provides leading to the grand sprawl and long fade of 10-minute closer, “The Silent City.”

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Colossus on Bandcamp

Bastard Lord, Bastard Lord

bastard lord bastard lord

One thing we’ve learned about Twin Earth Records thus far into the long-established label’s recent surge of activity is that it knows tone when it hears it. Thus comes treading Bastard Lord out of Buffalo, New York, whose four-song self-titled debut was initially self-released and remastered for a CD issue, rumble-fuzzing a murky Sabbath worship that oozes from the amps of bassist/vocalist David Braymiller and guitarist Mike Hermann – hard to tell at times in 13-minute opener and longest track (immediate points) “Cimmerian” where the one instrument ends and the other begins – and set to a suitable plod by Jeremy Coupe’s drumming. It’s little surprise when they pay homage to “Snowblind” in “Wormwood,” but the psychedelic edge in Braymiller’s vocals – drowned in effects, buried in the mix; both appropriately so – gives Bastard Lord a personality of its own the holds even into the faster closer “Into the Sea,” a Toner Low-style lysergic depth unflinching through that song and “Summoner” before it as Bastard Lord emerge from the mire with their intentions clear.

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Twin Earth Records

Monocluster, Monocluster

monocluster monocluster

One might be forgiven for entering into Monocluster’s self-titled, self-released debut album with an expectation for traditional stoner rock, between the band’s moniker and album cover – and if that’s what came through in playing the 35-minute, five-track outing, I very likely wouldn’t complain – but the German-language four-piece subtly veer into and out of spacier interludes in cuts like “Dantes Inferno” and “8 Stunden” and the later “Ich Atme” pushes even further along those lines, jamming out vast and echoing over a foundational bassline that holds the track together before it stops outright and resurfaces with Monocluster’s most righteous single nod. Centerpiece “Straße” demonstrates a touch of Colour Haze influence as well, but on the whole the Cologne four-piece seem headed in a different direction, and as the 10-minute closer “12 Minuten” ranges farther and heavier than everything before it, I’m only more intrigued to find out where they might end up. Heavy psych that’s not afraid to tighten up and make a more pointed impact when it feels one is needed.

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Monocluster on Bandcamp

Valley, Sunburst

valley sunburst

I have two reasons for writing a review of Valley’s Sunburst EP, and they are both ridiculously simple. Yes, the Swedish five-piece were featured in two podcasts (one here, one here) and mentioned in the roundup of 2015’s best short releases – however, reviewing Sunburst now gives me another excuse to put it back on and it gives me something to fall back to later when I’m praising the crap out of whatever they do next and want to link a past review. Simple reasons. If you haven’t yet heard the 2015 debut outing from the Stockholm post-heavy rock instrumentalists, basked in the warm, organic psychedelia of “Tunguska” and “Kiro” or the peaceful folk-jam of “Dream Shooter, Golden!” and the tense-and-release percussion and sample-topped progressive course of “Picture Puzzle Pattern Door,” then you have quite simply missed out. I’m sure plenty have and plenty more will liken it to a desert sound – in no small part because of the cover art – but the smooth melodicism goes beyond landscape here and is made to be appreciated regardless of climate or locale.

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Version Studio Records

Shatner, EP

shatner ep

An edge of Northeastern aggression is unmistakable at the core of Shatner’s 20-minute self-released six-track EP. Based in Boston, the tree-piece boasts guitarist/vocalist Jim Healey (Black Thai, We’re all Gonna Die), bassist/backing vocalist Jesse Sherman (We’re all Gonna Die) and drummer Rob Davol (Cocked ‘n’ Loaded), and so a touch of anger isn’t unexpected given the personnel – even Healey’s acoustic work has brooding tension underlying – but if “Special” and “Black Market Liver” are variations on an ongoing theme, they’re of consistent quality in terms of songwriting, and the Thin Lizzy cover “Bad Reputation” is positioned well just past the halfway point to add variety amid a slew of potent hooks. Not their first time working together, but Healey and Sherman’s voices complement each other well on “Dead in Your Eyes” and “Death Reheated,” and with the solid foundation that Davol provides throughout, Shatner’s EP is an encouraging start to what’s hopefully an ongoing development.

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Shatner on Bandcamp

Australasia, Notturno

australasia-notturno

Harvested, sometimes manipulated samples and synthesized textures permeate Notturno, the mostly-instrumental second album from Italian atmospheric project Australasia. Comprised solely of Gian Spalluto, it’s somewhat more surprising that songs like the cascading “Lumen” and “Kern” are able to conjure such full-band progressions, but layering was bound to be a factor one way or another in Australasia’s approach, so if it’s Spalluto’s vision at play, so be it. Sonically, the impression of much of the material – including the guest-vocalized centerpiece “Invisibile” – winds up somewhere between the dystopian ambience of Red Sparowes and the brighter aspirations of post-black metallers Alcest, but songs like “Haxo” and the closing title-track, a (mostly) solo piano piece, have a cinematic edge as well. Rather than play one side against the other, Spalluto brings them together in one overarching flow that engages conceptually and sonically throughout a nine-track/39-minute course that willfully refuses to acknowledge a line between post-rock and post-metal.

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Apocalyptic Witchcraft Recordings

The Moth Gatherer, The Earth is the Sky

the moth gatherer the earth is the sky

Synth ambience and distorted severity meet head-on with the second full-length from Swedish post-metallers The Moth Gatherer, The Earth is the Sky (on Agonia Records). Produced over a two-year span with Karl Daniel Lidén (Greenleaf, VAKA, etc.), it punishes intensely on “The Black Antlers” with no less underlying fluidity than it had on the quietly atmospheric “Dyatlov Pass” preceding, the four-piece of bassist/vocalist Alex Stjernfeldt, guitarist/vocalist/programmer Victor Wegeborn, guitarist Ronny Westphal and drummer Svante Karlsson finding a place sound-wise that swaps between peaceful and threatening, delving into extreme progressive metal and electronica in kind on “Attacus Atlas” while setting up the consuming, gradual push of 11-minute closer “In Awe Before the Rapture,” which seems in conversation with the synth of the earlier “Probing the Descent of Man” in creating a layered structure of sound, while also attempting to marry the various impulses displayed throughout. Familiar to a degree, but immersive in its bringing earth and sky together.

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Agonia Records

Super Witch, Super Witch has Risen

super witch super witch has risen

You might wonder just what kind of neighborhood it is that would pair “The House that Dripped Blood” next door to “House of Warlocks” – perhaps that street is on the “Island of Lost Souls” – but then you probably wouldn’t get the crux of Memphis heavy punk foursome Super Witch’s debut full-length, Super Witch Has Risen, which has tales of horror front to back, “Spaceship Cadillac” notwithstanding. The Tennessean outfit dip into garage grunge on “Night of the Hunter” and stomp out call and response and Melvins chug on on “The Need,” show some more patient swing on “Smash Your Own Face,” but it’s “Army of Werewolves” and the opening “Super Witch Has Risen” that tell the story of the band’s intent more than the semi-swirl of “Smash Your Own Face” or the all-the-way swirl of closer “With the Lights Out,” as satisfying as the closer is in pulling off a rare feat – psychedelic punk. Split between two recording sessions, there are some changes in sound throughout, but it would take a supernatural force to derail Super Witch from their underlying purpose.

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Super Witch on Bandcamp

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Australasia Release Notturno Sept. 18

Posted in Whathaveyou on September 9th, 2015 by JJ Koczan

australasia

Italian heavy post-rock solo-project Australasia will issue its second album, Notturno, on Sept. 18 through UK-based imprint Apocalyptic Witchcraft. The record follows Australasia‘s 2013 debut, Verterbra, and keeps a naturally dark focus according to the label and multi-instrumentalist Gian Spalluto. Both the artwork and a newly-unveiled teaser would seem to back that up, though as one might expect for something in this style, there’s plenty of spaciousness to be heard as well in what Australasia crafts.

You can hear for yourself in the teaser, which follows the art, info and preorder link below, all culled one way or another from the PR wire:

australasia notturno

Australasia new album & teaser

Italian blackened Post-rock artist Australasia will release a new album titled “Notturno” next September 18th via the UK based label Apocalyptic Witchcraft Recordings. The new record blends post-rock with black metal elements, shoegaze and vintage electronica patterns for a deep journey into the darker side of nature.

the album will be released in a limited edition digipak format.

The pre-order is available: http://apocalypticwitchcraft.bigcartel.com/product/australasia-notturno-digipak-cd

Australasia is an evolutionary musical project led by multi-instrumentalist Gian Spalluto. Its music evokes emotion and paints vivid pictures for the mind’s eye, transporting the listener far beyond where his physical being is left standing.

Australasia’s music reflects a childhood spent listening to Ennio Morricone’s soundtracks, followed by a youth in extreme metal and heavy psych bands that led to a passion for shoegaze, post-rock and Blade Runner-era synthesizers.

These different components are not simply juxtaposed each other but come together in a unique blend where different souls “Notturno” is Australasia’s second full-lenght recording. It represents a musical and evocative journey through moonlit landscapes made of dreamy mellow guitars, finely carved distorted riffs and retro synth cascades.

The album tells the night side of nature and its magnificence, above the misery that humanity left behind.

http://www.apocalypticwitchcraft.co.uk
https://www.facebook.com/australasiamusic
http://www.australasia-music.com/
http://australasia.bandcamp.com/

Australasia, Notturno album teaser

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