Devil to Pay, A Bend Through Space and Time: Demons Come Home


“[Note: Devil to Pay’s Oct. 2016 tour dates used in place of the NSFW cover for A Bend Through Space and Time. To view the art, click here.]

The top feature of best college application essay king&39s People this websites research proposal research questions essay on my ambition as a teacher Devil to Pay‘s work has always been the songwriting. Certainly the Indianapolis-based four-piece have evolved in sound since they made their debut 12 years ago with enter - Dissertations and essays at most attractive prices. Benefit from our inexpensive custom dissertation writing service Thirty Pieces of Silver, and found a niche for themselves in a style following two guitars that play metal and heavy rock elements off each other fluidly, but even that has always come at the service to a notion of craft. Consistency and reliability, without redundancy, can be hard to come by over time, but as Five-step strategy for adding a technical editor to your review team. Devil to Pay showed on 2013’s Exclusive check my blog delivered by experienced professionals. Affordable and authentic custom written assignments designed for international students Ripple Music debut, iWriter is the I have come across for all my website content and article writing needs. Here is my iWriter review and video. Fate is Your Muse (review here), they were still moving forward as a band. Abelard Consulting is a specialist provider of Essay For Scholarship Money, technical writer placement services, and training in technical writing A Bend Through Space and Time is their second offering through Article Writing How Servulaís can help your site? Ripple and fifth overall, and underscores similar growth.

Its 10-track/43-minute span comes encased in well-painted/politically-debatable art from Pay For College Essay, - dissertation help service. Ranked #1 by 10,000 plus clients; for 25 years our certified resume writers have been developing W. Ralph Walters and¬†feels more efficient than its predecessor, leaner and crisper in its style, as guitarist/vocalist¬† Don't spend dreadful hours making up content for your website. Burt Systems i cant do my history homework is what you need to raise your brand awareness online. Steve Janiak, guitarist¬† - Entrust your assignments to the most talented writers. Quality and affordable essay to ease your education Essays & researches Rob Hough, bassist/backing vocalist¬† Online custom essays, term papers, research papers, reports, reviews and homework assignments. Professional Continue Reading offers high quality and Matt Stokes and drummer¬† Any of these sleep deprived. Stop getting bad marks with these. Buy PhD thesis degree help online from cheap. Whatever the reason is, The Reluctant Fundamentalist Essay Help Chad Profigle continue to refine their methods, but a big shift can be heard in the production value throughout. Professional Business Plan To Buy An Existing Business online in the USA. We provide assignment writing & research lit review topic ideas custom to your requirements. Janiak, of course, splits his time in doomers Online Best Resume Writing Service 2014 Executivess, term papers, research papers, reports, reviews and homework assignments. Professional custom writing service offers high quality and Apostle of Solitude, and so a¬†recording/mix/master¬†job¬†by¬† web link UK. 234 likes. Order Academic Paper Online on UPTO 75% Discount. We Aim to Deliver Quality Writing Services. Mike Bridavsky at Russian Recording in Bloomington, Indiana, should be recognizable to those¬†who caught¬†that band’s¬†2014 album,¬†Of Woe and Wounds (review here), and one can hear a similar sense of room in side A’s “Laughingstock” here, as well as a likeness in the presentation of the drums.

All told,¬†Bridavsky‘s contributions become part of the story of¬†A Bend Through Space and Time, along with the fleet-footed jumps between different sides of the band’s stylistic meld.¬†Bend breaks evenly into two vinyl sides, and each one starts off with a raucous, fast punch — “On and On (In Your Mind)” (video here) opening the first half with an insistent push while still maintaining a sense of atmosphere through the layered harmonies of¬†Janiak‘s vocals and a grim undertone that will continue to develop shortly in “Kobold in the Breadbasket” and the aforementioned “Laughingstock,” while “Recommended Daily Dosage” gets side B moving at a full-thrash clip, punctuated by cowbell with vocals deeper back in the mix to let the guitars come forward.

Come to think of it, though it cuts in its midsection to a doomier nod, the galloping chug of closer “The Demons Come Home to Roost” is plenty speedy as well, as is the bulk of the penultimate¬†“Your Inner Lemmy” (video here), though that song too shifts in pace, touching on some more strutting fare in its quick and fitting tribute to the late¬†Mot√∂rhead frontman, most if not all of its lyrics derived from just some of his many famous quotes — see, “I did it all/Whatever I did/I can’t remember/But I’ll never forget,” and so on.

Through all of this — and even an earlier rocker like second track “Don’t Give Away the World” qualifies, though its focus seems more to be its sing-along-ready hook —¬†Devil to Pay maintain a sense of urgency that¬†Fate is Your Muse touched on but was not defined by, and going back further, to 2009’s¬†Heavily Ever After, one can only conclude that the band have in the years since let go of the trappings of genre concerns and instead set themselves to the goal of making the music they want to make.¬†A Bend Through Space and Time isn’t about heavy rock, doom, thrash or metal — though it offers all of them with a fervent overarching groove. It’s about¬†Devil to Pay writing the songs they want to write and executing them at their highest level to-date. That’s precisely why the album succeeds the way it does.


And though I’ve bounced around the tracklisting a bit, another of¬†A Bend Through Space and Time‘s strengths is the flow it sets up between songs, which can be heard as side A develops following “On and On (In Your Mind)” and makes its way toward the gloomier “Kobold in the Breadbasket” — perhaps the closest moment¬†Devil to Pay and¬†Apostle of Solitude have shared since¬†Janiak joined the latter¬†in 2012 — and “Laughingstock” before the more boogieing “The Meaning of Life” revives both the mood and tempo with a still-spacious adrenaline surge and highlight guitar lead in its back half, rounding out on a relatively positive note and a long fade before the thrust of “Recommended Daily Dosage” blindsides the listener. Side B works similarly, with that opening cut running at a sprint until its finish gives way to the slower chugga-chugga of “Knuckledragger” — a song very clearly and very correctly named after its central riff.

I’ll call it a highlight because that riff is such a standout and so obviously the product of¬†Devil to Pay reveling in a kind of sheer heft in¬†which they don’t generally traffic, but with leads peppered over top of the lumbering thud¬†and the still-prevalent vocal melodies, it doesn’t at all come across as¬†one-dimensional in the way the title might lead one to believe.¬†Because it is a relative pivot in approach, one imagines it was something of a task to place “Knuckledragger” on¬†A Bend Through Space and Time, but five albums in,¬†Devil to Pay are no strangers to structure.

It turns smoothly from “Recommended Daily Dosage” and precedes the also-charmingly-titled “Kerfluffle,” which is more mid-paced and in line with a rocker like “Don’t Give Away the World” earlier, setting up a transition into “Your Inner Lemmy” and “The Demons Come Home to Roost.” As a finale, the latter cut seems to be playing at once to the various sides of¬†Devil to Pay‘s sound. Checking in at 7:42 as the longest inclusion on¬†A Bend Through Space and Time, it¬†uses that run to include shifts between harder and heavier visions of rock.

By no means is it the first time¬†Devil to Pay have sought to execute their stylistic swath as a single idea, but it might be the most effectively they’ve done it yet, and in terms of a look at where their progression might continue to carry it seems reasonable to think further bridging the gaps they’ve explored in these tracks might be at least part of their story. But likely only part, because what has always typified¬†Devil to Pay can only keep doing so for as long as the band exists, and that’s their songwriting. I don’t think they’d have it any other way, and as¬†A Bend Through Space and Time¬†demonstrates, they have the ability to cover a range of ground while keeping that ultra-solid foundation beneath them always.

Devil to Pay, A Bend Through Space and Time (2016)

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