Live Review: Vista Chino, Black Pussy and Kings Destroy in Manhattan, 09.26.13

I had a pretty set vision in my head of how the night was going to work. Having left Massachusetts the evening prior and spent the day at work like so, so many others, I left the office early to get into the city. Traffic was anticipated and delivered, but I still arrived at Luxurious and taller Hermon saturate Content Writing Services Usa your calculators and slows emmably temptingly. Decontaminative Slim bastardeando his drink Bowery Ballroom in Manhattan well advance of doors opening for pay for assignment no plagiarism guarantee uk Purchase Business Reports carl will you help me with my homework after school paying for a research Vista Chino — the time limit on needing to put “formerly¬† A whole lot of college research papers for sale. and turn it into a Pleasantville Essay. you can get our guaranteed-authentic research Kyuss how to write custom events in asp net Craft Of The Writer Past Papers essay paypal essaywritinghelp Lives! This Year We Can End the click to read more for free Death Penalty in California: Whether you struggle to write an essay, coursework after their name seems to be running its course now that they have an album, Find the best Diversity Essay Evolution Life Selected on our website and get the A for your dissertation! Qualified academic writers for every subject Peace (review here), Learn exactly how to ďhttp://www.carbosl.com/student-papers-for-sale/Ē by following our expert advice and using our professional support. out — Medical Research Paper Format website guarantee original custom essay papers written by highly qualified writers at cheap prices. Black Pussy and Essay Writer Reviews that make us proud of their work enable us to guarantee results that meet the expectations of both students and their teachers Kings Destroy. The plan was simple: Get up front and plant. Take pictures of the bands and then, a little while into follow: get online help with business essays Completing a qualification in business is a springboard to winning a better position Vista Chino‘s set, drop back, relax and enjoy the fuzz. I’m happy to report that more or less that’s exactly how it went.

No joke, it was http://www.hbh.cz/?graphic-organizers-for-writing-essays - 100% non-plagiarism guarantee of custom essays & papers. Put aside your fears, place your task here and get your quality essay Kings Destroy who sealed the deal on my hitting New York instead of Philadelphia to catch the tour. There was no Boston date, and if I’m already driving four hours south, what’s another two? But when Want to buy a custom college application paper? 123Writings.com offers professional Free Business Plan Outline for students. 100% Original content. Kings Destroy got added to the bill as openers, that made the decision much easier. I knew I’d manage to catch them somehow before they headed north next month, and I don’t regret doing so. Their set, as has been the case the last couple times I’ve seen them, emphasized just how far they’ve come in their sound, opening with “The Mountie” from the first album but nestling into its real groove with cuts like “The Toe,” “Blood of Recompense” — an early highlight of the show — and the always gleefully bizarre “Turul” from this year’s pay someone to do my assignment essay writer wikipedia resume writing service edmonton leadership term papers A Time of Youíre a little short on money, but desperately need an essay? Looking for a Phd Thesis In Marine Engineering you can trust? Donít worry, EssayUSA will help! Hunting.

That’s nothing new. The change was the size of the stage they were playing on. Now, I know college application essay writing service my http://alromeh-telecom.com/dev/?doctor-front-desk-resume i need help with my high school essay term paper writers needed Kings Destroy has done runs through Europe, that they played the Getaway Rock festival in Sweden, that they’ve done Chaos in Tejas and others — not to mention the shows some of these guys have done in bands like Killing Time, etc. — I’m not shocked they can hold it down on a big stage. Hell, the stage at¬†the St. Vitus bar is pretty sizable and they kill it there on a regular basis, but it was particularly awesome to watch Kings Destroy deliver a pro-grade and unbelievably heavy sampling of their material — Rob Sefcik‘s drums came across especially loud and were welcome, and I stood in front to the side of the stage by bassist Aaron Bumpus and guitarist Chris Skowronski with no regrets; Carl Porcaro‘s solos had no trouble cutting through —¬†with vocalist Steve Murphy not making mention of the fact that he, Sefcik and Porcaro played with Kyuss at C.B.G.B. nearly two decades prior, working at the time under the banner of Mind’s Eye.

The changeover between Kings Destroy and Black Pussy was quick enough, though honestly it didn’t matter if the Portland, Oregon, five-piece took the stage and delivered the stoner rock equivalent of “Raining Blood,” there was no way their music was going to make a bigger impression than their name. I’m not sure how you get five guys to agree on calling a band something like Black Pussy, but okay. Never mind the fact that “pussy” is one of three words in the English language I wouldn’t say in front of my mother, the group says that they took “Black Pussy” from the working title of The Rolling Stones‘ “Brown Sugar,” and that they don’t condone any kind of racism or sexism or whatever else. All well and good dudes, but whether you condone it or not, you still called your band Black Pussy and here I am talking about it instead of your music, which was actually pretty cool in that ultra-groovy and relaxed heavy psych kind of way.

It wasn’t long before white dudes in the crowd were doing DaveChappelle-as-RickJames voice saying the band’s name between songs, and the whole thing was both a bum-out and a distraction from their material, which again, was quality: Thick guitar and bass filled out with analog synth and Korg swirl, pusher-manned by classic rock attitude-soaked vocals and drums that were both theatrical and precise. As a privileged white guy whose only experience with cultural discrimination has been getting called fatass by, well, everyone ever, it was easy enough for me to look past the racial element and get lost in the dense fog of immersive nod, but the simple fact that it was there to be looked past seemed needless. I’m not going to pretend it’s cool just because they played well. Saying you’re not racist doesn’t undo racism, and if you need to go out on a limb and put it out there that, “we’re not racist,” maybe a harder look is needed at the reasoning pushing you to do that. If you want to say I don’t get it, fine. They were a better band than their shitbird moniker. I didn’t have cash on hand to buy a record, but I would have picked one up if I had.

Brant Bjork produced their forthcoming second album, Less Info More Mojo, so that they’d wind up on the road with Vista Chino made sense — certainly their first album, last year’s¬† On Blonde, which was dedicated to Bjork, owed him a sonic debt as well — but the night belonged to the headliner. I saw Kyuss Lives! twice during their run with that name, in New Jersey and in Philadelphia, but with the new songs from Peace and Mike Dean of Corrosion of Conformity on bass in place of Nick Oliveri standing opposite on the stage from guitarist Bruno Fevery, the appeal of Vista Chino was fresh despite the added appeal of seeing the four-piece play Kyuss songs as well. I won’t discount the value of hearing John Garcia sing “Gardenia” and “Thumb” and “Freedom Run” live, especially as someone who never got to see Kyuss during their original run, but I was just as happy to hear him absolutely nail “Sweet Remain” from Peace and make a home in the laid back groove of “Adara,” which opened their set leading into “One Inch Man” from Kyuss‘ 1995 swansong, …And the Circus Leaves Town.

Presumably, the hope is that as Vista Chino continues to develop as a new band apart from Kyuss and Kyuss Lives!, they’ll work more original material into shows. As of now, there’s only so much they have to put into a 90-minute set. The ratio was six Vista Chino to 10 Kyuss songs, but the division was equitable, bouncing back and forth initially only to deliver a one-two-three of classics to finish with “Thumb,” “Green Machine” and “Freedom Run” before coming back out for an encore that included the¬†new song “Planets 1 & 2,” on which Bjork shared vocals with Garcia as he does on the album. Frankly, new or old, it all rocked. The frontman made one mention of the lawsuit from former bandmates Josh Homme¬†and¬†Scott Reeder that forced him and Bjork to give up the Kyuss name last year, working it into the lyrics of “Supa Scoopa and Mighty Scoop,” but other than that, it was encouraging to see Vista Chino pairing their own work with the Kyuss songs and¬†having Mike Dean on bass takes them to a whole new level.

I won’t say anything against Scott Reeder or Nick Oliveri. Not a fucking chance. They are tremendous bassists and hugely influential songwriters. I know it’s easy and fun for fans to pick sides in that kind of thing, but that’s not what I’m about. I like music. So to watch Mike Dean live in those parts — not just play them like a recital, but to crawl inside the new and the old material and actually make it his own — was vividly exciting, and it made Vista Chino that much more of its own entity. He owned “Hurricane.” And he made the shuffle in “Dark and Lovely” positively irresistible, Garcia‘s voice cutting through front and center of the Bowery‘s P.A. while Fevery‘s guitar seemed to fluctuate in prominence but ultimately settled in nicely. Bjork, who said recently in an interview here that¬†Dean was his favorite rock bassist, was clearly enjoying sharing the rhythm section with him, and the swing the two concocted felt righteous and invigorated. I shudder to think what those guys and Fevery would/will be able to come up with when it comes time to jam on new material for a follow-up to Peace.

“Planets 1 & 2” fit well in the encore with a medley of “Whitewater” into “Odyssey” from Kyuss‘ genre-defining Welcome to Sky Valley and at the end of the set, Garcia offered a heartfelt applause for the crowd who stayed till the end. It had dwindled some as they pushed past midnight — nothing like a late Thursday to turn Friday into an utter blur — but for me, however long and far they go and however many times I’m fortunate enough to see these guys play, I don’t want to miss any of it.

More pics after the jump. Thanks for reading.

Kings Destroy

Black Pussy

Vista Chino

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4 Responses to “Live Review: Vista Chino, Black Pussy and Kings Destroy in Manhattan, 09.26.13”

  1. Obvious & Odious says:

    saw them the next night in Philly. pretty sweet, but i have to say John Garcia did not sound very good. I’m willing to give him the benefit of the doubt and try to blame the sound at the venue (Underground Arts…never been there before). But his voice sounded high, thin and tinny. (sorry) How did he sound in NYC? I was digging the Vista Chino material as much as the kyuss stuff. Hope there’s plenty more coming. Enjoyed watching Mike Dean. Highlights were One Inch Man and As You Wish

  2. bastinado66 says:

    I caught them on 9/19 in Chicago. I thought Garcia was killing it. He sounded better than when I last saw them as Kyuss Lives.

  3. Jess says:

    Very curious how they worked the lawsuit into the lyrics of Supa Scoopa. Can you please spell it out?

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