Kaleidobolt Premiere “Deadpan Blues” from Bitter out May 31


Finnish boogie-made-prog heavy rockers Kaleidobolt will issue their third album, Bitter, on May 31 as their debut release for Svart Records, and though the track premiering below from it is called “Deadpan Blues,” make no mistake, there’s just about nothing deadpan about the entire outing. Instead, the returning Helsinki trio of guitarist/vocalist Sampo Kääriäinen, bassist/vocalist Marco Menestrina and drummer Valtteri Lindholm bask in the experience gleaned from touring to support their second album, 2016’s The Zenith Cracks (review here), and use the recording process itself like another instrument in exciting and engaging ways. “Deadpan Blues” on the album follows directly after the previously unveiled “I am the Seer” (posted here, but also way down at the bottom of this post), a song that in answering the organ-laced righteousness and jangle of opener “Another Toothpick” and the cavernous rock-formation spaces of “Big Sky Land” (lead guitar there reminding just a bit of Elder‘s vivid tonality) melds frenetic boogie with surf rock guitar ping, consuming megafuzz undulations and a bluesy, boozy repeated lyric about being torn apart by memory. The roll that ends it devolves into static amp noise as Menestrina‘s bassline begins “Deadpan Blues” with an immediate sense of tension and the guitar (slide?) and snare march smoothly enter. It’s about a minute before the rush-o’-riff ensues, but man, what a blast when it does. It’s a track that takes the best of what the ’70s-worship set has brought to bear and pushes it into the now-future not only with tonal presence, but with a sharp delivery that speaks to the consciousness at work all the while. Kaleidobolt have been plenty diggable since their 2015 self-titled (review here) came out on Pink Tank, but Bitter feels like a different level of achievement.

And yeah, it should. The second album was a step forward from the first and their sound was immediately nuanced enough to make one think they were a band interested kaleidobolt bitterin growing creatively. Bitter not only builds on The Zenith Cracks in terms of its form — or in the case of the absolute diversion into noisy fuckall at the end of “Deadpan Blues,” its anti-form; fortunately the subsequent prog guitar lullaby “Interlude” gives the listener a moment to recover — but affirms Kaleidobolt‘s intent toward individualism and developing something deeper than the standard execution of genre. Even as the penultimate “Coyote” dives into Thin Lizzyism, it does so with its own take. And a mellotron! But part of what gives Bitter that sonic nuance is the recording itself, which lends particular space to Kääriäinen‘s guitar and has a consistent thread of reverb/echo that draws the ear toward the Spaghetti West without ever really going full-Morricone. A place in-between seems only too comfortable for Kaleidobolt, and with the whole-album-highlight drum performance of Lindholm as the grounding factor and Menestrina‘s winding basslines as the supporting structure, the guitar is free to construct as it will, an aesthetic focal point in a way that feels like a given for heavy rock, but is still make a conscious choice here thanks to variety in tone — that fuzz on “I am the Seer” returns on closer “Hydra” before it gets kicked in the psychedelic dirt for about nine minutes or so — and the ability of the band as a whole to affect varying degrees of mood and, from the outset on, maddening vitality, in their material. The underground universe is not short on bands updating classic forms. One would have a difficult time thinking of another doing so with as much character as Kaleidobolt bring to Bitter.

Again, the production, which was helmed by Niko Lehdontie, who’s worked with a number of experimental outfits like Oranssi Pazuzu and so is no stranger to thoughtful chaos, is part of that, but even Kaleidobolt‘s decision to push outside of the “norm” on the general sound of Bitter is emblematic of the consciousness at work behind what they’re doing here. On first listen, it can be a tough record to keep up with — because it moves, moves, moves, and requires your attention to do likewise — but if you need to, dig into “Deadpan Blues” twice in a row and already the second time you’ll hear it differently. It takes a minute to adjust to the scope of what Kaleidobolt manifest, but doing so makes the listening experience all the more satisfying, and not just for the kinetic nature of their ur-groove. Bitter is as much about aesthetic purpose as it is boogie-down, and for all its accomplishments, I’d offer zero guarantees the band are done growing. As much as their course throughout these seven tracks twists and turns, it is inextricably forward. Get down, and know why.

Kaleidobolt have tour dates upcoming this summer that will take them to Stoned from the Underground and that include shows with Yawning Man. You’ll find those and more info on the record included under the track below.

Please enjoy:

Kaleidobolt, “Deadpan Blues” official track premiere

With one foot in classic heavy power-trio rock ‘n’ roll and the other knee-deep in psychedelic frenzy, Finland’s Kaleidobolt blast off into inner space with their third album, Bitter. Having perfected their craft on the road all across Europe, with two previous albums under their collective belt, Kaleidobolt have become a fierce live experience, guaranteed to blow minds and ears.

Kaleidobolt, however, are far from your usual deafening stoner rock experience. Their music is all about texture and depth, and beneath the lysergically frenzied riffs hide worlds of exquisite soundscapes. For the new album, the band decided to take an even greater leap into worlds beyond and hired Niko Lehdontie (Kairon; IRSE! and Oranssi Pazuzu) to produce the album and Lauri Eloranta (the current go-to guy in Finland for indie pop and rock bands) to mix it.

Bitter is rock music frenzy that intermittently disintegrates into sonic cotton candy and the occasional western theme. Bitter is also Kaleidobolt’s debut for Svart Records, and we are proud to release it on May 31st on CD, vinyl LP, and digital formats.

Kaleidobolt live:
5.7 Gothenburg / Truckstop Alaska (SWE)
6.7 Malmö / @PlanB – malmö (SWE)
7.7 Kiel / Die Kieler Schaubude (GER)
8.7 Berlin / Toast Hawaii (GER)*
9.7 Wiesbaden / Schlachthof Wiesbaden (GER)*
10.7 Cottbus / Zum Faulen August, Cottbus (GER)*
11.7 Wien / ARENA WIEN (AUT)*
12.7 Salzburg / Rockhouse Salzburg (AUT)*
13.7 Erfurt / Stoned from the Underground – Festival
*with Yawning Man

Kaleidobolt is:
Sampo Kääriäinen – guitar, vocals
Marco Menestrina – bass, vocals
Valtteri Lindholm – drums

Kaleidobolt, “I am the Seer” official video

Kaleidobolt on Thee Facebooks

Kaleidobolt on Bandcamp

Svart Records website

Svart Records on Thee Facebooks

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