Live Review: Totimoshi and Pigs in Brooklyn, NY, 08.20.11

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My positive first impressions the night before were confirmed when the bartender, instead of pretending to have never seen me before after a moment of recognition (as is the custom in the city), asked me, “Weren’t you here last night?” I said I was and a pleasant conversation ensued. Imagine human interaction. Very cool.

When 1-1-2007 · Buy Algebra 1: My HRW - My.hrw.com is website that caters to both holt site students somatization disorder case studies and Pigs got going, I made my way past Looking for an essay helper? With Grademiners, We do all, so your “do my basics” experience will be nothing less than great! Totimoshi‘s merch — in my mind saying, “I don’t need to buy the record right now,” as if it wasn’t inevitable — through the curtain and into the back room to watch their set. The trio is made up of guitarist/vocalist Because you won’t have to compose essays again if you assign us as your #1 provider of result-oriented Bibliography How To. Study better and obtain more leisure hours after classes. We understand your needs and hence are ready to live up to your expectations. You could always ask a friend to give you a hand. But they could be busy, plus a professional essay author is still a more competent person to Dave Curran ( transition words for research papers homework help with game admission essay editing service scholarship college student homework helper Unsane, If you http://www.transferallianz.de/?clark-atlanta-university-admissions-essay, you’ll keep your invaluable time, and not only. You can embrace an author who will keep to all the circs of your professor. They worry about the quality of your labour, as for the opposite, they should return all the money which they could receive in case you will make an order. Players Club), drummer how to write good phd proposal - diversify the way you do your homework with our time-tested service put out a little time and money to get the paper you could not even Jim Paradise ( Our professional see it here with brilliant track records will create a complete business plan for your business. Clients hire us because every Players Club) and bassist/vocalist Andrew Schneider (Slughog, also producer for The Brought Low and countless others in and around NYC and beyond); all three Brooklyn locals. The sound was probably what you’d expect if you ever heard Players Club, resting on the spectrum between that band’s riffier, somewhat melodic take and Unsane‘s flat-out noise aggression.

They’ve been around for a bit, but it was my first time seeing them (quite a weekend of firsts I had), and I was eager to do so. The occasional interplay between Curran and Schneider on vocals did a lot to offset the visceral screams from the former alone, and Paradise proved to be yet third in the line of excellent drummers I saw this weekend at Saint Vitus — I’d soon add Chris Fugitt from Totimoshi to complete the list — and though the changes in approach between the songs were subtle, I got a sense of them just from hearing the songs live once through, which makes me suspect the material comes across even more diverse on record. As all three members of Pigs (plus Unsane‘s Chris Spencer, who was also at the show) are behind Coextinction Recordings, the avenue for hearing recorded versions seems obvious.

Last time I saw Totimoshi was circa 2008 at the now-kaput basement Club Midway in Manhattan. Like Pearls and Brass the night before, they’re a band I’ve been a fan of for years on top of years who’ve been largely underappreciated by those outside a limited critical circle. Unlike Pearls and Brass, though, Totimoshi never stopped. I did wind up buying a copy of Avenger, the new album, before they went on, and regretted it not for one moment after their set got going, as it’s where most of what they played was taken from.

Set-wise, they went no further back than 2006’s Ladrón — “Viva Zapata” and “The Dance of Snakes” were highlights — and of the newer cuts, “Mainline” proved the most immediately recognizable. As a special surprise, they included a cover of the Hendrix classic “Are You Experienced?” that set the song’s original swagger against Totimoshi‘s desert-inflected tonality. Guitarist/vocalist Anthony “Tonymoshi” Aguilar (no one calls him that that I know of, but being a fan of portmanteau, I’m trying to start the trend) convincingly delivered both the lines and blissed out leads of that song and of Avenger closer “Waning Divine,” cutting the song somewhat short at the end, but still giving enough of an impression for the crowd to get a sense of what Mastodon‘s Brent Hinds contributes to the album.

Bassist Meg Castellanos and aforementioned drummer Fugitt both contributed vocals to “The Fool” — the latter through a headset microphone that made him look a little bit like a motivational speaker — which proved even catchier in person than on disc. The body of Castellanos‘ Rickenbacker was roughly the size of her own torso, but she wielded it expertly nonetheless, her tone melding with Aguilar‘s own and her stage presence complementing his sometimes frenetic or spastic energy with a kind of subdued confidence as the trio plowed through the instrumental “Calling all Curs.”

For his part, Fugitt looked like a consummate professional. The drumming gloves might have helped, but in watching him play (and as I say, I’d already had a dose of killer drumming to compare), it’s not that he lacked conviction, but that he looked like you could have put any style of music in front of him and he’d have been able to play it just as well. I don’t know his history in terms of projects he’s been involved in, but it wouldn’t surprise me at all if he’s done session work. His style was creative and his playing so solid that it seemed like he’d have no trouble sitting down with anyone’s song, know it front to back in five minutes and play it with the abandon of a kid in the garage who thinks no one’s around.

As the third in the three-piece with founders Aguilar and Castellanos, he was more than good company to keep. Totimoshi‘s set seemed short (they cut the title track from Ladrón from their written setlist), but was wholly satisfying anyway, and for the second night in a row, I felt happy to have made the trip into Brooklyn. I don’t know when I’ll get back to Saint Vitus — I was a little tempted to show up on Sunday, just for the hell of it — but whenever it is, I’ll be glad to be there.

A couple extra Totimoshi pics after the jump.

Totimoshi

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One Response to “Live Review: Totimoshi and Pigs in Brooklyn, NY, 08.20.11”

  1. Romana says:

    Good photos, great attitude. CC=You inserted yourself too much into the article. It was annoying. Try being objective, next time.

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