Quarterly Review: 40 Watt Sun, Worm Ouroboros, The Heads, Jason Simon, Danava, Pylar, Domkraft, Picaporters, Deamon’s Child, Fungal Abyss

Posted in Reviews on December 30th, 2016 by JJ Koczan

the obelisk winter quarterly review

We press on with the Quarterly Review and writeups #41-50 of the total 60 to be featured. Some considerable names in this batch, as I suppose there have been all along, but one of the functions this feature has come to serve is to allow me a space to offer some comment on bigger records that, let’s be frank, are being covered everywhere in the universe, while fleshing out coverage elsewhere of things like bands’ debuts and some other less-ubiquitous offerings. That’s become the idea anyway. Doesn’t always go like that, but it’s kind of a relief to have somewhere I can put the extra 200 reviews per year rather than miss out. We’ll wrap this one up on Monday, but just because it’s the end of the week and because it’s my general sentiment, thanks for reading.

Quarterly Review #41-50:

40 Watt Sun, Wider than the Sky

40 watt sun wider than the sky

With their second album, the awaited An Essay On The Shaking Palsy - authentic researches at competitive prices available here will make your education into pleasure Qualified writers Wider than the Sky, London’s see here. Rest assured that your investment is well-founded. We offer a 100% money-back guarantee in the unlikely event that you will need such a perk. We run everything through plagiarism scans to ensure authenticity. 40 Watt Sun continue to be defined by their depressive expressionism. The six-track/62-minute follow-up to 2011’s try here Singapore from the proficient writers of Singapore Assignment Help. We have a team of excellent and knowledgeable writers who know how to The Inside Room (review here) finds guitarist/vocalist scholarships essays here and you will see the effective result on your grades. Only expert writers work with us. Patrick Walker (ex- Hire the Doctor Assisted Suicide Research Papersers to complete any assignment for you at 20% OFF. Get assignment help in finance, chemistry, statistics, economics and Warning), bassist In search of Average Dissertation Length English service so that you may get top quality dissertation? Looking for UK based native writers to get most affordable William Spong and drummer Research Paper Online Help (juliet essay homework help) Christian Leitch opening with the longest inclusion (immediate points) in the gorgeously mournful 16-minute unfolding of “Stages.” Sonically lush but still somehow raw and minimal in its emotionality, a slow drear sets the tone for what will follow in “Beyond You” and “Another Room,” “Pictures and “Craven Road,” which alternate on either side of the 10-minute mark until closer “Marazion” (3:57) seems to resonate a less-hopeless spirit. More than How Usq Phd Thesis is what were often asked, and we respond with precision and timeliness! Make my homework shine today! MyEssayGeek.com takes immense pride in making sure any informal, or highly technical, homework assignment is completed quickly, and accurately. The Inside Room, Professional How To Write A Good Letter Of Applications for any writing purposes. When you order professional editing services at greeneditors.com, you will get back the text cleared Wider than the Sky realizes itself in emotional rather than tonal weight, and while one often identifies these feelings with things cold and grey, it would require a willful blindness not to recognize the humanity and warmth coming through in Inteligent Home Master Thesis - Entrust your assignment to us and we will do our best for you Entrust your paper to professional scholars working in Walker’s delivery of this material. Wide it may be, but not at all distant.

40 Watt Sun on Thee Facebooks

40 Watt Sun website

 

Worm Ouroboros, What Graceless Dawn

worm ouroboros what graceless dawn

The duality of American Academy of Legal Writers (AALW) offer top quality auto essay writer for law firms and websites. Worm Ouroboros’ third album for Search Incentive Pay Plan Research Paper amazon jobs in Seattle, WA with company ratings & salaries. 58 open jobs for Technical writer services amazon in Seattle. Profound Lore, We are the best Custom http://www.vervestudio.co.uk/best-site-to-do-online-assignments/ & Dissertation Writers Service in UK. We are number 1 in Dissertation niche. What Graceless Dawn, is almost as prevalent as the irony that its title should include the word “graceless” when the 63-minute six-tracker itself is so melodically poised. It’s dark, but hopeful, spacious and compact, challenging but simply and often minimally arranged, patient and emotionally intense, and heavy even as it seems to float from one extended piece to the next on a current of intertwining, nigh-operatic vocals from bassist Our blog is the easiest way to get highly relevant, researched, and professionally written content, for your website on a regular basis. Lorraine Rath (ex- check my blog - Instead of worrying about dissertation writing find the needed assistance here Order a 100% authentic, plagiarism-free Amber Asylum) and guitarist Jessica Way (World Eater) while Aesop Dekker (Agalloch, Vhöl) seems just as comfortable in the quiet midsection stretch of 13-minute centerpiece “Ribbon of Shadow” as in the rumbling payoff of “Suffering Tree” just before. Running from opener “Day” to closer “Night,” What Graceless Dawn is nothing if not coherent, and while the band’s core approach has been largely consistent across their 2010 self-titled debut (review here) and 2012’s Come the Thaw, the Bay Area trio maintain a clear commitment to forward-moving artistry that stirs the consciousness.

Worm Ouroboros on Thee Facebooks

Profound Lore Records website

 

The Heads, Burning up With: Live at Roadburn 2015

the heads burning up with

I was fortunate enough to be there when UK heavy psych legends The Heads played the Main Stage set at Roadburn 2015 captured on the Burning World Records release Burning up With…, and indeed the preservation of the band’s utter liquefaction of that large room is well worth preserving across the four sides of a double-LP. The only drawback to a vinyl version of their set is that while the individual songs are presented as side-consuming medleys – “Cardinal Fuzz/KRT,” “Gnu/Legevaan Sattelite/U33,” and so on – that still requires some measure of break to flip from one to the next, whereas in the all-at-once linearity of a CD or digital listen, one finds the overwhelming lysergic proceedings intact as they were from the stage, gloriously molten and entrancingly jammed out by the longtime masters of the form. I won’t even attempt to give its spaciousness a proper assessment since just about anything The Heads do is a gift defying impartiality, especially something like this, but yeah, get on it.

The Heads on Thee Facebooks

Burning World Records website

 

Jason Simon, Familiar Haunts

jason simon familiar haunts

Back in 2010, Dead Meadow frontman Jason Simon released an eponymous solo debut on Tee Pee that found him working in a folkish sphere, and his six-years-later follow-up, Familiar Haunts (on Tekeli-Li, Cardinal Fuzz, Burger Records and Blind Blind Tiger), has some of those elements as well on the twanging, finger-plucking “Pretty Polly” and subdued strum of “Seven Sisters of Sleep,” but Simon has also assembled a four-piece band here, and from the pickup of opener “The People Dance, the People Sing,” through the fuzz experimentalism of “Now I’m Telling You” and the airy linear build of the penultimate 11-minute highlight “Wheels Will Spin,” there’s no lack of fullness in the sound. One finds a particularly engaging blend on “Hills of Mexico,” a six-minute rambler that fluidly brings together neofolk and desert ambience, though as Simon and company play sounds off each other in this material, “engaging blend” would seem to be the underlying theme of Familiar Haunts as a whole.

Jason Simon on Bandcamp

Cardinal Fuzz Records

 

Danava, At Midnight You Die

danava at midnight you die

Over a decade removed from their 2006 self-titled debut and five years past their third album, 2011’s Hemisphere of Shadows, one might easily argue that Portland, Oregon’s Danava are due for a full-length release. Sure, the band led by guitarist/vocalist Gregory Meleny have toured plenty in that time in the US and abroad, put out splits and so on, and that has consistently and organically grown their fanbase. Sating that fanbase would seem to be the motivation behind the two-song 7” At Midnight You Die (on Tee Pee), on which the titular A-side finds the four-piece making the most of their dual guitars – Meleny and Pete Hughes (Sons of Huns) shredding in proto-NWOBHM fashion – while the B-side takes on the bizarre and foreboding folk ambience of “My Spirit Runs Free,” short at three minutes, acoustic and sourced from 1979’s The Capture of Bigfoot. So yeah, it’s like that. No new record, but a ripper and some delightful weirdness on hand, and I suspect at this point many of their followers will take what they can get.

Danava on Thee Facebooks

Danava at Tee Pee Records

 

Pylar, Pyedra

pylar pyedra

Some bands are just on their own wavelength, and as much as one might be tempted to relate Sevilla’s Pylar to SunnO))) with their robes and their drones, the Spanish troupe’s four-track full-length, Pyedra (on Alone Records), sees them emitting a slew of horrors all their own. Working as a five-piece, Pylar open with “Menga” (10:57), their longest cut (immediate points) and establish a basis of amelodic, largely arrhythmic noise-jazz. There are more straightforward currents in the subsequent rumble and roll of “Megalitos” (10:33), and “Menhir” (9:37) would seem to draw both sides together before “Meteoros” (9:07) rounds out with an airy, horn-topped alternate-universe victory, but the whole of Pyedra remains informed by the way-off-kilter challenge it poses at the outset, and part of the thrill is making your way through with no idea of what’s coming next other than another extended song beginning with the letter ‘m.’ Will be too much for some, but Pylar’s bleak experimentalism assures cultish appeal worthy of those robes the band wears.

Pylar on Bandcamp

Pylar at Alone Records

 

Domkraft, The End of Electricity

domkraft the end of electricity

Proliferating a combination of speaker-punishing low-end riffs and post-rock-derived spaciousness, Swedish trio Domkraft debut on Magnetic Eye Records with the wholesale immersion of The End of Electricity and evoke heft no less substantial than their stated theme. They begin with their two longest tracks (which I guess is double points?) in “The Rift” and “Meltdown of the Orb,” and by the time they’re through them, bassist/vocalist Martin Wegeland, guitarist Martin Widholm and drummer Anders Dahlgren have already doled out a full LP’s worth of nod, which would seem to make what follows after the momentary breather of “Drones” in “Red Lead,” “All Come Hither” the shorter “Dustrider” and closer “We Will Follow” a bonus round – in which Domkraft also dominate. Because its heavy is so heavy and because Wegeland’s vocals arrive across the board as far-back, shouted echoes, it’s easy to lose sight of the ambience that goes with all that roll, but what ultimately gives The End of Electricity such character is that it creates as much of a world as it destroys.

Domkraft on Thee Facebooks

Magnetic Eye Records on Bandcamp

 

Picaporters, El Horror Oculto

picaporters el horror oculto

Back in 2013, Buenos Aires outfit Picaporters made an encouraging debut with Elefantes (review here). They’ve teased the follow-up, El Horror Oculto (on South American Sludge), over the last year-plus with several digital singles, but the album’s arrival hits with a distinct fleshing out of atmosphere, as heard on the grueling second cut “Diferentes Formas de Ostras” or the manner in which the centerpiece title-track departs from its raucous opening into a heavy-psychedelic meander, never to return, feeding off of the structure of “Humo Ancestral” directly before. An interlude “Etude 6” leads into the opening drift of “Ra,” but it’s a ruse as Picaporters offer some of the album’s most driving heavy rock in that cut’s second half, and close out with Sabbath-darkness-via-Zeppelin-noodling on “War is Over,” the trio coming together in a molten psychedelic doom that seems to draw from the various sides they’ve shown throughout without losing sight of pushing further in its summary.

Picaporters on Thee Facebooks

South American Sludge Records on Thee Facebooks

 

Deamon’s Child, Scherben Müssen Sein

deamon's child scherben mussen sein

It would be a mistake to judge Deamon’s Child’s second full-length, Scherben Müssen Sein (on Zygmatron), by any single one of its tracks, as the German trio makes plain in the dramatic shift from the crushing sludge of “Zucker” into the raw punk thrust of the subsequent “Keine Zeit.” Elsewhere, they find funky footing before punking out once again in “Schweinehund, Kimm Tanz Mit Mir!” and rumble the outing to a finish consuming in its largesse on the 10-minute “Nichts,” so yes, as they follow-up their 2014 self-titled debut (review here), Deamon’s Child hold fast to the sense of the unhinged proffered therein while uniting their material through an intensity that comes across regardless of tempo or surrounding purpose. They are on the beat, not behind it, pushing forward always. That can make Scherben Müssen Sein difficult to keep track of as it moves swiftly through the blast of “Monster” and the manipulated samples of “In Kinderschuhen” toward that finale, but the mission here is far, far away from easy listening, so all the better.

Deamon’s Child on Thee Facebooks

Deamon’s Child on Bandcamp

 

Fungal Abyss, Bardo Abgrund Temple

fungal abyss bardo abgrund temple

Adansonia Records offers a bonus-track-laden revisit of the 2011 debut release, Bardo Abgrund Temple, from Seattle shroom-jammers Fungal Abyss, whose improvisational sensibility comes through the original four extended cuts with no diminishing of their otherworldly trip-out for the half-decade that’s passed since they first surfaced. Those looking for a US counterpart to European psych-improv outfits like Electric Moon or Øresund Space Collective – i.e., me – would do well to dig into opener “Arc of the Covenant” (20:12) or closer “Fungal DeBrist” (24:07) as a lead-in for the earlier-2016 follow-up, Karma Suture (review here), as well as their companion live outings, but whatever contextual approach a listener might want to take, the instrumental stretch of Bardo Abgrund Temple is a serenely heavy and meandering path to walk, given to bouts of space-rock thrust and long passages of low-end droner nod, as heard on the 10-minute “Timewave Zero,” turned on and duly ritualized in its swirl and far-off vocalizations. A reissue well-earned of a gracefully cosmic debut.

Fungal Abyss on Thee Facebooks

Adansonia Records on Thee Facebooks

 

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40 Watt Sun Announce Wider than the Sky Album Details

Posted in Whathaveyou on July 26th, 2016 by JJ Koczan

40 watt sun (Photo by Ben Sommers)

If you’re wondering to what exactly the title Wider than the Sky is referring, the answer arrives in the new teaser for the album. Set for an Oct. 14 release with vinyl through respected purveyor Svart, the record is the second from 40 Watt Sun, the ultra-melancholic Welsh doom project led by Patrick Walker, formerly of Warning. Wider than the Sky follows the band’s 2011 debut, The Inside Room (review here), which garnered massive, massive praise the world over for its depth of tone and emotionality. Thus far — and by that I mean judging by the 1:46 teaser — it seems the PR wire is right on when speaking of sparser arrangements. It will be interesting to hear what 40 Watt Sun do with the spaciousness they create.

The PR wire brings the album announcement:

40 watt sun wider than the sky

40 WATT SUN unveil details of new album, ‘Wider than the Sky’

40 WATT SUN have today unveiled details of their long-awaited second album. Wider than the Sky is the much anticipated follow-up to 2011’s critically-lauded The Inside Room.

Once again self-produced by the band, the new songs were recorded over five days at Giant Wafer Studios, isolated deep in the heart of the mid-Wales countryside.

Wider than the Sky has been an album fraught with delays and difficulties. In a move intended to regain autonomy over their own recordings and future plans as a band, 40 WATT SUN have elected to self release the album via their own label, Radiance Records.

In the spirit of the band’s previous music, Wider than the Sky, is imbued with sweeping, soaring melodies yet sparse, minimalist arrangements. However, eschewing the solidifying wall of sound that characterised their debut, 40 WATT SUN continue to progressively explore and broaden their sonic palette.

As expected, Patrick’s lyrics, strung with aching introspection and pained nostalgia, hang on his characteristic and poignant vocals and delicate guitar lines, with Christian Leitch’s sensitive and nuanced drum-work, and William Spong’s thoughtful bass guitar gently revealing themselves in the folds of the songs.

From the majestic, sweeping melodies of slow-building opener Stages, to the stark bare-boned crawl of Another Room and the vulnerable, plaintive balladry of closer Marazion, 40 WATT SUN have created an album of painfully emotive, low-key rock music; one which shimmers with some of the most evocative, stirring songs Patrick Walker has written to date.

Artwork for the release has been created by Rebecca Freeman, a Falmouth-based, mixed media artist.

Pre-orders of Wider Than The Sky are available via 40 WATT SUN HERE, ahead of the scheduled release date, October 14. A 2LP vinyl edition of Wider than the Sky will also be released through Finland’s Svart Records.

Wider than the Sky
1. Stages (16:20)
2. Beyond You (09:42)
3. Another Room (11:56)
4. Pictures (09:50)
5. Craven Road (10:31)
6. Marazion (03:56)

40 WATT SUN are:
Patrick Walker: Guitars and Vocals
Christian Leitch: Drums and Percussion
William Spong: Bass and Percussion

https://shop.40wattsun.com/product/wider-than-the-sky/
http://40wattsun.com/
https://www.facebook.com/40wattsun
https://twitter.com/40WattSun

40 Watt Sun, Wider than the Sky album trailer

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