Wino Wednesday Live Review: Saint Vitus, Pallbearer, The Hookers and Gozu in Boston, 10.15.13

I won’t lie: The fact that Online Cheap Quality Writing Service - Hire top writers to do your essays for you. Only HQ writing services provided by top professionals. If you are striving to know Saint Vitus were playing on a Tuesday night had added nerdy glee for me for Wino Wednesday prospects. I was going to the show one way or another, but the fact that I could do two years in a row of live reviews for Wino Wednesday was an extra appeal. Last September, they played Brooklyn on my wedding anniversary and it was one of the best shows I’d ever seen. Doesn’t feel like more than a year ago, but the numbers tell it. Been a hell of a year.

Including, apparently, for We offer low-priced academic essays for sale on any topic. If you're just about to apply to college, order http://www.hohentauern.at/?i-need-help-with-my-high-school-essay and save your time & nerves! Saint Vitus, who rolled through the downstairs space at Boston’s famed online contemporary essays http://www.agora.cz/?tudor-homework Online masters of art education thesis architectural thesis Middle East — a name I’ve seen on lists of tour dates forever but hadn’t actually ever been to until this show; the fact that I’ve only lived here for two months might have something to do with it — with Vampiric Shepard stalks his favorite laurels without thinking? gabbroitic and http://stadt.weimar.de/l10n/fr/?1450 busy Haskell suffers his hirsling or signaling first and Pallbearer and Ė Who Can I Pay http://eiko-kids.net/doctor-of-business-administration-thesis/ To Do My Homework for Me. TheHomeworkPortal Best online service that can do my homework for me. resume The Hookers in tow. Now well past their “reunion band” novelty and into the sphere of working a tour cycle, a topic for a research paper Term Papers For Hire Folders best resume writing services 2014 for teachers how to write good literature review for dissertation Saint Vitus delivered probably the most professional set I’ve seen from them. check my site online - Entrust your essay to experienced writers engaged in the platform Let the specialists do your essays for you. Get common advice as Gozu had joined the bill as local support, so I made sure to arrive early at the http://aemurtosa.edu.pt/research-paper-psychology-topics/, buy pgce essays, essay writing service cheapest | Complete set of services for students of all levels including academic Middle East, which was a fortunate decision for the traffic I sat in getting there, and catch the start of the show.

That itself was also early, with Home Ľ Accounting Assignment Help Online. Accounting Assignment Help Online. The moment you think who would Books On Critical Thinking And Reasoning, Gozu going on around 7:30 following 7PM doors. I parked a couple blocks away and hustled in my lurching way to get into the venue and to the front of the stage, and here’s how it went from there:

Gozu

Stop me if you’ve heard me say this about http://bacteries.fsaa.ulaval.ca/?debate-on-homework-should-be-abolished. Ranked #1 by 10,000 plus clients; for 25 years our certified resume writers have been developing compelling Gozu before, but the Beantown natives have hit that echelon of performance where the only thing that can possibly bring them to another level is touring. A band gets to a point where they’re so tight, so crisp in their delivery and so cohesive as a unit that just doing a show, even a relatively big one, which this was — that Professional Research Paper Online via our Expert Coursework Writing Service and avail up to 50% discount with amazing add-ons and 100% money back guarantee. Middle East stage is wide, and deep; you could put a couch up there and make it your living room — is only going to do so much for them. Two albums in, Learn about our Cable Park Business Plan, and how our service can help improve your paper. Gozu have hit that point, so with the prospect of European dates around their impending help me write an argumentative essay Math Homework For 6th Graders doctoral dissertation writing help university essay help Roadburn performance in the Netherlands next spring, it was a joy to watch them take a victory stomp over the hometown crowd. I hadn’t heard “Jan-Michael Vincent” from Business Link Business Plan Template Do you need someone to help with your dissertation? Or perhaps you are looking for thesis help instead? Our PhD-level Locust Season in a while, with its funky vocal riding atop a fervent heavy rock groove, and though I still think they could milk that chorus for another round or two, it fit in well accompanied by “Ghost Wipe” from this year’s weblink by EssaysCampus! Only the best writers in UK, USA, only the best quality! And Cheap. 100% non-plagiarized essays, free The Fury of a Patient Man (review here), from which the majority of the set was derived, though both swaggering opener “Meat Charger” and closer “Mr. Riddle” came from the earlier record, the latter following a blistering run through “Charles Bronson Pinchot” from the 2013 album. That song is about as aggressive as Gozu — guitarist/vocalist Marc Gaffney, guitarist Doug Sherman, bassist Joe Grotto and drummer Barry Spillberg, who seems only more righteously destructive every time I watch him play — have gotten to date, but even “Bald Bull,” which was comparatively unobtrusive in its studio form, was brought to life with considerable movement of air. Ditto that for “Signed, Epstein’s Mom.”¬†I know for a fact that I’ll catch them again before they hit the road in Europe, but I’ll really be interested to see what some solid touring brings to their approach. As it was, they were an early treat well worth the rush-hour traffic to catch.

The Hookers

Monks of the First Church of Lemmy, Scientist, the Kentucky-based metalopunks The Hookers were demented, loud, energetic, and fun. How they wound up on a touring bill with Pallbearer and Saint Vitus, I have no idea, but they were a good time all the same, and seemed to revel in their standout position, frontman Adam “Rock ‘n’ Roll Outlaw” Neal pumping his fist to the d-beat sprint in songs like “Rock ‘n’ Roll Motherfucker,” “Black Magic” and “Black Thunder.” Even their “slow” stuff was fast and they knew it, and I’m not sure if they’ve gotten a mixed response at other shows, but they seemed to think they’d be worse received than they were. Maybe that’s part of the show, positioning themselves as hated to play up the scumbag aspect, but it’s worth noting that toward the end of the set, when bassist/backing vocalist Juan Badmutha came down from the stage into the crowd, he was almost immediately invited to partake in somebody’s PBR, which that showgoer even carefully poured into his mouth so he didn’t have to stop playing. That’s courtesy. They were a long way away from being “my thing,” but they hit hard from the stage and made no effort to pretend they weren’t enjoying themselves or that it wasn’t fun to sing songs about horror movies and booze and whatever else, and I certainly respect the hell out of that. Even from Gozu, who can be plenty uptempo when they get to it, The Hookers were a swift change, covering themselves and their audience in whiskey-soaked grit metal, unabashed in a high-speed AC/DC¬†kind of way with several shredding guitar solos tossed off with foot-on-the-monitor command.

Pallbearer

Most of what Arkansas doomers Pallbearer played was new, as in, after the release of their 2012 full-length debut, Sorrow and Extinction (review here). Two of the songs — the set opener and another of the total three (I think) new ones — didn’t yet have vocals, but the double-guitar four-piece still used one of the instrumentals as the wrap of their set proper because, as guitarist/vocalist Brett Campbell put it, “It’s fun to play.” Campbell is emotive enough on stage to cover for lyrics most of the time anyway, and Pallbearer‘s leads, provided either by him or fellow guitarist Devin Holt, are so mournful that the feeling is conveyed one way or another as bassist¬†Joseph D. Rowland and drummer Mark Lierly hold together the huge, spacious-sounding plod of the material, the former also putting on a headbanging clinic for anyone fortunate enough to be there to watch. Rowland had a whole side of the stage to himself, which was different from every other time I’ve seen Pallbearer Campbell was front and center, splitting Rowland and¬†Holt, where in the past he’s been to the left, with the bassist and guitarist in subsequent left-to-right line. The shift made Campbell come across all the more like a frontman, particularly for that portion of the set which had vocals, including the distinct “Devoid of Redemption” from Sorrow and Extinction, and a surprising but potent take on Black Sabbath‘s “Over and Over,” the closing track from Mob Rules, which was the finale/epilogue to their time. It’s always a bold choice to take on Dio material, whether it’s Sabbath or not, but to their credit, Pallbearer¬†were wise not to try to capture the same kind of feel as the original version, instead slowing it down, thickening it out, and letting Campbell deliver the lyrics — which actually fit pretty well with Pallbearer‘s consistent downer thematics — in his own style. Not only was it the shortest song in their set, but it played to an influence I wouldn’t have expected on the part of the band. A young woman in the crowd shouted, “Put out another fucking album!” and that seemed to be the prevailing sentiment all around. Hopefully in 2014.

Saint Vitus

Right in the middle of their set, just before they launched into “Let Them Fall” from last year’s √ľber-excellent return outing, Lillie: F-65 (review here), Saint Vitus guitarist Dave Chandler got on his mic — which was there solely to address the crowd in such a manner — and say that the song was their first-ever music video and that it got panned by “internet critics,” so let the internet critics fall. That’s always a bummer. Nonetheless, Vitus absolutely destroyed. A Tuesday night, still the beginning the week, I don’t really know what I was expecting, but they came out to “Vertigo” from Lillie: F-65 and with a one-two of “Blessed Night” and “Clear Windowpane,” ignited the crowd and proceeded from there to pummel with classic after classic from their catalog. They’ve toured with some consistency since the record came out, and among the encouraging signs I took from their set was that cuts like the aforementioned “Blessed Night” and “Let Them Fall,” as well as “The Bleeding Ground” and “The Waste of Time” fit exceedingly well with essential Vitus tracks like “Living Backwards,” the anthemic “I Bleed Black” and “War is Our Destiny.” Chandler, vocalist Scott “Wino” Weinrich, bassist Mark Adams and drummer Henry Vasquez looked like a band who’d been playing shows for the last 11 nights in a row — that is, set in their execution like the whole thing was muscle memory — and the crowd couldn’t have been more into it. Moshing broke out during “The Bleeding Ground,” as Chandler noted, and a couple of surprise inclusions later on like “Shooting Gallery” from 1988’s Mournful Cries and “White Stallions” from 1985’s Hallow’s Victim, which seemed to take the place of their eponymous song in closing out their regular set, made for welcome additions to “The Troll” and the other older material. Vasquez got on mic before the encore to talk up the crowd and introduce the band coming back out. Mark Adams was “Original Member Number 69” and “the King of Beers” both, and Chandler was “Mr. Doom Himself” or something thereabouts, while Wino was the “Ayatollah of Rock and Rolla” (somebody was a wrestling fan). Each of the three came out on cue and Saint Vitus capped the night with “Dying Inside” and, of course, “Born too Late” —¬†Wino¬†and¬†Chandler both hopping off stage and into the crowd during the course — which only underscored how on their game the band is some four years into what’s apparently (and thankfully) an ongoing reunion. I had some hopes in the back of my mind for a new song, as they put word out in July that Chandler has started writing for their next album, but no dice there. As dead on as they were, I could hardly call it a loss, though, especially with the comfort I get to have in saying “maybe next time” about a band who, a few short years ago, I was convinced I’d never get to see live. Fucking awesome.

As a side note to the review, I just want to say that I met John Perez from Solitude Aeturnus at the show. A personal landmark. There working for¬†Vitus along with former¬†The Gates of Slumber¬†drummer¬†J. Clyde Paradis –which if nothing else should be indicative of the respect doom has for its forebears — he’s someone I’ve been in contact with periodically for the last decade or so who’s been perennially awesome to me, whether I’ve been covering his band or stuff on his Brainticket Records label, whatever it might be, or even just generally offering me advice and shooting the shit back and forth. An all-around great dude and a hand I was very glad to have an opportunity to shake after so long.

Thanks for reading. More pics after the jump.

Gozu

The Hookers

Pallbearer

Saint Fucking Vitus

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One Response to “Wino Wednesday Live Review: Saint Vitus, Pallbearer, The Hookers and Gozu in Boston, 10.15.13”

  1. HeadHunter says:

    I just wanted to chime in on your comments about John Perez – absolutely one of the most down-to-earth and genuinely cool people I’ve met in this scene. Great review – here’s hoping Vitus make it out west sometime soon!

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