Review & Full Album Premiere: OZO, Saturn

ozo saturn

[Click play above to stream Saturn by OZO in its entirely. Release is Feb. 7 on Riot Season Records. Preorders here.]

It seems fitting that  college app essay 2014 How To http://www.otthonszerviz.com/?dental-hygiene-school-admission-essay good topics for research papers earquake good way to start a persuasive essay OZO should make their debut roughly concurrent to scientists unveiling the highest resolution to-date images of the surface of the sun. The Newcastle Upon Tyne, UK, three-piece are ostensibly led by guitarist/bassist Resources. If you are experiencing difficulties with writing a proper paper, we have a team of experienced writers to assist you. Here youll find custom writing at its best. The topic of your paper might be too broad or too narrow, there might be not enough relevant information to include in your body paragraphs, finally, you might have no idea what to write about in your project. No matter what kind of writing problem you have, we will help you. We have many talented writers Mike Vest, known for his drone plunge in  Can I pay someone to Ready Essays Mba. 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CollegePaperServices.com can fully satisfy your demands in Thompson‘s drums not so much holding progressions to the ground as propelling them up from the surface into the airless ether, as heard on the shorter “Side Way,” just three-plus minutes, but a jazzy vibe that urges listeners to pick their favorite The University of Turin has activated the Online Watson-glaser Critical Thinking Ability Test. A simple interface allows you to upload your thesis (bachelor degree, masters degree, PhD) and any appendices online in a few easy steps. To find out which departments have activated the service and to obtain the specific details for each department, consult the relevant page: Departments which have activated the online thesis Coltrane for a comparison ( Alice!) and roll with the heady, dug-in spirit. They are gone and gone and gone.

Would be almost unfair to call it self-indulgent, since that’s the idea. The exploratory go-ness of these pieces, especially as a first offering of any sort from OZO, are a clarion to free-fusion tweakers and anyone anywhere slightly out of phase with their surroundings, the just-don’t-fit feel comes through resonant through “Lifeship” at the outset and again in the resilient echoes and avant drum expressions of closer “Centuries.” Of course, an obvious focal point for the LP are its two broadest jams, “Saturn” (12:47) and “Nuclear Fuel” (11:06), which together comprise the majority of Saturn‘s runtime. While “Lifeship” and “Slide Way” burn out cosmic and “Centuries” harnesses an emergent wash of noise alongside its noteworthy rhythmic freakery, it is the drift and shove of “Saturn” and the encompassing howl of “Nuclear Fuel” that ultimately define the album, appearing in succession as they do after “Lifeship” as though OZO were aware of the challenge being issued to their audience — a sort of dare-you-to-keep-up mentality that seems as much a repellent for squares as a clarion to the lysergic converted. Come get down, come get obliterated. Fair.

The nature of extreme music is to seek not just a specialized listenership, but a that-much-deeper connection therewith on account of the rareness of the bond. One suspects that with OZO, those who can match wits with the band’s interstellar scorch will line up to do so again and again, which is fortunate since there’s already a second record in the works, titled Pluto. Walking through Saturn‘s fire unscathed is no easy feat, of course, but in addition to Vest loyalists, the jazzy appeal of these tracks should open as many minds to what OZO are doing as it might close. One way or the other, they’re doing it, and the resultant response feels like a secondary consideration at best.

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That is, none of this material comes across as having been written with an audience in mind. I don’t say that as a dig against it, since I don’t think that’s what OZO wanted to do in the first place, and they stay true to their mission throughout. It just means they’re working on a different level and toward different ends. To go further, none of this material comes across as having been “written” at all. More like it was found, or perhaps pieced together out of elements floating in the air around the room where the instruments were set up. The inherent value of Saturn comes in capturing an expressive moment, the urgency of what’s being done and the traditionalism of free jazz as a forward-reaching reaction against form.

VestD’Silva and Thompson sound like people who find the conventional boring. Maybe that’s true and maybe it isn’t, but it’s the portrait they paint in the burning oranges and reds and yellows of Saturn, a sense of heat duly depicted on the album’s cover. However off-the-cuff it may be — I don’t know if it’s entirely improvised or if there were overdubs after the fact or what — the feeling of spontaneity in that moment is what’s most being sought, and it’s what’s most prevalent throughout the five pieces that comprise the album. The songs leave no room for compromise. The commitment to outward-directed freakery is unflinching, and for many if not most who take them on, OZO will simply prove too much. Like a machine burning overload. That, too, is a purposeful intent on the part of the band. They’re willful in abandoning normality for the swirling chaos that consumes “Nuclear Fuel” in its later reaches, and the dream-sequence distortion of “Centuries” that wraps up is high order psychedelic noir that is just as likely to melt minds as expand them.

Dangerous? To a point, maybe. I don’t know if OZO are ever at risk of really falling apart here, and if they did, it would be easy enough for it to become all part of the non-plan, but as they move through the liquefied abrasion of “Lifeship” into the title-track, the feeling of something unhinged and vital is palpable. Credit for that should and must go to Thompson, who instead of trying to harness some cohesion and structure from out of all this churning brew becomes part of the freakery, no less exploratory than D’Silva‘s channel-spanning horn echoes or Vest‘s effects-laced guitar. As noted, OZO are already working on their next full-length, which one can only imagine will continue their through-the-temple-into-the-brain plunge, and however the two works may ultimately relate, their debut burns with an intensity worthy of standing alone as it inherently does in sound and style. Saturn presents a vision of psychedelic and space rocking extremity rarely honed to such a degree, and its vibrancy borders on blinding, which is all the better for OZO to catch you off-guard with their next hairpin turn. Hu-mans beware.

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