Yes! A new podcast! Are you stoked? I’m stoked. If you’re not, you will be when you look at the list of bands included. In any case, let’s be stoked together, because rock and roll, and heavy psych and good music and, well, yeah. That’s pretty much stuff to be stoked about. It’s been absurdly long since the last time we did one of these. Too long. I don’t really have an excuse other than… gainful employment? Don’t worry, though. That’ll be over soon enough. Then it’ll be podcasts out the ass.
There’s some killer goods here though. Yeah, I decided to do a “Yeti” double-shot with Green Yeti into Telekinetic Yeti. That’s my version of me being clever. But both bands are righteous, and if you haven’t heard the Savanah record, or that new Tia Carrera jam, or the Cachemira or Big Kizz or Yagow or Vokonis or the Elder — oh hell, frickin’ all of it — it’s worth your time. That Emil Amos track just premiered the other day and I think will surprise a lot of people, and I liked the way it paired with the dark neofolk of Hermitess. And of course we get trippy in the second hour, as is the custom around here. But first a moment of prog clarity from the aforementioned Elder. That’s a good time as well.
As always, I hope you enjoy.
Track details follow:
First Hour:
0:00:00 Vokonis, “The Sunken Djinn” from The Sunken Djinn
0:06:47 Tia Carrera, “Laid Back (Frontside Rock ‘n’ Roll)” from Laid Back (Frontside Rock ‘n’ Roll)
0:16:33 Supersonic Blues, “Supersonic Blues Theme” from Supersonic Blues Theme / Curses on My Soul
0:19:28 Emil Amos, “Elements Cycling” from Filmmusik
0:22:28 Hermitess, “Blood Moon” from Hermitess
0:26:24 Savanah, “Mind” from The Healer
0:34:22 Yagow, “Non-Contractual” from Yagow
0:42:35 Big Kizz, “Eye on You” from Eye on You
0:45:53 Cachemira, “Jungla” from Jungla
0:52:05 Green Yeti, “Black Planets (Part 2)” from Desert Show
0:58:02 Telekinetic Yeti, “Stoned and Feathered” from Abominable
Second Hour:
1:02:10 Elder, “The Falling Veil” from Reflections of a Floating World
1:13:20 Riff Fist, “King Tide” from King Tide
1:24:15 Cavra, “Montaña” from Cavra
1:39:18 Causa Sui, “A Love Supreme” from Live in Copenhagen
Posted in Whathaveyou on May 4th, 2017 by JJ Koczan
Keen observers of things rock and/or roll should note the Motorwolf namedrop when it comes to Den Haag newcomer trio Supersonic Blues. That studio, headed by Guy Tavares, also of Orange Sunshine, has been responsible for some of the finest in raw-energy heavy/garage traditionalism, from Tavares‘ own outfit and a slew of others, including Death Alley, who discussed the influence recording there had on them back in our 2015 interview. That’s by no means the be-all-end-all of Supersonic Blues‘ appeal, as the two cuts on their debut single showcase, but it definitely lets you know they have their collective head screwed on right when it comes to choosing with whom to work.
The 7″ release, Supersonic Blues Theme / Curses on My Soul is out now via respected purveyor Who Can You Trust? Records, and you can and should take the time to stream both tracks below, especially if you’d like a quick lesson in how something can sound so laid back and raucous at the same time. It’s the vibe, man. The vibe. The vibe. The vibe.
Dig it:
SUPERSONIC BLUES – ‘SUPERSONIC BLUES THEME / CURSES ON MY SOUL’ 7″ VINYL
Emerging from the same musical underground that spawned the classic acid blues rock of Orange Sunshine, a new generation on the rise is bringing us the first offering of SUPERSONIC BLUES, a young band from The Hague. Inspired by the late 60s/early 70s blues, funk and soul, there’s no doubt they had to take the shortest and best way into the halls of Motorwolf Studios, The Hague, led by Guy Tavares of Orange Sunshine / Motorwolf Records.
What came out is a debut of old school garage blues and fuzzy acid rock in it’s perfect tonal and physical form! This is the type music you only want to listen to on your record player …nowhere else.
With the mutual love for obscure, groovy, heavy and fuzzed out music from the 1960s and 70s, soon Gianni and Timothy found themselves spinning their record collection on The Hague’s underground radio station, Radio Tonka. With the addition of drummer Lennart Jansen, Supersonic Blues was a fact. Expect some nice jams, inspired by the likes of Jimi Hendrix, Blue Cheer, the MC5, Cream and even some hints of funk and soul music! Right on!
Edition of 400 copies on black vinyl.
Tracklisting: 1. Supersonic Blues Theme 03:01 2. Curses On My Soul 05:01
Supersonic Blues is: Lennart (drums) Gianni (bass) Timothy (guitar)
[Click play above to stream Ragged Barracudas’ ‘Tables Turn’ and Pushy’s ‘Salem Man.’ Their split LP is out mid-July and available now to preorder.]
There’s just nothing to argue with here. German trio Ragged Barracudas and Portland, Oregon’s Pushy team up for a split 12″ on Who Can You Trust? Records, four tracks apiece on two sides obviously divided by band, three originals and one cover each. Let the boogie ensue. It is neither act’s first time working with the label. Ragged Barracudas released a 7″ (review here) early in 2014 and took part in the latest installment of the imprint’s Sweet Times series of four-way split singles, Sweet Times Vol. 5. Pushy, meanwhile, featured on Sweet Times Vol. 4 last year, and as Ragged Barracudas drummer/vocalist Christian Dräger doubles as the head of Who Can You Trust? and Pushy guitarist/vocalist Adam Burke has done artwork for label releases from Pastor and the aforementioned Sweet Times Vol. 4, it’s safe to assume nobody on one side is a stranger to the other.
Those connections come hand-in-hand with a similarity of sonic mindset, both acts embroiled in a modernization of ’70s impulses across the LP’s engaging 33-minute span. They share a lack of pretense in their methods and the circumstance that this 12″ platter is the most substantive release to-date from each of them, Pushy having offered up a digital-only demo in 2014 (review here) and a couple other odds and ends on Bandcamp in addition to the above-mentioned. Both acts sound formative, purposefully, but assured of what they’re trying to accomplish and how they want to get to the natural, classic atmosphere that ultimately unites them and makes the record flow between its two sides.
In the case of Ragged Barracudas, no doubt at least partial credit should go to Guy Tavares. Also the drummer/vocalist of Orange Sunshine, Tavares holds the reins on Motorwolf Studios in Den Haag, the Netherlands, and Ragged Barracudas‘ output benefits greatly from the sweat-soaked rawness of the “Motorwolf sound” on their four songs, “Burning” (on which Tavares also contributes ghungroo bells), “Tables Turn,” “Walking on My Grave” (a Dead Moon cover) and “Conclusions.” With a strong sense of live performance and a down-to-business feel in the lightly blown-out vocals of Dräger, joined in the band by guitarist JanikRuß and bassist Tom Weiten, Ragged Barracudas manage to keep a friendly edge to a successfully dangerous execution.
Some of that might be pacing. “Burning” and “Walking on My Grave” both move at a pretty decent clip, but “Tables Turn” — a highlight of the release and the longest cut on it at six minutes flat — and “Conclusions” contrast with a more patient take. This direct back and forth, particularly over the condensed 17-minute runtime of the vinyl’s side A, sets up a flow that carries the listener along with the changes the band is making. I don’t know the circumstances of the recording exactly, but if it wasn’t completely live I’d guess it was at least mostly so, and whether it’s the almost-gothabilly ride cymbal on “Walking on My Grave” or the melancholic rumble of “Conclusions,” Ragged Barracudas show themselves as having a firm grip on their sound and a growing songwriting process that sounds ready for exploration on a debut full-length.
That’s something else they have in common with Pushy, who sound like the swing-fueled next step the Pacific Northwest has been waiting for since Portland arrived on the heavy rock map seven-plus years ago. They’re not the only band from what’s become a capitol of US heavy to take a bite out of the ’70s grooves of ZZ Top and James Gang, but they do it exceedingly well, whether it’s the start-stop bass groove from Neal Munson on “Zionara” or the sleaze in Burke‘s vocals on side-opener “In My Mouth.”
Blue Cheer are a major factor in that song, and not to its detriment, as Burke, Munson, guitarist Ron Wesley and drummer Travis Claw set themselves up for the funky turn that “I Need More Time” — a cover of The Meters — brings, twisting guitars leading the way into a resounding hook before twin-leads meet up for a scathingly bluesy apex that shifts back into the chorus to finish out. “Salem Man” follows with an admirably believable “rama-lam-bam-bam” worked into its lyrics, and as Pushy‘s tracks are arranged shortest to longest, as they make their move toward “Zionara” to finish out, they get correspondingly bolder, so that the final nod of “Zionara” is not only its own payoff but that also for the band’s entire portion, played out over a lean, deceptively-efficient 15 minutes.
Like I said at the outset, there’s just nothing to argue with here. In performance and songwriting, Ragged Barracudas and Pushy complement each other fluidly. It’s telling that the split’s cover artwork — presumably by Burke — is on what looks like reclaimed wood from an old barn, since both bands have an underlying element of the organic to their approach as well. In accord with that, their combined output sounds ready to stand the test of time.
Posted in Whathaveyou on May 30th, 2016 by JJ Koczan
Sweet Times Vol. 5 continues Who Can You Trust? Records‘ admirable penchant for packing as much rock as possible onto a relatively tiny platter. This edition features Ragged Barracudas, Queen Crescent, Plant Tribe and Banquet and furthers the thread of upstart boogie rock that prior editions have established, each act offering a quick sampling of their wares, getting in and getting out in quick succession. The longest of them is Queen Crescent‘s “Zodiacal Woman,” at 3:21, if that gives you some idea.
The garaged-out tone of Ragged Barracudas sets a proto-punk course, and that Queen Crescent track follows with a fuller, classically-styled fuzz, while on side B, Plant Tribe‘s churning, building boogie leads smoothly into the similarly-minded but still distinct vibe Banquet bring to the table. Like all the Sweet Times offerings to-date, there’s little to argue with here in concept or execution, and each band basically has enough time to introduce themselves and rush on their way, but as ever, that proves to be long enough to leave an overarching impression.
Info from the PR wire:
VA “SWEET TIMES – Volume 5” 7-Inch OUT NOW !!!
SWEET TIMES for the 5th time… what could I say?
If you’ve made it here, you’re either just walking by, or… you ran through all the previous volumes and know what you’re in for! The formula hasn’t changed as Who Can You trust? is still the same old label you used to love (or not)! …you decide!
On the fifth volume you have to expect a new jam by the Ragged Barracudas from Germany, as well as exclusive recordings by San Francisco’s Banquet, Queen Crescent and Long Beach’s Plant Tribe!”
Posted in Bootleg Theater on February 25th, 2016 by JJ Koczan
San Francisco four-piece Queen Crescent will be featured on the upcoming split, Sweet Times Vol. 5, from Who Can You Trust? Records. Part of an ongoing series that has also featured the likes of Hot Lunch, The Golden Grass, Pastor, Death Alley and Comet Control, it presents an opportunity for the flute-laden Bay Area heavy rockers to demonstrate their driving progressive fuzz in excellent company, and clearly they’re making the most of it. I’m not sure on a solid release date for the 7″ — the stated format for the Sweet Times series — but Queen Crescent have a video now for “Zodiacal Woman,” which will be their contribution.
The band issued their self-titled debut full-length in 2015, basking in the sheer Tullness of it all while keeping another foot in classic Sabbathian blues rock riffing and boogie, songs like “Ancestors” and “I Wish a Muthafucka Would” refusing rhythmic constraint in their groove. It would seem Queen Crescent have swapped out bassists since then, but “Zodiacal Woman” only finds them with an even more professional style and a firmer grasp on their aesthetic than did the LP, the lineup of vocalist/flutist Melissa Vu, vocalist/guitarist Andrea Genevieve, bassist Eden Savage and drummer Amy Martinez offering a sense of space in a quiet intro before unfolding proto-metallic thrust in the track’s verses and intricate guitar and flute solo tradeoffs.
It’s basically a performance clip — nothing against that — but one that’s well lit, and it should be more than enough to give a sense of where Queen Crescent are coming from. Not sure on the release date for Sweet Times Vol. 5, but “Zodiacal Woman” makes me want to keep an eye out for one.
Enjoy:
Queen Crescent, “Zodiacal Woman” official video
OUT NOW! Queen Crescent’s music video debut “Zodiacal Woman”!
We couldn’t possibly be more excited to make this announcement. Thank you all to who were involved, especially Director/DP Ethan Indorf, Director Doug Avery, and Set Designer Aaron Rodriguez.
“Zodiacal Woman” will be out soon on vinyl format on Germany’s Who Can You Trust? Records compilation “Sweet Times” (Vol. 5).
Video by Doug Avery and Ethan Indorf Set build by Aaron Rodriguez AC Adam Avilla & Matt Chen PA Nick Kemp Lighting rentallittlegiantlighting.com
QUEEN CRESCENT IS: Andrea Genevieve: vocals, guitar Melissa Vu: vocals, flute Amy Martinez: drums Eden Savage: bass
Posted in audiObelisk on July 17th, 2015 by JJ Koczan
Austrian four-piece Pastor will make their full-length debut one month from today — that’s Aug. 17, if you don’t feel like checking the calendar — with Evoke, pressed in an edition of 500 LPs by Who Can You Trust? Records with cover art by the esteemed Adam Burke. A quick-running 29 minutes, the album nonetheless finds plenty of time to nestle itself into a classically-minded groove, the Vienna outfit putting together seven tracks that toe the line betwixt ’70s boogie and what would later become doom, managing to bring to mind a retro spirit — you might say they evoke it — without delving as far as some into retro fetishism. In addition, a punkish snottiness in side B’s “Moving On” adds a sense of attitude to go with the prevalent swing in the rhythm section of bassist Georg drummer Alex, which is a major factor throughout and puts Pastor in line with the likes of Denmark’s Demon Head in an up and coming push of Pentagram-influenced heaviness.
Vocalist/guitarist Arik and guitarist Shardik take forward position as the riffs lead the charge on the opening chug of “Voodoo,” but immediately the bass and drums play a key role in setting the heavy course and opening into the more rushing verse, weighted, swinging and talking of demons and things from “the other side.” A roll familiar in some aspects ensues, but Pastor bring a sense of presence to the material as well, and that thread continues to develop as “Voodoo” feeds into “Drowning Thoughts,” the songs feeling open despite a defined structure thanks in no small part to that rhythmic surefootedness. The story was much the same with their 2014 single, Wayfaring Stranger/The Oath (review here), which Who Can You Trust? also released, but of course the vibe of a full-length is different. “Wolf Vein” nods at the chug of “Hand of Doom” before shifting into a dual-guitar shuffle, replete with wah, soaked in vibe, and “Wicked Whispers” closes out side A with a proto-metallic gallop that finds Arik going a little guttural in his delivery in order to further the doomed feel.
“Moving On” kicks the second, shorter half of Evokeinto immediate groove, marked out by fluid leads, the prior-noted punker edge, and a particularly memorable course of starts and stops, while “Devil’s Reef” pushes through early shuffle toward a slowdown in its second half that provides the foundation for a bluesy last-minute solo, the lyrics earlier in the track urging the listener to “be forewarned” in a well placed dogwhistle reference for the also-converted. And with “Evoke” itself, everything gets tied together, but a darkened swing still moves, and Arik pushes his vocals past the breaking point in delivering the title-line over winding Iommic riffery. Traditional in its overall approach, the album nonetheless carries a fresh feel in its stylized restlessness, and as Pastor‘s debut long-player, it finds them utterly cognizant of where they want to be as a band and the kind of ambience they want their material to… well, you know what I’m going to say.
Today I have the pleasure of hosting opener “Voodoo” as a track premiere to herald the album’s arrival one month from today. Evoke is available now to preorder from Who Can You Trust?, and Pastor will tour in Europe with Black Wizard beginning in Sept. A quote from Alex on the album’s making, the tour dates, the preorder link and more info follow the song on the player below.
Please enjoy:
RELEASE DATE: August 17th
Released in an edition of 500 copies on black vinyl.
“Evoke is basically a collection of our heaviest riffs we jammed in our rehearsal room and it’s raw,” explains drummer Alex. “It was recorded without a click track because let’s be honest, life won’t play to a steady beat either. We also didn’t do any of the usual post production fancy stuff because that’s just not us. Some of them songs were written in a hellish atmosphere, during the summer and some of them during the frosty days of a Vienna winter. I think you can hear that difference on the album pretty well. We entered the mighty halls of Elephant West Studios, with lady Sabina Sloth on the throne, chugged down some beers and just played all together in one room. We are more than excited about the result and the artwork, which was crafted by none other than Adam Burke. So sit back and turn your speakers all the way up until your whole neighborhood joins you for a drink. Enjoy the sounds of Evoke.”
“Evoke” track list: SIDE A A1 VOODOO A2 DROWNING THOUGHTS A3 WOLF VEIN A4 WICKED WHISPERS SIDE B B1 MOVING ON B2 DEVILS REEF B3 EVOKE
Pastor Euro tour with Black Wizard: Thu – 10.09 AUT – Graz @ Club Volt Fri – 11.09 AUT – Linz @ Ann And Pat Sat – 12.09 AUT – Innsbruck @ Prometheus Sun – 13.09 – TBA Mon – 14.09 – TBA Tue – 15.09 AUT – Vienna @ Arena Beisl Wed – 16.09 GER – Berlin @ Cortina Bob Thu – 17.09 – TBA Fri – 18.09 – TBA Sat – 19.09 GER – Erfurt @ Cafe Tiko Sun – 20.09 – TBA Mon – 21.09 – TBA Tue – 22.09 GER – Essen @ Panic Room Wed – 23.09 – TBA Thu – 24.09 SWI – Geneva @ L’Usine Fri – 25.09 SWI – Olten @ Coq D’Or Sat – 26.09 BEL – Arlon @ L’Entrepot Sun – 27.09 BEL – Kortrijk @ The Pits Sun – 27.09 BEL – Antwerp @ Music City Mon – 28.09 – TBA Tue – 29.09 ITA – Bologna @ Freak Out Wed – 30.09 ITA – Bibione (VE) @ Beach Invaders Music Bar Thu – 01.10 SLO – Ljubljana @ Channel Zero Fri – 02.10 SLO – Ilirska Bistrica @ MKNZ Sat – 03.10 ITA – Trieste @ Tetris Club
Pastor is: Arik – vox/guitar Shardik – guitar Georg – bass Alex – drums
Posted in Whathaveyou on July 2nd, 2015 by JJ Koczan
Austrian shuffle-prone trad heavy rockers Pastor announce that their full-length debut, Evoke, is set to arrive next month via Who Can You Trust? Records. You might recall the same label issued their 2014 7″ Wayfaring Stranger/The Oath (review here), but the LP is all new material, and though it shares cover art by Adam Burke in common with the preceding single, it’s far more cohesive stylistically, Pastor sounding sure of who they are as a band and what they want their songs to do across the relatively brief 29-minute span of the album.
I’ll be doing a track premiere in a couple weeks for one of the seven inclusions — not sure which yet, though I’m digging the title-track at the moment — so expect more on Evoke to come, but by way of an early heads up, here’s the album info, some comment from drummer Alex about making the record and the dates for Pastor‘s upcoming European tour with Black Wizard, set to begin Sept. 10.
All, of course, off the PR wire:
“Evoke” is the debut full-length of Pastor from Vienna, Austria. It is the follow-up to last years debut 7″ that featured the tracks “Wayfaring Stranger” and “The Oath”. The album will be released on August 17th through Who Can You Trust? Records in an Edition of 500 LPs on black Vinyl!
“It was done within five days,” says drummer Alex. “The recording dates were set pretty quickly after we decided to hit the studio so we had no time to work on the songs or think a lot about details, but we wanted it just that way. Chris from Who Can You Trust? Records was down with us again and we just had to do it. Evoke is basically a collection of our heaviest riffs we jammed in our rehearsal room and it’s raw. It was recorded without a click track because let’s be honest, life won’t play to a steady beat either. We also didn’t do any of the usual post production fancy stuff because that’s just not us.”
“Some of them songs were written in a hellish atmosphere during the summer and some of them during the frosty days of a Vienna winter,” he continues. “I think you can hear that difference on the album pretty well. We entered the mighty halls of Elephant West Studios, with lady Sabina Sloth on the throne, chugged down some beers and just played all together in one room. We are more than excited about the result and the artwork, which was crafted by none other than Adam Burke. So sit back and turn your speakers all the way up until your whole neighborhood joins you for a drink. Enjoy the sounds of Evoke.”
“Evoke” track list: SIDE A A1 VOODOO A2 DROWNING THOUGHTS A3 WOLF VEIN A4 WICKED WHISPERS SIDE B B1 MOVING ON B2 DEVILS REEF B3 EVOKE
Pastor Euro tour with Black Wizard: Thu – 10.09 AUT – Graz @ Club Volt Fri – 11.09 AUT – Linz @ Ann And Pat Sat – 12.09 AUT – Innsbruck @ Prometheus Sun – 13.09 – TBA Mon – 14.09 – TBA Tue – 15.09 AUT – Vienna @ Arena Beisl Wed – 16.09 GER – Berlin @ Cortina Bob Thu – 17.09 – TBA Fri – 18.09 – TBA Sat – 19.09 GER – Erfurt @ Cafe Tiko Sun – 20.09 – TBA Mon – 21.09 – TBA Tue – 22.09 GER – Essen @ Panic Room Wed – 23.09 – TBA Thu – 24.09 SWI – Geneva @ L’Usine Fri – 25.09 SWI – Olten @ Coq D’Or Sat – 26.09 BEL – Arlon @ L’Entrepot Sun – 27.09 BEL – Kortrijk @ The Pits Sun – 27.09 BEL – Antwerp @ Music City Mon – 28.09 – TBA Tue – 29.09 ITA – Bologna @ Freak Out Wed – 30.09 ITA – Bibione (VE) @ Beach Invaders Music Bar Thu – 01.10 SLO – Ljubljana @ Channel Zero Fri – 02.10 SLO – Ilirska Bistrica @ MKNZ Sat – 03.10 ITA – Trieste @ Tetris Club
Pastor is: Arik – vox/guitar Shardik – guitar Georg – bass Alex – drums
If nothing else, the second installment in Who Can You Trust? Records‘ Sweet Times 7″ series is an efficient use of space. Perhaps even more than its predecessor, which also included four bands, it squeezes seemingly disparate takes on heavy rock onto two sides of what might come across as a sampler for busy heads on the go were it not for the fact that you need a turntable to listen to it. Still, an impressive feat, and all the more when one considers the ground it covers, from the sweet ’70s melodies of Brooklyn’s The Golden Grass to Italian psych-garage rockers Sultan Bathery on side A, and from the sweet classic punk of New York’s Metalleg to the doom-tease-into-Motörhead-jolt of Gorilla. All told, it’s done in under 10 minutes, depending on how fast you flip the platter, and gives a brief glance at some of what each band has to offer. Plus, it comes with 3-D glasses! Because the future!
Yes, the artwork of the 7″, which is pressed in an edition of 500 copies (black vinyl) and comes in thick card stock, is colored so that the included class-style blue and red 3-D glasses make it pop out. Likely you don’t need me to tell you that’s awesome — all the more so because it actually includes the glasses — but even more of a draw are the four songs themselves. The Golden Grass lead off with “All You Have Grown” (premiered here), which at just over three minutes is actually the longest inclusion here. The trio don’t need anymore time than that to establish a resonant, bright melody and a hook, and while the track seems to end cold in comparison to some of what appeared on their 2014 self-titled debut (review here), one can hardly fault them, particularly in context of sharing the side with Sultan Bathery, whose handclap-inclusive “15 Minutes” is a fuzz-drenched rhythmic joy of primal proto-heavy. No time for frills, but a buzzsaw solo carries to side A’s sudden finish with just a second of tape hiss left over for good measure.
I feel like my hand is barely off the turntable arm before Metalleg‘s “Chained” is over. At just 74 seconds, it’s a warm-toned Ramones-style chorus the three-piece — who no doubt by now are tired of being compared to the Ramones — have crafted, and they quickly showcase a grasp for the affinity early punk showed for pop before pop-punk became a commercial force. The tone is warm and natural, raw but not necessarily aggressive, which is all the better for Gorilla, who finish out Sweet Times Vol. 2 with “Three Squealer” by tossing off a measure of a riff spawned from the same muck that birthed “Under the Sun/Every Day Comes and Goes” before they gleefully pull the rug from under it and, after a couple stick-clicks, hit into the aforementioned Motörhead-style rush. Given where they’re coming from, one would expect little wasted space in “Three Squealer” and Gorilla comply ably, ending the release with one last hook and genre crossover that, somehow, fits just as well as the donations from The Golden Grass, Sultan Bathery, and Metalleg.
Maybe part of what makes it work is that it’s done so soon, but I’m not inclined to argue either way. Who Can You Trust? Records has already issued a follow-up to Sweet Times Vol. 2 that includes Death Alley, Wild Honey, Pastor and Sonic Love Affair, so they’re keeping true to the form here in working at a speedy pace. It certainly serves the bands well, so I see no reason why it shouldn’t do the same for the label.
