Whose Rock is Fireball Ministry?

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There is material on Fireball Ministry that hits with some impact, though. “Followed by a Fall” remains relatively un-neutered by the production it’s given, and “Butcher, Faker, Policy Maker” is such catchy and well-composed pop rock that it could have been recorded in a tin can and it would still be memorable. It’s not so much a question of the songs feeling uninspired or not accomplishing something creatively – and there shouldn’t be any doubt this is the record the band intended to make; Rota’s been heading Fireball Ministry for well over a decade now, and Restricted Release is owned by CKY’s Jess Margera (also Rota’s bandmate in supergroup The Company Band), so one doesn’t imagine there were tight deadlines or restrictions from that direction – but they’re simply lacking the punch that a more rock-centric production could have given them. Certainly they have nowhere near the weight they must carry in a live setting.

Fireball Ministry hits its low point late in the album with the ill-advised semi-ballad “Sleeping with Angels,” which takes what might in another context be a nifty guitar lick and some Southern flavor and wholly spoils them by simply going nowhere. I feel at a loss, because I’m a Fireball Ministry fan. I’ve enjoyed them live and even though 2005’s Their Rock is Not Our Rock didn’t blow my mind, I still thought it was a good album, but Fireball Ministry feels forgettable and flat. By the time we get to closer “In Their Own Right” – is that pitch correction on the chorus vocals? – I don’t even want to know what’s left to say for the album. There were a few relative high points and plenty that will no doubt remind of Fu Manchu’s own regrettable deviation into outright commerciality with 2004’s Start the Machine.

As I said, I’m coming from a place of being a Fireball Ministry fan, so my disappointment with Fireball Ministry, the album, is a fan’s disappointment. I don’t know what the reasoning behind amping up the band’s pop nature could have been – and I refuse to speculate or to call them sellouts since I doubt very much anyone was standing over them with a bag of money waiting for them to “go pop” — but at least to my ears, it hasn’t worked at all to the songs’ benefit, which at the end of the day is what it’s all about. And even if they were after a little cash, who could blame them after 13 years? I’d be interested to hear a song like “End of Story” or “Common Enemy,” on which Rota tries for a gruffer vocal approach, live, where their abiding catchiness could be presented in a less polished manner, but as it stands on the album, it’s a bummer to say because Rota has been exceedingly cool every time I’ve interviewed him, but Fireball Ministry is an unfortunate pass.

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One Response to “Whose Rock is Fireball Ministry?”

  1. Bill Goodman says:

    Yeah, I wasn’t to thrilled with the album either. I, as a fan as well, was disappointed with the album too. I don’t think this album is going to get many replays from me. Maybe it didn’t have that “underground” sound that many of the bands we listen to have.

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