Sistered, New Sky: Success by Volume

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New Sky’s biggest turn comes with the transition from “God Save the Child Brides” into the title track, which finds Sistered embarking on the kind of sentimental-single-notes-over-chords chicanery that I’m told the mop-topped pop kids eat for every meal of the day. That intro soon gives way to chunky Mastodon-meets-NWOBHM riffing and farther-back shouting from Meredith (presumably) and maybe overly active hi-hat work from Egan as complement for an already angular guitar line. At 8:18, “New Sky” is second only to closer “Blood Red Fog” in both track length and scope, but it’s the first show of Sistered’s ability to transcend genre and be something more than “modern riffy punk metal.” An extended break recalling the intro leads into the song’s second half, gradually building to a satisfying instrumental culmination that touches on both the prior-heard melody and chugging heft. It’s the kind of song you’d like to take a second to process, and Sistered do tack on a couple seconds of silence to the end, but as they should, they soon launch into “Layer of the Empire,” which might be the heaviest of the more riff-based tracks on New Sky, taking a kind of pre-Spiral Shadow-era Kylesa approach to post-doom with an engaging stutter in the guitar, subtle vocal melodicism, thick bass and well-used crash in the drums. The opener is forgettable in comparison, but with the ensuing three songs – i.e., “God Save the Child Brides,” “New Sky” and “Layer of the Empire” – Sistered make a good case not only for the diversity of their approach, but also their identity within that variation. “Cool tunes, bro,” one might say if encountering the band for the first time at Pittsburgh’s Smiling Moose or some other similarly-minded venue.

The momentum does derail some with “Talkin’ Shit From Outer Space,” which, while a great band motto, goes on for a bit long and could probably just as easily have held vocals as it does the capable solos from Dzziuban and/or Meredith. At 5:22, it’s less the intro for the second half of New Sky than it is a full song, but it doesn’t quite operate as either, leaving expectations for one or the other unmet. Likewise, the long fade at the end of the aforementioned “Story of the Witch” sounds awfully conclusive, mirroring the structure some of “New Sky” with an instrumental section at its end, but shorter by three full minutes and more intense in its approach. That said, it’s a more satisfying defiance of expectation when the minute-and-a-half “Midnight Revenge” blasts out its furious black-metal infused trash rock as an answer to the ensuing quiet of “Story of the Witch,” setting up closer “Blood Red Fog” slowly engrossing, patient build. A set-back, reverbed solo tops tense drumming and basslines, and a scratchy-voiced vocal (maybe there’s that grunge influence Sistered professes to have) delivers the title over a suitable cacophony, only to have the process begin again. Late in the song, the guitars trade leads in the right and left channels, finally meeting up for New Sky’s payoff apex. To be blunt about it, it works, and though I’m inclined to say they cut it short by one cycle through the riff and end the song too soon, I realize that at upwards of nine minutes, it might be time to let it go and let the feedback carry the album to its finish.

Ups and downs abound, but the end result of New Sky is a strong debut from Sistered, who still have a ways to go in seeking out their musical personality from the fray of their influences, but they’re well on their way. There’s much on New Sky for the band to work from, and plenty for anyone who’d seek them out to engage with sonically. But in all seriousness, if you’re going to look up Sistered and listen to their songs, make sure you do it at a time and in a place where you can turn it up, because there’s something lost in the subtlety of what they do at low volume, and if you want to take it on, it’s important to do it the right way. Play it loud and play it more than once. New Sky might take a bit to settle in, but the result is worth the effort.

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One Response to “Sistered, New Sky: Success by Volume”

  1. Scott says:

    I think Sistered shows a lot of promise with this release. I learned of the band through a show in Baltimore they were playing with Questioner, formerly known as Isthmus. I did a search on all the supporting bands, and Sistered was definitely the best out of all the supporting bands to Questioner. i didn’t make the show, but I took the chance and bought the download of the record. Yeah, there are some holes here and there, and I agree with your points made in your review, but there is some serious guitar shredding and dual melody that is not being heard that often in the genre. The guitar playing has some catchy riffing going on. Besides the Mastodon comparison, you can hear a lot of Acrimony as well. Not as stoney in a long playing jam hessian jam session, but more in the design of the riff during the longer tracks on the record. I thought the release to be refreshing and positive, with thought of the band growing their sound through local shows, regional touring, and maybe an EP or split to showcase some new growth in arrangements and song structure.

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