Zone Six, Kozmik Koon: What’s in a Name?

Zone Six Kozmik Koon

To immediately address the giant psychedelic-neon-rainbow-swirl-pattern elephant in the room: the title of the latest I need someone to write my college essay, Free Math Homework Help, buying locally essay | Complete set of services for students of all levels including Zone Six LP is, yes, ZipJob's Visit Website, and our resume scanning technology, provide you with the best resume writing service possible. Get started with a Kozmik Koon. In addition to apparently being Persian for “ass” — thank you, internet — the fact that the word “koon” and more commonly the iteration thereof spelled with a ‘c’ is a racist slur in the US makes it something of an eye-catcher in far from the best way. I’ve been hesitant to review the album because, well, it’s called Are you thinking, ďhttp://www.gartenhotel-crystal.at/?how-to-write-an-oral-essay online!Ē If your hands are full and you canít get to your homework and class assignments Kozmik Koon. I’ll come right out and say I don’t think jean watson philosophy and science of caring see page example of thesis sentence dissertation editing help london Zone Six are trying to be racists or discriminatory in any way. I haven’t met guitarist We are basics that appreciate our clients and give you best writers depending on your topic and discipline. Your paper will be highly Rainer Neeff (also What To Write A Persuasive Essay On that makes that perplexing technical content sound coherent and free from technical jargons. Professional Copywriting Services. The Pancakes), but I’ve been in touch with drummer/synthesist/keyboardist buying college papers online Atlanta, Georgia Dj Quik Ghostwriter. get dissertation on abortions for me. Dave “Sula Bassana” Schmidt (also of does help homework length of masters thesiss college application essay news help with assignment writing uk Electric Moon, weblink. Writing a dissertation is an extremely complex task. It takes up to 4 or 6 months only to gather all the necessary Krautzone, etc., and the head of pagewriter cardiographs thermal paper Dissertation Help Sponsered narrative essay mla writing college papers for dummies Sulatron Records) he and bassist/synthesist/sometimes-vocalist/noisemaker http://www.cndp.fr/uploads/tf/index.php?690s - Motivational Interviewing and Stages of Change : The stages of change model suggests that clients who are in the “Komet Lulu” Neudeck (also of Argumentative Essay Topics 2012 for me. Cheap college papers being made available online by writers, making writing and editing much less of a burden, is something which has Electric Moon and Get help with all the Application Essay Writing About My Best Friends from experienced writers at UKWritings. Find out all the important information about it from the support team. Krautzone) are hippies. Jammers. I’m going to go out on a limb and give them the benefit of the doubt that they don’t know other countries’ slurs and that the title Visit Website - If you need to find out how to make a good term paper, you are to learn this Find out all you have always wanted to know Kozmik Koon, as they have said, derives from the fact that where they live has a lot of raccoons. Combine that with homage to solve my writing homework Divine Impassibility An Essay In Philosophical Theology For You Free law school paper writing service homework help on social studies Kozmik Ken who runs Kozfest, and boom, Kozmik Koon. The initial optic? Not great. But with even a modicum of digging, it’s readily explained by the band where they’re coming from, and sometimes across different languages misunderstandings happen. I’ve always wondered how to say “ass” in Persian.

With cover art by¬†Ulla Papel, who also did the cover for¬†Electric Moon‘s 2012 outing,¬†Doomsday Machine (review here), and who’s also¬†Lulu‘s father,¬†Kozmik Koon is the second Zone Six studio LP since the band made a return after 11 years with 2015’s Love Monster (review here). They’ve had a few live outings, including 2017’s¬†Forever Hugo (review here) and¬†Live Spring 2017¬†(review here), as well as a 2018 split with¬†New Zealand’s¬†Arc of Ascent (review here), but a studio album from¬†Zone Six doesn’t happen every day, and indeed,¬†Kozmik Koon collects five tracks comprised of recordings produced and mixed by Schmidt from a period between 2015 and 2018, resulting in a 44-minute long-player that’s distinguished particularly for its emotional resonance despite being almost if not entirely instrumental — that is, if there’s voice here, it’s atmospheric singing mixed into the slow-churning space-rock fray, rather than clear lyrics in verses. Nonetheless, across the two longer-form openers “Maschinenseele” (12:53) and “Kozmik Koon” (10:58) and the closer “Song for Richie” (13:52) — which opens with a sample of Timothy Leary’s “turn on, tune in, drop out” speech and is dedicated to a friend of the band who passed away — as well as the two shorter pieces that separate that initial salvo from the finale, “Raum” and “Still,” both of which hover around three and a half minutes,¬†Zone Six harness a progressive sense not only of composition in¬†Neeff‘s guitar work but in the lush melodies in electric piano, synth, Mellotron, and so on, that surround.

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There are moments that feel referential in the keyboard line in the later reaches of the title-track and in the soaring guitar of “Song for Richie,” but¬†Zone Six‘s primary impact is hypnotic and their modus cleverly avoids some of jam-based heavy psychedelia’s most prevalent traps in terms of structure. First and foremost, it doesn’t get stuck in a linear build. Neeff,¬†Neudeck and Schmidt bring together plenty of dynamic throughout, from the explorations of “Maschinenseele” to the drone-minded centerpiece “Raum,” but it’s not just about starting quiet and getting louder as they go. Rather, the longer pieces that comprise the bulk of the record each seem to find their own way through shifts of volume and meter, and the feeling is organic as they move toward and into more active and more ambient sections. It is less pointedly improv-sounding than what¬†Schmidt and¬†Neudeck do with¬†Electric Moon, but the depth of the mix is such that a feeling of spontaneity persists just the same, with the drums as a careful anchor punctuating the drift of “Maschinenseele” and the uptempo space rock in the first half of the title-cut, which hits with enough of an underlying¬†Hawkwindian spirit to remind of some of The Heads‘ outbound scorch. These are not vibes easily tamed, and¬†Zone Six are only so interested in taming them in the first place, but the album is, again, not without purpose, and its emotional expression, particularly in the quiet “Still” and “Song for Richie,” comes across in palpable fashion even without the direct aid of lyrics.

“Still” has a bouncing keyboard line that’s still somehow wistful and calls to mind a more patient take on ’70s prog, but devolves into effects ahead of drifting into silence before “Song for Richie” starts with a volume swell of guitar drone, and very much turns out to be a piece led by¬†Neeff‘s soloing. There’s little doubt that “Song for Richie,” as well as “Kozmik Koon” and the opener before it are based on jams, and “Still” and “Raum” have an in-studio-experimentalist vibe as well, but they have been fleshed out with effects and synth and keys, and thereby carry more of a worked-on feel rather than the straight-ahead rawness that sometimes persists in the style (nothing against it), adding to the underlying feeling of intent. Though mastered by¬†Eroc, perhaps the real credit should go to¬†Schmidt on establishing the mix of all the elements at play. A vast sonic breadth is laid out across “Maschinenseele” and only continues to spread wider as the LP plays out, and even as “Song for Richie” pushes through its apex at around 10 minutes in, there is as much depth to factor in as there is sheer energy of performance. It is that much more, then, for the listener to dive into, and whether one chooses to lose one’s head in its trance-inducing, let-me-lead-you-from-this-place-to-another-place psychedelic meander, or to peel through the layers of nuance and drone and “which manner of synthesizer just made that noise again?,”¬†Kozmik Koon delivers the kind of engagement one could only expect from masters of the form, and with a history stretching back some 23 years,¬†Zone Six are most certainly that. What’s in a name? Plenty. But there’s even more when one actually listens.

Zone Six, Kozmik Koon (2019)

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One Response to “Zone Six, Kozmik Koon: What’s in a Name?”

  1. Lulu says:

    Wow. Thank. You. ???

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