The Obelisk Questionnaire: Zak Suleri of Et Mors, Cerulean Room, Torvus, Seasick Gladiator, Etc.

Posted in Questionnaire on April 23rd, 2021 by JJ Koczan

zak suleri et mors

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Zak Suleri of Et Mors, Torvus, Cerulean Room, Seasick Gladiator, what lies below…, Desolate Cemetery, Blodleten & Guard

Buy Art History Essay - All kinds of writing services & research papers. James Baldwin's work tends to focus on a specific set of themes. Nov 16, 2010. How do you define what you do and how did you come to do it?

Since I can remember, I’ve always wanted to be some sort of entertainer. I never felt like I fit in, even with friends and family, so I was always acting out and finding ways to express my individuality. Poetry, music, and art helped me relate to the world and became increasingly important as I grew older.

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I was riding in the backseat of my mother’s car, around the age of four. We were living in Boston at the time, and she had the radio station on which was playing Jazz. I remember being absolutely fascinated by the notes and sounds I was hearing, and then disappointed when it was replaced with Classical music!

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There’s been a bunch, but the most memorable to me was one time jamming with Albert, the other half of Et Mors. We had just transitioned from being a four-piece band to a two-piece, and I was going through a lot at the time in addition to having doubts on whether to even continue as a band. We indulged in our usual warm-up routine, then improvised for 45 minutes. Towards the end of that session, it became intense. Tears started streaming down my face. I was just screaming, crying, and letting everything out I was feeling. It was pure catharsis. That session was later reworked to become the Tombswayer EP.

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I never really thought of anything as definite or certain, as my life was always subject to constant change. However, it was certainly disappointing to meet some of the musicians I looked up to who don’t practice what they preach.

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I feel artistic progression leads to learning more about one’s true self. Art is deeply personal. Even if we intentionally try to make it the opposite, the very idea and initiative must come from within. Artistic progression from an artist’s perspective will lead to them finding out their own nature and developing ways to accurately capture the feelings and ideas they’re experiencing at the time. As a society, artistic progression should lead to a more compassionate world.

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There is no success. Only you can decide when you look back on your life whether you stayed true to yourself within these very limited years we’re allowed.

http://www.bego.com/?cpm-textbooks-homework-help - experience the merits of professional custom writing assistance available here Proposals, essays & academic papers of top quality. What is something you have seen that you wish you hadn’t?

Being 22, I grew up in the age of the internet. I had one partner who particularly enjoyed real shock and gore footage she found in the depths of the web. In real life, I’ve seen some friends go down some very dark paths.

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I’ve been dreaming about creating a series of films. I have some rough plots and an old camcorder, so I suppose I’m halfway ready then! The soundtrack will most likely be done by Et Mors or what lies below… (my experimental/ambient project).

I have the first demo for my new slowcore/indie project coming out in two days (4/25/21) It’s called ‘Parting Lullabies’ and the project name is Cerulean Room. https://ceruleanroom.bandcamp.com/.

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Art serves to provide understanding to that part of the human experience that will never be fully explainable by any logic or science.

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I’ve recently been getting into film photography, so I’m looking forward to more late nights alone with a camera. Oh, and reuniting with the people I haven’t seen in over a year once the pandemic is over.

https://www.facebook.com/EtMors/
https://etmors.bandcamp.com/
https://ceruleanroom.bandcamp.com/
https://www.facebook.com/torvusband/
https://www.instagram.com/_torvus_
https://torvus.bandcamp.com/
https://www.facebook.com/SeasickGladiator
https://seasickgladiator.bandcamp.com/
https://whatliesbel0w.bandcamp.com/
https://desolatecemetery.bandcamp.com/
https://blodleten.bandcamp.com/

Torvus, The Innate Disease (2021)

Et Mors, Tombswayer (2019)

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The Obelisk Questionnaire: James Benson of Chrome Waves, Comatose & Amiensus

Posted in Questionnaire on April 21st, 2021 by JJ Koczan

JAMES BENSON chrome waves

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: James Benson of Chrome Waves, Comatose & Amiensus

Hire a website content writer from a trusted website read this to write engaging and exciting content for your website or blog. How do you define what you do and how did you come to do it?

I simply describe myself as a musician. I grew up with some music around me but wasn’t interested until my early teen years when I was introduced to Led Zeppelin and hardcore/metal of the early 2000s.

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My friends and I, around age 15, joined in and pressed record on a single Logitech mic with a few instruments and tried to put together a song. It was horrible.

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Being stranded in Kelowna, BC, at the end of a tour because the head in our bus was stripped. Beautiful place, very hospitable.

here When was a time when a firmly held belief was tested?

I went to two private colleges, and have a degree in Biblical Theology. That education helped me firmly cement my leaving religion.

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Escapism.

How do you define success?

Feeling content.

What is something you have seen that you wish you hadn’t?

Arkansas.

Describe something you haven’t created yet that you’d like to create.

A live album.

What do you believe is the most essential function of art?

Escapism.

Something non-musical that you’re looking forward to?

Growing peppers and making hot sauce during the summer/fall and camping with my four dogs.

http://www.facebook.com/comatoseminnesota
http://www.youtube.com/channel/UCUNpxQDG1DSbsApt8ZScVGw
http://www.instagram.com/comatose507/
https://www.facebook.com/chromewavesofficial
http://chromewaves.bandcamp.com
http://www.instagram.com/chromewavesofficial
http://www.facebook.com/Amiensus
http://www.instagram.com/amiensus
http://twitter.com/AmiensusMn
http://www.transcendingrecords.com
http://www.facebook.com/transcendingrecords
http://www.instagram.com/transcendingrecs
http://www.twitter.com/transcendingrec

Comatose, “Circles” official video

Chrome Waves, Where We Live (2020)

Amiensus, Abreaction (2020)

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The Obelisk Questionnaire: Ben Carr of INTRCPTR, Ancient Lights and 5ive

Posted in Questionnaire on April 19th, 2021 by JJ Koczan

5ive (photo by Jason Hellmann)

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Ben Carr of INTRCPTR, Ancient Lights and 5ive

How do you define what you do and how did you come to do it?

Continually trying to find a life balance between the things I love to do and things I need to do to get by in the world. At times they can converge.

Describe your first musical memory.

Discovering a record collection and playing all the different records, some of them moved me in different ways. The ones I liked most would take me outside of myself for a bit.

Describe your best musical memory to date.

Only happened a handful of times. A few times when playing live (usually at a rehearsal where there are no outside pressures), I would find myself completely in the moment in the middle of a song. While you are truly in the moment time slows down to a crawl, and as soon you realize it, it’s gone.

Maybe a total of 5 seconds?

It’s the strangest thing, and I can only describe it as something close to when a person has “Deja vu”.

When was a time when a firmly held belief was tested?

Not sure.

This happens more when you are younger and experimenting more with people, and less as you get older.

Where do you feel artistic progression leads?

Hopefully to creativity in other parts of your life.

How do you define success?

Being able to do whatever it is that makes you feel reasonably fulfilled every day.

What is something you have seen that you wish you hadn’t?

How the business of music really works.

Describe something you haven’t created yet that you’d like to create.

An algorithmic program but I’m not sure I have the patience to learn.

What do you believe is the most essential function of art?

Self-expression and communication

Something non-musical that you’re looking forward to?

The stock markets.

http://www.facebook.com/intrcptr/
http://www.instagram.com/intrcptr_band/
https://intrcptr.bandcamp.com/
https://www.instagram.com/ancientlightsband/
https://www.facebook.com/5iveband/
https://5ive5.bandcamp.com/

INTRCPTR, II (2018)

Ancient Lights, Ancient Lights (2018)

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The Obelisk Questionnaire: Alberto Trentanni of King Bong

Posted in Questionnaire on April 19th, 2021 by JJ Koczan

king bong alberto

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Alberto Trentanni of King Bong

How do you define what you do and how did you come to do it?

I’m a musician, specifically a bass player. I started when I was 14, picking up the instrument after a pretty random conversation. I always had a passion for music, but I never saw myself actually doing it before a classmate half-jokingly said “If we do a band, you’ll play bass cause I’m too short.” The idea started to grow in the back of my head and a year later I was buying my first Precision copy. I never actually played with that guy.

I took lessons for a few years and I played in several bands growing up, while looking for my musical voice. There were a few cover bands, a short-lived punk one, a prog-metal one, and finally a Southern rock one which actually co-existed with King Bong. They both started in 2008, although the other project is now defunct.

Initially I was a very straight bassist, in-the-pocket if you wish. As I explored the instrument and discovered new music, I expanded my vocabulary: since I play in an instrumental band with lots of improvisation, this is kind of a feedback loop. Our music pushes me to find new colors and I’m also pushed by my bandmates’ growth.

Describe your first musical memory.

It’s quite hard to focus on a single one: my parents have a passion for music, so I grew up surrounded by it. Right now, the oldest one I can think of is listening to Bowie’s Never Let Me Down and being mesmerized by the cassette’s cover. He’s done better albums, with better artworks, but I remember being obsessed by the background of this one.

It’s either that, or listening with my dad to Santana’s Greatest Hits, the one with the white dove on the cover. Speaking of which, I’ve recently brought him a recording of Santana’s 1970 concert at Tanglewood, which I highly recommend to everybody, it’s on YouTube.

Describe your best musical memory to date.

I’ve used Paranoid as a nickname on the Internet since I installed Napster in 1998, so seeing Black Sabbath play “Paranoid” in Birmingham was a highlight of my life. I was in the front rows and it felt so uplifting.

Best concert as a whole has to be either King Crimson at La Fenice theater in Venice or when I saw Motorpsycho play a three and half hour set which included the whole Blissard album as an encore. Two very different forms of musical elation: King Crimson was perfection embodied, sonically and creatively. The Motorpsycho one was in a small packed club, there was an electricity in the air that I’ve felt very few times and the band gave a performance I’ll never forget.

As a musician, it was when we recorded a collaboration with Chris Haskett, guitarist from the Henry Rollins Band. There was a moment during our sessions with him that sounded so good it still gives me chills. I distinctly remember looking around at the rest of the band while we were playing and thinking “Wow, we wrote this, and it’s actually working”.

When was a time when a firmly held belief was tested?

Growing up an atheist in a very Catholic country, I’ve always had some pretty hard anticlericalist views. Luckily, the world every now and then brings up examples of outstanding individuals with a strong faith, reminding me that any group of people is made of single minds and looking at them not as persons but as members of that group is a dangerous and a negative line of thought.

Specifically, my anticlericalism was put to test the most when I was 20 and on an InterRail trip. I don’t know if it it’s still a thing, but at the time European citizens under 25 were able to buy these cheap train tickets that allowed almost unlimited travel around areas of the EU.

I bought one of these tickets with a group of friends and went to Spain and Morocco (which for some reason was included in the program). On our way back from Marrakech, we took a ferry from Tangier which brought us to Algeciras, on the Spanish coast.

We fucked up the timing of the trip, so we arrived in the middle of the night. We slept inside the docks, unrolling our sleeping bags under some stairs. The following morning, we ventured into the city with the aim of taking a train to Sevilla, but first we needed a shower and some food. The trip from Marrakech had started two days earlier and we looked like hobos.

Lo and behold, here’s a tiny house with a garden and a sign that explains it’s a Christian mission welcoming travelers. They made us breakfast and gave us access to their showers. After that, we actually had a very nice conversation about Christianity and organized religion.

Where do you feel artistic progression leads?

For me, it leads to growth and salvation. Art has taught me a huge number of things, both experiencing it and doing it. Progressing as an artist means to constantly feed a hunger that otherwise would never be satisfied. In this sense it leads to salvation: without art life has not much meaning, but also to remain stuck as an artist will make you lose that meaning.

How do you define success?

As an artist, to move the audience. To actually be able to find an audience, regardless of its size, that resonates with what you do.

What is something you have seen that you wish you hadn’t?

Timo Kotipelto singing Queensryche’s “I Don’t Believe In Love” at Wacken 2002.

Describe something you haven’t created yet that you’d like to create.

An ambient album with just layers of my bass and my effects. I’ve got several ideas, but I lack the focus to actually do it. Those ideas are also too scattered, so maybe I simply haven’t found the right concept yet.

What do you believe is the most essential function of art?

To express one’s self. Art is a language, at the very base every artist is saying something and opening their inner world for the outside to look in.

Something non-musical that you’re looking forward to?

I have a phobia of needles, but I’ve never wanted an injection so much as with the Covid vaccine! On a larger scale, I can’t wait for things to be under control so we can resume travelling and going to concerts.

https://www.facebook.com/kingbongofficial
https://kingbong.bandcamp.com/
http://www.kingbongband.com/
https://www.facebook.com/mandronerecords/
https://www.instagram.com/mandronerecords
https://mandronerecords.com/

King Bong, Beekse Bergen Vol. 8 – Rosebud (2020)

King Bong, Sand – Return (2017)

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The Obelisk Questionnaire: Lidi Ramirez of Lucifer’s Children

Posted in Questionnaire on April 16th, 2021 by JJ Koczan

Lidi Ramirez of Lucifer's Children

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Lidi Ramirez of Lucifer’s Children

How do you define what you do and how did you come to do it?

I am currently singer of blues, rock n roll blues, heavy metal and doom metal styles, actually my style was always classic, especially with 70s rock n roll and I have an obsession with everything related with obscure and occult and I started to love music cause’ of my father, who plays the guitar and sing.

Describe your first musical memory.

At my school, when the waitress put heavy metal on the radio.

Describe your best musical memory to date.

When I saw Motörhead, Judas priest and Ozzy at the same time and when I saw Iron Maiden too.

When was a time when a firmly held belief was tested?

Oh, maybe when I was a teenager and I started to sing in bars and the people wanted to hear more.

Where do you feel artistic progression leads?

To do more and more.

How do you define success?

When you’re happy doing what you love and go perfecting what you like and makes you happy, also do more things.

What is something you have seen that you wish you hadn’t?

Wow, a lot of things haha but when I went to several concerts of musicians covering songs that they shouldn’t played.

Describe something you haven’t created yet that you’d like to create.

Many topics that I have in mind and maybe play the guitar and compose, can be?

What do you believe is the most essential function of art?

The transmission and everything you create, your feelings, your experiences, make other people feel it.

Something non-musical that you’re looking forward to?

Travel to go to concerts that I like, visit museums in many destinations cause’ I have an obsession with history, the truth, many more things.

https://www.facebook.com/LucifersChildrenDoom/
https://www.instagram.com/luciferschildren_
https://luciferschildren.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Lucifer’s Children, Devil Worship (2020)

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The Obelisk Questionnaire: Will Benoit of SOM

Posted in Questionnaire on April 16th, 2021 by JJ Koczan

Will Benoit of SOM

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Will Benoit of SOM

How do you define what you do and how did you come to do it?

Heavy. Atmospheric. Doom Pop. Shoegaze. We’ve all been fans of dark music with heavy guitars for a long time, but as we’ve gotten older the tempo has slowed down and now it feels more distinct to our own voices. We all are arriving at the same place from different paths, and it seems to be a mixture of working really hard to achieve our own sound, and it just happening naturally over time and life experience.

Describe your first musical memory.

There isn’t one “aha” moment I can remember. But while I was growing up my father had an acoustic guitar that I would play around with. I do remember figuring out if I plugged a microphone into a tape deck that I could record my voice as being a big moment in childhood. And then a bandmate leaving his four-track tape machine in my parents’ basement. That along with buying my first Roland MS-1 sampler were all really standout memories that felt important to my development.

Describe your best musical memory to date:

The first thing that jumps into my head is my memory of the first time I went down to SXSW. It was really incredible to see so many hard-working bands converge on one city, and seeing so many friends from all over the world over the course of one week. I helped book a showcase, and we made trays of vegan food that fed a mob of drunk people. To be part of that was really satisfying, and something that continued for many years.

When was a time when a firmly held belief was tested?

I’ve always strived to allow my beliefs to be tested in order to strengthen them, so it doesn’t answer your question necessarily, but the thing I believe most is — let other people’s ideas in, try to understand their perspective, weigh that against what you think you know, and then either internalize it or reject it.

Where do you feel artistic progression leads?

To the highest mountains or the deepest caves, depending on whose hands it’s in.

How do you define success?

This is a tough one that I’d like to think even the smartest people still struggle with. It’s certainly not about financial success, or else we’d probably all be putting our time into something more lucrative, though there is of course some element of that baked into every young American’s head.

At this stage it’s more about trying to add value to my life, which is really difficult to define. But it seems like putting the time, energy and work into something that we can all be proud to put out into the world, and then follow that up with memorable and interesting experiences continuing to travel the world, seeing new places and meeting new people through playing music.

What is something you have seen that you wish you hadn’t?

Coming 2 America.

Describe something you haven’t created yet that you’d like to create.

This EP was our first endeavor into narrative music videos. Our guitar player Mike was doing the heavy lifting behind the scenes acting as producer / creative director, and while we‘ve all had various experiences in the visual production world, it’s something that feels new and uniquely challenging that I’m sure we’ll be looking into different ways to pursue moving forward.

What do you believe is the most essential function of art?

This is another tough one because it’s so relative. In its simplest form, art should provoke further thought or entertain, even if it is just for the person creating it, but even that is entirely subjective. As I’ve spent more and more time in different circles with very different definitions of what art even is, I’ve come to accept that there’s no right way to make art, and I don’t feel like it’s my place to judge what does or doesn’t make someone else feel or not feel something.

Something non-musical that you’re looking forward to?

Going back out in the world — seeing shows, seeing movies, having a beer with friends.

http://som.band/
https://www.facebook.com/somtheband
https://www.instagram.com/somtheband/
https://somtheband.bandcamp.com/
http://www.pelagic-records.com/
http://www.facebook.com/pelagicrecords
http://www.instagram.com/pelagic_records
https://www.instagram.com/bloodblastdistribution/

SOM, Awake (2021)

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The Obelisk Questionnaire: Alexander Örn Númason of The Vintage Caravan

Posted in Questionnaire on April 15th, 2021 by JJ Koczan

Alexander Örn Númason of The Vintage Caravan

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Alexander Örn Númason of The Vintage Caravan

How do you define what you do and how did you come to do it?

I think at some point I would have defined what I do as being a musician but nowadays I don’t really feel like that really covers it. The actual music part of what we do is in some time periods relatively small and there’s a lot of things to be done when you have a band like ours. Lots of jobs to be done and not a lot of budget to do it haha.

Lately I’ve been enjoying learning new skills that I think are useful for all of my musical and personal ventures and I love the idea of not just being one thing. Especially in terms of income it’s very useful to have something going on in all corners.

So best to just leave it somehow undefined but in the category of music!

How I/we got here. Me and the other guys have all been playing music with unrelenting passion and dedication since we were young and you could argue that there is some luck associated with where we are now. But I think the main thing is that we’ve all been working very hard at getting to where we are since our early teens which I feel like would have hopefully brought us to this lifestyle regardless of the small choices we make in our lives. If there is a will, there is a way!

Describe your first musical memory.

The first one I can think of is a weird one and I don’t think I’ve really told anybody this. On Christmas Eve when I was five years old I got as a present from someone a CD with a collection of Disney songs. I was very excited to put it on so later in the evening I went into my room, put it into the stereo and started going through the songs. Track number five was one of the songs from the Aladdin movie and something in this song made my body and mind just resonate in the wildest way. I then learned that the stereo had a repeat button.

The song kept playing again and again and I danced, alone, to the same song, for hours. Afterwards I couldn’t really put my finger on what had happened but this was really a moment that foreshadowed my obsession with music which I still have to this day.

Describe your best musical memory to date.

So many great moments and yet I draw almost a complete blank when asked this. One of the more powerful moments I have experienced was when we did a one-off tribute show for the album Lifun by Icelandic ’70s prog act Trúbrot with one of the original members. We assembled a seven- or eight-piece band and did a festival show. The album is universally loved in Iceland and lot of people in the crowd had grown up with this album. So many beautiful moments which brought members of the band and audience to tears even.

When was a time when a firmly held belief was tested?

I’m not big on beliefs honestly! I think it’s important to not be stuck in a certain way of thinking and to be able to adapt when situations change. Too many times I’ve fallen on my ass when a thing I thought I “needed” to be part of my life was in all reality just killing me like. I prefer keeping an open mind and always be searching for ways to improve as a person.

Where do you feel artistic progression leads?

That’s the thing about artistic progression, it leads where it wants to lead. As soon you start to want it to lead somewhere it inhibits creativity. At least for me!

How do you define success?

By individual happiness. I consider a happy individual successful. If you want to think of success, in the music business especially, in terms of money or fame you could go crazy by always trying to compare yourself to the next bigger fish in the pond. Best thing to do is just to be happy for everyone else’s success and focus on what makes you tick!

What is something you have seen that you wish you hadn’t?

Too many disgusting online videos growing up!

Describe something you haven’t created yet that you’d like to create.

More different kinds of music! Recently I’ve been writing music for another project which I’m excited about. Also every now and then I get to do a session with some big name pop/hip-hop artists in Iceland. That’s always a breath of fresh air when all you do is rock and roll haha!

What do you believe is the most essential function of art?

To invoke deep seated feelings in people and bring people together in celebration of life!

Something non-musical that you’re looking forward to?

I recently started studying electronics in school. A bit outside the box for me so looking forward to many hours of tinkering and soldering. Especially for audio equipment!

https://www.facebook.com/vintagecaravan
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http://www.thevintagecaravan.eu/
www.napalmrecords.com
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The Vintage Caravan, “Can’t Get You Off My Mind” official video

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The Obelisk Questionnaire: Jeff Hill of Machinist!

Posted in Questionnaire on April 13th, 2021 by JJ Koczan

Jeff Hill of Machinist!

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Jeff Hill of Machinist!

How do you define what you do and how did you come to do it?

I guess when people ask me what I do I most commonly respond “I’m in a touring band.” Then they normally ask what we sound like and I say “metal” and they say “oh like skillet.” And inside I die and outside I say “yeah man.” But at its base I’d say I’ve come to be most comfortably saying I’m an artist that makes art with his friends. That’s really what it is. It’s gross, sweaty, loud art but it’s art.

I started writing poetry in middle school. I was in a couple of puddle-of-nickel-creed-back bands in high school but I became comfortable on stage through drama and debate. I was a drama kid and I had a wonderful teacher and mentor named Phillip Wertz who taught me so much about engaging the audience and telling stories. I went to college and joined a band. We went on the first and worst tour I’ve ever been on and I fell in love.

Describe your first musical memory.

Riding in my dad’s Buick listening to a Jim Croce tape that came out of this leather tape collection box that rode on the floorboards. I remember listening to “Bad Bad Leroy Brown” and thinking dad’s giant Buick was the coolest. It was “19 feet 2 inches of American steel” and it had a 455 rocket under the hood.

Describe your best musical memory to date.

Dang. I’d say probably The Fest a few years back. I mentioned I had to leave right after our set to go take my little girl trick or treating and the capacity crowd started chanting my little girl’s name. I still get chill bumps thinking about that.

When was a time when a firmly held belief was tested?

Our van broke down in Lexington, Kentucky, once in a 9 degree winter. We and False Tongues (the band we were sharing the van with) were stuck in a house for three or four days with this guy named Nasty Nate and his family. 80 percent of the people on the tour and in the house smoked cigarettes inside because there was ice and snow outside. I’m from South Georgia. I’ve seen snow like four times in my life. It’s one of the few times I’ve wanted to quit being in a band. But I didn’t. And we made it.

Where do you feel artistic progression leads?

For me it leads to peace and balance. I couldn’t exist without writing words.

How do you define success?

These days it’s making stuff that I like with my friends.

What is something you have seen that you wish you hadn’t?

I wish I hadn’t seen a lady in a Cat In The Hat hat shit in a Solo cup in the middle of the street in front of Churchill’s Pub in Miami, Florida.

Describe something you haven’t created yet that you’d like to create.

I’d like to write a children’s book.

What do you believe is the most essential function of art?

To remind us that we are more than cogs in a capitalist machine. It’s escapism but also it gives us a connection to other human beings.

Something non-musical that you’re looking forward to?

The federal legalization of Cannabis and the expungement of charges and release of our brothers and sisters who are trapped inside of a for profit prison system. I’m looking forward to the abolishment of the system that grinds people into a place of desperation so that rich bastards can watch unreal numbers increase on screens. I’m also looking forward to The Matrix 4.

https://machinistga.bandcamp.com
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Machinist! & Dead Hand, Split (2021)

Machinist!, “Bask in the White Light” official video

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