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Desertfest London 2013 Update: Ufomammut, Cough, Witch Mountain, Abrahma, Planet of Zeus & Whoremoan Added to Lineup

Posted in Whathaveyou on January 8th, 2013 by JJ Koczan

Bit of a roundup here of adds to the 2013 London Desertfest lineup. Since the New Year hit, Desertfest has announced a slew of bands for its second incarnation, among them American acts Cough and Witch Mountain, Greek rockers Planet of Zeus, Italian cosmic doomers Ufomammut and local slingers Whoremoan. Info follows culled from the Desertfest website:

Ufomammut

Taking their cues from the Jedi knights of Sleep, Electric Wizard, Pink Floyd, Hawkwind and King Crimson, the ‘Mammut are heavier than a thousand Hubble telescopes, each lined with the mass of its own internal black hole. They’re also the masters of the long-player format; recent voyage Oro opus was so vast that it could not be confined to a single LP, and its two disks bolt together to form one glorious 94-minute riff labyrinth. Past conquests ‘Eve’, ‘Idolum’, ‘Lucifer’s Songs’, ‘Godlike Snake’ and ‘Snailking’ all spawned marauding, psychedelic orgies of aggressive, yet graceful and pace-varied prog-doom which set these Tortona natives up as one of Europe’s premier heavy music acts. Backed by the Malleus Rock Lab, their one-of-a-kind art-visuals project, Signors Vito, Urlo and Poia have set the controls for the heart of Camden and are preparing their battery of equipment to hurl you into another dimension this coming April at DesertFest 2013.

Cough

Cough smashed into worldwide acclaim within doom / sludge circles with the crushing 2008 début album Sigillum Luciferi, followed in 2010 with the fully engulfing psyche-sludge of Ritual Abuse (available on Relapse Records) and a split with the UK’s own doom titans The Wounded Kings. Encompassing monolithically pounding, horror-raising, weed-tuned riffs and vocals stylings ranging from classic occult doom to downright demonic, blackened screams of desperation, the band have proven they are a force to be reckoned with both in this realm and beyond. Having played across the U.S. in the last few years with the likes of Buzzov-en / Weedeater / Eyehategod, as well as even reaching to play a 2011 tour in Australia, Cough will most definitely be a must for any devotees of the heaviest tone with their appearance at The Underworld at DesertFest 2013″

Witch Mountain

The time is upon us for the arrival on our shores of the magnificent Doom beasts that are ‘Witch Mountain’. Hailing form Portland Oregon, these masters of their art blend crushing sludge riffs with the female classic rock vocal stylings of Uta Plotkin. Its a match made in heaven and one that should not be missed as they have been very hard at work producing not 1 but 2 EPs last year that have been amazingly received and its their first visit to the UK so expect walls to shake and foundations to crumble at the h_d_p/WPC stage!

Abrahma

Parisians set to romance Desertfesters with riffs, licks and pounding grooves. Abrahma was formed in Paris, back in 2005 under the original moniker Alchosonic. The French 4-piece are made up by Seb Bismuth:on Guitar/Vox, Nicolas Heller on Guitar and they are joined by the Colin brothers Guillaume on Bass and Benjamin on Drums. Signed to Small Stone Records, the Psych Rockers have recently released ‘Through the dusty paths of our lives’ which features a guest appearance by the legend that is Ed Mundell (Monster Magnet/Atomic Bitchwax). Very Heavy Rock is very much on the menu, with large amounts of psychdelia running throughout their music, so don’t miss out on the French invasion at Desertfest 2013.

Planet of Zeus

The Greek Stoners were formed way back in the year of 2000 in Athens, and are made up by four demigods, Babis/Vox & Guitars, Yog/Guitars, JayVee/Bass and Syke/Drums. It was 8 years until the they released their debut album ‘Eleven the Hard Way’ this was followed up in 2011 with ‘Macho Libre’. If you haven’t already experienced Planet of Zeus then expect plenty of stoner fuzz riding heavy on plenty of riff. They have shared the stage with many of the biggest bands on the scene like Monster Magnet, Karma to Burn, Hermano and not forgetting their apperance at Stoned from The Underground in Germany. By the power of Zeus do not miss your chance to see these heavy rock gods!

Whoremoan

Veterans of 20 years by now, Canvey Island’s Whoremoan have been kicking out the jams since 1992 and working hard at it ever since. Having released a series of EPs and LPs, they keep the DIY punk ethic alive and stick it to the man by recording, producing and selling it all themselves. If you dig the relentless concrete-block barrage of bands like Helmet, a side-order of stoner groove and even a shot of Clutch-lovin’ southern rock, these guys will be just the ticket to a sore neck, a few whoremoans no doubt, and a delierously good time at Desertfest 2013!

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Buried Treasure: The Johnny Arzgarth Haul

Posted in Buried Treasure on November 7th, 2012 by JJ Koczan


The loot was manifold. Priority Mail flat-rate boxes spread across a long table in a dining room, packed full of old promos from years past. Many of them were familiar to me — sleeves of this or that label release, jewel case demos from just a few years back when such a thing didn’t seem outlandish. Bent-corner digipaks, some of records I’ve known, enjoyed, reviewed, or put on an office shelf to languish, and many others unfamiliar, new names, or older releases from recognizable purveyors of the peculiar styles that were once lumped under the general banner of the old StonerRock.com.

Small Stone bands — Roadsaw, Lord Fowl, Freedom Hawk — played through computer speakers, which was appropriate, since it was the same night as the Boston Small Stone showcase at Radio. This, however, was earlier in the afternoon, and the boxes, the table, the computer speakers and the lovely house in Massachusetts in which they all resided belonged to one John Pegoraro, also known as Arzgarth. The promos were discs he’d accumulated over the years writing for the aforementioned and still-missed outlet, and I was more than happy to give them a good home.

There was some genuine treasure in the mix, and some albums John seemed loathe to part with — a feeling I can certainly understand, owning as I do many CDs that I’ll probably never want to listen to again and still others I never listened to in the first place and yet can’t seem to wrap my brain around getting rid of. Not to say anything against Mountain Mirrors or Whoremaon or Dark Fog or Lost Youth, whose discs I haven’t even had the chance to hear as of today, but it was probably harder to let go of older stuff like Bible of the Devil‘s 2002 sophomore outing, Firewater at My Command, Throttlerod‘s By the Horns 1999 demo, Freedom Hawk‘s Universal demo or Roadsaw‘s Takin’ Out the Trash. No joke, I was honored to be able to take these things and the rest with me when I left.

Along with stuff by Slomatics, Assrockers — from whence Borracho sprang — and Michigan devil worshipers Beast in the Field (their first and third), those were some of the highlights of the haul, but things like Mean Mother ‘s 2009 self-titled, the self-titled Telestrion and a promo-only copy of Yellow #5‘s Demon Crossing, which featured Brant Bjork on drums and Dave Catching on guitar and basked in Palm Desert weirdness, were a boon as well. I grabbed the first Mind Funk, which was recommended to me a long time ago, two records from Iron Giant, the self-titled Maligno, some Hawg Jaw, an L7 live record on Man’s Ruin, and stuff by Lords of Bastard, The Red Plastic BuddhaObskuria, Upwards of Endtime and The Valley as well.

Collector’s impulse, which I suppose is what had me there in the first place, led me to pick up the jewel case promo of the self-titled debut from Kalas, released on Tee Pee in 2006. The band was a side-project for Matt Pike at the time, and I already own it — I actually never got a full-artwork copy, so now I just have two of the promos — but it’s not something you see around, and again, I figured better to have it than not. You never know when a meteor will strike the ‘Ka-Ki’ shelf and you might need a replacement waiting in the wings.

It was an exceptional opportunity from an exceptionally good dude (you can read Arz‘s review of that night’s showcase here), and I look forward to continuing to dig through the box, pull out discs at random, and enjoy listening. I’ve got a ways to go, but if it’s a long haul, count me in. Thanks John for the chance.

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