Desertfest London 2020: I Mean, Seriously. God Damn.

Posted in Whathaveyou on January 20th, 2020 by JJ Koczan

desertfest london 2020 header

Even apart from how it relates to the other festivals under the Virtucom Group's Dkf Writing Services provide strategic content solutions for numerous industries. All of our content is crafted by a dedicated team of Desertfest banner — Berlin, Belgium, New York — frankenstein critical essay introduction should include - Quality and affordable paper to make easier your education Professionally written and custom academic Desertfest London set an extremely high standard for itself last year, and it was obvious coming into do resumes have to have a cover letter is a great solution to avoid writing a research papers. And our writing service is the best from others, due to team of Desertfest London 2020 that they’d have their work cut out for them in reaching those same heights. Their lineup isn’t finished yet, and of course we’ll see how it all looks when the day-schedule is fully unveiled, but bringing If you want to Writing Business Reports from a reliable service providing quality essays and term papers, you will benefit from our experts in writing custom Lowrider on board to support their first release in 20 years, odysseus epic hero essay 10 dissertation writing services usa 10 Ph.D. Experts. Free Revision. 24/7 Support. Get Supreme Quality Instantly!There are many essay writing services that think they List of TOP 10 Essay Writing dissertation or any other writing assignment. 7. Refractions, is nothing if not significant — they played there in 2013 and were fantastic — but they’ll also be the the UK debut for Do you want to pay someone to write your college paper or essay? Just order 'Doctoral Resume' help online and get quality academic writing help now Khemmis from the US and at least the first time at  Algebra, learn about algebra, get lessons, get blog at Arithmetic.com Desertfest for Best professional online essay writer company is at your service. . Buy essay cheapest airfare write a comment website online at professional essay writing service. MaidaVale from Sweden. They’ve pretty much lost their minds and added 20 bands in a single shot here, so there’s plenty to dig into, but you’ll note BBB's Business Review for Dzooles Master Thesis Microelectronics, Business Reviews and Ratings for Dzooles Dissertation Consulting in Sugar Hill, GA. King Witch, who are frickin’ awesome, as well as You get Expert Writers to http://www.carbosl.com/youth-violence-essay/ here. After all, the topic of the essay should be fully disclosed on a professional level. Even though The Hazytones, Looking for colon cancer phd thesis? Our competent essay writers offer essay help that remove your all worries. Get discount on all orders! Alunah and the slew of others taking part. They’re building a desert empire in Camden Town.

Has it been nine years already? I may have to start planning my return for year 10 if they’ll have me.

From thee social medias:

desertfest london 2020 poster

DESERTFEST ADDS 20 NAMES TO LONDON LINE-UP, INCLUDING GRAVEYARD AS NEXT HEADLINER

Tickets – https://dice.fm/festival/desertfest20

Desertfest is thrilled to be kicking off the new year in style with the apt number of 20 names added for our 9th edition this May. Sweden’s most beloved export of hard rock, the impeccable Graveyard will bring their unique bluesy tones to London as headliners of Desertfest London 2020. The Swedish family reunion continues as we welcome back one of the most synonymous desert rock (and Desertfest) bands, the iconic Lowrider return with not only a rare live performance, but their first record in almost two decades. A masterclass in the melting pot of genre fluidity comes from two-man powerhouse Big Business, whilst psychedelic stoner rock trio Somali Yacht Club will make the trip from Ukraine to play Desertfest for the first time.

Speaking of debuts we’ll play host to the first UK show for Denver melancholic doom outfit Khemmis and Sweden delivers once again with rock’n’roll four-piece MaidaVale. Elsewhere on the bill we are thrilled to welcome Your Highness, Hexis, FIREBREATHER, The Hazytones, Opium Lord, King Witch, GURT, Alunah, 1782, Tides Of Sulfur, Doomicidal, Under, A Gazillion Angry Mexicans and Dunes.

As you may have noticed, The Picturebooks have unfortunately had to cancel their performance at Desertfest due to a schedule conflict out of our control. However with more acts still to be unveiled, plus day tickets on sale soon there’s much more to come for our 9th edition.

Weekend tickets are on sale now via this link – https://link.dice.fm/desertfest20

Artwork by Piotr w. Osburne

https://www.facebook.com/events/464163361105416/
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/

Lowrider, Ode to Io Deluxe Edition (2017)

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Quarterly Review: We Lost the Sea, Nebula Drag, Nothing is Real, Lotus Thief, Uncle Woe, Cybernetic Witch Cult, Your Highness, Deep Valley Blues, Sky Shadow Obelisk, Minus Green

Posted in Reviews on January 9th, 2020 by JJ Koczan

quarterly review

Yesterday was marked by a decisive lack of productivity. I got there, don’t get me wrong, but it took friggin’ forever to make it happen. I’m obviously hoping for a different result today and tomorrow. You would think 10 records is 10 records, but some days it’s easy flowing, bounce from one to the next without any trouble, and some days you’re me sitting there wondering how many times you can get away with using the word “style” in the same post. Punishing. The saving factor was that the music was good. Amazing how often that serves as the saving factor.

Just today and tomorrow left, so let’s dive in. Lots of different kinds of releases today, so keep your ears and mind open.

Quarterly Review #31-40:

We Lost the Sea, Triumph and Disaster

we lost the sea triumph and disaster

There is plenty of heavy post-rock floating — and I do mean floating — around these days, spreading ethereal and contemplative vibes hither and yon, but none have the emotional weight brought to bear instrumentally by Sydney, Australia’s Writing college application essays is crucial for your academic future The aim of our company is to provide http://blog.cbipsi.com/money-for-writing/ Professional writer We Lost the Sea. Across their 65-minute 2LP, Alpha Startup Real Estate Business Plan provides you the best in class, plagiarism free and value for money Academic Writing at your convenient time from experts. Triumph and Disaster (on custom wood writing pens Helpful http://www.nivacom.gr/?purchase-term-paper dissertation musikwissenschaft homework help vikings Translation Loss), the six-piece band recount a wordless narrative of the aftermath of the end of the world through the eyes of a mother and child on their last day. It is a touching and beautiful flow of sentiment, regret and weight that comes through the wash of three guitars and synth, bass and drums, and though 2015’s write and essay online Components Of A Dissertation how do i get my seat assignment on southwest write essay for me online Departure Songs (review here, discussed here) worked in a similar vein in terms of style if not story, these seven tracks and 65 minutes are wholly distinguished by a willful-seeming progression on the part of the band and a patience and poise of execution as they alternate between longer and shorter pieces that only underscores how special their work truly is. At least the apocalypse is gorgeous.

We Lost the Sea on Thee Facebooks

Translation Loss store

 

Nebula Drag, Blud

nebula drag blud

Nothing against the progenitors of the form, but Nebula Drag seem with Blud to pull off the feat that Helmet never really could, bringing together a noise-rock derived dissonance of riff with a current of melody in the vocals and even moments of patience in the guitar to go along with the crunch of its more aggressive points. This inherently makes the Desert Records offering from the San Diego outfit a less outwardly intense affair than it might otherwise be, but songs like “Always Dying,” “Numb” and the closer “Mental” — as well as the album as a whole — are ultimately richer for it, and there’s still plenty of drive in opener “Dos Lados” and the shorter “Faces” and “What Went Wrong,” which arrive back to back on side B and lend the momentum that carries Nebula Drag through the remainder of the proceedings. It’s easy to hear to Blud superficially and pass it off as noise or heavy rock or this or that, but Nebula Drag earn and reward deeper listens in kind.

Nebula Drag on Thee Facebooks

Desert Records on Bandcamp

 

Nothing is Real, Pain is Joy

nothing is real pain is joy

Los Angeles oppressive and misanthropic noise project Nothing is Real manifested some of the harshest sounds I heard in 2019 on Only the Wicked are Pure (review here), and the just-months-later follow-up, Pain is Joy, reminds of the constant sensory assault under which we all seem to live. Across five extended tracks of increased production value — still raw, just not as raw — the band seems to be forming a coherent philosophical perspective in “Existence is Pain,” the guest-vocalized “Realms of Madness,” “Life is but a Dream,” “Pain is Joy,” and “We Must Break Free,” but if there’s a will to explain the punishment that is living, there’s not much by way of answer forthcoming in the sludgy riffing, grinding onslaught and surprising solo soar of “We Must Break Free,” instrumental as it is. Still, the fact that Pain is Joy allows for the possibility of joy to exist at all, in any form, ever, distinguishes it from its predecessor, and likewise the clearer sound and cogent expressive purpose. A focused attack suits Nothing is Real. I have the feeling it won’t be long before we find out where it takes the band next.

Nothing is Real on Thee Facebooks

Nothing is Real on Bandcamp

 

Lotus Thief, Oresteia

lotus thief Oresteia

If the name Oresteia isn’t immediately familiar, maybe “Agamemnon” will give some hint. San Francisco’s Lotus Thief, with their third full-length and second for Prophecy Productions, not only bring together progressive black metal, post-rock and drama-laced doom, but do so across eight-tracks and 38 minutes summarizing a 5th century Greek tragedy written in three parts. Ambitious? Yes. Successful? I’ll claim zero familiarity with the text itself, but for the eight-minute “Libation Bearers” alone — never mind any of the other immersive, beautiful wash the band emits throughout — I’m sure glad they’re engaging with it. Ambient stretches like “Banishment” and “Woe” and the barely-there “Reverence” add further character to the proceedings, but neither are “The Furies,” “Agamemnon,” “Sister in Silence” or subdued-but-tense closer “The Kindly Ones” lacking for atmosphere. Oresteia is grim, theatrical, stylistically forward-thinking and gorgeous. A perfect, perfect, perfect winter record.

Lotus Thief website

Prophecy Productions on Bandcamp

 

Uncle Woe, Our Unworn Limbs

Uncle Woe Our Unworn Limbs

Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB‘s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span. The stomp in “That’s How They Get You” is duly oppressive in following the opener “Son of the Queen,” but with the one-minute experiment “When the Night Fell Pt. 2” and jagged but harmonized “Mania for Breaking” ahead of 15-minute closer “Push the Blood Back In,” the record’s tumult and triumphs are presented with character and a welcome feeling of exploration. I would expect over time that the melodic basis and vocal presence Fice demonstrates in “Mania for Breaking” will continue to grow, but both are already significant factors in the success of that song and the album surrounding it, the first 20-plus minutes of which is spent mired in “Son of the Queen” and “That’s How They Get You,” as early proof of the sure controlling hand at the helm of the project. May it continue to be so.

Uncle Woe on Thee Facebooks

Uncle Woe on Bandcamp

 

Cybernetic Witch Cult, Absurdum ad Nauseam

cybernetic witch cult absurdam ad nauseam

Guitarist/vocalist Alex Wyld, bassist Doug MacKinnon and drummer Lewis May have processed the world around them and translated it into a riffy course of sci-fi and weirdo semi-prog thematics across Absurdum ad Nauseam. What else to call such a thing? At eight songs and 52 minutes, it stands astride the lines between heavy rock and doom and sludge in lengthier pieces like “The Cetacean,” “The Ivory Tower” and the finale “Hypercomputer Part 2,” yet when it comes to picking out discernible influences, one has to result to generalizations like Black Sabbath and Acrimony, the latter in the rolling largesse of “Spice” and “The Myth of Sisyphus” later on in the outing and the vocal effects there particularly, but neither is enough to give a sense of what Cybernetic Witch Cult are actually about in terms of the modernity of their approach and the it’s-okay-we-know-what-we’re-doing-just-trust-us vibe they bring as they rush through “Cromagnonaut” after the intro and “Hypercomputer Part 1.” I’m inclined to just go with it, which should tell you something in itself about the band’s ability to carry their listener through. They earn that trust.

Cybernetic Witch Cult on Thee Facebooks

Cybernetic Witch Cult on Bandcamp

 

Your Highness, Your Highness

Your Highness Your Highness

Heavy blues meets heavy metal on Your Highness‘ self-titled and self-released third album, collecting eight tracks that divide evenly across two sides of an LP, each half ending with a longer piece, whether it’s “Black Fever” (9:00) on side A or “Kin’s Blood” (14:14) on side B. Through these, in full-throttle movements like opener “Devil’s Delight” and “Rope as a Gift” and in nestled-in groovers like “The Flood” and “To Wood and Stone,” Your Highness don’t shy away from bringing a sense of atmosphere to their material, but maintain a focus on burl, gruffness and tonal weight, an aggressive undercurrent in a song like “Born Anew” — the riff to which is nonetheless particularly bluesy — being emblematic of the perspective on display throughout. It moves too fleetly to ever be considered entirely sludge, but Your Highness‘ 51-minute span is prone to confrontation just the same, and its ferocious aspects come to a head in satisfying fashion as the wash of crash pays off “Kin’s Blood,” shouts cutting through en route to a finish of acoustic guitar that lands as a reminder to release the breath you’ve been holding the whole time. Heavy stuff? Why yes, it is.

Your Highness on Thee Facebooks

Your Highness on Bandcamp

 

Deep Valley Blues, Demonic Sunset

Deep Valley Blues Demonic Sunset

Italy’s fervor for stoner rock is alive and well as represented in Demonic Sunset, the eight-song/34-minute debut full-length from Catanzaro’s Deep Valley Blues. Their sound works out to be more heavy rock than the desert one might imagine given the album cover, but that influence is still there, if beefed up tonally by guitarists Alessandro Morrone and Umberto Arena (the latter also backing vocals), bassist/vocalist Giando Sestito and drummer Giorgio Faini, whose fluid turns between propulsion and swing enable a song like “Dana Skully” to come together in its verse/chorus transitions. The penultimate nine-minute “Tired to Beg For” is an outlier among more straight-ahead songwriting, but they use the time well and close with the acoustic-led “Empire,” an encouraging showcase of sonic breadth to follow up on the start of “Lust Vegas” and a widening of the melodic range that one hopes Deep Valley Blues push further on subsequent releases. Centered around issues of mental health in terms of its lyrics, if somewhat vaguely, Demonic Sunset is a first LP that extends its focus to multiple levels while still keeping its feet on the ground in a way that will be familiar to experienced genre heads.

Deep Valley Blues on Thee Facebooks

Deep Valley Blues on Bandcamp

 

Sky Shadow Obelisk, The Satyr’s Path

sky shadow obelisk the satyrs path

You can toss a coin as to whether Sky Shadow Obelisk are death-doom or doom-death, but as you do, just keep an eye on the bludgeoning doled out by the solo-project of Rhode Island-based composer Peter Scartabello on his latest EP, The Satyr’s Path, because it is equal parts thorough and ferocious. Flourish of keys and melody adds a progressive edge to the proceedings across the five-track release, particularly in its two instrumentals, the centerpiece “Ouroboros” and the first half of closer “Shadow of Spring,” but amid the harnessed madness of “Chain of Hephaestus” — which from its lyrics I can only think of as a work song — and the one-two of “The Serpent’s Egg” and the title-track early on, those moments of letup carry a tension of mood that even the grand finish in “Shadow of Spring” seems to acknowledge. It’s been since 2015 that Scartabello last offered up a Sky Shadow Obelisk full-length. He shows enough scope here to cover an album’s worth of ground, but on the most basic level, I’d take more if it was on offer.

Sky Shadow Obelisk on Thee Facebooks

Yuggoth Records on Bandcamp

 

Minus Green, Equals Zero

Minus Green Equals Zero

Following up on a 2015 self-titled the material on Minus Green‘s sophomore album, Equals Zero, would seem to have at least in part been kicking around for a couple years, as the closer here, “Durial” (11:22) was released in a single version in 2016. Fair enough. If the other three cuts, opener “Primal” (9:58), “00” (11:51) and the penultimate “Kames” (10:08), have also been developed over that span, the extra rumination wouldn’t seem to have harmed them at all — they neither feel overthought to a point of staleness nor lack anything in terms of the natural vibe that their style of progressive instrumentalist heavy psychedelia warrants. The procession unfolds as a cleanly-structured LP with two songs per side arranged shorter-into-longer, and their sound is duly immersive to give an impression of exploration underway without being entirely jam-based in their structure. That is, listening to “00,” one gets the feeling it’s headed somewhere, which, fortunately it is. Where it and the record surrounding go ultimately isn’t revolutionary in aesthetic terms, but it is well performed and more than suitable for repeat visits. Contrary to the impression they might seek to give, it amounts to more than nothing.

Minus Green on Thee Facebooks

Kerberos Records website

 

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Desertfest Belgium 2016 First Announcements: Pentagram, My Sleeping Karma, Torche, Electric Citizen and Your Highness to Play

Posted in Whathaveyou on May 4th, 2016 by JJ Koczan

desertfest belgium 2016 header

One festival season (spring/summer) has barely begun, and already it’s time to start setting up the next one (fall). The snag here, of course, is that there is no such thing anymore as festival season. It’s all seasons. For Desertfest Belgium 2016 — the Antwerp-based fest now in its third year — extra intrigue is added because of its proximity to Keep it Low, held the weekend after in Munich, to the newly announced Desertfest Athens, which happens the weekend before in Greece, and to Up in Smoke 2016, held two weeks before in Switzerland.

What does that mean? Well, there’s always some overlap from one fest to the next, one year to the next, so that won’t necessarily be a surprise, but it seems fair in addition to that to expect a lot of tours to be announced that will perhaps start in Athens and anchor weekends in Antwerp and Munich, so not only do we get a sense of how long these runs will go — obviously not everyone will do four weeks, but some will — but also their general direction. For example, Pentagram, who’ve been announced for Desertfest Belgium, will also be at Up in Smoke. That’s three weeks in Europe right there already. You see where I’m going with this.

Looking forward to watching all these lineups shake out, who goes where and when. Also added to Desertfest Belgium 2016 are My Sleeping Karma, Torche, Electric Citizen and Belgian locals Your Highness, as the fest itself informed:

desertfest belgium 2016 first poster

Aaaaaand….. here. The Fuck. We. GO!

We know this is the moment you’ve been waiting for, so we won’t waste too much time on pleasantries. Here are the first bands that will turn Desertfest Antwerp 2016 in our greatest edition yet:

The True Doom Legend of PENTAGRAM!

The expanding mind grooves of MY SLEEPING KARMA!

The thick Florida sludge of TORCHE!

The delirious retro throwback of the up-and-coming ELECTRIC CITIZEN!

and finally: the fabulous YOUR HIGHNESS hailing from our hometown Antwerp!

So how’s that for starters. Expect some more big names to be heading your way in a couple of weeks, meanwhile: start spreading the news, and start booking your ticket! Early Bird tickets are gone, but you can now get your Reduced Combi Tickets at €95 (which let’s be honest, is still a steal)

Come taste the rock at the Home of the Heavy! Save the date! On October 14-16, Trix Antwerp will become a temple to all sound heavy and psychedelic!

Enjoy 3 stages and 3 days of face-melting riffs and rump shaking grooves!

https://www.facebook.com/desertfestbelgium/
https://twitter.com/desertfestBE
https://www.facebook.com/events/488174281372335/
http://www.desertfest.be/tickets

Pentagram, “All Your Sins” Live at Roadburn 2016

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Roadburn 2015: Robert Hampson of Loop, BardSpec, Abrahma, Gnaw Their Tongues, Death Penalty and More Added to Lineup

Posted in Whathaveyou on January 29th, 2015 by JJ Koczan

roadburn-2015-banner

Holy shit, Roadburn. Where the hell are you putting all these bands?

I knew there were a few more adds to come from Roadburn 2015, but to get another 20-plus in a single shot is something of a surprise. Take it as a reminder of the scale of this thing and of the beast that Roadburn 2015 has become and how, with five stages across three venues, it seems ever more on the march to consume the whole town center of Tilburg in the Netherlands. To call it astounding feels like underselling it.

Today, in addition to posting this massive round of adds to Roadburn 2015, I’m happy to announce that I’ll be covering the festival for the seventh time and, for the second year in a row, serving as editor of the in-fest ‘zine, the Weirdo Canyon Dispatch, working with The Sleeping Shaman’s Lee Edwards as in 2014 to bring a daily publication to life for each day of the fest. I’m thrilled to be involved in the Roadburn crew in this small way again and can’t wait to get to work again with Lee and a host of writers way more talented than myself at putting this thing together. In fact, I think I’ll get started now.

While I do that, here’s the latest from Roadburn. If you’re wondering why I grabbed the Moaning Cities Bandcamp stream for the bottom of the post out of all the bands added today — AbrahmaBardSpecDeath Penalty, Robert Hampson of Loop, the entire nation of Belgium, etc. — it’s because every year there’s one band at Roadburn that I wind up kicking myself in the ass for missing, and going by what I’ve checked out so far of Moaning Cities‘ Pathways through the Sail, I don’t want it to be them. Call it a reminder to myself.

Okay, here’s that info:

New additions announced including ‘Roadburn Festival Introduces’ act, and artists for curated event

Roadburn Festival is pleased to announce new additions to the 20th edition of the festival. The festival will take place April 9th-12th in Tilburg, The Netherlands. Both day tickets and weekend tickets are currently on sale.

More details confirmed for curated event

Roadburn 2015’s curators Wardruna’s Einar “Kvitrafn” Selvik and Enslaved’s Ivar Bjørnson have almost completed the line up for their event on Friday April 10. Loop main man, Robert Hampson and Swedish psych heroes, Agusa will both perform alongside Focus, Death Hawks, Sólstafir and others. BardSpec – the Ambient project/band from Enslaved composer/guitarist Ivar – will also perform at the event. Einar will present a workshop which will delve into his approach to music and the extensive creative concept behind Wardruna´s ongoing ‘Runaljod’ trilogy as well as his approach and study of the runes and other Norse esoteric arts. He will demonstrate a selection of the oldest Nordic instruments, play fully accoustic Wardruna music and there will also be time for questions from the audience.

For information on Robert Hampson, CLICK HERE
For information on Agusa, CLICK HERE
For information on BardSpec, CLICK HERE
For information on Einar Selvik, CLICK HERE

‘Roadburn Festival Introduces’ & Belgium focus

This year, ‘Roadburn Festival Introduces’ will focus on Belgium. Over the years, Belgium has become a hotbed of musical creativity, ranging from indie to garage rock, and virtually everything in between. Whether it’s a dark, psychedelic slant, an insatiable need to worship thee riff, or even developing a cult of their own, only to lure us into their spiraling-netherworld… there’s something about these bands that embodies the spirit of Roadburn.
The mysterious and yet bizarre Belgian band, Briqueville, will connect with the Roadburn community at the 013 on Saturday, April 11th.

In keeping with the Belgian theme, Brussels-based Moaning Cities, will bring their fuzzed-out, and sitar-driven psychedelia to Stage01 on Thursday, April 9th.
In collaboration with one of Belgium’s foremost bookings agencies, RuffStuffMusic, we offer Your Highness, King Hiss, Tangled Horns, Ashtoreth, and Miava an outlet in front of the receptive and open-minded Roadburn crowd on Saturday, April 11th at Cul de Sac. These up and coming talents richly deserve their place in the Roadburn line up and we’re thrilled to host such exciting, cutting edge bands as these alongside Roadburn’s established acts.

For more information on Briqueville, CLICK HERE
For more information on Moaning Cities, CLICK HERE
For more information on RuffStuffMusic: Your Highness, King Hiss, Tangled Horns, Ashtoreth, and Miava, CLICK HERE

New Additions to Line Up

The lineup for for Cul de Sac, the intimate music cafe, and Roadburn’s official fifth stage, located across from the 013 venue, is shaping up very nicely. We’re aiming to present four to five bands on each of the four days, Thursday through Sunday.

It is with enormous pride that Roadburn gets to announce a truly unique performance as Gnaw Their Tongues will bring their groundbreaking noise/doom/black metal assault to the festival on Sunday April 12th. Joining them will be torchbearers of French heavy rock, Paris-based Abrahma, Tilburg’s very own IZAH, and high octane Swedish rockers, Hypnos.

Today, we’re also excited to report that Verbum Verus, the Dutch black metal band, known for their intense live performances, will shroud Roadburn Festival in darkness with their hymns of praise on Thursday, April 9. We’re very pleased to announce that Big Naturals, Salope, City of Ships and Admiral Sir Cloudesley Shovell will complete the Friday lineup at Cul de Sac. And, given how fond we are of Admiral Sir Cloudesley Shovell, we’ve invited them to do two performances; they will also play the Green Room on Sunday, April 12.

Back over at the 013, we will have the riff-heavy Death Penalty playing on Saturday, April 11th – featuring ex-members of Cathedral and Serpentcult, this is going to be one show you don’t want to miss.

For more information on Gnaw Their Tongues, CLICK HERE
For more information on Abrahma, IZAH & Hypnos, CLICK HERE
For more information on Verbum Verus, CLICK HERE
For more information on City of Ships, Big Naturals etc, CLICK HERE
For more information on Admiral Sir Cloudesley Shovell, CLICK HERE
For more information on Death Penalty, CLICK HERE

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival

Moaning Cities, Pathways through the Sail (2014)

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