Review & Full Album Stream: Wino, Forever Gone

Posted in audiObelisk, Reviews on June 24th, 2020 by JJ Koczan

wino forever gone

[Click play above to stream Wino’s Forever Gone in full. Album is out Friday on Ripple Music with preorders here for US and here for EU.]

It is overwhelming to consider the tumult of the decade between research paper services - 100% non-plagiarism guarantee of custom essays & papers. Entrust your essays to the most talented writers. Find out all you have Scott “Wino” Weinrich‘s 2010 debut solo album, dissertation proposal writing service more info heres essay writer online free phd thesis chemical kinetics Adrift (review here), and this follow-up, Twelfth Night Essay Help--Freelance Writer, Tim Marsolais, is available for Business Writing, Copywriting, Technical Writing and Web Content Writing. Forever Gone. The dissolution of Ksou Assignments by Quanticate comes from a team with broad knowledge and experience drawn from the pharmaceutical industry, CROs and academia Shrinebuilder, the acoustic collaboration with German singer-songwriter Thesis and Get More Info. The Thesis and Dissertation Support Services program is designed to provide graduate students and postdoctoral Conny Ochs, the tenure fronting Discussion and information on need help with english essay and services that provide it. Saint Vitus that ended in an arrest in Norway for amphetamine possession and subsequent ban from Schengan Area countries in Europe — which was a five-year sentence, but still resulted in his being unable to tour there last year — as well as reunions first with Having an essay emergency with only a few hours before the deadline? Read our list of http://www.playyear.fr/college-application-essay-help-online/ reviews and get the urgent help you need! The Obsessed, then Tired of scouring the Web for Online Dissertation Help Checker, trying to figure out which company is worth your money? Check our reviews of the best ones. Spirit Caravan, then How Essay Writing National Integration Reviews Can Help You Make Your Choice Students from all over the world struggle with college assignment writing. Spirit Caravan becoming Seek essay ghostwriter? Get ahead this year by relying on our http://store.zionshope.org/?defending-masters-thesis! Our benefits: fast turnaround, 100% originality, strict quality control The Obsessed and changing its lineup before putting out their first album in two decades. Through all of this and the inevitable whatever-it-was I left out, Academic and business Algebra Homework Sheets for non-native English speakers Weinrich continued to perform solo acoustic shows, and so the notion of a second album was never completely absent, but apparently it took some doing to make it happen.

But if it was Need a trustworthy essay see post? Then you are in the right place and at the right time! We employ only academics and follow a strict Weinrich‘s goal to channel living through those years into the craft and performance of College Case Study Research Paper You Can Count On Getting into the college of their dream cost students much effort. Excellent grades and test scores alone Forever Gone — released through Request a free quote for professional check over here, business documents, and writing services by professional business writers. Ripple Music where The Ultimate Thesis Statement For A Persuasive Essay On Education Trick. Each day, many custom made writings are made. The dissertation has to be written with suitable word Adrift was on Exile on Mainstream — it comes through as a palpable emotional and atmospheric weight in songs like the opening title-track, “No Wrong” and “Lavender and Sage,” and the penultimate “Was, Is and Shall Be,” the latter two of which feature guest vocals. Thinking of arrangements as compared to the 2010 offering, Forever Gone feels much less restricted to a guy-and-guitar aesthetic. There’s the slide in “You’re So Fine,” drums and electrics on “Dark Ravine,” an electric solo woven into early highlight “Taken” and vocal layering used sporadically throughout. The effect this has is to make minimalist moments like “The Song’s at the Bottom of the Bottle” and “Dead Yesterday” — which if nothing else certainly feels like a thematic answer to “Forever Gone” itself — stand out all the more, conveying the loneliness, regret and contemplation at root in some of the material while still leaving room for hope in more expansive pieces like “Dark Ravine” or the closing Joy Division cover “Isolation,” which comes through almost as a full-band, with drums, electric and acoustic guitars, and multiple layers of voice.

That finale should be readily enough familiar to those who’ve kept up with Wino‘s solo work live in the last eight or so years, and it’s also one of several of the pieces throughout Forever Gone that draws from the Wino & Conny Ochs collaborations. “Isolation” appeared on their Labour of Love 2012 Latitudes session (discussed here), while “Dead Yesterday” and “Dark Ravine” appeared on that same year’s full-length debut (also on Exile on Mainstream), Heavy Kingdom (review here), and “Crystal Madonna” and “Forever Gone” itself featured on Freedom Conspiracy (review here) in 2015. As Forever Gone is serving double-duty as the beginning of a series of acoustic-based Ripple releases called ‘Blood and Strings,’ it’s not like anyone’s trying to pass these off as brand new — Wino isn’t “getting one over” or anything like that — but the familiarity of some of the material and the refresh on the arrangements gives them new life and while obviously Weinrich is at the center of all the material, the work of producer Frank “The Punisher” Marchand isn’t to be ignored when it comes to the finished product of Forever Gone.

scott wino weinrich

Whether it’s intertwining electrics and acoustics at the start of “Taken” or giving a sense of space through subtle vocal echo thereafter, or highlighting the classic blues rock feel of “You’re So Fine” to bring a moment of joy between the more melancholic “Dead Yesterday” and “Crystal Madonna,” each strum is as crisp as it wants to be, and Wino‘s voice comes through with no less instrumental detail, the product of decades of living and singing hard manifest in making the languid melody of “Lavender and Sage” feel like something earned rather than simply adopted as a stylistic choice. Part of that of course stems from the narrative of Wino‘s career itself, but if ever there was a place for such context and for his personality to come through as sharply as it does, Forever Gone would seem to be it, and Marchand is due much credit in making that happen.

Weinrich‘s in-genre legacy is well established through his work in The Obsessed, Saint Vitus, The Hidden Hand, etc., and doesn’t need to be recounted here anymore than it already has. What comes through most on Forever Gone is that, rather than seeing an artist resting on his laurels and self-indulgently pushing through 11 songs and 45 minutes of assembled material, Wino here brings the unmistakable character of songwriting and passion of performance that has made him the figurehead he is. It is an indelible mark of his work and whether it’s in the relatively uptempo version here of “Dark Ravine” or in “Crystal Madonna” — which was a highlight of Freedom Conspiracy and is one on Forever Gone as well — it is the foundation on which these songs, new and old alike, are built. With the variety in arrangements and guests in and out adding to Weinrich‘s vocals and guitar, there is a sense of completeness about Forever Gone that feels progressed forward from Adrift even as it stays loyal to the form.

It is impossible to know where the next decade might take Wino as a performer or a human being, but with this collection, his place as America’s Godfather of Doom is reaffirmed even as he breaks the confines of doom itself; though anyone who tells you Forever Gone isn’t heavy needs to recheck their definition of the word. As vibrant as this material is, and as much as it brims with the passion and creative intensity that brought it to bear in the studio, there continues to be a heft that is either underlying or at the fore, moving no less dynamically than the arrangements of the songs throughout, and no less crucial to the understanding of what this record is. I’ve said before, on plenty of occasions, there’s only one Wino. That’s where the count remains. And if Forever Gone is his way of marking the passage of the last 10 years, it is of due substance to be up to that task.

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Psycho Las Vegas 2021 Lineup Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

psycho las vegas 2021 banner

Plenty of this lineup looks familiar from what Psycho Las Vegas would’ve been in 2020, and duh, that’s the idea. You’ve still got Danzig doing Lucifuge, still got At the Gates and Katatonia and Emperor and Mercyful Fate. Still got the possibility that if I go, I can hang out after Pinback‘s set and bother Rob Crow about how badly he needs to do another Goblin Cock record. WinoFatso Jetson, Elder and Blackwater Holylight playing the pool party, six or seven curveball emo bands — all that fun stuff. Spectacle unmatched in heavy music, set in the Planet Earth’s official home for damned souls. It’s as perfect as it is incongruous.

Makes me wonder what Crowbar have going on next August.

But what you probably want to know is whether your ticket if you had one for 2020 is still good for 2021. Yes.

Behold:

psycho las vegas 2021 poster

Psycho Entertainment presents Psycho Las Vegas 2021

Psycho Las Vegas has been rescheduled to August 20th – 22nd, 2021. Psycho Swim has been rescheduled to August 19th, 2021. If you already purchased a pass for either event and want to attend in 2021, there is nothing you need to do – your passes will automatically be valid for the new dates.

80 of the 83 bands originally booked on the lineup are returning in 2021. The bands who are not joining us next year are Ty Segall, Black Rebel Motorcycle Club, and Crowbar.

Danzig, Mercyful Fate, Emperor, The Flaming Lips, Blue Oyster Cult, Down, Mayhem, Satyricon, Obituary, Warpaint, Blonde Redhead, HEALTH, Watain, Ulver, Katatonia, At the Gates, Poison The Well, Paul Cauthen, Amigo The Devil, Exhorder, Wolves in the Throne Room, Thursday, Pinback, Zola Jesus, Drab Majesty, Boris, Eyehategood, Repulsion, Immolation, Midnight, MGLA, Windhand, Cursive, Tsol, King Dude, Pig Destroyer, Brutus, Profanatica, Lower Dens, Cult of Fire, Intronaut, boysetsfire, Death by Stereo, Curl Up and Die, Adamantium, This Will Destroy You, Khemmis, Mothership, Guantanamo Baywatch, Dengue Fever, Kaelan Mikla, Black Joe Lewis, Fatso Jetson, Wino, Creeping Death, Mephistofeles, Frankie and The Witch Fingers, Toke, Foie Gras, Flavor Crystals, Silvertomb, Lord Buffalo, Warish, Alms, Bombers, Glacial Tomb, Relaxer, Black Sabbitch, Hippie Death Cult, Vaelmyst, Mother Mercury, Two Minutes to Late Night

America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22th, with another resort-wide casino takeover unlike any of its kind. Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor. PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Entertainment presents Psycho Swim “The Official Psycho Las Vegas Pre-Party”

Old Man Gloom, Elder, Polyrhythmics, Death Valley Girls, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

America’s rock n’ roll pool party returns to DAYLIGHT Beach Club on August 19th for the second annual PSYCHO SWIM. This official all-day pre-party celebrates the best of previous PSYCHO LAS VEGAS lineups with performances from a host of festival alumni as well as new PSYCHO additions.

DAYLIGHT Beach Club is nestled next to the Mandalay Bay Resort And Casino and features a 4400-square-foot main pool, daybeds, cabanas, and bungalows, with an elevated stage offering unobstructed, up-close-and-personal views of artist performances.

https://www.facebook.com/events/2513255765662644/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

A Message from Psycho Las Vegas

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Friday Full-Length: Wino, Live at Roadburn 2009

Posted in Bootleg Theater on April 17th, 2020 by JJ Koczan

This was a special moment. In 2009, Scott ‘Wino’ Weinrich played Roadburn Festival in Tilburg, the Netherlands, with his newly-formed Wino trio, comprised of himself on vocals/guitar, Jon Blank (Resin) on bass and Clutch‘s Jean-Paul Gaster on drums. It was my first Roadburn, and Wino himself was in no small part the reason I ended up making the trip, since in addition to the set with what ended up by default being thought of as The Wino Band, he was also playing with a reunited Saint Vitus on the main stage of the 013 venue, one of the headliners of the multi-day fest, the scope for which seemed insurmountable at the time and has only grown more so in the years since.

The Wino set took place in the Green Room — a midsize space apart from the main stage in the 013, and then one of three rooms available as part of the fest. It was the final day of the fest, then called the Afterburner, so the Bat Cave, the smallest room, had merch available but no bands playing. I always liked the Afterburner. It was comparatively mellow but you could still see something incredible and the bands all still brought their best. Wino, Blank and Gaster were a fitting example of this, and the Live at Roadburn 2009 (review here) recording that Roadburn/Burning World Records released in 2010, is the evidence. The Wino trio had issued Punctuated Equilibrium (discussed here) on Southern Lord earlier in the year, and it brought together multiple sides of the man’s unmatched pedigree, which already by then included the aforementioned Saint Vitus, The Obsessed, Spirit Caravan and The Hidden Hand, as well as the supergroup Shrinebuilder and a CV with more guest appearances than anyone could hope to count, and with Gaster on drums, well, the live record tells the tale. It’s got a groove and a flow that holds strong even as the setlist jumps from new material to old, bringing in Spirit Caravan‘s “Lost Sun Dance” late after already playing back and forth righteously between The Obsessed and The Hidden Hand, sandwichingwino live at roadburn 2009 the latter’s “Sunblood” with the former’s “Streetside” and “Streamlined.” It was a damn good show.

I watched it from the balcony in the Green Room, and though I can’t do so, I also wouldn’t want to separate the experience of having been there from listening to the recording. I mean, don’t get me wrong. If you’ve got trouble listening to Wino blow out “Yen’s Sleep” from a stage, there’s not much I can really do for you about that — it’s your loss — but they were so locked in, so tight and so utterly triumphant in playing these songs that I value the recording that much more even 11 years after the fact because it evokes that personal memory. Whether you have that connection or not, whether you were there or not, the thing still rules.

This week should’ve been Roadburn 2020. In different circumstances, I’d be in the Netherlands right now, and though the fest hasn’t had Wino there for a while at this point in any of his many incarnations, having pushed off in multiple different aesthetic directions over recent years, it’s still always something amazing to behold. I guess I’m missing it, if you want me to be honest. So, nostalgia. I’ll cop to that.

It was a beautiful and strange time. My first foreign fest. I’d never seen anything like it and though I’ve been fortunate enough to do more traveling to other places since I’m still not sure I ever have. The scope of Roadburn has become so expansive it practically takes over the town of Tilburg at this point, but it was still building its base community in 2009, though it had been running for a decade already in one form or another. It was becoming what it would become. I felt lucky to be there, and I was. I’ve never felt anything other than lucky to be there. Except maybe tired. I’ve felt tired a bunch.

Of course, Wino‘s Live at Roadburn 2009 is tainted. It was the last performance of a European tour — a true victory lap — and on May 2, 2009, Jon Blank died of a heroin overdose, just two weeks after returning home. Wino went on tour with Clutch, I remember, but was flailing and rudderless enough as a result that when he put out his first-ever acoustic album the next year, he called it Adrift (review here). A stint in the short-lived and largely forgotten Premonition 13 followed, and then reunions with Spirit Caravan and The Obsessed, the latter which started first and is continuing, Weinrich‘s time in Saint Vitus having come to an end, and acoustic performances and periodic collaborations with German singer-songwriter Conny Ochs having continued all the while. He’ll reportedly have a new acoustic album out in June on Ripple Music. I haven’t heard it yet, which makes me a little sad, but after a decade since Adrift, anticipation is high as it invariably is for just about anything in which he’s involved.

As a general rule, I’m not huge on live albums, and even this one I don’t go back to all that often, but the point it emphasizes for me is the preciousness of the moment in which it happened and the idea that whatever you’re experiencing at the time, it’s fleeting. Positive or negative, “this too shall pass,” as my grandfather was apparently wont to say (we never met). No way the Wino band knew that Roadburn would be their last show, and no way Blank knew he’d pass away less than a month later, but as we look back, it seems like that’s as much a reason as any to celebrate the time that was when it was at least as much as to mourn what came after. Life is huge, and it encompasses all that joy, all that sadness, all the mania and the up and down and side to side of existence. We’re so small and yet our brains can’t even comprehend the expanses around and within us.

As always, I hope you enjoy.

Did I leave the house this week? Yeah, I did. I tried to go to Costco, but the line was down the side and around back of the building and I threw my hands up and said “fuck it” through my face mask, got back in the car and hit Wegman’s instead. The line was shorter to get in there.

These days are long.

I’ve been sleeping late to try to mitigate. I’ve been napping to make up for lost sleep overnight — also maybe causing the lost sleep overnight? I don’t know. I’ve been having anxiety dreams. I’ve been taking half a xanax pretty much daily. I find that if I eat something when I take it, it doesn’t put me to sleep in the same way. Novelty. The Patient Mrs. made me cookies with almond and macadamia flour. There have been days where dessert is the finish line getting me through the rest of it.

I feel terrible for The Pecan. He’s up now and I can see him on the monitor dancing in his bedroom. He wants to do stuff. Go to his places, see people. We video chat with grandmas, but it’s nowhere near the same. Last weekend we drove up to Connecticut for the day. We might do the same this weekend. Fuck it, at this point. If I didn’t catch COVID-19 from the Shop-Rite in Morris Plains, I ain’t gonna catch it from The Patient Mrs.’ mom.

Today is a new The Obelisk Show on Gimme Radio. 5PM Eastern. Listen at http://gimmeradio.com

And I say that all the time, but please actually listen this time, huh? What else you got going on? It’s cool tunes and I recorded the voice tracks in my living room with the kid and The Patient Mrs. in the background, so it’s a mess, but it’s a fun mess, so yeah, please tune in.

More rona stuff next week. More of everything next week. I’m totally overwhelmed by all of it, which I guess is my preferred scenario, but speaking of that, it’s time for me to go grab The Pecan from upstairs, change his diaper and start the day. Another day. Another day in lockdown. Might go to Lowe’s later to get a five-gallon jug of water. We hydrate like bastards in this house. It’s the only way to be.

Next week: album streams from Lord Fowl and Gaffa Ghandi, a video premiere from The Earth Below, more rona than I can handle, an Elder review and whatever else I can throw together. It’ll be fun. It’ll be more than I can handle, which is the idea. It’ll occupy my brain in troubling ways. I love that.

Thanks for reading. Hope you’re well and staying safe. Oh, there ain’t no roneys on me.

Great and safe weekend. FRM.

The Obelisk Forum

The Obelisk Radio

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Psycho Las Vegas Announces Complete 2020 Lineup; Danzig, Mercyful Fate & Emperor Headlining

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

Psycho Las Vegas 2020 banner style

Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?

A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”

Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.

The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.

That’s all provided I’m not too out of my mind to leave the hotel room.

Here’s a poster and words in blue. See you there, sort of:

PSYCHO LAS VEGAS 2020 – COMPLETE LINEUP

DANZIG (Celebrating 30 years of “Lucifuge”)
MERCYFUL FATE (2020 USA Exclusive)
EMPEROR (2020 USA Exclusive)
THE FLAMING LIPS
BLUE OYSTER CULT
DOWN (Celebrating 25 years of “Nola”)
BLACK REBEL MOTORCYCLE CLUB
TY SEGALL
WARPAINT
MAYHEM
SATYRICON
WATAIN
BLONDE REDHEAD
HEALTH
OBITUARY
ULVER (2020 USA Exclusive)
KATATONIA
AT THE GATES
POISON THE WELL
TSOL
CROWBAR
EXHORDER
WOLVES IN THE THRONE ROOM
THURSDAY
PINBACK
ZOLA JESUS
DRAB MAJESTY
BORIS
KING DUDE
PAUL CAUTHEN
AMIGO THE DEVIL
EYEHATEGOD
PIG DESTROYER
REPULSION
IMMOLATION
MIDNIGHT
MGLA
WINDHAND
CURSIVE
BRUTUS
PROFANATICA
LOWER DENS
BLACK JOE LEWIS
INTRONAUT
BOYSETSFIRE
DEATH BY STEREO
CURL UP AND DIE
ADAMANTIUM
THIS WILL DESTROY YOU
KHEMMIS
MOTHERSHIP
GUANTANAMO BAYWATCH
DENGUE FEVER
KAELAN MIKLA
BLACKWATER HOLYLIGHT
FATSO JETSON
WINO (ACOUSTIC)
CREEPING DEATH
MEPHISTOFELES
FRANKIE AND THE WITCH FINGERS
TOKE
FOIE GRAS
FLAVOR CRYSTALS
SILVERTOMB
LORD BUFFALO
WARISH
ALMS
BOMBERS
GLACIAL TOMB
RELAXER
HIPPIE DEATH CULT
VAELMYST
MOTHER MERCURY
DJ SCOTT SELTZER

Psycho Entertainment & MGM Entertainment present PSYCHO SWIM

Lineup:
OLD MAN GLOOM
ELDER
THE SKULL
DEATH VALLEY GIRLS
BLACKWATER HOLYLIGHT
HERE LIES MAN
POLYRHYTHMICS
DJ SCOTT SELTZER

Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.

https://www.facebook.com/events/3255628101138593/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

Danzig, Danzig II: Lucifuge (1990)

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Scott “Wino” Weinrich Signs to Ripple Music; New Solo LP Forever Gone Coming Soon

Posted in Whathaveyou on December 11th, 2019 by JJ Koczan

Good get. Cheers to Ripple Music and Scott “Wino” Weinrich for joining forces on the latter’s new solo album, Forever GoneRipple will release the first apparently-acoustic Wino solo record since 2010’s Adrift (review here) — though of course Wino has continued to do unplugged collaborations in the intervening decade, with, among others, German singer-songwriter Conny OchsScott Kelly of Neurosis, and Jennifer Herrema of Royal Trux, either on a one-off, touring, or as in the case of Ochs, more regular basis — and he’s kept himself plenty busy besides what with the reunions of The Obsessed and Spirit Caravan, the eventual studio return of The Obsessed after more than two decades and hard touring there. Hell, in 2010, he was still fronting Saint Vitus and would put out the Lillie: F-65 (review here) record with them in 2012.

Even so, a new acoustic Wino album is a big deal, both because Adrift is of high-enough quality to stand up (coming on) 10 years since it was first released, and because of course in Wino‘s unmatched pedigree in doom, having been in the above-named acts as well as ShrinebuilderPremonition 13The Hidden Hand, and on and on and on. You know he’s got stories to tell.

And speaking of: Hey, Wino — if by some tiny chance you’re reading this and you’re looking for someone to co-author or help ghostwrite an autobiography, I know a blogger who works cheap. Just thought I’d mention it.

More to the point, keep an eye out for more news about Forever Gone. I have the feeling I’m going to spend a lot of next year talking about it, so get used to the idea.

Ripple‘s announcement follows, as per thee social media:

scott wino weinrich

Major news! Ripple Music are honored to announce the signing of doom legend Scott “Wino” Weinrich!

Wino’s new solo album will launch Ripple’s new “Blood and Strings” acoustic series — in which some of the most admired names in riff-rock and metal unplug to record albums of acoustic heaviness. ‘Forever Gone’ will come out in early 2020, stay tuned for more info!

Please welcome Scott “Wino” Weinrich to the Ripple Family. Can’t tell you how stoked we are!

https://www.facebook.com/ScottWeinrich/
http://scottweinrich.com/
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https://ripplemusic.bandcamp.com/
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Wino, “Adrift”

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Desertfest London 2018 Lineup Complete: Hawkwind, Radio Moscow, Wino, Sourvein, Monolord, Kind & Many More Added

Posted in Whathaveyou on February 1st, 2018 by JJ Koczan

A well-earned slow clap for Desertfest London 2018 on the occasion of completing what is unquestionably its broadest, biggest and most staggering lineup to-date. The festival has been outdoing itself every year since it got going, but this is a different league entirely. Kudos all around to the Desertfest London team. I really feel like there’s nothing else to say about it. It’s just amazing what these people have put together and I hope that those who are fortunate enough to be there realize the special event to which they’re bearing witness, because that’s what this is. Truly something special.

Here’s the final lineup update:

desertfest london 2018 square

Psych legends Hawkwind + complete lineup announced for DESERTFEST LONDON 2018!

DESERTFEST LONDON announce the final acts for its 2018 edition on May 4-6th in Camden, including psych legends HAWKWIND, plus The Quietus, Human Disease Promo & Nightshift Promotions stages all revealed.

Yes, you read that title correctly. Desertfest are honoured, thrilled, losing our minds, quivering in our boots to reveal that one of the most influential English bands in heavy musical history are gracing us with our presence this May, seminal space-rockers HAWKWIND will return to the hallowed ground of The Roundhouse to play a very special performance as main support to Monster Magnet. Hawkwind require no real introduction – genre-defining mavericks since 1969, it’s safe to say most of your favourite bands wouldn’t exist without Hawkwind; their legend precedes them, expect a life affirming, life altering show. We are beyond excited.

Yet more Carolina goodness is coming Desertfest’s way, underground skater heroes ASG will make their psych riddled, post-punk sound heard across London, earplugs recommended, party times guaranteed. 70’s blues-soaked hard rockers RADIO MOSCOW will also make their return, following a recently sold-out performance at The Borderline – this trio of psychedelic power are being met with hugely high acclaim and for a damn good reason. They’re groovy, heavy and damn near perfect.

No strangers to the Desertfest, doom heroes MONOLORD are back to offer up some of the finest riffs to have ever come out Sweden’s smoke. Fuelled by bongs and black coffee, they are one of the favourite returning acts for the fest – y’all better get in the queue now if you don’t want to miss it. Another act from the dirty South comes in the form of SOURVEIN, sludge and crust blended together in perfect guttural harmony. Leading man T-Roy’s been fighting the good fight for over two decades and the band are now easily at their strongest. Not one for the faint hearted.

Alongside his performance with The Obsessed, leading man WINO will perform an acoustic set across the Desertfest weekend. Last time we had the frontman play an acoustic set at DF the queue was out the door, it’s stripped back but still totally heavy. Belgian bulldozers STEAK NUMBER EIGHT are making a long awaited appearance at Desertfest London, a postmetal powerhouse their live performances have been met with high praise around Europe. A hypnotic haze will fall when the mighty DOPELORD take the stage, sickeningly smooth vocals hit the good spot whilst thunderous riffs and a mind altering magnitude of heavy rattle your core.

Also filling up the final line-up are newcomers DEAD WITCHES, psychedelic New York masters KING BUFFALO, out of this world riff rockers KIND, British noise rockers CATTLE plus NECROMANCERS, CRUMPET, SOLLEME, LIONIZE, LNN, CHRCH, MASTIFF, TUSKAR, TOM CAMERON and LO CHIE

ALSO RECENTLY ANNOUNCED:

The Quietus stage

The Quietus Stage usually brings some of the more diverse bands to Desertfest and this year is no different. Headlining the stage at The Black Heart on Friday 4th May are WHITE HILLS whose concentrated blasts of interstellar noise with a tank load of psychedelic glam makes them the truest space rock goliaths of our time. They’ll be joined by GHOLD, SNAPPED ANKLES, MELTING HAND, CASUAL NUN and SWEDISH DEATH CANDY.

Nightshift Promotions stage

The melodic tones of DARKHER will be headlining this year’s Nightshift Promotions stage at The Dev at Desertfest 2018. They’ll be joined by a diverse, but equally dark lineup which brings post-metal from TELEPATHY and SNOW BURIAL, the experimental noise of CROWD OF CHAIRS, blackened doom from MONOLITHIAN and the sludge of THE MOTH.

Human Disease Promo/When Planets Collide stage

This year the Human-disease Promo and When Planets Collide Stage has gone for an all out colossus of weighty heaviness for Desertfest 2018. Headlining the stage are WEEDEATER, making their second appearance of the weekend with a special early years set. They’ll be joined by Denver’s most crushing PRIMITIVE MAN, Canadian bruisers BISON, Swedish heaviness from SUMA, St Louis filthsters FISTER, Notts nasties MOLOCH and heavyweight duo BISMUTH.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Hawkwind, Warrior on the Edge of Time (1975)

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The Obsessed Announce Tour Dates with Karma to Burn, Fatso Jetson & Lo-Pan

Posted in Whathaveyou on March 8th, 2017 by JJ Koczan

the obsessed

The Obsessed have announced a massive round of tour dates for April and May to support their first album in more than 20 years, Sacred, which is out April 7 on Relapse Records. Direct support on the run will come from Karma to Burn (with whom The Obsessed also toured last year), and Fatso Jetson and Lo-Pan will trade off for the West Coast and East Coast portions, respectively. In addition, a record release party will be held in Philly on April 8 at Kung Fu Necktie, at which The Obsessed legendary founding guitarist/vocalist Scott “Wino” Weinrich will perform acoustic.

By way of a spoiler, I interviewed Wino yesterday about the new album — which rules — and he’s stoked to take it on the road. More to come on that as soon as I get the conversation transcribed.

Meantime, without further ado here are the dates from the PR wire:

THE OBSESSED TOUR

THE OBSESSED Announce Headlining US Tour Dates

Maryland doom legends THE OBSESSED have announced a full US tour in support of the forthcoming album Sacred. The tour commences on April 12th in Pittsburgh, PA and runs through May 20th in Baltimore, MD. Karma To Burn will provide direct support on all dates while Fatso Jetson (April 17 – May 1) and Lo-Pan (May 3 – May 20) will provide additional support on select dates. THE OBSESSED will also join Weedeater and label-mates Primitive Man on five West Coast shows during the run (April 27 – May 1). All confirmed tour dates below.

Additionally, THE OBSESSED will hold a record release show for Sacred on April 8th at Kung Fu Necktie in Philadelphia, PA. The band will also perform at this year’s Berserker Fest IV in Detroit, Michigan the weekend of April 14-15. Stay tuned for further tour announcements in the future!

April 7, 2017 will see the worldwide release of Sacred via Relapse Records on CD/LP/DLX. 2xLP/Digital. Physical pre-order and bundles are available via Relapse.com HERE and digital downloads can be pre-ordered by Bandcamp AT THIS LOCATION. The Deluxe 2xLP bundle includes an enamel logo pin, signed art print and two bonus tracks!

With renewed energy and purpose, THE OBSESSED sounds heavier and more relevant than ever before. On Sacred, the band doubles down on enormous, heaving riffs and pummeling low-end across 12 tracks of eternal doom. Rounded out by Wino’s lyrical honesty and iconic throaty vocals, Sacred is an album that further pushes THE OBSESSED into the annals of heavy metal history, well worth the two-plus decade wait. The band will perform once again as three piece featuring Wino, Reid Raley and Brian Costantino.

THE OBSESSED Tour Dates:
Apr 08 Philadelphia, PA Kung Fu Necktie *Record Release Party/Acoustic Wino Set*
— All Dates Apr 12 – May 20 With Karma To Burn —
Apr 12 Pittsburgh, PA Cattive
Apr 14 Cleveland, OH Grog Shop
Apr 15 Pontiac, MI Berserker IV (The Crofoot) &
Apr 17 Indianapolis, IN 5th Quarter +
Apr 18 Kansas City, MO Riot Room +
Apr 19 Chicago, IL Bottom Lounge +
Apr 20 St. Louis, MO Fubar +
Apr 21 Rock Island, IL Rock Island Brewing Co. +
Apr 23 Denver, CO Hi-Dive +
Apr 24 Salt Lake City, UT Metro Music Hall +
Apr 25 Boise, ID Neurolux +
Apr 26 Bellingham, WA Shakedown +
Apr 27 Seattle, WA Highline ** +
Apr 28 Portland, OR Star Theater ** +
Apr 29 Sacramento, CA Starlite ** +
Apr 30 San Francisco, CA DNA Lounge ** +
May 01 Los Angeles, CA Regent Theater ** +
May 02 Mesa, AZ Club Red
May 03 Albuquerque, NM Launchpad #
May 04 Dallas, TX Three Links #
May 05 Austin, TX Grizzly Hall #
May 07 San Antonio, TX Korova #
May 08 New Orleans, LA Siberia #
May 09 Savannah, GA The Jinx #
May 10 Johnson City, TN Hideaway #
May 11 Atlanta, GA EARL #
May 12 Miami, FL Gramps #
May 13 Spartanburg, SC Ground Zero #
May 14 Raleigh, NC Pour House #
May 16 Philadelphia, PA Kung Fu Necktie #
May 17 Boston, MA ONCE Ballroom #
May 18 Brooklyn, NY Saint Vitus #
May 19 New Hanover, CT The Ballroom at Outer Space #
May 20 Baltimore, MD Otto Bar #

& No Karma To Burn
** W/ Weedeater + Primitive Man
+ W/ Fatso Jetson
# W/ Lo-Pan

https://www.facebook.com/TheObsessedOfficial
http://relapse.com/the-obsessed-sacred/
https://theobsessed.bandcamp.com/
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords
http://www.twitter.com/RelapseRecords

The Obsessed, “Punk Crusher”

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Shadow Woods Metal Fest 2016: Initial Lineup Announced

Posted in Whathaveyou on February 10th, 2016 by JJ Koczan

After a successful first installment last year, Shadow Woods Metal Fest 2016 bursts out of the gate with 20-plus bands for what’s still being touted as its initial lineup — i.e., there’s more to come. Seems reasonable. Now that they’ve shown it can happen without the universe collapsing or the ultra-oppressive Federal Forestry Service (note: I have no idea if that’s a real thing) clamping down hard on longhair campers, it seems only fair to expect the event to grow both in actual scope and reputation.

The first group of acts spans a range from extreme metal to psychedelic heavy rock, but a few highlights thus far include Maryland dronecasters Darsombra, Philly riff-rollers Wizard Eye, and MD heavy rockers Faith in Jane, who’ll team up with Scott “Wino” Weinrich himself for a special set. There have been murmurings of those two parties jamming for a little bit now, and you can see video of them doing just that from this past weekend below. It ain’t Wino Wednesday, exactly, but it’s cool to watch anyway.

Also included are Destroyer of Light from Austin, Temple of Void from Michigan and a whole bunch of others put together by fest-organizer Mary Spiro, who very clearly knows what she’s doing:

shadow woods metal fest 2016

SHADOW WOODS METAL FEST, the Mid-Atlantic’s open-air camping metal party, will once again terrorize the woodlands of central Maryland this fall with three days of more than thirty bands from diverse metal genres and regions. The 2016 festival runs from Thursday, September 15th through Sunday, September 18th at Camp Hidden Valley, in White Hall, Maryland, the same location where the maiden edition of the fest was held last year.

Organizers of SHADOW WOODS METAL FEST began announcing performers in mid-January and have been carefully curating this year’s lineup. “The response from performers and attendees to the 2015 event was overwhelmingly positive with many people telling me it was the best weekend of their lives!” says festival founder Mary Spiro of Metallomusikum.com/Shadow Woods Productions LLC. “We are humbled and frankly completely surprised by the outpouring of praise for the fest. There has been enormous interest from the metal community for certain bands to perform. Our team is taking its time to make sure the lineup matches our attendee’s expectations and sets us apart from other fests. We also want each day to have flow. It’s a balancing act.”

Spiro says that when all is said and done, the final lineup will surpass the ferocity of the inaugural installment. As of February 9th, twenty-one bands have been announced, including horror death mongers Acid Witch, death thrashers Coffin Dust, underground black metal kings Blood Storm, doom merchants Wizard Eye, psychedelic black metal gurus Helleborus, and Maryland doom trio Faith In Jane joins forces with the genre’s godfather Scott “Wino” Weinrich (The Obsessed, Spirit Caravan, Saint Vitus) for an exclusive SWMF performance, with much more to be announced.

Early Bird Weekend Passes for SHADOW WOODS METAL FEST go on sale at noon EST, February 12th for $115 on BrownPaperTickets.com.

Tent camping is included with the weekend pass. People who want to reserve cabin beds can do so for an additional $20 for the duration of the fest.

“It could be late Spring before we have the whole lineup in hand,” Spiro said. “It’s taking longer than we anticipated, but we think our patience will be rewarded, and festival goers will be really pleased with the bands yet to be announced.”

SHADOW WOODS METAL FEST 2016 Confirmed Lineup:
A SOUND OF THUNDER (DC) **traditional old-school heavy metal
ACID WITCH (Detroit) **horror death
BLOOD STORM (PA/TX) **black thrash
BOUND BY THE GRAVE (Baltimore) *death
CEMETERY PISS (Baltimore) **black
COFFIN DUST (Philadelphia) **death
CORPSE LIGHT (Baltimore) *doom
DARSOMBRA (MD) **metal drone
DESTROYER OF LIGHT (Austin, TX) **sludge
EMPYREUS(Chicago) **black
FAITH IN JANE FEATURING WINO (MD) ** doom trio joined by the godfather of the sound
GENEVIEVE (MD) **experimental black
GRAVE GNOSIS (St. Petersburg, FL) **black
HAXEN (Rhode Island) **black
HELLEBORUS (Manitou Springs, CO) **black
MYOPIC (DC) **death/doom
SAPREMIA (New Jersey) **death
TELOCH VOVIN (NY) **black
TEMPLE OF VOID (Detroit) **doom
WIZARD EYE (PA) **doom
XEUKATRE (Baltimore) **black
MANY MORE BANDS YET TO BE ANNOUNCED

http://www.shadowwoodsmetalfest.com
http://www.facebook.com/shadowwoodsmetalfest

Faith in Jane & Wino, Live at Cafe Nola, Frederick, Maryland, Feb. 7, 2016

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