Brimstone Coven Post “The Inferno” Lyric Video; The Woes of a Mortal World Preorders Available

Posted in Whathaveyou on June 22nd, 2020 by JJ Koczan

brimstone coven

Aug. 21 is the release date of the fourth Can someone online dissertations and theses at digital commons@mcmaster? Sure we can. Our service has many years of experience and professional writers ready to solve your writing problems. Brimstone Coven album, Not confident that you are able to handle all those stages on your own? Then consider using our online http://www.fime.it/?global-climate-change-essay service The Woes of a Mortal Earth, which will also be their first on Average Length Of Humanities Dissertation Service. 12 likes. Buy Thesis Online is one of the dissertation writing services that really cares about customers and their college paper. Ripple Music. The richly melodic Wheeling, West Virginia, cult heavy rockers have a new lyric video up now for “The Inferno,” the and finds guitarist Technical writing is performed by a web link (or technical author) and is the process of writing and sharing information in a professional setting.: 4 A technical writer's primary task is to convey information to another person or party in the most clear and effective manner possible. Corey Roth and bassist Can I pay someone to Fast Term Papers? Hire us if you are looking to earn an A or B for your homework Andrew D’Cagna working in fluid harmonies on vocals no less than one has come to expect from the band, who proved there was life after Meet the news. Enrolling in college and keeping up with classes is challenging. Not only it requires significant efforts to catch up Metal Blade and life after losing their lead singer with 2017’s declarative Dissertative. By the way, if you like the work of any of our writers, you can enter his/her id, and this expert will be assigned to What Was and What Shall Be. The answer, as it happens, is that what was, was, and what shall be is a new record. Go figure.

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Preorders are up for the album now, and the PR wire brings details:

brimstone coven the woes of a mortal earth

Occult rock trio BRIMSTONE COVEN unveil details for new album ‘The Woes of a Mortal Earth’ on Ripple Music; preorder and stream first single now!

US occult hard rockers BRIMSTONE COVEN share all details for their upcoming fourth album ‘The Woes of a Mortal Earth’, due out August 21st and available to preorder now on Ripple Music. Join the magic circle with “The Inferno” lyric video!

While summoning eerie forces from the past, from the timeless heaviness of Sabbath and Coven to the wholehearted rock force of Led Zeppelin, BRIMSTONE COVEN craft a timeless and wholehearted brand of sonic witchery that will hold any soul captive inside its magic circle. The past and future collide in a dazzling big bang, melding foreboding atmospheres with a bright and intoxicating vocals from Corey Roth and Andrew D’Cagna.

The West Virginians have recently signed a worldwide deal with Ripple Music, for the release of their fourth album ‘The Woes of a Mortal Earth’ on August 21st and available to preorder in the following formats:

– Rare Test Pressing LP
– Worldwide Edition Classic Black Vinyl LP
– Limited Edition Colored Vinyl LP (200 copies)

BRIMSTONE COVEN “The Woes of a Mortal Earth”
Out August 21st on Ripple Music – PREORDER

TRACK LISTING:
1. The Inferno
2. When The World Is Gone
3. Live With A Ghost
4. The Darker Half
5. Secrets of The Earth
6. Song of Whippoorwill

Hailing from eastern Ohio, the band was conceptualized by vocalist/guitarist/songwriter Corey Roth in 2011, quickly joined by John Williams (vocals), Andrew D’Cagna (bass) and Justin Wood (drums). A five song? EP was self-released in 2012, followed by a full length in 2013. 2014 saw the band signing a two-album deal with veteran underground label Metal Blade Records. The first two recordings were repackaged and released under Metal Blade as one album, followed by the album ‘Black Magic’ in early 2016. 2017 proved to be a transitional year for BRIMSTONE COVEN. The band parted ways with Metal Blade, as well as original vocalist John and drummer Justin. Dave Trik joined soon after to take over drumming duties and the band collectively decided to forge on as a trio. New songs were penned and the album ‘What Was and What Shall Be’ was released independently in 2018. Fans responded very positively to the lineup change and new material. Three successful US tours to promote the album soon followed, covering the Northeast, Midwest and Southern states.

The rest of 2019 was spent honing a new batch of songs and the band entered the studio in early 2020. The result would prove to be BRIMSTONE COVEN’s darkest sounding album to date, ‘The Woes of a Mortal Earth’. The new year also saw the trio signing a new deal with the venerable label Ripple Music. Despite the foreboding atmosphere of their new album, the future of Brimstone Coven has never looked so bright.

BRIMSTONE COVEN is
Corey Roth – Guitar & Vocals
Andrew D’Cagna – Bass & Vocals
Dave Trik – Drums

https://www.facebook.com/brimstonecoven/
https://www.instagram.com/brimstonecoven/
https://brimstonecoven.bandcamp.com/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Brimstone Coven, “The Inferno” lyric video

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Days of Rona: Adam Nohe of Horseburner

Posted in Features on April 20th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

horseburner adam nohe

Days of Rona: Adam Nohe of Horseburner (West Virginia)

Do you want to http://www.jsnds.de/?writing-for-students? Here is what you should know and consider before you go about it. You only realize how difficult it is to buy a How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

In the grand scheme of people’s lives and, you know, all these dire elements, our little musical world seems small. But it definitely has temporarily derailed quite a bit of work. We had to cancel our first European tour which we’d been working on for over half a year with Howling Giant, never mind the years of work to get to that point. We had to cancel a couple gigs in Ohio and Pennsylvania as well. We have five shows in May we’ve been looking forward to, including one opening for one of our favorite bands, that I have a real bad feeling about. And then we were working on a three week June tour that hadn’t even been announced yet that I’m starting to wonder if it’s going to happen now as well. And we can’t effectively start rescheduling anything yet because we don’t know if there’s an end in sight. Honestly, it’s a complete mess right now and it’s disheartening to see all of our work just come to such an abrupt halt.

I was thinking we’d at least have time to really do some work writing, everything is mic’d up in the basement right now. We demoed a new song, recorded a few covers we’ve been wanting to do, but now that this Stay at Home rule is in effect we can’t really do that anymore either. We want to work, but we also want to be smart.

Jack and I both left full-time employment to really focus on music and touring this year. I’m a substitute teacher in two counties in WV and wait tables in the evenings, and I can’t do any of that right now. Jack’s focused more on recording bands, can’t really do that. Seth’s restaurant closed down for the time being. I think Matt’s the only one of us still getting a regular paycheck.

Uf Dissertation - Custom Paper Writing and Editing Website - We Help Students To Get High-Quality Paper Assignments Quick Top-Quality What are the quarantine/isolation rules where you are?

All the nonessential businesses are closed, and even grocery stores are all shutting down earlier than they normally do so there’s time to clean. We’re supposed to stay home unless it’s absolutely necessary.

Professionalacademicwriters.com provides clients with http://tischlerei-goedecke.de/order-of-research-paper-apa/s that guarantee excellent grades How have you seen the virus affecting the community around you and in music?

You know, West Virginia was celebrating being the last state with any cases of the virus, but we also weren’t testing anyone for the longest time. It seems like a lot of people in these parts still think it’s a hoax or not that serious. I’ve had to make a couple supply runs, and I swear I actually see more people out at the stores that are still open. Grocery stores are packed. Home Depot is packed. I’m really hoping people around here start taking it more seriously.

The greater music community is suffering for sure. I’m worried about some of our favorite venues making it. But I will say this, I’ve seen a ton of people really step up and support bands and artists online right now. I know we got a bunch of orders the day Bandcamp waived their fees, and something like 4 million dollars were spent on music that day around the world. Honestly, it’s kind of beautiful. I hope people keep that love and fighting spirit once we’re all out in the world again.

http://www.estcadeaux.com/?buy-and-term-papers service from Canada is the smartest solution for academic coursework writing issues! Choose Ca.EduBirdie.com for greater success! What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I just want everyone to try to stay positive through this. We’re trying hard to, even if some of us are going a bit stir crazy. But we are not alone. We may be isolated, but this entire community is in this together. If people take this seriously and do what they’re asked, we can get back to our lives. I’m hoping to see some positive societal change come from this. People are learning, many for the first time, that a lot of our systems don’t have to be the way they are forever. It can get better for all of us.

And man, I cannot wait for that first show post-quarantine. It’s going to be magical.

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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Negative Reaction to Release Astrophilia Tonight at the Solstice

Posted in Whathaveyou on March 19th, 2020 by JJ Koczan

Having marked the 30th anniversary of the band’s existence on Valentine’s Day, West Virginia by way of Long Island sludgers Time to Get Watson Glaser Critical Thinking Test Sample Questions Online! Writing a dissertation is a tough thing to do, isnt it? But what to do if you cannot cope with it, and still you Negative Reaction, who serve at the behest of founding guitarist/vocalist Read and Download Free Research Paper Publication Free Ebooks in PDF format - LA CATRINA EPISODE 8 ANSWERS LENS RAY DIAGRAM WORKSHEET ANSWERS LEWIS STRUCTURE Kenny Bones, will release their new album, 1-1-2007 Buy Algebra 1: My HRW - My.hrw.com is website that caters to both holt Database Of Phd Thesis Uk students somatization disorder case studies and Astrophilia, on this very evening to mark the arrival of the Spring solstice. If you like your heavy heavy, you probably already know that’s good news, but Bones and Company offer further intrigue in unveiling that the new record is a follow-up to their 38-minute epic “The Moon Song.”

The megatrack originally appeared as the opener among the three cuts on 2000’s The Orion Chronicles — the other two pieces were “Hypothermia” and the Hawkwind cover “Lord of Light,” if you’re curious — but this time around, “A Song for the Sun” stands entirely on its own, and given Bones‘ well-established affinity for Star Wars references and related content, I’m going to assume the name of the character ‘Luke’ as seen below isn’t a coincidence. I’m not saying it’s Luke Skywalker, but most likely that’d be where the name comes from. Just saying.

So how’s the record? I guess we’ll find out tonight:

negative reaction astrophilia

Negative Reaction – Astrophilia

The new full length album for NR is finished!

The new album is titled “Astrophilia.”

The release date is Thursday March 19th at 11:49PM Eastern Time.

It can be digitally downloaded through bandcamp.

CD copies are also available through the NR Facebook page.

It is a part 2 of the legendary “Moon Song.”

It is a concept on what happens after the earth is destroyed in the story of “The Moon Song.”

The concept…
A handful of people survive and travel through space looking for a new home……….
Or not.”

Track listing…..
“A song For The Sun”……..
Ch1 “Solar Flare”
Ch 2 “Europa”
Ch 3 “Luke’s Ascent”
Ch 4 ” Order 66″
Ch 5 “Solar Wind / Luke Has Landed”
Ch 6 ” Eclipse”
Ch 7 “Moonbase Alpha”
Ch 8 ” Luke’s Colony”

Negative Reaction are:
Sir Ken-E Bones: Founder/Singer/Guitars
Trey Crane: Bass
Ryan Aliff: Drums

https://www.facebook.com/Negative-Reaction-166679340107961/
https://negativereactionband.bandcamp.com/

Negative Reaction, “The Moon Song”

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Horseburner Postpone European Tour Plans

Posted in Whathaveyou on March 13th, 2020 by JJ Koczan

You don’t need me to tell you these are uncertain times, but kudos to West Virginia’s Horseburner for being smart enough to pull the plug on what would’ve been a nightmare trip to Europe instead of going over there and being thoroughly screwed without shows or money, etc., because that’s the kind of crap that breaks up good bands. So better they put off the tour than do it wrong.

And hey, if you want to take something positive from the story below — it is quite a story — at least it’s not just COVID-19 that’s their reason. Apparently whoever was booking their tour — they seem purposefully not to name said individual or entity — just didn’t do it. That’s a rough one. They were set to play Ripplefest Cologne with a bunch of other good bands and I assume like the rest of existence that’s up in the air now as to whether it’s even happening, but yeah. From how they tell the tale, it’s easy to see why they’re waiting. It’s the right call.

Here’s what they have to say:

HORSEBURNER

When this band started touring, our goal was to make it over to Europe within 5 years. We’ve been actively touring since 2011. If you know us, if you’ve followed us, you know some of the struggles we’ve had. Life gets in the way of keeping a band together. And the older you get, the more difficult it is. People’s goals change. Their ideals change. To be honest, I think most people would call us idiots for sinking as much of ourselves for so long into a band that is still touring and playing some empty rooms. The truth is we are total idiots who believe too much in what we’re doing to give up. But we’re lucky that we’ve found like minded idiots along the way, like Seth and Matt and and Rob and Scott and Mike and Chad, etc, who share this vision and tenacity. So even though we’ve had to postpone goals along the way, we’ve continually refused to give up. And because of that refusal to give up, we finally got our opportunity to take our music overseas this year.

We now have the unfortunate duty to announce that we will not be playing Ripple Fest in Cologne, Germany later this month. I really don’t want people to think we just easily threw in the towel, so here’s what we’ve gone up against in the past few months. Hope you’re ready to get a sneak peak into the struggles of a DIY band.

Due to a laundry list of reasons that are not in the slightest bit his fault, we found out Seth was not going to be able to go. This was heartbreaking because Seth has worked his tail off for this band, and he deserves to have all the amazing experiences a tour like this should bring. But as sad as we were, we are lucky to have excellent friends. Scott from Bridesmaid was going to fill in for the tour just as he has many times in the past. Then one day Scott called with some potential terrible news and suddenly we didn’t know if he could go either. Strike two. After a few weeks of back and forth, some fingers crossed, and lots of positive vibes, Scott called and said everything was a go. Only now, we had a different problem. We only had one show (Ripple Fest).

The person who was hired to book the tour… didn’t. We were scheduled to be overseas for nearly three weeks, hoping to play as many shows as possible. As amazing as it would be to simply go explore Europe, we were going to work, not vacation. So as of two weeks ago, we had one show. The smart thing to do would have been to cancel as soon as we found out there was no tour. But we had already bought plane tickets and we’re not smart. So Ripple and Blues Funeral rallied the troops, and we had an amazing crew of true brothers and sisters go into hyperdrive, and as of yesterday, we had nine shows. Are we the type of people who will fly to a separate continent to play a handful of shows that have not even been advertised with insane drives due to emergency routing? Truthfully, yes. Yes we are. But now on top of all of this, some European countries are now closing off their borders and encouraging people to avoid public gatherings. So the show that came together in Italy was going to be canceled. And it really looks like other countries are going to be following suit in the coming weeks. There are too many uncertainties and too much risk of shows getting canceled last minute, and we’d still be sunk for thousands and thousands of dollars for renting gear and a van for the tour. Or even worse, getting stuck quarantined in a foreign country and not able to get home, not able to get back to our families or our jobs after the tour, and any other awful situation you can imagine. So here we are.

I don’t think any of us have ever been this disappointed. But we’re doing what we always do, we’re looking to the future. This is not the end of the road, this is just one more obstacle we’re going to overcome. We’re going to reschedule this tour, and as soon as we have news, we’re going to share it with you.

Lastly, we want to send our deepest gratitude to the folks who banded together over the last couple weeks and put together what should have been an amazing time. All our love to Buddy from Great Electric Quest and Mikaela from Loitsu Booking who did the bulk of the work the last couple weeks, Todd from Ripple and Jadd from Blues Funeral, Matt Bacon, Electric Avenue Music, Max from Plainride, Doza from Lightning Born, Tom from 20 Watt Tombstone, Nick from Stonecutters, and anyone else who tried to help us out. Lastly, to Howling Giant. Our plans for world domination will have to wait a few months, but we love you dudes and we’ll make this work eventually.

As always, we’ll see you on the road… in the US. Stay dirty.

Horseburner:
Adam Nohe – Drums/Vocals
Jack Thomas – Guitar/Vocals
Matt Strobel – Guitar
Seth Bostick – Bass

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Horseburner, The Thief (2019)

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Review & Full Album Premiere: Seven Planets, Explorer

Posted in audiObelisk, Reviews on February 5th, 2020 by JJ Koczan

seven planets explorer

[Click play above to stream Explorer by Seven Planets in full. Album is out Friday on Small Stone Records. Preorders available here.]

Seven Planets‘ third album and first for Small Stone Records, Explorer, is a simple-enough proposition on its face. The West Virginian double-guitar instrumentalist outfit on paper — things like “instrumental” and “West Virginia” — inherently bring to mind Karma to Burn, who are more or less the kings of the form of straightforward, (mostly) sans-vocal heavy rock and roll. But Seven Planets wind up on a different trip with Explorer, and the surface impression is really just the beginning point for what they have to offer on the eight-track/36-minute Explorer, a follow-up to their 2012 self-titled (review here) and 2008’s first LP, Flight of the Ostrich, both self-released. Eight years between records is no minor stretch, but with a recording credited to the band and mix helmed by guitarist Leonard Hanks, joined in the band by guitarist James Way, bassist Mike Williams and drummer Ben Pitt, Explorer‘s tracks by and large carry an easy groove marked by tonal warmth and fluidity between the players.

It may have taken Seven Planets eight years to put a record out, but whatever might’ve been behind that delay — life? — listening to the languid, semi-bluesy nod of the title-track, it’s easy to believe they’ve been jamming all the while. Beginning with “Vanguard,” they bring together elements out of heavy rock riffing and heavy psychedelic immersion, something that, for the first record, I compared to Clutch offshoot The Bakerton Group. The same applies to Explorer at least in the use of Tim Sult-style wah on lead guitar lines, but perhaps to a lesser degree than on the preceding release, since, as Explorer hints in its title, the band seem to be working here to find their own space and sound here in a progressive step forward from where they were those years ago. The drift of “Plain Truth in a Homespun Dress” shows a patience in unfolding its bluesy undercurrent and builds up over its first 90 seconds or so toward a momentary wash before receding again, cycling through with a solo overtop and shifting in its second half to a surprise bit of boogie before, in the last minute, the jam seems to take an improvised turn led by the guitar before coming apart.

That moment is important and feels particularly honest, if somewhat understated. The title-track follows in its own liquefied near-seven-minutes of flow, but the exploratory feeling is palpable at the culmination of “Plain Truth in a Homespun Dress,” and the fact that the band let the song follow its own path organically, even as it dissipates, is admirably honest and speaks to their ethic and lack of outward pretense overall. Not that their material can’t be thoughtful or planned out, as the initial unfurling of “Explorer” itself certainly seems to be, with hints toward prog structures and a spacier thematic as depicted on the Alexander von Wieding album art, but it’s the ability to move in either realm and to subtly shift between mindsets that gives Explorer as a whole its sense of character throughout its relatively brief runtime. As the title cut settles into its funky bounce moving toward the midpoint, with Pitt‘s drums and Williams‘ bass leading the way through the encompassing jam — something backwards layered in — it’s no challenge for the listener to go along with the groove as they make their way to the finish of the album’s longest track.

seven planets

The spirit of the material is nothing but warm and welcoming throughout, and certainly that’s emphasized in the title-track, which gives way to a quicker, solo-laced boogie in “206,” the presumed end of side A, as the two guitars hold sway over the creation of a swirl of effects and a central riff cutting through. Like “Vanguard” at the outset, “206” feels like something of a snippet, but it moves smoothly into “Seven Seas” — the only piece besides the title-track to reach over six minutes — and provides a buffer between the more psychedelic vibe of the two longer stretches when listening to a linear (CD/DL) format; a well-intentioned pickup in energy and momentum that, like the rest of what surrounds, asks little more of the listener than a nod-along. “Seven Seas” is particularly notable as the beginning point of side B as it leads to “Great Attractor,” which — and not just for the inclusion of organ (or organ sounds) lurking in the mix — makes for the most hypnotic one-two dive on Explorer. With the drums still acting as a grounding factor, Seven Planets are never in any real danger of floating away, but their drive toward meandering here and there in the guitars makes the later moments of “Great Attractor” a mirror for “Plain Truth in a Homespun Dress,” even if the ending works out smoother.

Shuffle blues guitar takes hold in the penultimate “Grissom” with a due sense of space, picking up at the end before dropping out and hitting on the beat into the rush of closer “The Buzzard,” which immediately begins the speediest movement on the record. Feeling more plotted than “Grissom” or some of the other material, the finale works around a winding riff with suitable rhythmic push and a summarizing feel in the interplay of lead and rhythm guitar, resolving itself in a last shove that, as they have at several points throughout, cuts away just as it seems to reach a head. Seven Planets never reach the same kind of jammy elevations as, say, their labelmates in Austin, Texas’ Tia Carrera, but neither do they seem to want to. Rather, their melding together of different styles and plays back and forth between constructed and off-the-cuff material and parts — sometimes, it seems, within individual tracks — is a distinguishing factor for their sound and ends up being the basis for much of Explorer‘s personality. Eight years after the first offering, it probably shouldn’t be a surprise to find that Seven Planets have progressed as a band, but they’ve also managed to hold onto the essential instrumental conversation between them that allows those improvisational stretches to shine through.

Seven Planets on Thee Facebooks

Seven Planets on Bandcamp

Small Stone Records website

Small Stone Records on Thee Facebooks

Small Stone Records on Bandcamp

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Seven Planets to Release Explorer Feb. 7 on Small Stone; Preorders up Now

Posted in Whathaveyou on November 18th, 2019 by JJ Koczan

seven planets

Ah, February release dates. In the last few years especially, as underground release patterns have reorganized around digitalia and the recentering of common focus on vinyl, there’s been a resurgence of the February/September dynamic that I find fascinating. Big albums come out at the start of the year and the end of the year, and the year starts in February and ends in September. You still get stuff in the months between, of course, but consider the fact that it’s mid-November now and we’re already seeing looks-ahead to what’s arriving in 2020. Similarly, as everyone’s touring in the summer, it’s the early Fall releases that are the focus more than anything coming out at the time. The fact that Seven Planets will make their debut on Small Stone Records on Feb. 7 with their third outing, Explorer, is immediately encouraging.

Preorders are up (because that’s how Small Stone does), and a song is streaming now (ditto), so get to it.

Info came from Bandcamp. I edited the bio but can’t take credit for having written it in the first place:

seven planets explorer

Seven Planets – Explorer

West Virginia-based heavy instrumentalists Seven Planets will release their third full-length, Explorer, on February 7, 2020, through Detroit’s Small Stone Records. Drawing on classic metal, heavy boogie, and blues rock, the group formed in 2007 and consists of guitarists Leonard Hanks and Jim Way, bassist Mike Williams and drummer Ben Pitt, all of whom have played in bands together in different configurations for over 25 years. Its groove-anchored sound has drawn comparisons to Brant Bjork and Clutch-offshoot The Bakerton Group.

Written and recorded over a period of personal difficulties and individual strife for the four band members, Explorer captures a sense of escapist freedom in its deep grooves, burly riffs, and expansive atmosphere, which further illustrates what Heavy Planet stated in its review of the band’s self-titled 2012 LP: “Seven Planets take you on an amazing journey into another cosmic dimension.”

The new album features artwork by renowned German illustrator Alexander von Wieding (Monster Magnet, Brant Bjork, Karma to Burn, etc.), giving further representation to the idea of escape with a spacebound retro-style rocket headed to the unknown. Exploration in the truest sense.

Tracklisting
1. Vanguard 02:46
2. Plain Truth In A Homespun Dress
3. Explorer
4. 206
5. Seven Seas
6. Great Attractor
7. Grissom
8. The Buzzard

Recorded by Seven Planets at Stonewall Studios, Beckley, WV.
Produced and mixed by Leonard Hanks.
Mastered by Chris Goosman @ Baseline Audio Labs, Ann Arbor, MI.
Album artwork by Alexander von Wieding.
All songs by Seven Planets.
Published by Small Stone Records (ASCAP)

Seven Planets is:
Leonard Hanks: guitar
Ben Pitt: drums
James Way: guitar
Mike Williams: bass

https://www.facebook.com/Seven-Planets-102040383183657/
https://sevenplanets.bandcamp.com/
http://www.smallstone.com
http://www.facebook.com/smallstonerecords
http://www.smallstone.bandcamp.com

Seven Planets, Explorer (2020)

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Rhin Release Passenger Outtakes Recordings from 2015

Posted in Whathaveyou on November 5th, 2019 by JJ Koczan

Okay, so I’ll just say that 2016 was three years ago, and early 2016 even longer than that, so if you don’t have immediate recall on Rhin‘s third and most-recent album, Passenger (discussed here). Time passes, life happens, and maybe you remember and maybe you don’t. It’s okay. It’s a big internet and the record is out there waiting for you to dig back in at your leisure. That’s the tradeoff for all that privacy you sold away without knowing about it.

In fact, because I believe in supporting that investment, I’ve included the embed below. Fine.

Before you get there, however, you’ll find the new release Passenger Outtakes, culled from the same sessions — or at least one day thereof — that revisit the album’s sound. Presented name-your-price style by Bandcamp, it’s basically an excuse to pay another visit to a record (and then some) that those who might recall might do so fondly. I do.

So go ahead and have at it and enjoy. Note that two of the three inclusions showed up later on a split, but in different form, with vocals, so this is how they were to start with.

As per Grimoire‘s Bandcamp page:

rhin passenger outtakes

Passenger Outtakes by Rhin

Three previously unreleased instrumental tracks from the “Passenger” recording session on October 24th, 2015, remixed and remastered for a less roomy, tighter punk-rock vibe. Despite the fact that two of these songs were re-recorded, completed with vocals, and featured on a split with Rat Ship, everyone agreed these takes were too good to not publish!

In 2018, Rhin entered an indefinite hiatus from which they may never return, but these tracks are a reminder of how freaking tight these three guys were. At the time of this recording, Rhin was Dom (bass), Tucker (guitar), and Ben (drums).

All proceeds go to the ACLU.

Released November 1, 2019.

Tracklisting:
1. Awake 05:28
2. Bullshit 03:16
3. Nothing 07:02

http://rhin.bandcamp.com
http://www.facebook.com/rhinwv
http://grimoirerecords.bandcamp.com
http://www.facebook.com/GrimoireRecords

Rhin, Passenger Outtakes (2019)

Rhin, Passenger (2016)

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Horseburner Touring the Midwest and West Coast in November

Posted in Whathaveyou on October 10th, 2019 by JJ Koczan

horseburner

West Virginia’s Horseburner made a suitably barnstorming label debut on Ripple Music a couple months back with The Thief (review here), and in November, they’ll be heading out westward to support the album, aligning with Boston’s Worshipper and of course a host of others for shows along the way. Sound cool? It is. Horseburner have a few tours under their collective belt at this point, but they go with a new and marked level of accomplishment following the issue of their second album, and increasingly their reputation is preceding them. This is the kind of thing that only continues a band’s forward momentum, and Horseburner have plenty of that, in sound and circumstance alike.

If the style of the poster looks familiar, it’s probably because you’ve been staring at Lo-Pan artwork. It’s Pittsburgh-based Chris Smith behind the design, and it rules in such a way as to wonder what it would cost to ask for a t-shirt design for this site. Probably more than I’ve got, but still. Might be worth finding that out.

Anyway, here are the dates:

horseburner tour

We are pleased as can be to announce the entirety of our November tour. We’re hitting a ton of places we’ve never played before, so we’re looking forward to getting out there and meeting you. Yes, you.

Even more stoked to be meeting up with our brothers in the mighty Worshipper for the west coast dates!

As always, we’ll see you on the road. Stay dirty.

11-1: Cleveland, OH – Now That’s Class
11-2: Bloomington, IL – Nightshop
11-3: Rock Island, IL – RIBCO
11-5: Lawrence, KS – Replay Lounge
11-6: Denver, CO – HI DIVE
11-7: Cheyenne, WY – Ernie November
11-8: Salt Lake City, UT – The Greek Station
11-9: Seattle, WA – Substation**
11-10: Portland, OR – High Water Mark**
11-11: Eugene, OR – Luckey’s**
11-13: San Francisco, CA – The Elbo Room**
11-14: Las Vegas, NV – Count’s Vampd**
11-15: Los Angeles, CA – The Lexington**
11-16: Oceanside, CA – The Pourhouse**
11-17: Albuquerque, NM – Moonlight Lounge
11-18: El Paso, TX – Neon Rose
11-19: Fort Worth, TX – Main at South Side
11-20: Austin, TX – Lost Well
11-21: Lafayette, LA – Freetown Boom Boom Room
11-23: Nashville, TN – Cobra
11-29: Marietta, OH – The Adelphia

** with Worshipper **

Poster by Chris Smith/Grey Aria Design Studio

Horseburner:
Adam Nohe – Drums/Vocals
Jack Thomas – Guitar/Vocals
Matt Strobel – Guitar
Seth Bostick – Bass

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Horseburner, The Thief (2019)

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