Buried Treasure and Redscroll in Autumn

When last I checked in with Wallingford, Connecticut‘s Redscroll Records, I walked out of there with a cassette copy of Torche‘s Meanderthal Demos. It’s a purchase I still consider the right move to have made, and as my most recent trip there was most likely going to be my last until Springtime, I figured I’d make the best of it. A thorough search of Redscroll‘s used section has done me right on numerous occasions, and this latest was no different. Dig this haul:

Bottom, Made in Voyage
Chrome Locust, Chrome Locust
Clutch, Jam Room
Fu Manchu, Daredevil
Jethro Tull, Aqualung
Lost Breed, Save Yourself
Lost Goat, Equator
My Dying Bride, Turn Loose the Swans
Natas, Delmar
The Obsessed, The Obsessed
Spiritual Beggars, Ad Astra

A few of those CDs I already own, but there are difference. The Fu Manchu is the original Bong Load Records version, where before I only had the reissue, and though it’s my third copy of Jam Room — probably my least favorite Clutch album — it’s the River Road Records pressing, and I think they only made six of them or something, so I was stoked to find it. Ad Astra is the Music for Nations digipak edition, and Chrome Locust is in a jewel case, where I’d only ever seen the digipak, so I grabbed that as well. The Jethro Tull had a sticker on it that it was the first CD issue, which made it too good to pass up. If you’re wondering, by the way, whether or not I believe everything I read on stickers stuck to jewel cases: Yes. Yes I do.

Lost Goat is on Man’s Ruin and I didn’t already own it, so that was a given. The Natas record I thought might have been a different catalog number than mine, but no, it’s a genuine double. I was bummed out on that until the other night when I thought to myself, “Gee, I sure would like to listen to the first Natas album,” and I actually had a copy on me because I was holding onto it to write about today. Maybe one just wasn’t enough.

Of the two Hellhound Records purchases, the highlight is unquestionably The Obsessed‘s The Obsessed. I had the Tolotta reissue previously, but you can’t beat the original. I had seen it for sale on Redscroll‘s eBay store, and asked if I could buy it right there in the shop. They were more than accommodating. The other Hellhound album, Lost Breed‘s Save Yourself, was the US version, where I’d only had the European before. Or maybe that’s reversed. I don’t know. The catalog numbers and back cover art are different. Apparently that’s enough for me these days.

I legitimately hadn’t owned the Bottom or My Dying Bride CDs (or the Lost Goat, which was meh), and I was stoked especially to hear the former, which didn’t disappoint. Crazy to think it’s been five years since Bottom put out their last album, but I suppose it has. Hearing their debut for the first time, it was easy to tell what Rise Above, Man’s Ruin and Small Stone all saw in the band, and by that I mean killer riffs and lethal groove. An excellent capper for an even more excellent haul.

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