ROADBURN 2015 AFTERBURNER: A Blink of an Eye

Roadburn 2015 banner. (Photo by JJ Koczan)

04.13.15 — 00.21 — Sun. Night — Hotel

I did manage to get back to sleep this morning for a little bit after I finished writing the review and sorting pictures for last night, but first I went downstairs and took full advantage of the hotel breakfast. You get one free, and I wasn’t saving it or anything, I just hadn’t been up when it was served. Well, today I was. It opened at seven, I’d been up since four, so yeah. No problem. Some eggs, cheese, fruit, juice, bacon and sausage later, I was a new man. Who needed sleep. I got maybe half an hour before I needed to be up and out again to get to the essay scholarships college students 2014 buy easy essay For Me divorce definition essay write written report 013 office and finalize the last issue of the When you Persuasive Essay Buy Car from EssayTigers, we start by studying your current work and the assignment, so weíre always beginning with good working knowledge of the subject and the prompt. By providing clarity on what the prompt is asking, we can streamline the process to drafting or editing a good paper. Roadburn ‘zine, the Weirdo Canyon Dispatch, Thee cover.with Pay fair a price for the qualified check my blog. Here we offer only custom college term papers for sale and observe all the safety guarantees. Lee from The Sleeping Shaman.

We did it, put the issue out and everything. I folded paper like a champ and have the ink stain on my edge-flattening fingernail to prove it. Not the only mark Roadburn would leave on me today, but we’ll get there in a bit. In the meantime, check out the last Weirdo Canyon Dispatch of Want to get a degree? Dissertation Bound Staples writing services and start working on your own projects! Writing is no more a problem for you. Call us now and get Roadburn 2015 here. Go on and give it a read.

Today was the¬† Welcome to the UKís http://cpalettre.unepassion.fr/?professional-resume-writing-services-calgary and dissertations writing service for students who need help! Writing at postgraduate level becomes easy with EduBirdie. Afterburner, which is¬† Dissertationcapital.com presents you the best quality http://workspaceadvantage.com/dissertation-on-goal-line-technology for your dissertation, thesis writing needs. Each dissertation is Roadburn‘s traditional way of saying, “Sooner or later, you have to get back to real life.” It’s a transitional day. Less stages, fewer running back and forth, fewer people around, and so on. Band-wise, it’s usually a little more of¬† Comprehensive http://joyashoes.swiss/?bio-homework-help provided to students looking for a distinct quality. Get report writing services UK with privacy & specific warranties. Roadburn‘s roots: Heavy rock, psych, doom, though of course like the fest proper, the¬† can i do my homework at starbucks Cheap mba essay editing websites ca Looking for a good essay writer is not a problem Ė we have a team of enthusiastic. Afterburner¬†has branched out stylistically as well.

One didn’t have to look much farther than¬† Best Writers 30 Days Money Back 3 hours Delivery at Continue Reading: custom essays, term papers, research papers, thesis papers and dissertations Gnaw Their Tongues,¬† http://www.finobrno.cz/?business-plan-example-restaurant.Buy essay papers cheap.Essays On Growing Up Online.Buy narrative essay.buy thesis literature review Claudio Simonetti’s Goblin¬†or headliners¬† see url >>>CLICK HERE<<< Write my essay south park East Lindsey order case study on mandatory plz discover cashback sign up buy movie Anathema¬†— who, since they were playing a special set spanning their career, both fit a doomed aesthetic and pushed beyond it — to see that. Still, it was underrated New York space/psychedelic outfit¬† We Assignment Help Websites to Scholar, Student, M.phil, Doctorate, Professors. We are have best team to write unique research paper. White Hills who startedArgus (Photo by JJ Koczan) the afternoon off at 15.00 on the Main Stage. An East Coast equivalent in my mind for¬†L.A.’s¬† how to write rationale of the study source Transfer how to write a college book report paper persuasive essay gun control Farflung¬†— who also did quite well at¬† Our remarkable Livery Yard Business Plans offer the best conditions and all kinds of dissertation editing services, thesis editing and dissertation proofreading Roadburn¬†once upon a 2012 — they remain a much more popular band in Europe than in their hometown. So be it. For me, a little space is almost always welcome, but I wanted even more to see Pennsylvania’s¬† phd thesis mba http://bacteries.fsaa.ulaval.ca/?dissertation-maupassants help writing an informative essay online masters degree programs no thesis Argus open up in the Green Room.

Riding the line between doom and traditional metal, the¬† Brian “Butch” Balich-fronted¬†Argus¬†launched their set with “By Endurance We Conquer,” “No Peace Beyond the Line,” and “The Hands of Time are Bleeding,” the first three songs from their third and latest full-length, 2013’s¬†Beyond the Martyrs¬†(review here). The crowd knew the songs and sang along to the hooks, particularly in “No Peace Beyond the Line,” the five-piece of Balich, guitarists Jason Mucio and Dave Watson, bassist Justin Campbell and drummer Kevin Latchaw making the best case I’ve yet heard for their songwriting. With the two guitars, driving, forward rhythms, roots doom and NWOBHM-precision, Balich‘s powerful voice in addition to that level of craftsmanship, it was no challenge to see the appeal of Argus, and the Green Room certainly got into it. Heavy metal might be a subculture, but it’s one that crosses an awful lot of national borders, and I doubt if there’s any fist-pumping headbanger types who couldn’t get down with Argus. They’re as classically-styled as classically-styled gets, and they delivered in force at Roadburn.Argus (Photo by JJ Koczan)

They were dug into the particularly Trouble-y “Pieces of Your Smile” when I made my way over to the main hall for Chicago instrumental four-piece Bongripper. Now, it would’ve been awfully nice to see those dudes kick the living crap out of their latest album, 2014’s Miserable (review here), way back on Thursday night, but they were going on late and, well, you know the story, with the typing and the clacky-clacky and whatnot. Fine. No way in gosh darn heck was I going to miss my second chance to see guitarists Nick Dellacroce and Dennis Pleckham, bassist Ron Petzke — with whom I shared a cab to Tilburg from Schiphol Airport on Wednesday — and drummer Daniel O’Connor bludgeon all in their path with volume and raw, plodding riffs. With a formidable stack of amps and cabinets behind them,¬†Bongripper¬†tore into a swath of material, a crowd having shown up early to get a good spot for the punishment they knew was in store.

Seeing¬†Bongripper¬†live is like being swallowed by sound. Like if sound had a mouth — maybe the mouth from the front cover of¬†Miserable¬†would suffice, if you need an image — and that mouth ate you. A beastly barrage of riffs and tonal thunder, all of this maddening heft pushed onto the audience in an unrelenting assault. They ended by wailing on their instruments Bongripper (Photo by JJ Koczan)in time to¬†O’Connor‘s crashes, a kind of violent assault on their equipment that fed into the thick wall of noise built up, the packed Main Stage room nodding in unison. The band stopped short of taking a bow when they were done, but no one would’ve been able to say they didn’t deserve to do so. It’s a primal element of doom and sludge and stoner riffing that¬†Bongripper¬†feeds into, fattens, and then slaughters, but the grungus is mighty in what they do and spread out on the wide stage, it was as much an art project as a wanton beatdown. Even their feedback was a weapon.

I’d run into Ohio’s¬†Lo-Pan¬†earlier in the day. They’re on tour with¬†Abrahma¬†now, have been for a couple nights, and like a lot of US heavy bands who come to tour Europe for the first time, I think they’ve been impressed at the show culture. People show up, bands aren’t treated like crap, and it’s a generally cared-for situation, something precious done in a general public interest.¬†The crew workingLo-Pan (Photo by JJ Koczan) at the¬†013¬†as a part of¬†Roadburn¬†are second to none in professionalism or hospitality, and so it seemed reasonable to me the band would be singularly impressed. All the better for the show, which is both the intent and precisely how it worked out when they went on in the Green Room at 18.30. They were clashing with¬†Claudio Simonetti’s Goblin, but I’ve been itching for¬†Lo-Pan¬†to make a debut at¬†Roadburn¬†since they put out¬†Salvador¬†(review here) early in 2011. Let’s be clear: I wouldn’t miss them anyway. I’ll go see¬†Lo-Pan¬†just about any night of the week, but I knew this one was going to be special.

Of course, it was. “El Dorado” from¬†Salvador¬†opened and “Regulus” from last fall’s rager¬†Colossus¬†(review here) followed, the band immediately on fire. It was my first time seeing them with guitarist¬†Adrian Zambrano, who came aboard in Nov. 2014 to fill the role formerly held down by¬†Brian Fristoe. A new¬†Lo-Pan, in a new place with new energy and even a new song in the set, there was nothing not to like. They were so tight it hurt¬†With vocalist¬†Jeff Martin¬†set up in back behind drummer¬†Jesse Bartz¬†as per usual,¬†Zambrano¬†on stage left and¬†bassist¬†Scott Thompson¬†on stage right,¬†Lo-Pan¬†were a heavy rock and roll force.¬†Zambrano¬†brought a little showmanship and style to the riffs and solos, and where¬†Bartz¬†and¬†Thompson¬†have always hit it hard on stage and the guitar was a more subdued presence (nothing against that whatsoever), having¬†Zambrano¬†headbanging away, tapping¬†on the frets while throwing his pick-hand behind him, tossingLo-Pan (Photo by JJ Koczan) a leg up on the monitor and so on both reinforced the energetic character of the band, as well as the material, and made it all the more exciting.

Speaking of headbanging, I did. It was among the best sets I’ve seen¬†Lo-Pan¬†play — lights, sound, performance, you name it — and yeah, I was getting into it a bit. I wound up banging my head into one of the monitors at the front of the stage early into the set. No blood, it wasn’t that bad, but I’ve got a bump sticking out of my forehead now and I expect by the time I get off the plane tomorrow in Boston it’ll be a good-size bruise. Easy enough to laugh it off and keep going, even if it’s a little sore when I raise my eyebrows, which I apparently do¬†all the time. That’s how you find out that kind of thing.

Anyway, point is it was so, so, so, so good to see¬†Lo-Pan. Not only because they’re one of American heavy rock’s best bands — I’ve called them the finest in US fuzz for pretty much the last four years — and not only because they killed it and put on a stellar show, but because they did it here, as a part of¬†Roadburn¬†2015, looking across the stage at each other and challenging themselves to play better, harder than they have before. Their first European tour comes after countless US slogs and will hopefully lead to more, but it seems likely to me they’re going to remember this one, and I’m glad to have stayed through “Eastern Seas” and “The Duke” to watch them hammer¬†down their victory. I’d been looking forward Abrahma (Photo by JJ Koczan)to it since they were announced, and it warmed my cold, dead heart to see them kick so much ass.

Their tourmates from Paris and Small Stone¬†labelmates,¬†Abrahma, were going on shortly down the block at¬†Cul de Sac, which is right in the stretch of bars on Heuvelstraat adjacent to the¬†013¬†that for I don’t even remember how many years now I’ve been calling¬†Weirdo Canyon (hence the¬†Dispatch). The relatively small club is where the¬†Hard Rock Hideout¬†was held on Wednesday (review here), and I like the room a lot, so it seemed perfect to follow¬†Lo-Pan¬†with¬†Abrahma¬†and head over. Already they were on stage when I got there, dug into what turned out to be their soundcheck, but with the lights up, I snapped a few pictures just in case when they actually started they decided to play in the dark, as pretty much every band I’ve ever seen in that space has done.¬†Abrahma, however, dared to be different.

In keeping, their upcoming second album,¬†Reflections in the Bowels of a Bird¬†(review/track stream here), does likewise, pushing into moodier, somewhat less psychedelic territory than their 2012¬†debut,¬†Through the Dusty Paths of Our Lives¬†(review here). Their set, which was actually just about split between the two records and leaned slightly toward the new one,Anathema (Photo by JJ Koczan) was surprisingly heavy. Very riffy, very big in tone. Not quite to the level of¬†Floor-syle bombdropping, but not far off either. As a frontman,¬†Sebastien Bismuth¬†was charismatic and engaging, banging his head harder than many and managing not to injure himself in the process unless you count an almost certain sore neck tomorrow, and joined by drummer¬†Fred Quota¬†for this tour along with bassist¬†Guillaume Colin¬†and guitarist¬†Nicolas Heller, their sudden bursts of weighted groove hit with an impressive, genuine impact. As their songwriting continues to grow and become more complex, I’ll be interested to see how that impact evolves.

A prudent move would’ve been to stay longer, but even though it’s the¬†Afterburner,¬†Roadburn¬†means time to move.¬†Anathema¬†would soon be on the Main Stage, playing a special set allotted 130 minutes that was being called “Resonance” and which started with the eponymous “Anathema” from last year’s¬†Distant Satellites and working backwards through their discography. The Cavanagh¬†brothers,¬†Vincent¬†(lead vocals, guitar),¬†Danny (guitar, backing vocals) and¬†Jamie¬†(bass) were down front of the stage with drummer¬†Daniel Cardoso and keyboardist/programmer¬†John Douglas¬†on risers behind, and over the course of their time, current vocalist¬†Lee Douglas¬†made intermittent appearances — a striking one for “A Natural Disaster” lit, at the band’s request, only by cellphone lights from the crowd, as seen on the cover of their 2013 DVD, Universal¬†— and former bassist¬†Duncan Patterson¬†and former vocalist¬†Darren White¬†both showed up the farther along¬†Anathema¬†went, deeper Anathema (Photo by JJ Koczan)and deeper still into their 25-year history.

They’re doing a short “Resonance” tour, are¬†Anathema, but¬†Roadburn¬†2015 was the first night, and the first time¬†White¬†had been on stage with the band in 20 years. Something special, no doubt. Here’s a fun fact, though: I love that band. Along with¬†Amorphis, who were playing through the main hall P.A. just before¬†Anathema¬†went on,¬†Anathema¬†were one of the acts that led me into exploring underground metal, and ultimately — so the story goes — selling my soul to¬†Tony Iommi¬†at the expense of career, well-being and, this week, sleep. No complaints. But¬†while Anathema¬†are a pivotal band for me personally, a landmark act without whom I genuinely don’t believe I’d be the same person, I also fall into a rarer category of¬†Anathema¬†fan. It’s not their early stuff that I got into back when I was in high school. Not 1995’s¬†Pentecost III, from which “Kingdom” and “Mine is Yours to Drown In (Ours is the New Tribe)” were aired at the start of what would be a third individual component set in the longer runtime, and not even the album¬†The Silent Enigma, which followed it that same year, powerful though “Sunset of Age” and “A Dying Wish” were.

I have those records, and I dig those records a lot, but what got me into¬†Anathema¬†is their often-overlooked middle period: 1998’s¬†Alternative 4, 1999’s¬†Judgement, 2001’s¬†A Fine Day to Exit¬†and 2003’s¬†A Natural Disaster. When I’m reaching for an¬†Anathema¬†album — as I invariably do in a depressive Anathema (Photo by JJ Koczan)fit as I wallow in my own filth and worthlessness because¬†I’m just the right kind of emotional cripple that music offers comfort I apparently can’t allow myself to feel otherwise; whoops — those are what I go for, and when¬†Vincent¬†led the way into “Pressure” from¬†A Fine Day to Exit¬†and “One Last Goodbye” from¬†Judgement¬†tonight, those were the songs that had me tearing up. No bullshit, bringing¬†Darren White¬†out was incredible. Clearly charged up to be on stage with the band in the context of headlining at¬†Roadburn 2015, he settled in and nailed the dramatic chorus of “Kingdom” — shades of¬†Fields of the Nephilim¬†influence showing themselves — and led the band through the finish of their professionally polished but still emotionally potent¬†set, “Sleepless” from¬†Anathema‘s 1993 debut,¬†Serenades, closing out.

This was the¬†Anathema¬†show I’ve been dreaming of, covering their whole career, but their mid-period, pre-prog, post-doom, was what hit me the hardest, the first four cuts from¬†Alternative 4¬†played with¬†Patterson¬†on bass to morose and atmospheric effect. They could’ve done a third hour, easily, and I might have The Golden Grass (Photo by JJ Koczan)stayed for it if they did.

As it was, time was ticking away. One more stop to make, and it was back in the Green Room of the¬†013 for Brooklyn trio¬†The Golden Grass, whose 2014 self-titled debut (review here) has only grown in my esteem since it was released. They’re a reminder of home for me, the East Coast, New York and all that, so they were perfect to close out my own little version of¬†Roadburn. Guitarist/vocalist¬†Michael Rafalowich, drummer/vocalist¬†Adam Kriney¬†and bassist¬†Morgan McDaniel¬†are on tour with¬†Hypnos, who’d wrapped a bit earlier at the¬†Cul de Sac, and though I knew I wouldn’t be there the whole time, I wanted to catch at least a bit of their sunshine boogie to help make the thought of walking out of¬†Roadburn¬†2015, taking off my wristband and coming back to the hotel to put this last review together not quite such a bum-out. By the time they were through “Stuck on a Mountain” and “Please Man” and into a newer song I didn’t know, a bum-out was out of the question. Nothing but good vibes the whole way as I said a few quick goodbyes andThe Golden Grass (Photo by JJ Koczan) walked down the stretch of Weirdo Canyon, a little quieter Sunday than Saturday, but by no means abandoned. I owe¬†The Golden Grass¬†one for that.

Strange to think that “tomorrow” (read: in three hours) when I get up to shower early and head out, it’ll be to the airport instead of the¬†013¬†office to bang out another issue of the¬†Weirdo Canyon Dispatch.¬†Roadburn¬†develops its own culture so quickly each year, and the more and more I’m fortunate enough to come see¬†Tilburg in the springtime, the more it feels like home.

I’ll have another post up to close out this series and say thanks and whatnot, so until then, I’ll just say the same thing I always say: More pics after the jump and thanks for reading.

Argus

Argus (Photo by JJ Koczan)

Argus (Photo by JJ Koczan)

Argus (Photo by JJ Koczan)

Argus (Photo by JJ Koczan)

Argus (Photo by JJ Koczan)

Argus (Photo by JJ Koczan)

Bongripper

Bongripper (Photo by JJ Koczan)

Bongripper (Photo by JJ Koczan)

Bongripper (Photo by JJ Koczan)

Bongripper (Photo by JJ Koczan)

Bongripper (Photo by JJ Koczan)

Bongripper (Photo by JJ Koczan)

Bongripper (Photo by JJ Koczan)

Lo-Pan

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Lo-Pan (Photo by JJ Koczan)

Abrahma

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Abrahma (Photo by JJ Koczan)

Anathema

The Golden Grass

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

The Golden Grass (Photo by JJ Koczan)

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One Response to “ROADBURN 2015 AFTERBURNER: A Blink of an Eye”

  1. Dave says:

    Thanks JJ! this was really the next best thing to being there. Afterburner sounds like it was f’in great.

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