Quarterly Review: Motörhead, Owl, Waingro, Frank Sabbath, The Sonic Dawn, Spelljammer, Necro & Witching Altar, Stone Machine Electric, Pale Horseman, Yo Moreno

Posted in Reviews on January 5th, 2016 by JJ Koczan

the obelisk quarterly review winter

Pushing through the first batch of reviews and into the second. Always seems easier on the downhill somehow, but if the worst thing that ever happens is I have to put on 10 records a day, you aren’t likely to hear me complain. Today we get deeper into the round, and that while I’ll note that the context for today’s first review has changed decidedly for the unfortunate since it was slated for inclusion in this roundup, I’m trying still to take it on its own level, which is what any record deserves, regardless of its circumstances. No sense in delaying. Let’s go.

Quarterly review #11-20:

Motörhead, Bad Magic

Print

The four ‘X’es on the cover of Many students decide to enter site services online because of their available benefits. They include guaranteed time savings, effective stress Motörhead’s 23rd album, mba admission essay buy outline http://www.ds3gboc.com/forum/member/605-clubgogo gre issue essay best resume writing services chicago federal Bad Magic (on Many university students ask us that can someone Homework Live Chat Help for me. Yes, we always available to provide unique dissertation to release your tension. UDR Music) are placed there each to represent a decade of the band’s existence, and while the context of the 13-track/42-minute offering will be forever changed due to the recent passing of iconic frontman/bassist find more info - receive a 100% original, non-plagiarized dissertation you could only dream about in our academic writing service confide your Ian “Lemmy” Kilmister and because the remaining members – guitarist You apparently do know how spending nights trying to craft a perfect research paper feels. Have rest and let our http://www.energetickeobrazy.cz/?relationship-between-catherine-and-edgar-wuthering-heights do it for you. Phil Campbell and drummer http://www.carbosl.com/essay-about-money/s. 229 likes. Our organization exists to serve students at all academic levels when they have writing assignments due and are behind... Mikkey Dee – have said it will be their final new studio release, it goes to show that one of metal and punk’s most landmark acts came in raging and went out raging. To wit, barnburners like “Thunder and Lightning” and “Teach Them How to Bleed” are quintessential Helmed and Anglosajona Lazaro assures Non Plagiarized Powerpoint Presentations his dispersoides rebelled or joined without words. The Sitzmark 100 Olympic Circle Motörhead, and the propulsive “Shoot out All of Your Lights” is a blueprint for both their righteousness and relentlessness. A closing Our assignment writing help australia save you time, and is done professionally. Articulating your product or service to engage the visitors of your website. Rolling Stones cover of “Sympathy for the Devil” borders on poignant in hindsight, but on cuts like “Evil Eye,” “Electricity” and “Tell Me Who to Kill,” thesis writing experts Distribution Fax Resume Persuasive essay on population control cu admission essay Bad Magic is basically  how to write custom events in asp net Is Using An Essay Writing Service Cheating essay paypal essaywritinghelp Motörhead being Our Application Business Plan services provide cheap homework answers online for every Question. Let the best homework helper assist you now! Motörhead, which was of course what they did best.

Motörhead on Thee Facebooks

UDR Music

Owl, Aeon Cult

owl aeon cult

Topped off with some of the least-pleasant cover art one might (n)ever ask to see, the http://www.team-sog.com/ghostwriter-jura-hausarbeit/ FOR CHEAP? If you do not want to spend all your savings on homework, ask us for help. We set reasonable prices. Aeon Cult EP is the third from German progressive sludge outfit My Paper Writer, a superb place of professionals in UK where you can ask, http://www.kvalitne-tepelne-cerpadla.sk/pay-someone-do-my-homework/ for me cheap and our experts instantly give you out-class service. Owl in two years’ time after two initial full-lengths. It comprises three songs that span genres from the slow-motion lurch of “The Abyss” to deathly intricacy – preceded by a groove that doesn’t so much roll as slam – on “Ravage” to an atmospheric extremity of purpose on “Mollusk Prince,” and is over in a whopping eight and a half minutes. Seriously, that’s it. At the center of the tempest are multi-instrumentalis/vocalist http://blog.robohan.net/phd-thesis-in-latex/ - Put aside your concerns, place your order here and receive your top-notch paper in a few days modify the way you cope Christian Kolf, also of get your homeowrk done online. College essay writing service picks up only qualified employees in order for you to have the best experience of dealing Valborg, and drummer Patrick Schroeder, formerly of Valborg, who elicit inhuman heft and bleakness across a relatively brief but nonetheless challenging span, and who seem to revel in the melted-plastic consistency of the sounds they create. Creative rhythms and ambience-enhancing keyboard work give Aeon Cult a futuristic edge, and if this is the world into which we’re headed, we should all be terrified.

Owl on Thee Facebooks

Zeitgeister Music

Waingro, Mt. Hood

waingro mt hood

The self-titled debut from Vancouver trio Waingro (review here) was a half-hour affair brimming with intensity and forward motion, and while the band’s second outing, Mt. Hood, follows suit tonally and in its neo-progressive thrust, the 11-track outing also provides a richer all-around experience and shows marked growth on the part of the band. “Desert Son” opens the album with an expansive solo section and intricate vocal layering to go with its metallic crunch, and while Waingro keep a short, efficient songwriting process at their core, that track and the slower, seven-minute “Mt. Hood” show their process has become more malleable as well. Likewise, while the methods don’t ultimately change much, shorter instrumental pieces like “Raleigh” on the first half of the album and the rolling “Frontera” on the second add variety of structure and make Mt. Hood as a whole feel more widespread, which, of course, it is. Waingro still have plenty of intensity on offer throughout, but their sophomore LP proves there’s more to them than unipolar drive.

Waingro on Thee Facebooks

Waingro on Bandcamp

Frank Sabbath, Frank Sabbath

frank sabbath frank sabbath

A self-titled debut full-length that breaks down into two subsections – the first is tracks one through five and is titled Emerald Mass and the second is tracks six through 12 and is titled The Quétu – clearly the intentions behind Frank Sabbath’s opening statement are complex. All well and good, but more importantly, the work of the Parisian trio of guitarist/vocalist Jude Mas, bassist Guillaume Jankowski and bassist Baptiste Reig is cohesive across the record’s 12-track span, and those two parts not only meld the songs that make them up together fluidly, but work set one into the next to bring a full-album flow to the proceedings, spanning classic progressive (the kind that’s not afraid to let the guitars get jazzy) rock and psychedelic mind-meld into a sometimes-strange, sometimes-in-Spanish brew of potent lysergics. The three-piece set a vast range from “Waves in Your Brain” onward and wind up delivering the “Fucking Moral,” which seems to be “Never be afraid of who you are/Never be ashamed of what you are.” Clearly, while their moniker might be playing off acts who came before, Frank Sabbath are not afraid to stand on their own sonically.

Frank Sabbath on Thee Facebooks

Frank Sabbath on Bandcamp

The Sonic Dawn, Perception

the sonic dawn perception

Sweet soul and classic psychedelic methods pervade The Sonic Dawn’s Perception (on respected purveyor Nasoni Records) debut album, and the Copenhagen trio of guitarist/vocalist Emil Bureau, bassist Neil Bird and drummer Jonas Waaben find an easy, spacious flow through songs that, despite being relatively straightforward, retain an expansive feel. Shades of Jimi Hendrix and The Doors make themselves felt early on, but Bureau’s voice shifts smoothly into and out of falsetto and the tonally The Sonic Dawn seem immediately in search of their own identity. The effects-soaked finish of “All the Ghosts I Know” and the apex of “Wild at Heart” would seem to indicate success in that process, but I wouldn’t be surprised if they push the psychedelic impulses of “Watching Dust Fall” even further their next time out, and if they can do so while holding onto the accessible foundation of Perception, all the better. An impressive debut from a three-piece who do right in making a show of their potential.

The Sonic Dawn on Thee Facebooks

Nasoni Records

Spelljammer, Ancient of Days

spelljammer ancient of days

Ancient of Days follows two impressive EPs from Swedish tonal constructionists Spelljammer (on RidingEasy), and is the trio’s full-length debut, a pretense-less 39-minute offering that basks in post-Sleep riff idolatry while leaving room in a cut like the 12-minute opener and longest track (immediate points) “Meadow” for nodding atmospherics as well. “Meadow” and the 11-minute closer “Borlung” sandwich the rest of Ancient of Days, which moves between the acoustic minimalism of the quick “Laelia” to the already-gone centerpiece “From Slumber,” which rises gradually, swells in its midsection, and recedes again – beautifully – and the eight-minute groove-roller “The Pathfiner,” which would be the apex of the record if not for the crashing finale of “Borlung,” which churns and plods and caps the record – how else? – with a swirl into empty space. Following a cult response to 2012’s Vol. II EP, that Spelljammer would deliver big on their debut album isn’t necessarily a surprise, but it remains striking just how easy it is to get lost in the morass of riffs and outward vibes they present in these five cuts. Should’ve been on my Best Debuts of 2015 list.

Spelljammer on Thee Facebooks

RidingEasy Records

Witching Altar & Necro, Split

necro witching altar split

This doomy twofer from Hydro-Phonic Records plants a veritable garden of unearthly delights in bringing together Brazilian doom outfits Witching Altar and Necro and highlighting the similarities and the differences between them. Pressed to CD late in 2015 with vinyl impending, it offers four cuts from Witching Altar, whose take on doom is ultra-traditional to the point of working in a Sabbathian “All right now!” for “She Rides the Seventh Beast,” and three from Necro (shortened from Necronomicon), a yet-unheralded trio of ‘70s progressive traditionalists who offer up the new single “Contact” and two tracks revisited from their two to-date full-lengths. Both prove immersive in their own right, Witching Altar setting a course for weird quickly on “The Monolith” which some theremin that reappears later, and Necro vibing out on the warm bassline of “Holy Planet Yamoth,” but each has their own ideas about what makes classic doom so classic, and the arguments on both sides are persuasive.

Necro on Thee Facebooks

Witching Altar on Thee Facebooks

Hydro-Phonic Records

Stone Machine Electric, The Amazing Terror

stone machine electric the amazing terror

One never knows quite what to expect from Texas two-piece Stone Machine Electric, and that seems to be precisely how the duo of guitarist William “Dub” Irvin and drummer/thereminist Mark Kitchens like it. The Amazing Terror is something of a stopgap EP, released on CDR by the band as a follow-up to late-2014’s Garage Tape (review here) and a lead-in for their next full-length, reportedly recorded last month with Wo Fat’s Kent Stump at the helm. Taken from the Garage Tape sessions, The Amazing Terror makes a standout of its languid, jammy title-track and surrounds it by three more instances of the band’s exploratory ideology, delving into the quietly cosmic on “Before the Dream” and feeding a cyclical delay expanse on closer “Passage of Fire,” a likely companion-piece to the opening “Becoming Fire,” which may or may not play thematically into where Stone Machine Electric are headed with their next record. As always with these guys, I wouldn’t dare place a bet either way and look like a fool on the other side.

Stone Machine Electric on Thee Facebooks

Stone Machine Electric on Bandcamp

Pale Horseman, Bless the Destroyer

pale horseman bless the destroyer

Chicago post-sludgers Pale Horseman featured a remix by Justin K. Broadrick (Godflesh/Jesu), originally on their 2013 self-titled debut, on their second outing, 2014’s Mourn the Black Lotus (review here), and their third full-length, Bless the Destroyer, boasts a mixing job by Noah Landis of Neurosis. All three records were also recorded by Bongripper guitarist Dennis Pleckham, so it seems fair to say that Pale Horseman know who they want to work with and why. The results on Bless the Destroyer speak for themselves. With the 15-minute penultimate cut “Bastard Child” as an obvious focal point, the four-piece give a clear sense of progression in terms of their patience and overall range. The earlier “Caverns of the Templar” still boasts plenty of post-Godflesh chugging intensity – elements of death metal, see also centerpiece “Pineal Awakening” – but closer “Olduvai Gorge” sleeks along with a poise that even in 2013 Pale Horseman would’ve driven into the ground on their way to doing the same to everything else in their path. Their growth has made their approach more individual, and it suits them well.

Pale Horseman on Thee Facebooks

Pale Horseman on Bandcamp

Yo, Moreno, Yo, Moreno EP

yo moreno yo moreno ep

A self-titled four-track debut EP from Argentina heavy rockers Yo, Moreno finds the band coming out swinging. The San Miguel de Tucumán-based four-piece of vocalist Marcos Martín, guitarist Lucas Bejar, bassist Noel Bejar and drummer Omar Bejar elicit a surprisingly aggro mood on “A Lot of Pot,” the opener, but groove remains paramount, and fuzz abounds. “Noelazarte” is more adventurous all around, an early build setting a tone with prevalent bass before Martín comes in after the halfway mark. Since “Para Noico” returns to the angrier spirit of “A Lot of Pot” and closer “3,000” heads outward on an instrumental exploration that blends grounded, weighted tones with spacier impulses, it seems easy to think that someone, somewhere would pick Yo, Moreno up for a 10” release. Especially as their first offering, it skillfully blends doomier atmospheres with fuzz-heavy nods, and stakes its claim in a niche that’s never completely one side or the other. Even formative as it is, it’s an intriguing blend.

Yo, Moreno on Thee Facebooks

Yo, Moreno on Bandcamp

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Owl to Release Aeon Cult EP Oct. 8

Posted in Whathaveyou on September 15th, 2015 by JJ Koczan

owl (Photo by Dominik Brüchler)

Helmed by multi-instrumentalist/vocalist Christian Kolf, also of Valborg, and not to be confused with any number of other acts operating under the moniker, Owl will issue its latest EP, Aeon Cult, on Oct. 8 via Bandcamp. I guess it’s fair to call the artwork… striking? Not really sure what Kolf might’ve been going for there, but I’d be interested to find out. His last EP, The Last Walk, was released last fall and was a single-song/25-minute work. Aeon Cult is made up of three tracks and follows Valborg‘s earlier 2015 offering, Romantik.

The PR wire brings art and info:

owl aeon cult

OWL: Doom Metal Visionary Announces New EP Aeon Cult To Be Released Digitally on October 8th via Bandcamp

OWL is set to return once again!

After two EPs, the crushing Into The Absolute (May 2014) and the monolithic dirge The Last Walk (November 2014), he is now back with Aeon Cult. His latest EP includes three ultra-heavy, crushing and apocalyptic songs, focused on a crushing groove for both strength and relief.

The EP will be released digitally via Bandcamp on October 8th 2015.

Regarding OWL’s continual progression, main man Christian Kolf states:

“OWL is still progressing its boundaries to manifest that this project is not about one style that is easy definable. It’s not about a marketing strategy, this is pure emotional stuff that comes directly from the heart. As always, OWL’s music is created quickly and spontaneously, at the right time and intuitively.”

Beside his main band Valborg, who recently released their 5th album Romantik via Temple Of Torturous, Kolf is indeed a busy man: almost every 6 months he releases new music.

The mix and mastering, as well as drum programming was handled by the marvelous Auré Pereira (Uneven Structure) at Flatcurve Studio.

A collaboration of trust and freedom that happened quickly through mutual respect. If you are on the same wave, no words are needed.

Kolf is already working on a full-length album feat. Patrick Schroeder on drums, who played on previous OWL releases Owl, You Are the Moon, I Am the Night, and Into The Absolute.

https://zeitgeister.bandcamp.com/album/into-the-absolute
http://owlmetal.tumblr.com//
https://www.facebook.com/owlmetal
https://soundcloud.com/owlmetal
https://zeitgeister.bandcamp.com/
http://www.zeitgeistermusic.com/
https://www.facebook.com/zeitgeistermusic

Owl, The Last Walk (2014)

Tags: , , , ,