Quarterly Review: A Storm of Light, Z/28, Forrest, 1476, Owl, Brass Hearse, Craneium & Black Willows, Magmakammer, Falun Gong, Max Tovstyi

Posted in Reviews on December 4th, 2018 by JJ Koczan

quarterly-review

Day Two of the Quarterly-Review-Mega-Super-Ultra-Year-End-Wrap-Up-Spectacular-Gnarly-Edition — name in progress — begins now. First day? Smooth. Wrote it over the weekend to get a jump on the week, cruised through a morning and into baby-naps, finished with time left over to still go and read the Star Trek novel I’m currently making my way through. Easy. Also peasy.

Today? Well, apparently I turned off my alarm in my sleep because I rolled over 40 minutes later and certainly didn’t remember it going off. Whoops. Not a great start, but there is a lot of cool stuff in this batch, so we’ll get through it, even if it’s awfully early in the week to be sleeping in. Ha.

Have a great day everybody. Here are 10 more records for the QRMSUYEWUSGE. Rolls right off the tongue.

Quarterly Review #11-20:

A Storm of Light, Anthroscene

A Storm of Light Anthroscene

“America the sick and crumbling/Liberty she’s weeping/The tired and poor are huddled and dying/As the wretched ones are touched aside.” The lines, from correction dissertation bac 2006 Car Service Essay Zemyx professional papers written cite sources research paper A Storm of Light‘s “Blackout” — the second cut from their fifth LP, Looking for Fiction Essay online Just upload your files Free Quote 100+ Languages Free Trial 12 Hours TAT. Anthroscene (on Do My Admission Essay Long - Options to buy an essay online. Making your writing more efficient, and picking up techniques from professionals Translation Loss) — lead to the inevitable question: “What the fuck is wrong with us?,” and thereby summarize the central sociopolitical framework of the record. A dystopian thematic suits the band’s aesthetic, and there’s certainly no shortage of material to work from between current events and future outlook. Guitarist/vocalist/keyboardist/graphic artist You no longer need to search to the end of the Internet, or essay on law and order in delhi through a stack of glencoe Cover Page Dissertation textbooks. Josh Graham, bassist buy computer science thesis Essay About Cancer write community service scholarship essay best college admission essay 2012 Domenic Seita and guitarist/keyboardist Dissertation On Decision Making - We ship fast and offer best deals on prescription drugs. Buy your medication from the comfort of your armchair. Dan Hawkins are five years removed from the band’s last outing, however, so their post-apocalyptic post-metal is welcome either way, and http://free-musika.com/main.php?creativ-writing. Just give them a call so that they can lead you through the ordering process:Explain your academic needs to us so we can Anthroscene taps a 'Pay Review Dissertation Writing Services' is one of the most searched terms. TFTH has been helping students with their assignments for years now thereby making us Killing Joke influence and turns it to its dark and churning purposes over the course of its eight tracks/51 minutes, delving into harsh shouts on “Short Term Feedback” and capping with the resistance-filled “Rosebud,” which surges forth from ambience like the anti-facist/anti-capitalist critique that it is, ending with the lyric, “When you die, we will spit on your grave,” which could hardly be more appropriate.

A Storm of Light on Thee Facebooks

Translation Loss Records on Bandcamp

 

Z28, Nobody Rides for Free

Z28 Nobody Rides for Free

Massachusetts’ British Assignments Help provides students in UK with best Business Plan Meeting service at cheap prices, delivers 100% plagiarism free work. Place your order Z28 — also stylized as Buying research papers with us is 100% secure and quality is guaranteed. You should buy comment faire un plan de dissertation de philo with those only, who are trusted like we. Z/28 and Choose the see url writing services that will help you to complete you MIT PhD thesis, or any other PhD thesis. Get PhD thesis online help here Z-28; I don’t think they care so long as you get the point they’re named after the Camaro — make their full-length debut with Seek essay ghostwriter? Get ahead this year by relying on our http://www.plurmac.mx/dissertation-3-paper/! Our benefits: fast turnaround, 100% originality, strict quality control Nobody Rides for Free on It Company Business Plan - Put aside your concerns, place your task here and get your professional project in a few days put out a little time and money Fuzzdoom Records, and with the occasional bit of organ on songs like “Touch of Evil” and “Angst III (I Don’t Want to Die),” they nonetheless give a raw take on heavy rock laced with that particularly Northeastern aggression. Guitarist Jeff Hayward (also organ), bassist/acoustic guitarist/engineer My best essays uk - 100% non-plagiarism guarantee of unique essays & papers. Composing a custom paper means work through lots of stages Essays Jason Negro and drummer Writing Essays About Yourself. 231 likes · 2 talking about this. We provide Writing Consultancy Services covering all subjects for students studying in... Breaux Silcio all contribute vocals to the outing, and yet the minute-long instrumental intro tells much of the story of what it’s about in terms of the chemistry between them. Impressive guitar solos are rampant throughout, and the rhythm section carries over a weighted groove through cuts like “Wandering” that’s fluid in tempo but still able to create an overarching flow between the tracks. I’ll give bonus points for the Black Sabbath nods in the multi-layered lead work toward the end of “Spirit Elk (Lord of the Hunt)” as well as the title “Keep on Rockin’ (In the Invisible World),” and Z28 have something to build on here in terms of songwriting and that chemistry. It’s raw-sounding, but that doesn’t necessarily hurt it.

Z28 on Thee Facebooks

Fuzzdoom Records on Bandcamp

 

Forrest, Kickball with Russians

forrest kickball with russians

Granted, Forrest telegraph some measure of quirk by naming their debut EP Kickball with Russians, but the four-piece from Lexington, Kentucky, still seem to be rolling along in a straightforward-enough manner on six-minute instrumental opener and longest track (immediate points) “(I Dream of) Kickball with Russians,” until the keyboards start in. That turn gives their EP an edge of the unexpected that continues to inform “DAN,” “Deew” and the closing “My Son Looks Just Like Me,” and “DAN” continues the thread with gang shouts popping up over its chugging progression and receding again after about two words to let the track get quiet and build back up. And is that a velociraptor at the start of “Deew?” Either way, that song’s Mr. Bungle-style angularity, a return of the keys and intermittent heavy nod work to underscore the willful weirdness that’s very much at play in the four-piece’s work, and the closer adds Ween-style effects work into the mix while still keeping a heavy presence in tone and lumber. They’ll get weirder with time, but this is a good start toward that goal.

Forrest on Thee Facebooks

Forrest on Bandcamp

 

1476, Our Season Draws Near

1476 our season draws near

Coastal melancholy and a pervasive sense of atmosphere seem to unite the varied tracks on 1476‘s 2017 Prophecy release, Our Season Draws Near, which otherwise draw across their span from goth rock, punk, doom and extreme metal, able to blur the line especially between punk and black metal on songs like “Ettins” while acoustics pervade “Solitude (Exterior)” en route to the Anathema-gone-char rasps of “Solitude (Interior)” a short time later. I know I’m late to the party on the Salem, MA, duo, and likewise late on this record, but from opener “Our Silver Age” to closer “Our Ice Age” to the “Solitude” pairing to “Winter of Winds” — finally: David Bowie fronts Joy Division — and “Winter of Wolves,” there’s so much of Our Season Draws Near that has a bigger-picture thought process behind its construction that its impact is multi-tiered. And it’s not just that they pit genres against each other in their sound, it’s that their sound brings them together toward something new and malleable to the purposes of their songwriting. Not to be missed, so this is me, not missing it. Even though I kind of missed it.

1476 on Thee Facebooks

Prophecy Productions on Bandcamp

 

Owl, Nights in Distortion

owl nights in distortion

Joined on Nights in Distortion by bassist RenĂ© Marquis as well as longtime drummer Patrick Schroeder, guitarist/vocalist/synthesist Christian Kolf (also Valborg) greatly expands his former solo-ish-project Owl with their second release of 2018 behind March’s Orion Fenix EP (review here), bringing together elements of post-metal churn with deeply atmospheric sensibilities, cuts like “Transparent Moment” churning as much as they are surprising with their underlying melody. A Type O Negative influence continues to be worked into their sometimes grueling context, but it’s hard to listen to the keyboard-laced “Inanna in Isolation” and hear Owl being anything other than who they’ve become, and their third album is the most distinct statement of that yet, airy lead guitars floating over a still-fervent, industrial-style chug amid vocals veering from barking shouts to quiet, low-register semi-spoken fare and cleaner singing. Nights in Distortion is the evolving work of a mastermind, captured in progress.

Owl on Thee Facebooks

Temple of Torturous website

 

Brass Hearse, Hollow on the Surface

Brass Hearse Hollow on the Surface

Synth-laden heavy horror garage dance rock could probably use a more succinct genre name, but while those in charge of such things sit and scratch their butts, Boston’s Brass Hearse carve out a niche unto themselves with their second EP, Hollow on the Surface. The five-track offering is in and out in 14 minutes but wants nothing for either a show of craft or arrangement, tapping into psych-folk in the strummy interlude “Dwellers in the Static Valley” after the hook-led “Death by Candlelight” and before the John Carpenter-style pulsations that underscore “The Thing from Another World.” Opener “Fading” is the only song to top four minutes and has a distinctly progressive take, but while it and the organ-ic closer “Headaches & Heartbreaks” has a theatricality to it, Brass Hearse are too cohesive to charge with being weird for weirdness’ sake, and their experimentation is presented in complete, engaging songs, rather than self-indulgent collections of parts mashed together. Would love to hear what they do over the course of a full-length.

Brass Hearse on Thee Facebooks

Playing Records on Bandcamp

 

Craneium & Black Willows, Split

Different missions from Finland’s Craneium and Switzerland’s Black Willows on their BloodRock Records split. Craneium nod through “Your Law” and mark their second inclusion, “Try, Fail, Repeat,” with a Sabbathian swing that only kicks up in tempo as it moves through its five minutes. Black Willows, on the other hand, present a single track in the 19-minute, noise-soaked post-everything “Bliss,” which trades back and forth between minimalism and crushing riffs en route to a consuming wash and long, long, long fadeout. Released in March, the outing showcases both bands well, but one is left wondering where the connection is between the two of them that they’d come together for a joint vinyl release. Either way, I won’t detract from what they do individually, whether it’s the catchiness of “Your Law” and the jam in its second half or “Bliss” with its frost-covered expanse of tonality, it’s just a marked leap from side A to side B. Maybe that was the idea all along, and if that’s the case, then one can only say they succeeded.

Craneium on Thee Facebooks

Black Willows on Thee Facebooks

BloodRock Records on Bandcamp

 

Magmakammer, Mind Tripper

magmakammer mindtripper

Following a 2015 self-titled debut EP, Oslo trio Magmakammer align with Kozmik Artifactz for their first long-player, Mindtripper, and so effect a garage doom sound that’s quickly relatable to Uncle Acid on songs like “Fat Saturn” and the chug-shuffling “Along the Crooked Roads.” Where they distinguish themselves from this core influence, though, is in the density of their tones, as opener “Druggernaut” and the rolling “Acid Times” prove thicker in their charge. Still, there’s no mistaking that swing and the blown-out sound of the vocals. Closer “Cosmic Dancers,” which is one of two tracks over seven minutes long, shows more dynamic in its loud/quiet tradeoffs, and resolves itself in a righteous nodder of a riff. It’s essentially in the same vein, but still displaying some emerging personality of Magmakammer‘s own that one hopes they continue to develop. And in the meantime, the foundation of craft and stylistic awareness they hone is still welcome, familiar or not.

Magmakammer on Thee Facebooks

Kozmik Artifactz webstore

 

Falun Gong, Figure 2

Falun Gong Figure 2

Mystique isn’t easy to come by in this Age of Access, but the anonymous London-dwelling duo Falun Gong have succeeded in piquing interest with their two-to-date singles, “Figure 1” (review here), and the eight-minute “Figure 2,” which like its predecessor is raw in the recording, sounds like it was performed live, and follows a trance-inducing course of riffing. The central groove is a slow march that makes its way through obscure voices delivered in buried fashion — the whole thing may or may not be mastered; somehow I’m thinking not, but I’ve been wrong before — through a self-aware drift that rounds out following a soulful culmination fitting the song’s lyrical theme, which would seem to be tied to the cover art about baptism in a river’s waters. There’s just something off-kilter about Falun Gong to this point, and while it’s still early going for them, they bring an eerie persona to their work that feels less performative than it so often does.

Falun Gong on Bandcamp

 

Max Tovstyi, Mesmerize

Max Tovstyi Mesmerize

Though he’s had a slew of live outings out with the Max Tovstyi Blues Band and the Max Tovstyi Blues Association, Mesmerize (LP on Nasoni) is the Ukrainian heavy blues rocker’s first solo studio outing since 2014. He’s credited with all the instruments on the 10- or 12-track offering save for a couple arrangement-flourish guest appearances, and he pulls in a classic spirit and full-band sound without any trouble on a moody piece like “World of Sin” or the bonus track “Show Me the Way,” which isn’t a Peter Frampton cover so far as I can tell but still has plenty of guitar scorch to go around. “From the Blues to the Funk” jams its way along its stated trajectory, and “Feel Like Dying Now” brings together organ and keys in a fashion far less dramatized than one might initially think. With a clean production, Tovstyi — also known for his work in The Heavy Crawls, Lucifer Rising, and others — carries through his sentimentality for blues rock’s past and finds himself well at home leading the pack of guest vocalists on “Make Up Your Mind,” which closes the album proper with a semi-country twang and sweet melody.

Max Tovstyi on Thee Facebooks

Nasoni Records website

 

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A Storm of Light to Release Anthroscene Oct. 5; Post New Song “Slow Motion Apocalypse”

Posted in Whathaveyou on August 23rd, 2018 by JJ Koczan

a storm of light

New York’s A Storm of Light have set an Oct. 5 release date for their first album in a half-decade, Anthroscene. You would not necessarily call it a hopeful sound they’ve conjured on their fifth outing, and among the battery of influences that project-spearhead/vocalist/guitarist/etc.-ist/graphic-designer-extraordinaire Josh Graham namechecks in his comments below, I can definitely hear Killing Joke in opener “Prime Time,” the lyrics to which are a meditation on the self-as-celebrity social media climate and hypersaturation of the information climate in which we reside. Second cut “Blackout” asks the question in as plain language as possible: “What the fuck is wrong with us?” They’re streaming “Slow Motion Apocalypse” now, which is a fair-enough summary of the perspective as regards social commentary.

Personally, I’d say we were screwed from the moment it was decided “all men created equal” was a limited standard, but hindsight’s 20/20 and multiculturalism is still a nice idea. In the meantime, we’ll grit and grind and chip our teeth as nationalism pulls off its hey-we’re-definitely-not-fascist mask and the boots of empire trod the skulls of those who sewed them together while we all bathe in incel jizz go deaf from the volume of their shouts of blind hatred formerly disguised as pride for something they have no right to feel prideful for the first place and wait for the next flood or wildfire or both to wipe the slate clean for the next round of fucking scumbags. Make a joyful noise, assholes.

But yeah, the album. You kind of lose me quoting a dude who got outed for jacking off under his desk and who was neither that smart nor that funny to start with, but I’ll hardly disagree shit feels dire, so the point stands. If you need me, I’ll be watching PBS Newshour and crying awake in the middle of the night for no reason. No reason at all.

The album’s Blade Runner-reminiscent cover art — of course by Graham himself — and details came down the PR wire, along with the aforementioned track:

a storm of light anthroscene

STORM OF LIGHT ANNOUNCE DETAILS OF THEIR NEW ALBUM AND SHARE THE AUDIO FOR NEW ALBUM TRACK ‘SLOW MOTION APOCALYPSE’

PRE-ORDERS AT CONSOULING SOUNDS ARE NOW LIVE FOR CD & VINYL

A Storm of Light return with a new record. Five years after their last studio album (Nation To Flames, Southern Lord), Josh Graham and his companions Chris Common, Dan Hawkins and Domenic Seita have completed their fifth full length Anthroscene, to be released via Consouling Sounds (EU and UK), Translation Loss (US) and Daymare (JP) on 5th October.

Josh Graham explains the different mood on this record; “Anthroscene ignores genre and freely combines a lot our our early influences. Christian Death, The Cure, Discharge, Lard, Fugazi, Big Black, Ministry, Pailhead, Melvins, Pink Floyd, Killing Joke, NIN, Tool, etc. Where Nations to Flames was a very a focused sonic assault, this record has more time to breathe, yet still keeps the intensity intact. We allowed the songs to venture into new territory and push our personal boundaries. It’s heavy and intense, but always focuses on interwoven melodies, song structure and dynamic. Bringing Dan Hawkins (old friend and high school bandmate) on second guitar and keyboards, has further expanded the album’s palette”.

Lyrically the songs are an honest, brutal and emotional response to what is happening all around us: the disaster of American politics, racism, greed, climate change, climate change denial, nationalism, war, refugees, and how technology is actively changing us as human beings.

Josh continues… ”The current events happening across the planet right now are very overwhelming. It’s difficult not to feel very hopeless at times. This record is a big cathartic release… not offering much in the way of fixes, but serving more as a surreal document of our current times.“

With everyone being spread out across the US, the band worked separately and shared files online. From there Josh would put together modified ideas that bridged the different styles, getting a similar result to rehearsing in a room together: “This writing process is a good example of how technology is changing the way we work and interact with each other. In some ways it is great…this would have been almost impossible even ten years ago. In other ways it feels like human contact is being replaced by screen-contact. At times I feel like I am anchored to, and becoming one with the computer. Between music, my design work, composing, music videos, concert visuals, etc etc, it’s all in the computer. No escape. In the background is social media and streaming news, etc. Louis CK said something like — we watch all of these atrocities regularly on little streaming videos, and before that comes on, we see some mundane commercial, like it’s our penance for getting to watch all of this from the comforts of our home. This article was also an influence to some of the lyrics, along the same lines”.

TRACK LISTING:
1 Prime Time
2 Blackout
3 Short Term Feedback
4 Life Will Be Violent
5 Slow Motion Apocalypse
6 Dim
7 Laser Fire Forget
8 Rosebud

A STORM OF LIGHT LIVE WITH MONO
01/10 – UK Bristol, The Fleece
02/10 – UK Norwich, Arts Centre
03/10 – UK Glasgow, Classic Grand
04/10 – UK Newcastle, The Cluny
05/10 – UK Leeds, Left Bank
06/10 – BE Ghent, De Central
07/10 – NL Utrecht, Tivoli De Helling
08/10 – DE Bremen, Tower
09/10 – DE Dresden, Beatpol
10/10 – DE Wiesbaden, Schlacthof
11/10 – CH Aarau, Kiff
12/10 – FR Lyon, CCO
13/10 – ES Barcelona, AMFest
14/10 – FR Toulouse, Le Rex
15/10 – FR Bordeaux, Iboat
16/10 – FR Orleans, Astrolabe
17/10 – NL Heerlen, Nieuwe Nor
18/10 – DE Oberhausen, Drucklufthaus
19/10 – NL Leeuwarden, Into The Void
20/10 – GR Athens, Fuzz Club
22/10 – RU Moscow, Zil
23/10 – RU St. Petersburg, Zal

https://www.facebook.com/astormoflight
https://astormoflight.com/
https://astormoflightsl.bandcamp.com/
https://consouling.be/
https://www.translationloss.com/

A Storm of Light, “Slow Motion Apocalypse”

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A Storm of Light Announce New Album Anthroscene

Posted in Whathaveyou on June 22nd, 2018 by JJ Koczan

Hard to believe it’s been five years since the last album from A Storm of Light came out. That record was Nations to Flames on Southern Lord and their new one, dubbed Anthroscene in a clever play on the you-are-here era of planetary extinction in which we currently live, will be out via Consouling Sounds in Europe and Translation Loss in the States this Fall as the band get ready to tour overseas with Mono. It’s a pretty significant run that starts in the UK and ends in Russia, but of course A Storm of Light will be up to the task. In addition to frontman Josh Graham‘s work on graphics for Neurosis, Soundgarden, and a host of others, they’ve always kept plenty busy on the road.

Info and dates follow from the PR wire:

a storm of light

A STORM OF LIGHT ARE BACK WITH A NEW ALBUM TO BE RELEASED IN TIME FOR LIVE DATES WITH MONO THIS OCTOBER

A Storm of Light return with news of a new record. Five years after their last studio album (Nation To Flames, Southern Lord), Josh Graham and his companions Chris Common, Dan Hawkins and Domenic Seita have been working on their fifth full length Anthroscene which shall be released via Consouling Sounds (EU and UK) and Translation Loss (US) this Autumn.

A Storm Of Light will be presenting their new album across Europe in October, performing alongside Mono – see the list of dates below.

A STORM OF LIGHT LIVE WITH MONO
01/10 – UK Bristol, The Fleece
02/10 – UK Norwich, Arts Centre
03/10 – UK Glasgow, Classic Grand
04/10 – UK Newcastle, The Cluny
05/10 – UK Leeds, Left Bank
06/10 – BE Ghent, De Central
07/10 – NL Utrecht, Tivoli De Helling
08/10 – DE Bremen, Tower
09/10 – DE Dresden, Beatpol
10/10 – DE Wiesbaden, Schlacthof
11/10 – CH Aarau, Kiff
12/10 – FR Lyon, CCO
13/10 – ES Barcelona, AMFest
14/10 – FR Toulouse, Le Rex
15/10 – FR Bordeaux, Iboat
16/10 – FR Orleans, Astrolabe
17/10 – NL Heerlen, Nieuwe Nor
18/10 – DE Oberhausen, Drucklufthaus
19/10 – NL Leeuwarden, Into The Void
20/10 – GR Athens, Fuzz Club
22/10 – RU Moscow, Zil
23/10 – RU St. Petersburg, Zal

https://www.facebook.com/astormoflight
https://astormoflight.com/
https://astormoflightsl.bandcamp.com/
https://consouling.be/
https://www.translationloss.com/

A Storm of Light, Nations to Flames (2013)

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