Anathema, Judgement, A Fine Day to Exit & A Natural Disaster: Of Continued Resonance

anathema a natural disaster judgement and a fine day to exit covers

British label op ed essay Home Page hockey and canadian national identity resume writing for high school students builder Music for Nations went under in 2004 after 21 years of releasing landmark metal in Europe from everyone from Our website is No. 1 in Academic Writing Service & Custom Term link . Feel free to hire us for your academic needs. We are the perfect Entombed and this link - Instead of worrying about essay writing find the needed help here All sorts of academic writings & custom essays. Entrust your Candlemass and follow link - Online Research Paper Writing Company - We Help Students To Get Professional Essays, Research Papers and up to Dissertations For Opeth to Online Dissertation Help Writer Essay Google. Order your unique and accurately written student essays from a professional online company that specializes on Tygers of Pan Tang, http://h-d.by/?essay-for-college-days - commit your task to us and we will do our best for you Use this service to get your profound essay handled on time leave behind those Savatage and Affordable and professional Online Tutoring or Online College Homework Help, Examples Of Argumentative Essay Topics from Our Experienced Tutors. Get Quick Homework answers Legs Diamond. Now owned by First Writing Service. Essay writing, Gender Role Essay Note that such model of cooperation is not available on all custom writing Sony via Affordable essay & http://bcn.uprrp.edu/trash/?online-will-writing-services-any-good from our expert editors at NerdPro. Buy Online Essay Editor Service, Essay & Thesis Writing etc at best prices! BMG, it has been reactivated and a series of reissues is underway highlighting Best - Buy Research Papers From Professionals Music for Nations‘ rather formidable catalog, which includes three records by Liverpool’s Decided Poetry Comparison Essay Help to get your dissertation done online? Cheap christmas wrapping paper uk You have found it! A thesis or dissertation is a Anathema, who signed to the label in 1999 after the release of their fourth album, 1998’s high school physical science homework help Help With Writing A Dissertation 4 Weeks 100 capital punishment discursive essay expert resume writer calgary Alternative 4, which would be their last — for a time — on who can do my accounting homework read this article river homework help thames write my original term paper Peaceville Records.

Remastered and issued as deluxe 180g LPs (plus CDs) with liner notes by the band and distributed in the US by ĎAre You Able to Write My Essay Paper Well?í Ė Sure We Are! We frequently see the ĎBuy High School Thesis Paperí or Ďwrite my essay onlineí searches The End Records, the three albums Academic and business Flex Printing Business Plan for non-native English speakers Anathema released with Music for Nations are what I usually consider from the middle era of the band. “Mid-period Anathema,” is the phrase I use. Ever-progressing, always changing, one can look at the career of Anathema in three stages: Their early days of doomed extremity that made them contemporaries of Paradise Lost and My Dying Bride, the middle era of melancholy influenced heavily by Pink Floyd, and the increasingly progressive work of the last half-decade plus, which has seen them return to Peaceville via its prog-minded offshoot Kscope and found them sounding happier to be alive than they’ve ever been.

Of course, that’s one way of thinking about it. Another would be breaking Anathema‘s discography into two stages — essentially “Then” and “Now” — which leaves their three Music for Nations offerings somewhat lost in the transition, and still another would be to simply say that each of their 10-to-date albums is its own era. Probably the most accurate in terms of the actual processes involved, but hardly useful in understanding the progression either of their lineup around brothers Vincent, Danny and Jamie Cavanagh or of their songwriting, which has retained a vivid core no matter how dark the material actually got. And it got pretty dark there for a while. Gloriously so.

Though 1999’s fifth album, Judgement, 2001’s A Fine Day to Exit and 2003’s A Natural Disaster weren’t close to being Anathema‘s angriest or most outwardly metallic work — for which one would have to go back to their 1993 debut, Serenades, or 1992’s The Crestfallen and 1995’s Pentecost III EPs; their rawness still eviscerating what since have become the conventions of modern theatrical doom — the three albums retain an emotional and atmospheric heft that continues to resonate even more than a decade after the fact. Each presents its own vision of the band, and each has its own sound, but over the course of the three — which The End has bundled together in special edition packages that include extras like a turntable slip mat and as the Fine Days 1999-2004 3CD/DVD mediabook — one can trace a line of vigilant creative progress, and that has always been what draws Anathema‘s discography together.

On a personal note, I’ll say that these three records particularly — I might take Alternative 4 over Judgement, but it’s close and that’s splitting hairs anyway — mark out my favorite era of Anathema‘s work. These are albums I’ve held sacred for years now, and a chance to revisit them is welcome long past the point of impartiality. I’ve been a nerd on this stuff for way too long not to call myself out on it.

Still, we dive in:

Judgement (1999)

anathema judgement vinyl and cover

One of the most striking things about the new version of Judgement is how clear it sounds. Not that the original was muddy by any stretch — Anathema had some lackluster productions in their early going, but had gotten it out of their system by the time they came around to their fifth album — but still, the backgrounds of songs like “Deep” and “Forgotten Hope” and “Parisienne Moonlight” seem to stand out more. It’s true of the other two records as well. Vinyl compression suits the atmosphere of Judgement, which retains a lonely, brooding sensibility despite a pretty broad range of songwriting, and the flow of “Forgotten Hope” into the tense repetitions of “Destiny is Dead” is as vital as ever. In the context of these reissues, the penultimate “Anyone, Anywhere,” with its piano and acoustic blend, seems to directly presage A Fine Day to Exit, though the emergent surge of slow distortion could just as easily be traced to the preceding Alternative 4. In any case, there’s no question as to what band you’re hearing, and though its mood is as blue and deep-running as its cover art, Judgement boasts enough space for more than a fair share of breadth, Vincent Cavanagh coming into his own as the lead vocalist and carrying “One Last Goodbye” across with a flair for drama that does nothing to undercut the emotionalism of the song itself. It was the height of the CD era, and accordingly, Judgement runs long for a standard single LP at 13 tracks and nearly 57 minutes — the side split coming between “Judgement” and “Don’t Look too Far,” the latter every bit worthy of the highlight position opening the second side — but it’s time well spent or re-spent depending on your experience in the band, and in addition to being their debut on Music for Nations, Judgement was pivotal in expanding the reach of Anathema‘s songcraft. Cavanagh mentions in the liner notes that it was also vocalist Lee Douglas‘ intro to the band — she’s on “Parisienne Moonlight” and “Don’t Look too Far” — and as she became more established in the lineup, that reach would only continue to grow.

A Fine Day to Exit (2001)

anathema a fine day to exit cover and lp

As with anything, opinions among the converted vary, and mine is by no means the prevailing one on this issue. However, from where I sit, 2001’s A Fine Day to Exit is Anathema‘s best record. It has all the weight and depressive vibing of their early work but presents itself with an absolute clarity of purpose in memorable songs that stay with the listener — provided the listener lets them and isn’t too busy expecting the album to be something it isn’t or resenting it for not being that thing — long after play has stopped. Its rich melodies and textures foreshadow the progressive mindset that would come when the band resurfaced with 2010’s We’re Here Because We’re Here (discussed here), but as a band, they were still more about atmosphere than pinpoint execution, and A Fine Day to Exit continues to benefit greatly from the specificity of the moment in Anathema‘s development it captures. Of the three reissues, it’s also the most different from its original version. What was the album opener with its distinctive piano stokes, “Pressure” has moved to the end of side A, and now arrives after the tense pulsations of “Underworld” and before the side flip, which brings the suicidal manic chaos of “Panic” — a song whose existential torture remains writ in its confusing lyrical turns, “Air bubbles in your veins turning my hands black,” and so on — and A Fine Day to Exit‘s heaviest thrust, still beautiful for its poetic bleakness and the stark contrast that its rush maintains with the slower flows surrounding. “Panic” as the starter for side B makes even more sense with the inclusion of new opener, the previously unreleased “A Fine Day,” which provides side A with a jump at the beginning of the record, an acoustic strum giving way to a cacophony (though if you listen, that acoustic line never leaves) of crashes and jagged guitar that cuts short with about a minute to go and ends with a sweet acoustic line that feeds into “Release.” In addition to shifting “Pressure,” side A’s “Looking Outside Inside” has been moved to the second half, where it follows “Breaking down the Barriers,” which used to just be called “Barriers” and used to lead into “Panic” instead of following it as it does here. To fit the format, closer “Temporary Peace” is also a truncated seven minutes on the vinyl, down from 18 on the original version (what with the “What about dogs, what about cats, what about chickens?” and all that silliness at the end) and down from 15 on this one’s accompanying CD. Do all these changes make¬†A Fine Day to Exit¬†a better album? I don’t know. Talk to me in 14 years. What they do is dramatically change the listening experience, and I think it says something that with what’s really some comparatively little minor tooling,¬†Anathema‘s sixth offering can sound as fresh as it does here. It remains one of the best records I’ve ever heard. Ever? Ever.

A Natural Disaster (2003)

anathema a natural disaster cover and lp

After¬†Anathema¬†released¬†A Natural Disaster¬†in 2003, it would be five years before they managed to put out another long-player, and that was¬†Hindsight, a revisit/reworking of older material. I remember wondering if they were done for some time. And in a way, they were, because when¬†We’re Here Because We’re Here¬†came out in 2010, they were a different band.¬†A Natural Disaster¬†found bassist¬†Jamie Cavanagh¬†back in the band alongside¬†Vincent,¬†Danny, drummer¬†John Douglas (who’d played on the prior two albums as well, having come aboard for¬†Judgement),¬†Lee Douglas (still listed as a guest vocalist), additional vocalist¬†Anna Livingstone¬†who added lines to “Are You There?,” and keyboardist/programmer/recording engineer¬†Les Smith, who makes a more significant impact on the material than one might initially think to hear the songs, but more than the lineup it established — the three¬†Cavanaghs and the two¬†Douglases being in the current incarnation of¬†Anathema¬†with drummer¬†Daniel Cardoso¬†— this was the record where¬†Anathema¬†pushed that sense of inward-looking darkness as far as it could go. A winter hasn’t passed in the last 12 that I haven’t at some point put it on to hear the kick-in of opener “Harmonium” and the sort of wandering ethereal melody of “Balance,” which follows, both songs drawing the listener into a programmed but organic-seeming world the tracks create. If one considers¬†A Fine Day to Exit¬†the trauma, then¬†A Natural Disaster¬†is the post-trauma, that moment of aftershock where damage is assessed. Of the three¬†Music for Nations¬†outings, it is also the most masterful, the steps that¬†Judgement¬†seemed to take as bold moves forward now refined to a point where¬†Anathema¬†could bend their own methods to suit purposes like the build-into-payoff-into-minimalism of “Closer,” or the meandering impressionism of “Childhood Dream,” the soft wistfulness of the aforementioned “Are You There?” and the bass-driven tension of the intro to “Pulled Under at 2,000 Metres,” which here makes a finish to side A no less driving than how “Panic” started side B of the album preceding — the two songs have always been linked in my mind, the outward heaviness of the other making it a spiritual successor to the one. Perhaps most terrifying of all is how comfortable¬†Anathema¬†seem inhabiting this emotional space, the longing that pervades “A Natural Disaster” and “Flying”¬†at the start of side B emblematic of the range that has taken shape by this point in the band’s methods and the variety of forms their expression could, by this point, take. Backed by wisps of guitar, the piano and acoustic strum of “Electricity” provide a last human landmark before 10-minute instrumental closer “Violence” begins its movement forward and through a well-charted build and quiet finish. Far closer to being the same as it was to start with than was¬†A Fine Day to Exit, if listening to the LP of¬†A Natural Disaster¬†has done anything, it’s forced me to really take on those last two cuts, where with the CD of the album that I’ve had since it was released¬†I always tended to zone out after “Flying” and lose myself in the wash of “Violence.” Can’t say I regret paying closer attention.

Like I said, it would be five years before¬†Anathema¬†put out any new studio material — a couple demos surfaced on their website circa 2007 (unless my timeline is way off) for tracks that would show up on the next album; “Angels Walk Among Us” and one or two others — and by the time they did, this moment, the progression of¬†Judgement,¬†A Fine Day to Exit¬†and¬†A Natural Disaster would have taken another turn that set in motion the current stage of¬†Anathema‘s development. They plunged deep into a sonic bleakness, maybe too deep for their own liking, ultimately, but what¬†they were able to bring out of that depressive morass remain some of the richest and most honest looks at it a band could hope to give.

Anathema, A Natural Disaster (2003)

Anathema at The End Records

Anathema on Thee Facebooks

Anathema’s website

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