Bask Premiere “Three White Feet” from III

bask (Photo by Jameykay and Arlie Huffman)

North Carolina’s Bask release their new album, III, on Nov. 8. It is, as you might expect, their third album, as well as being their debut on Season of Mist after issuing 2017’s Ramble Beyond through tastemaking Euro imprint This Charming Man Records and their 2014 debut, American Hollow, through Crimsoneye and Wonder Records. If what you’re reading in that is a steady progression, then you’re getting the underlying message that applies as well to the sound of the band, which reaches to new heights of melodic accomplishment on III‘s seven-track/36-minute run. I’ll say that it’s not often I review an album and then the same week do a track premiere from that same record. Generally I’d try to coordinate those things together or, having already reviewed it, take a pass on the premiere and cover something else. In the case of Bask, it’s an exception for a record that I think is worth the extra focus.

III isn’t and shouldn’t be shy about its pastoral aspects, and that is something that begins as the Asheville four-piece of guitarist/vocalist Zeb Camp (who since he’s apparently the only one singing does a lot of self-harmonizing on the recording, I suppose), guitarist Ray Worth, bassist Jesse Van Note and drummer Scott Middleton get the proceedings underway with “Three White Feet.” As the opening song premieres below, it’s interesting to note that it was also the first song that came together when they started writing this batch of material. Mostly because it’s so complex. One might guess at the riff that kicked them off — you’ll know it when you hear it, and subsequent side A installments “New Dominion” and “Stone Eyed” operate similarly in solidifying around a capital-‘r’ Riff, while centerpiece “Rid of You” centers more around the melody, and “Noble Daughters I: The Stave” recalls much-missed NC natives Caltrop in its vocal, “Noble Daughters II: The Bow” pays off itself as well as its predecessor and, really the whole album, and “Maiden Mother Crone” exits on a banjo-fied note — but the rest of the track brims with rich melody and progressive stylistic turns that indeed foreshadow a large part of III‘s personality. If this was how they started off, then clearly they knew what the fuck they were doing going into making the album.

Their quote on the subject, aside from that useful info nugget, is pretty short, but you’ll find that below, as well as the preorder link for III courtesy of Season of Mist. I won’t delay you further from the song.

Please enjoy:

Bask, “Three White Feet” official track premiere

Bask on “Three White Feet”:

“We are excited to bring you ‘Three White Feet,’ a song of devotion and revenge. It’s track one on our upcoming album ‘III,’ and the first to take shape during the writing process.”

Taken from the forthcoming album, ‘Bask III.’ Release Date: November 8, 2019.

Order here: https://smarturl.it/BaskIII

Bask is:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

III Guest Musicians:
Jed Willis – Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn – Violin on “Maiden Mother Crone”

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