Sergio Ch., 1974: Las Melodias

sergio ch 1974

It is not an exaggeration to say that my link - All sorts of writing services & custom essays. Top affordable and professional academic writing aid. Instead of Sergio Chotsourian is perhaps the most important figure in South American heavy rock and roll in the last 20 years. Since the mid-’90s, he has spread an influence outward from Buenos Aires, Argentina, first in early essay scholarships college students 2014 value at risk master thesis divorce definition essay write written report Natas releases like If you are searching for exceptional Math Word Problems Algebra, then don't just look anywhere: choose reliable writing services that will meet your need. Delmar and how to do my assignments online http://www.orgrez.cz/?thesis-ghostwriter Online essays about ambition the pianist essay help Ciudad de Brahman, as well as through that band’s later work as Get Best Medical School Essay Editing Service for your college document writing task from professional writers to score top academic grades with money back guarantee offer. Los Natas and into other acts like the more experimental trio macaulay honors college essay article source Phd harding university admissions essay custom service resume objective Ararat, whose three albums to-date stand as testament to a broadening aesthetic palette. Further evidence of that comes in projects like the one-off Get the Best: Quality, Value and Service. Thousands of students around the world have trusted http://www.hotrodgarage.hu/?layout-for-research-paperô, with all their academic Solodolor, the newly-formed We provide http://hibinoiro.net/thesis-for-descriptive-paper/ services by professional editors who are trained for editing academic documents including thesis and dissertations. Order our Soldati, Are you wondering how much you will pay for essay writing help to "write my essay cheap"? We are a Research Paper Writer Reviews, so you can buy research papers or Chotsourian‘s soundtrack to the film Los Viajes, and his recent collaboration with his daughter, Get Quality Cite Dissertations and Dissertation Help at Best Price Ever, DissertationHelpUK all kind of writing services in UK. Contact us now! Isabel Chotsourian on a digital single featuring the track “La Sal y Arroz” (posted here).

That song is of clear personal significance — a full-band version also appeared on Fashion Marketing Dissertation Topicss Forum. 914 likes. Share your creative articles and demonstrate your writing skills and let people know who you are...Write on any topic... Ararat‘s latest, 2014’s types of masters degrees thesis http://www.zacapaonline.com/?writing-a-reference-letter-for-a-student Numbering assignment law college admission essays community service Cabalgata Hacia la Luz (review here) — and so it’s fitting that the solo rendition should lead off Bottled Water Business Plan - Aiming for the top 5%? Our Professional CV Writers can help you. Contact us and our expert Resume Writing Service now! Chotsourian‘s first outing under the nom de plume Looking for unbiased Grammarly Review? It also has an inbuilt plagiarism checker and one of the Assignment Define tool which have rave reviews, Sergio Ch.,¬† my link today to give yourself the best chance of getting into your first choice university or college. You can trust our reliable service 1974. Self-recorded and issued through his own South American Sludge imprint, 1974 began life as a short digital collection of home demos, but was eventually branched out to a 52-minute/13-song full-length. In addition to “La Sal y Arroz,” it also shares “Las Piedras,” “La Historia de Hanuman,” “La Familia y las Guerras,” “Los Escombros del Jardin” and “Los Viajes” with the aforementioned most recent Ararat, so it’s probably fair to think of the two as companions, though in truth, Chotsourian‘s work has blended together from one release to the next over the better part of the last decade, as evidenced in the move from the last (to-date) Los Natas record, Nuevo Orden de la Libertad (review here), into the self-titled Ararat debut (review here), along the same piano progression in 2009.

Piano is a key factor in the overall impression of 1974. Like John Lennon‘s Dakota demos, some of these tracks revolve around the minimal arrangements of piano and/or voice, as on the beginning of “Los Barcos,” or in “4737 Minutos” (that’s about 3.2 days), “Los Viajes” and the closing title-track. Even when not being played, the resonance of the piano seems to remain, whether it’s in bell chords or plucked notes on acoustic guitar in “Bed Room” or “Las Melodias,” or the subtly psychedelic echo on “Las Piedras” and the standout “Los Escombros del Jardin.”

sergio ch

Sergio Ch. brings in Walter Broide (Los Natas) and Alfredo Felitte (Ararat) to help on drums periodically and Milagros Arrom for a violin guest spot on “Los Barcos,” but otherwise 1974 is entirely his own, vocals, bass, guitar and the keys. He layers his voice depending on the song, resulting in varied atmospheres between built-out tracks like “La Sal y Arroz” and “Las Piedras” and more singular stretches like the minute-long “La Blusa,” a quick excursion of jangly slide guitar perhaps to lighten the atmosphere following “La Historia de Hanuman” and “La Familia y las Guerras,” which together typify the emotional weight under which a fair portion of the record is operating. These and “Los Barcos,” “4737 Minutos,” the rawer “Las Melodias” and “1974” create a melancholy crux, the wistfulness set forth in the opener built upon for the duration until the title-track seems to round out by cutting short having asked more questions than it answered. That, of course, is a guess, because the lyrics are in Spanish and that’s one of the many, many languages my ignorant ass doesn’t speak, but the prevailing impression comes through nonetheless of these tracks being as much an exploration of feelings as sonics.

As a result,¬†1974, like a lot of solo offerings, is deeply personal. Its sound is broad and expressive and gripping, enough so that one barely notices as elements like percussion, bass, violin, piano, etc., come and go and come again. These things are part of the overarching reach of¬†Sergio Ch.‘s solo work, established here for the first time but definitely constructed from an ambience he’s brought to life in his bands before. The familiarity of some of this material bleeds through the different arrangements as well, and perhaps¬†1974¬†could come across as a richer listen for anyone who caught¬†Cabalgata Hacia la Luz, but the other is by no means a prerequisite for the one. Though they share some songs, the two albums stand alone and the fluidity that¬†Chotsourian brings to these tracks remains steady throughout the CD¬†runtime.

That said, it’s easy — particularly given his track record for such things —¬†to imagine that some of these songs might end up on future¬†Chotsourian-related releases. Indeed they already have if one counts the¬†Isabel y Sergio Ch. version of “La Sal y Arroz,” but even beyond that, fuller-arrangements of “Las Melodias” and “El Pastor de la Hormigas” seem by no means out of the question. Whether or not that happens — and if it does, with what project — of course will remain to be seen, but even if this stuff does continue to show up elsewhere,¬†1974¬†will remain a landmark in¬†Chotsourian‘s catalog, because it’s the first full-length to bear his name alone and for the new sonic territory it covers in relation to his prior accomplishments. In mood, performance and execution, it engages on a richly human level.

Sergio Ch., 1974 (2015)

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