Weedeater, Goliathan: Battered and Fried

weedeater-goliathan

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weedeater (Photo by Scott Kinkade)

That’s not to say there isn’t plenty of bludgeoning as well, nor that said bludgeoning isn’t as righteous as any Weedeater have presented before. The vocals on “Cain Enabler” are near-painful to the ear for the permanent damage one imagines they might’ve caused Collins‘ vocal cords, and as the longest track at 5:25, “Claw of the Sloth” seethes and writhes with a brutality all the more prevalent for how readily the band seems to wield it, and whether it’s a more upbeat progression like that one, a mid-paced stomper like “Joseph (All Talk)” or the densely toned lurch of “Goliathan” itself, the central vibe of rural strangeness and otherworldly threat remain — monsters covered in mud, no help for miles. Collins, Shepherd and Owen capture many of the aspects of Weedeater‘s sound that has made them the pivotal act within underground heavy they’ve become, but it also goes further than that and pushes not only beyond their earlier albums like their 2001 …And Justice for Y’All debut, 2002’s Sixteen Tons or their 2007 breakthrough, God Luck and Good Speed, but beyond what they accomplished on Jason… the Dragon as well. Perhaps most impressively of all, Goliathan reminds that when it comes to it, Weedeater are going to do whatever they want to do, as they did before their reputation came to precede them and as they no doubt would even if it didn’t. The record’s uncompromising nature just happens to find multiple modes of expression, and in that, the band deliver a work that, on whatever level one might want to take it on, proves worth the effort to do so.

Weedeater, “Cain Enabler”

Weedeater on Thee Facebooks

Season of Mist

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5 Responses to “Weedeater, Goliathan: Battered and Fried”

  1. AZ Dave says:

    Wasn’t this album produced by Billy Anderson, not Albini?

    • Info I had said Albini, and it sounded like Albini drum production, so I went with it. If that’s wrong, I’d love to know for sure.

      • AZ Dave says:

        I could be wrong. I just remember reading something about Anderson recording Weedeater in PDX last year. Maybe it was for something else.

  2. Stoom says:

    Says Albini on the sleeves notes. By the by, this is by far the best written review I have read for Goliathan. Good work, indeed, Sir.

  3. Mike H says:

    Little more venom in Dixie Dave’s vocals on this album. More pissed off than before (or the feeling is more focused). Where before it was about being heavy and high…now maybe you can add angry and drunk to the mix, pissed off at the very least. I can’t help but wonder listening to the album if there is one person in particular this is all directed at…I have my suspicions. T-Boogie is a solid addition to the band as well. Maybe even brings a little more focus while keeping the groove.

    The production credits in the linear notes of the CD I have go Steve Albini and Weedeater.

    Billy Anderson is thanked. Keko is as well and considering how bad things seemed to get at the end, that was a surprise to see…but maybe an act of goodwill.

    This album seems to be the next step in the very natural/organic progression of the band since their first album. I don’t see this band ever changing…just refining what they do. Listening to their complete discography in order (which I have a few times recently), it just makes sense. I think the vibe is heavy and genuine and the sound (production) is top notch.

    And despite someone’s online prediction Dixie would turn into a modern day Bob Dylan should Weedeater cease to exist…I’m more inclined to think Leonard Cohen or maybe even Tom waits.

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