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Hail the Void to Release Memento Mori Feb. 17

Hail the Void

It’s catchy, it’s well done and it sounds really cool, but at the risk of being perfectly honest sometimes I wish doom could be about something other than killing women. You’re more than two minutes deep into the video for Hail the Void‘s “High and Rising” by the time the song starts, and when it does, it’s a positive if delayed first impression from the British Columbia trio’s upcoming second album, Memento Mori, which Ripple will issue on Feb. 17 as part of the series curated by Blasko. The dude in the clip is digging a grave for a lady he killed, he’s got another lady in the house he’s gonna kill, they do quickie visual reference to The Seventh Seal on the way to him slowdancing with ghosts and it all seems kind of easy.

I’m sorry. Maybe I’m too old. Fine. I’ll be too old. Maybe I’m too sad. Maybe I’m a bought-in woke keyboard warrior trying to tread on somebody’s something or other. Maybe I’m bored. Burnt out. Tired. Or maybe I just don’t understand some roundabout way in which an act of violence against a thing is a celebration of it. Not big on hunting, either. Whatever.  We weren’t gonna be friends anyway. Maybe I shouldn’t cover it — if you don’t have anything nice to say, don’t say anything, even though I already said the song is good — but yeah. Cool tune, just the clip — also well made — was a bummer. And it’s really fucking sad that saying something like that feels like ‘taking a stance’ in this genre. I would’ve hoped maybe we’d all grown up a little bit these last few years.

Okay.

Here’s the PR wire info you came for. Thanks for reading:

hail the void memento mori

Canadian doom and psych trio HAIL THE VOID to release new album “Memento Mori” on Ripple Music; new video and preorder available!

British Columbia’s doom and heavy psych trio HAIL THE VOID unveil all details about their forthcoming sophomore album “Memento Mori”, to be issued on Ripple Music as part of Blasko’s special curated series. Watch their disturbing “High and Rising” video now!

Their new album and Ripple Music debut “Memento Mori” is even more ambitious than their critically acclaimed self-titled and self-released debut. Through eight powerful songs that draw from the colossal heaviness of Electric Wizard and Windhand, while also reaching magic rock realms worthy of Pink Floyd and All Them Witches, HAIL THE VOID produces a remarkably cohesive record brimming with finely crafted melodies, intense build-ups, and soaring vocals from frontman Kirin Gudmundson. A towering multi-faceted sonic journey that has everything to stand the test of time.

Ozzy Osbourne bassist Blasko, who signed the band to Ripple Music under his exclusive partnership with the label, comments: “Hail the Void released one of strongest debuts I have ever heard. The lead single ‘Parasite’ was one of my most listened-to songs of the year. I am beyond excited to work with these dudes on their sophomore release. Expect to see big moves from Hail the Void in the years to come!”

“Memento Mori” will be released in various vinyl editions, CD and digital on February 17th, 2023, with preorder available now on Ripple Music. Artwork was designed by Welder Wings.

TRACKLIST:
1. Mind Undone
2. Writing On The Wall
3. Goldwater
4. Talking To The Dead
5. High and Rising
6. 100 Pills
7. Serpens South
8. The Void

HAIL THE VOID is
Kirin Gudmundson — Guitar & Vocals
Dean Gustin — Bass
Lucas McKinnon — Drums

https://facebook.com/hailthevoidmusic/
https://www.instagram.com/hailthevoid_music/
https://open.spotify.com/artist/38X56uz4Ur7QIqDJN2IACZ?si=KoGNWKjcReydANxYXYTPgA&nd=1
https://hailthevoid666.bandcamp.com/

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Hail the Void, “High and Rising” official video

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2 Responses to “Hail the Void to Release Memento Mori Feb. 17”

  1. Aron says:

    For what it’s worth I agree 100% with the whole violence against women thing. Thanks for speaking up about it.

  2. SabbathJeff says:

    Trumpeting Ecstasy from Full Of Hell came to my mind on the cover art similarities.

    As I am a year and a 3ish weeks from entering my 40’s, having spent the majority of my 30’s in recovery, the privilege that emerges from leading an examined existence/consciousness means jack-diddley-squat if I don’t keep it rolling in the right direction. Those years that led me to being the real me, that old scared kid back there that I had to kill so that I could truly live, who was too afraid to cross the gap because his neurons were more comfortable with the devil he knew than the great unknown continually elicits empathy and a great resignation to never return to such a sad state.

    Life is far too short, and therein lies its preciousness. If immortality is real, nothing has meaning, because how can I suffer if I never have attachment, or the need to detach?

    This is all to say that my examining riffs, that the purpose in and of itself may well in fact BE the riff, is not the same lens that the riff makers are using. I would hope that the riffs could become the focus of examining where the old/tired tropes of humanity/inhumanity take root, but these things that are so rampant, so old, so overused and so heinous are glaringly easy to point to as problematic; the real fascinating idea would stem from, in my opinion, finding the solution to the problem, yes, as ever perhaps, through music (art in general, creation, expression). Simply making a music video without violence against women is not all that may be a part of the solution – but as a microcosm of society, we riff addicts exist, in and out of the larger populace, at our benefits and detriments, and we surely represent as large a swathe as any other microcosm.

    As a whole, are we taking two steps forward, one step back? Or if that’s always been the case, why?

    Who am I to make this assessment? An agnostic that can do simple addition and subtraction knows only that one step forward is better than standing still.

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