Wino Wednesday: Wino & Conny Ochs, “Heavy Kingdom” Live in Amsterdam, 2012

Posted in Bootleg Theater on December 17th, 2014 by H.P. Taskmaster

wino wednesday

One of the oddly satisfying things about doing Wino Wednesday for as long as I have at this point is the fact that whenever I think I’ve seen it all, I turn a corner and find something else I didn’t expect. I think it’s safe to say that because of the more widespread technology there are way more people taping shows now than in, just an example, 1994, when Wino was making a go of it with The Obsessed, so a lot of the majority of the live clips for Wino Wednesday are culled from the last five years, give or take. Even within that sphere, the supply might seem to dwindle, but it never runs dry.

I’ve been thinking of Wino‘s upcoming shows in Philly and New York right after the Xmas holiday for the Feast of Krampus two-nighter with Sixty Watt Shaman and about the recent announcement of a second Wino & Conny Ochs collaboration, dubbed Freedom Conspiracy, to be issued in 2015 probably through Exile on Mainstream, and I guess I’ve had acoustic stuff on the brain, so I’m looking through thinking I’ve done just about everything worthwhile from the Wino & Conny Ochs 2012 European tour, and then I find this video from Amsterdam of the two of them playing in what essentially looks like a box made of brick to a small, seated audience just one day before they’d hit Roadburn in Tilburg, and it proved once again that I’ve barely scratched the surface.

What makes this video special in my mind, apart from the intimacy of the setting at De Slang — bare lighting, bare stage, theatre-style seats — is the fact that there are no microphones. Both Wino and Ochs‘ voices are projected naturally to the crowd (I recognize a face or two from Roadburns past), and it gives a feel that’s just perfect for the raw nature of that material. They perform “Heavy Kingdom,” the title-track of their 2012 debut (review here) and cover “Nothing” by Townes van Zandt, and the results are gorgeous.

Hope you enjoy:

Wino & Conny Ochs, Live at De Slang, Amsterdam, April 11, 2012

Tags: , , , ,

Wino, Sixty Watt Shaman and More Confirmed for Feast of Krampus in Philly and Brooklyn

Posted in Whathaveyou on December 15th, 2014 by H.P. Taskmaster

The holidays. What a nightmare. Fortunately, for those who’d need one more fix before the New Year rings in a whole 365-day batch of nonsense, Feast of Krampus would seem to have you covered, at least if you’re in Philly or Brooklyn. What might otherwise have been a weekender with Wino and Sixty Watt Shaman, who once upon a 1999 shared a split release — Wino with Spirit CaravanSixty Watt during their original run — has become a two-night, two-city festival at Underground Arts on Dec. 27 and the St. Vitus bar on Dec. 28 with a host of killer support acts to round out the bill, including Philly natives Wizard Eye and Massachusetts’ own Birch Hill Dam, as well as Chimpgrinder and Buzzard Canyon and others with apparently more to come.

I’ll defer to the PR wire for details, but it looks like a badass time either way. Dig it:

feast-of-krampus-philly-brooklyn

Some Pig Presents: Feast of Krampus

A Dark and Unholy Holiday Celebration

Saturday, 12/27 at Underground Arts (Philadelphia, PA)
Sunday, 12/28 at Saint Vitus (Brooklyn, NY)

A chill in the air, and a darkness in the night. It is the eve that the dark lord Krampus calls his disciples to the sacrificial altar…

Brooklyn-based booking/promotions agency Some Pig Presents is proud to announce the first annual music festival Feast of Krampus, with dates in Philadelphia and Brooklyn. Conceived as a dark, twisted holiday celebration, Feast of Krampus will feature the heavy metal legend Wino, along with a support bill comprising some of the best acts in heavy music. Save your holiday cheer for the department stores and cocktail parties; Feast of Krampus is a dark offering of blood, volume, and mayhem to the merciless lord of Yuletide terror.

Headlining the inaugural Feast of Krampus is metal legend Scott “Wino” Weinrich, frontman of quintes- sential heavy bands Saint Vitus, The Obsessed, and Spirit Caravan. Since forming the Obsessed in 1976, and later joining Saint Vitus for their definitive 1986 release Born Too Late, Wino has stood at the fore- front of the American underground metal scene, and his influence on doom and stoner rock cannot be measured. For over 30 years he has stood as a pillar of the genre, and his prolific studio output and con- stant touring reveal an unrivaled longevity. The Feast of Krampus finds Wino recently returned from a 6 week, 35th anniversary Saint Vitus tour through Europe, and marks a triumphant homecoming.

Also appearing at both dates will be heavy veterans Sixty Watt Shaman. Since 1996, Sixty Watt Shaman has been brewing a bluesy, psychedelic brand of heavy groove rock, releasing 3 classic albums between 1998 and 2002. While the years since contained a number of one-off reunion performances, 2014 has seen the Shaman more active than ever, with appearances at London’s DesertFest and Baltimore’s Moving The Earth Festival, as well as the release of their first new original material in over 10 years.

Filling out each bill are a number of noteworthy acts both local and regional. In Philly we’ll be joined by Wizard Eye, Skeleton Hands, and Chimpgrinder, while Brooklyn support includes Godmaker, Birch Hill Dam, Moon Tooth, and Buzzard Canyon.

FEAST OF KRAMPUS is more than a concert: it’s a dark, unholy holiday celebration like no other. You better watch out, and you better not cry, because Krampus is coming…

Philly tickets
Brooklyn tickets

www.somepigpresents.com
https://www.facebook.com/events/1389385128022082/
https://www.facebook.com/events/727701780640472

Sixty Watt Shaman, “Fear Death by Water” Live at Moving the Earth 2, Baltimore, Maryland, 03.22.14

Tags: , , , , , , , , ,

Wino Wednesday: The Obsessed Cover Lynyrd Skynyrd’s “On the Hunt”

Posted in Bootleg Theater on December 10th, 2014 by H.P. Taskmaster

wino wednesday

Until a pair of live albums surfaced in 2012 to coincide with The Obsessed‘s touring reunion, their 2001 split with Jimmy Bower‘s underappreciated The Mystick Krewe of Clearlight was their final release. A 7″ vinyl put out on Southern Lord, it featured just one song from each band, both of them Lynyrd Skynyrd covers. For The Mystick Krewe of Clearlight, it was “Cheatin’ Woman,” and for The Obsessed, “On the Hunt,” both taken from Skynyrd‘s 1975 full-length, Nuthin’ Fancy.

Aside from being a ringing endorsement for that album, the single was kind of a curio for The Obsessed. By 2001, guitarist/vocalist Scott “Wino” Weinrich had moved on to Spirit Caravan – hell, by later in 2001, you could say Spirit Caravan were on their way out, though they didn’t disband until 2002 — and so far as I know The Obsessed weren’t playing any shows or anything like that. “On the Hunt” had also appeared on the 1999 Incarnate compilation, and it was recorded by Joe Barresi in 1994, so it’s not like Wino called up Guy Pinhas and Greg Rogers and said “let’s go,” but for The Obsessed having called it quits six years earlier, to have one song surface on a 7″ seems a little out of left field.

I won’t argue, though. With Dale Crover of the Melvins enlisted for a guest spot on drums and backing vocals, “On the Hunt” gets stomp to match its riffy groove, and while The Obsessed was never quite as arranged as Skynyrd – no piano, no 17 guitars or however many it wound up being — they pretty clearly get to the heart of the track with their cover. Wino was still covering “On the Hunt” as recently as 2010, though by then it was a solo acoustic rendering, so I guess he managed to strip it down even further some 16 years later. Go figure.

Enjoy and have a great Wino Wednesday:

The Obsessed, “On the Hunt”

Tags: , , ,

Wino Wednesday: The Hidden Hand, Full Set Live in Amsterdam, 2007

Posted in Bootleg Theater on December 3rd, 2014 by H.P. Taskmaster

wino wednesday

I count myself lucky to have seen The Hidden Hand the few times I did. I could tell you a story about blowing a chance to do a show with them owing to a snowstorm around when their last album, The Resurrection of Whiskey Foote, was released in 2007, but more pleasantly, I recall a few especially killer gigs circa 2004’s Mother Teacher Destroyer that were an enlightenment in terms of showing me the power of what a classic heavy trio could accomplish on stage, Wino and bassist/vocalist Bruce Falkinburg playing off each other’s work so well. When it hit, their third and final outing didn’t do as much for me — its narrative of rebellion seemed put together after the fact and the songs came across as moving away from the warmth of the record prior, which I still hold as their best — but even without drummer Dave Hennessy or Evan Tanner, who played on 2005’s Devoid of Color EP as well as The Resurrection of Whiskey Foote, they were an excellent and continually underappreciated band. At the time, you could say the same for Spirit CaravanThe Obsessed and Saint Vitus too.

Fair enough. The Resurrection of Whiskey Foote came out in Feb. 2007, and they were done by August of that year, but in between they took time to hit Europe for a full month. The complete set which you can see below was webcast May 9, 2007, on fabchannel.com — not linked because it doesn’t exist anymore — and features cuts from all three The Hidden Hand records, emphasizing some of what was best about that band in their prime. The show was at Paradiso in Amsterdam, and also on the tour were Philly heavy prog instrumentalists Stinking Lizaveta and weirdo doomers Beehoover. Sounds like a solid bill. Quality on the clip isn’t the greatest if you’re looking to make it fullscreen, but it’s still worth checking out for the pro audio alone.

Either way, hope you enjoy and have an excellent Wino Wednesday:

The Hidden Hand, Live at the Paradiso, Amsterdam, 2007

Tags: , , , ,

Wino Wednesday: Shrinebuilder, Full Set Live in Baltimore, 11.13.09

Posted in Bootleg Theater on November 26th, 2014 by H.P. Taskmaster

wino wednesday

If time has taught us anything at all about rock and roll, it’s never say never. Shrinebuilder put out its self-titled debut in 2009 on Neurot Recordings with the staggering lineup of bassist/vocalist Al Cisneros, guitarist/vocalists Scott Kelly and Scott “Wino” Weinrich and drummer/vocalist Dale Crover, played here and there, followed-up with a single and a live record, played some more shows, and then receded. It was never intended to be a full-time project, and when they were done, everyone went back to their own bands, whether it was Sleep and Om for CisnerosSaint Vitus for WinoNeurosis and solo work for Kelly or the Melvins for Crover. Rumors of a second album persisted for a while and then similarly receded.

We may never get another Shrinebuilder record. Hell, we might not even get another Shrinebuilder tour, or a single show, but it seems just as likely that at some point and in some form — whether with all four of the same players or not — they’ll get together again for some purpose or other. The full set snagged for this week’s Wino Wednesday revelry was filmed by TubeVision, a long-running East Coast taper, and captures Shrinebuilder on their inaugural run from Nov. 2009, not yet a month after the release of the self-titled, live in full force at the Sonar in Baltimore, Maryland. I was fortunate enough two nights later to see Shrinebuilder take the stage in Manhattan with Rwake (review here), and while it was just over five years ago now, I can still readily recall the powerful presence they had as a band on stage and the weight the performance carried because of who it was standing up there.

They might or they might not ever do another album, but whatever winds up happening, we were lucky enough to get it once. Hope you enjoy the video:

Shrinebuilder, Live at The Sonar, Baltimore, MD, 11.13.09

Tags: , , , ,

Wino Wednesday: Saint Vitus, “Blessed Night,” Live in France, Oct. 2014

Posted in Bootleg Theater on November 5th, 2014 by H.P. Taskmaster

wino wednesday

The Saint Vitus 35th anniversary European tour with Orange Goblin — who started out as “special guests” and now seem to be co-headlining — is only a couple days away from passing a full month. While on the road celebrating one of doom’s widest legacies, Vitus are performing 1986’s classic Born too Late in its entirety, unquestionably their most influential record fronted by Scott “Wino” Weinrich. They did the same on the US West Coast earlier this year and I’m hoping they’ll bring the show east maybe in the New Year, but either way, anything Vitus does, someone’s at least gonna shoot it on their phone, so yeah, there’s plenty of footage out there if you know what you’re looking for.

I’ve yet to find a clip of a whole set, but I’ve seen a couple setlists where they haven’t broken up Born too Late to spread it throughout, which is what they did in the US, but instead are simply playing it backwards, so that they start with “The War Starter” and end with the anthem “Born too Late” itself. Fair enough. If you’re going to play that song, you want to play it last; it’s been their closer for years and makes an excellent encore. They haven’t forgotten their latest work, either, though. “Blessed Night,” which you can find below recorded from the first night of the tour, comes from 2012’s Lillie: F-65 and was the first song Vitus wrote after getting back together, solidifying its relatively speedy progression while on the road performing their classic material.

Though word came out a while ago they were writing, I have yet to hear any kind of official notice of a follow-up to Lillie: F-65, and they don’t seem to be playing anything new on this tour — clearly that’s not the focus of the 35th anniversary run — so “Blessed Nights” is about as recent as it gets. Hope you enjoy and have a great Wino Wednesday:

Saint Vitus, “Blessed Night,” Live in Colmar, France, Oct. 9, 2014

Tags: , , , ,

Wino Wednesday: Saint Vitus, “Blessed Night” Live in Colmar, France, Oct. 9, 2014

Posted in Bootleg Theater on October 15th, 2014 by H.P. Taskmaster

wino wednesday

It didn’t take long for video to surface of Saint Vitus‘ 35th anniversary European tour. The run, which includes Orange Goblin as the support act, kicked off Oct. 9 at Le Grillen in Colmar, France, and a day later, there were clips out of the band’s show. I’d say it has something to do with the special nature of the occasion, Vitus having begun one of doom’s most influential legacies when they formed as Tyrant in 1979 (and where, I ask you, is the band who will take up that moniker?), but really, even if it was just another show and just another tour for them, the situation would probably be the same. People want to see Saint Vitus. That’s a big part of the reason I’ve been able to go three-plus years with Wino Wednesdays.

The track “Blessed Night” comes off Saint Vitus‘ 2012 comebacker, Lillie: F-65 (review here). It was the first single from the album; a quick, three-minute shot of a song that was the first one they wrote since getting back together. Distinguished from the rest of Lillie: F-65 for having lyrics by Wino and not guitarist Dave Chandler — lines like “Her beauty is as timeless as dark forlorn galaxies” were a dead giveaway — it was also faster than a lot of what that record had to offer, songs like “Let Them Fall” and “The Bleeding Ground” more in league with the grueling doom one expects from Chandler‘s songwriting. But it’s a quality track nonetheless, and I recall the first time I saw them play it just being so happy there was new Vitus at all, let alone what it sounded like.

Vitus are performing all of 1986’s classic Born too Late album on this tour — they seem to be spacing it out in the set, rather than performing it front-to-back, so they can still close with the title-track — and I hope at some point to have a full-show, but until then, enjoy “Blessed Night” and have a killer Wino Wednesday:

Saint Vitus, “Blessed Night” Live in Colmar, France, Oct. 9, 2014

Tags: , ,

Wino Wednesday: Saint Vitus, “Look Behind You” Live in Portland, OR, 2010

Posted in Bootleg Theater on September 24th, 2014 by H.P. Taskmaster

This week marks three full years of Wino Wednesday. It is Wino Wednesday #156. In that time, I feel like we’ve just about covered the man’s entire career, from his days playing with Warhorse in high school on down through Spirit Caravan‘s 2014 reunion. In and out of bands like The ObsessedSaint VitusSpirit CaravanThe Hidden Hand, Place of SkullsPremonition 13, his own Wino band and on and on with more guest appearances live and recorded than I think anyone can count, it’s been a three-year investigation into one of doom’s most storied and most accomplished figures. I don’t think when I started out that I imagined this feature would go on for so long, but I’ve yet to run out of things to post, so I guess until that happens, onward we go.

“Look Behind You” appeared on 1987’s three-song Thirsty and Miserable EP, sharing the B-side with the titular Black Flag cover. Tough bill, since when one thinks of that release, it’s the radical slowdown of the Black Flag song that invariably comes to mind first, but “Look Behind You” has been a live staple for Saint Vitus more or less since. It showed up on their 1990 Live album, and it has been a regular feature of sets since their reunion in 2009, its Motörhead-style rush made to turn on its head by Dave Chandler‘s transitions and thickened by his inimitable tone. The song goes back further than Thirsty and Miserable, though. In 1979, Tyrant (the original Vitus lineup under its first name) included it on their demo, so it’s clearly been around even longer than Thirsty and Miserable, and as you can see in the version below, which was taped live in Portland, Oregon, at the Satyricon in June 2010, it wears its age well.

Here’s to three years of Wino Wednesday and more to come. Enjoy:

Saint Vitus, “Look Behind You” Live in Portland, OR, June 26, 2010

Tags: , , , , ,

Wino Wednesday: Wino, “Shot in the Head” from Adrift

Posted in Bootleg Theater on September 17th, 2014 by H.P. Taskmaster

Not exactly the most uplifting message ever put into a song, but Wino‘s take on Savoy Brown‘s “Shot in the Head” was nonetheless a highlight of the 2010 acoustic debut, Adrift. That record (review here) came out four years ago this month, and had its fair share of melancholy, with songs like “Whatever” and “Old and Alone,” but despite its foreboding title, “Shot in the Head” was actually more upbeat — frustration rather than depression — and its road-weary lyric fit Adrift‘s personality well, Wino taking the lines, “I’ve had enough of getting shot in the head/I’ve had enough and I wish I was dead,” and presenting them not with a downer woefulness, but something closer to the bluesy humor of the original.

The track opened Savoy Brown‘s 1972 full-length, Lion’s Share, which was the British outfit’s ninth album in six years. Understandable at that point why they might’ve “had enough,” but it’s worth noting that guitarist/vocalist/founder Kim Simmonds has toured and released music ever since, working with well over 60 musicians in various Savoy Brown lineups since starting out in 1967 — up to and including this year’s Goin’ to the Delta – so apparently he was still a ways off from his fill. Wino isn’t quite there in the number of people he’s worked with, though if you count both bands he’s been in and bands with whom he’s guested, he’s got to be over 40, but it’s plain enough to see a correlation there, and he seems to have a good time with the song, doubling his vocals to create a kind of one-man blues chorus and sneaking a plugged-in solo into the second half.

I looked for a live version of “Shot in the Head,” but came up empty. Could’ve sworn I saw him do this song at some point, but there doesn’t seem to be video to back that up. The album version’s plenty raucous, and I hope you enjoy it and have a happy Wino Wednesday:

Wino, “Shot in the Head” (Savoy Brown cover)

Tags: , , , ,

Wino Wednesday: Spirit Caravan, “Inside Looking Out” Live in Las Vegas, 2014

Posted in Bootleg Theater on September 10th, 2014 by H.P. Taskmaster

True, I said I’d hold off putting up more clips from the Spirit Caravan reunion tour. Or at least I think I said it. Or at least I think I thought it. Either way, it was a stupid idea. There’s an awful lot of footage out there of Wino, Sherman and Henry Vasquez kicking ass across the land, and I’d be a fool to not embrace it because I live under the delusion that anybody’s keeping count of how often one or another of Wino‘s bands appears here. Hell, I’m damn near three years into doing Wino Wednesday. Redundancy stopped mattering a long time ago.

With that in mind, here’s something a little different. Ha. “Inside Looking Out” was originally released as a single by The Animals in 1966. A couple years later, in 1969, Grand Funk Railroad took it on and switched the lyrics so it was talking about reefer, and that apparently did the trick in terms of making the song awesome. It’s been covered by many over the years and has a classic boogie riff with some start-stops, and anytime Wino and Sherm want to share vocals, that’s cool by me. At about the halfway point in the video, right before the solo, the dude filming decides to throw the horns right at the bottom of the shot. I kind of thought the song itself was making the point of its own asskickery, but I have a hard time arguing with the sentiment.

This tour wasn’t Wino‘s first experience with “Inside Looking Out” either. The Obsessed released it in 1996 as the A-side of their Altamont Nation 7″ on Bongload Records with “The Peckerwood Stomp” accompanying, and it was also included in their 1999 compilation, Incarnate, on Southern Lord, which made it somewhat more readily available. As you can see in the clip below, experience counts.

Enjoy:

Spirit Caravan, “Inside Looking Out” Live in Las Vegas, March 18, 2014

Tags: , , , , ,

Wino Wednesday: Saint Vitus, Full Set Live in Nipomo, CA, 04.16.87

Posted in Bootleg Theater on September 3rd, 2014 by H.P. Taskmaster

I can’t imagine what it would’ve been like to see Saint Vitus on stage 27 years ago. The context of the time makes it nearly impossible. Vitus during the Reagan years? This show, captured here in its entirety on what I can only assume was a video camera sent back in time from an unknown future to document such a phenomenon, took place in Nipomo, California, which is south of San Francisco, north of Los Angeles. The room is basically a box. Those who showed up to see Saint Vitus at that point — touring on their third album, with their second singer — probably would’ve at least mostly already been into the band, so I don’t expect it would’ve been like those tales you hear of the band in 1985 surprising disgruntled punkers on tour with Black Flag and whatever else. But still, to think of Vitus not as Saint Fucking Vitus but just as another act coming through town is something I can’t really get my head around, as much time as the video spends on the audience of mosher dudes.

That being the case, it’s all the better that footage like this exists, not so we can coopt its grainy look for our own empty-inside nostalgia for things we never knew, but just so we can get a look at what it might have been like to be there at that time. Invariably, our own place in time affects how we see it, what we read into the sounds, the fashion, the amateurish camera angles, the analog-looking date stamp checking off the minutes as they pass by. Still, even to watch as an outsider as Vitus rips into songs from Born too Late,  and the preceding two albums is impressive. Later in 1987, they’d release the Thirsty and Miserable EP, and it’s arguable this is the band’s peak era. I’m not sure I believe that or I’d say it more definitively, but you can make a good case either way, and this show would seem to be working in their favor.

Please note: I did some research on the purported name of the club where this show took place. I can’t find anything about it. If it’s a punk venue, I’m not sure how it might tie in with SoCal’s skinhead history, but the video seemed worth posting anyway.

Enjoy and have a great Wino Wednesday:

Saint Vitus, Live in Nipomo, CA, April 16, 1987

Tags: , , , ,

Wino Wednesday: The Hidden Hand, “The Crossing” Live in 2004

Posted in Bootleg Theater on August 27th, 2014 by H.P. Taskmaster

According to the raw interwebular research I was able to put together — i.e., I Googled it — The Hidden Hand played the release show for their second album, Mother Teacher Destroyer, on Oct. 29, 2004, at the Black Cat in Washington, D.C. If I’m wrong about that, I hope you’ll at least give me credit for trying to track down when this clip of “The Crossing,” the opening track from that record, was played. Whenever it was, bassist Bruce Falkinburg absolutely nails the vocals, and even in the “uploaded five years ago” quality, the song sounds pretty righteous.

Their 2003 debut, Divine Propaganda, was rawer, and 2007’s swansong, The Resurrection of Whiskey Foote, more ambitious, but to me, Mother Teacher Destroyer was the quintessential outing from The Hidden Hand during their all-too-short run from 2003-2007. Not only did it have the rawness and progressive sensibilities in near-perfect balance, but the tracks themselves were so memorable, both individually and how they fed into each other, that the album remains high on my list of favorite Wino-related releases. I’ve featured the album before, so I won’t belabor the point, but it was the right offering at the right moment.

All the better, then, to get a glimpse of that moment nearly a decade later, by checking out this video of “The Crossing” from the release show. WinoFalkinburg and drummer Dave Hennessy are in top form — you can see them nail the tricky change shortly before the long guitar solo kicks in — and it seems fair to think this was if not as good as they got, then probably close to it. I still consider The Hidden Hand probably the least appreciated of the bands Wino has been in, the stalled-out and largely forgotten Premonition 13 notwithstanding, and something like this is a real treat at least for me, and I hope for you as well.

Please enjoy and have a great Wino Wednesday:

The Hidden Hand, “The Crossing” Live at the Mother Teacher Destroyer CD Release Show

Tags: , , , , ,

Wino Wednesday: The Obsessed, “Forever Midnight” from 1982 Demo

Posted in Bootleg Theater on August 20th, 2014 by H.P. Taskmaster

I’m kind of surprised that a band hasn’t come along that sounds like this yet. Don’t get me wrong, plenty of doom bands sound like The Obsessed (half the state of Maryland walks by and waves). But I mean exactly like this, the way that vintage ’70s production styles have taken such hold of heavy rock and doom these last several years. Moving into the murky, more obscure ’80s style of doom — when it buried itself underground to escape the blast radius of New Wave and glam much like the rodentia that survived the collision that killed the dinosaurs — would seem the next logical stage in that progression, wouldn’t it? And there’s a definite style at work in The Obsessed‘s earliest demos and others from that era that through whatever studio magic or lack thereof could feasibly be translated to a modern recording. I guess to some degree that’s what Revelation/Against Nature have been doing on their last couple outings, but seems to me there’s room for more than just one band in that terrain, at least if the glut of ’70s worshipers is anything to go by.

The track “Forever Midnight” would show up again on The Obsessed‘s self-titled debut, released in 1990 by Hellhound Records, but as the demo shows, it predates the album by at least eight years. Of course, The Obsessed formed as Warhorse in 1976, and we’ve seen that band rocking out Led Zeppelin covers at high school in Rockville, Maryland, so “Forever Midnight” could feasibly go back even further than ’82, but I wouldn’t know how much. Even in the rough demo form, it’s a solid groover. Not much of an ending, really — it just kind of stops — but as an early showing of Wino‘s riffing style, it comes across as a feeling-out process for what later on became The Obsessed‘s ultra-straightforward, no frills doom metal. Structurally, the demo is just about the same as the finished version as well, so you can figure that Wino knew what he was going for at the time and was pleased with the results even eight years after the fact when the self-titled came out. Hard to argue.

Enjoy and have a great Wino Wednesday:

The Obsessed, “Forever Midnight” Demo (1982)

Tags: , , , ,

Wino Wednesday: Wino & Conny Ochs Cover Joy Division, Live in Germany, April 2012

Posted in Bootleg Theater on August 13th, 2014 by H.P. Taskmaster

According to the numbers — and you’d best believe I go by the numbers rather than my own memory of such things — this is the 150th Wino Wednesday post. In a few short weeks we’ll celebrate three full years of the feature, and I’m glad to say that I think I’ve only missed one week in that time. It’s become a staple in my consciousness, which band, what song, live or studio, what’s out there to find, what’s new, etc., and I’ve enjoyed trying to chase down something different each time out, even if it’s just another live version of “Born too Late” or something like that, bound to be familiar no matter what the source is.

This week we dip back to 2012 for some Wino & Conny Ochs. They were on tour in Europe that spring, having played Roadburn in the all-too-appropriate church setting of Het Patronaat (review here), and it was as comfortable on stage as I saw them, though by the time they got around to doing US dates afterward (review here), the collaboration seemed no less fluid. Supporting their Exile on Mainstream debut, Heavy Kingdom (review here), they offered a look at raw folkish troubadour traditionalism, of course tempered with Ochs‘ bleeding emotionalism and Wino‘s inescapable heavy rock edge.

It might be the folk that comes most to the fore on “Isolation.” A cover of Joy Division, “Isolation” comes from that band’s 1980 swansong, Closer, and aside from extending it, Wino and Ochs take the British outfit’s post-punk/pre-New Wave melancholy and replace it with a righteous acoustic strum, so that “Isolation” sounds more like a public domain railroad song than something Ian Curtis penned before taking his own life. The build at the end is true to the original, but there’s room made for a solo that extends into a jam with the two guitars before bridging back to the chorus and finishing out, making “Isolation” — which also appeared on the Wino & Conny Ochs Latitudes release, Labour of Love – all the more distinctive in this interpretation.

The clip was recorded in Würzburg, Germany on April 3, 2012 at Cairo. Hope you enjoy:

Wino & Conny Ochs, “Isolation” Live in Germany, April 2012

Tags: , , , ,

Wino Wednesday: Spirit Caravan, “Brother Blue Steel” Live in North Carolina, 1999

Posted in Bootleg Theater on August 6th, 2014 by H.P. Taskmaster

We’ve had a lot of Spirit Caravan around these parts lately for Wino Wednesday. Reasonably so, what with the reunion and the wealth of videos posted from their tours of the US and Europe. I thought maybe this week we’d run with it but change it up a bit and go back to the three-piece’s original run. Spirit Caravan as a working band rather than the returning conquerors, playing to small rooms and caving in the chest cavities of those fortunate enough to be in the know.

In March 1999, when the below version of “Brother Blue Steel” was recorded, Spirit Caravan hadn’t yet released their debut album, Jug Fulla Sun. That record, which came out through Joe Lally of Fugazi‘s Tolotta Records, was still two months off. They’d been kicking around for a couple years both as Shine and Spirit Caravan and had put the track “Darkness and Longing” on a split with Sixty Watt Shaman, but their full-length debut wouldn’t arrive until May. It makes more sense, then, that Spirit Caravan would take on a song like “Brother Blue Steel,” which Wino originally wrote and recorded with The Obsessed.

It was the opener from The Obsessed‘s 1991 return outing, Lunar Womb, and it seems fair to expect that if someone’s in the crowd at a Spirit Caravan show before the band has an LP out, they’ve probably heard The Obsessed, so yeah, a take on “Brother Blue Steel” is understandable. While there’s always some stylistic bleedthrough between Wino‘s bands because of his tone and songwriting process, I still think you can see in the below some of the differences in character between the two groups, bassist Dave Sherman and then-drummer Gary Isom hitting into a bounce that foreshadowed a big part of Spirit Caravan‘s sonic personality as Wino chugs out the verse riff. For being the same song, it’s definitely a different take.

Hope you enjoy and have an excellent Wino Wednesday:

Spirit Caravan, “Brother Blue Steel” Live at The Caboose, Garner, NC, March 27, 1999

Tags: , , , , ,