Album Review: Quasars of Destiny, Music to Listen to While Eating Planets

quasars of destiny music to listen to while eating planets

And then sometimes, apparently, you might make a record with your cousin. I like to imagine a cartoon version of Dr. Space‘s mom — the venerable Ma Space — somehow in a New Jersey accent scolding her synth-wizard offspring: “You know, all your collaborations and you’ve never once jammed with your cousin!” Obviously, I don’t know that that happened and I’m pretty sure Scott “Dr. Space” Heller‘s mother wasn’t from my beloved Garden State — though you never know and the Jersey diaspora is remarkable — so I’m not trying to portray a realistic scenario so much as goof on the idea of family behind Quasars of Destiny. Uniting the aforementioned Dr. Space with guitarist, drummer (and other percussion), bassist, and Rhodes pianist Craig Wall and percussionist James Malley (credited with cowbell and shakers), Quasars in Space recorded the three-song/43-minute Music to Listen to While Eating Planets in July 2023 at Heller‘s Estúdio Paraíso Nas Nuvens in Portugal, and by the time they’re a few minutes into “Colossus Approacheth” (6:18), they’ve just about got it all figured out.

Of course, layering is a factor, and I’ve already added extraneous narrative to Music to Listen to While Eating Planets once and I don’t need to do so again, but that first of three inclusions, which is backed by meat-of-the-album “Colossus Consumes” (30:45) and “Colossus Seeks a New Planet” (6:14) to close out, has enough movement to show a breadth of influence — that is, that Wall as a guitarist isn’t necessarily coming from the same place genre-wise as Heller, even if he’s not far off. Wall has played with tribute-type cover outfits like Sweet Magic and Eclipse: A Pink Floyd Experience and done a fair amount of his own recording, but while adjacent under a ‘rock’ umbrella, Dr. Space‘s oeuvre is specialized to say the least. To wit, he’s Dr. Space. He’s been to grad school for cosmic jamming. But as “Colossus Approacheth” — think of it as a somewhat tentative approach as Wall, Heller and Malley get their feet under them — demonstrates and the dug-in half-hour of “Colossus Consumes” proves, there’s plenty trippery for everyone.

The extended middle-cut — an inevitable focal point as it takes up more than two thirds of the total runtime — is unsurprisingly an album unto itself. It takes place over three main movements, each of which has its own flow and patient execution, the procession starting quietly as the guitar and cymbals wake up. After a few minutes, they’re in a solid, bluesy roll with the synth flowing out around the meandering guitar and the underlying drums that would seem to have been the root for the entire first movement, which recedes into a synth-led midsection with the drums further back in the mix setting up the room a guitar solo is soon to occupy. And from about minute 20 onward, there’s a pickup in the drums that marks the transition to the psych-bluesy final section of “Colossus Consumes,” which nails the balance between its two sides.

quasars of destiny music to listen to while eating planets inside tray liner

Because it’s not like classic, blues, and psych and space rock are without their commonalities — again, it’s all rock music — but for one of these players, making a half-hour-long song is its own kind of norm, where for Wall, as with most other humans, his playing style at least as I hear it in Music to Listen to While Eating Planets drives more toward structure. By the end of “Colossus Consumes,” though, the flow has gotten more open, more linear, and fair enough. If, as a listener or player, you’re not feeling it 29 minutes into the 30-minute take, it’s probably safe for you to turn off the record player, put down your instruments, go catch a nap to get yourself right, etc.

When you can get to it — and I do very much mean that in the Funkadelic sense — Music to Listen to While Eating Planets sets itself up as a tale of discovery, with the ‘band’ or maybe even the music itself in the Colossus role, making the journey almost as much as the listener. The underlying message is everybody’s finding their way. “Colossus Approacheth” brings the first forward steps, seeing where the music wants to end up. Of course, “Colossus Consumes” is the bulk of that question’s answer; an expansive and engrossing undertaking that’s purposefully been put together as-is to entrance the audience and convey a sense of depth in the layering, harnessing the appeal of live performance in a recording context that, personnel-wise, calls for overdubbing for the songs to be complete. That is to say, Wall‘s a pretty talented player, but he’s not ripping into the shimmery Hendrixing in the later reaches of “Colossus Consumes” at the same time he’s banging away on drums, playing bass, shaking shakers and mixing the track (with Gordon Davies; Heller mixed the opening and closing cuts). You can only be in so many places at once and “Colossus Consumes” already resides in a few.

And what does that journey lead to? More exploration, naturally. “Colossus Seeks a New Planet” comes dangerously close to being a song, at least in a linear sense. It feels grounded in a way that certainly the preceding track inherently can’t, and it completes a circle that begins with “Colossus Approacheth” while setting Quasars of Destiny on a forward path. Mind you, I have no idea if they’ll pick up from the ethereally boogieing improvisational stretch that caps “Colossus Seeks a New Planet,” but there is narrative audible in the music and it sounds like if Heller and Wall and Malley wanted to get together every few years and see where they end up, they’ll indeed end up somewhere.

It sounds like more than a one-off, to put it plainly, whether or not it is. For those who arrived at the doorstep of Music to Listen to While Eating Planets via Dr. Space‘s work, either on his own, or with Øresund Space Collective, Black Moon Circle, Aural Hallucinations, and so on, Quasars of Destiny has a (nascent) persona of its own, distinct from the rest. That alone makes it worth pursuing in my mind; an unknown destination and a hypnotic trip. I guess sometimes imaginary cartoon mom is right.

Quasars of Destiny, Music to Listen to While Eating Planets (2025)

Dr. Space on Bandcamp

Space Rock Productions website

Space Rock Productions on Facebook

Tags: , , , , ,

One Response to “Album Review: Quasars of Destiny, Music to Listen to While Eating Planets

  1. Dr Space says:

    thanks for the amazing review and no my mom was from California! peace my friend…

Leave a Reply