Review & Track Premiere: Horseburner, The Thief

Posted in audiObelisk, Reviews on July 29th, 2019 by JJ Koczan

horseburner the thief

[Click play above to stream ‘Drowning Bird’ from Horseburner’s The Thief. Album is out Aug. 9 on Ripple Music.]

Though the inherent energy of their material and the fact that they’re newly signed to Ripple Music read otherwise, West Virginia’s Horseburner are not actually a new band. They played their first show just over a decade ago, and released two EPs before making such a splash with their 2016 full-length debut, Dead Seeds, Barren Soil (review here). That album was picked up for release through Hellmistress Records and subsequent touring and response led to the Ripple signing ahead of The Thief, their second LP and label debut. It’s worth mentioning not only for basic background, because when one listens to The Thief front-to-back, Horseburner‘s chemistry is not that of a new band.

While they recently parted ways with guitarist Zach Kaufman and brought in Matt Strobel to take on the role alongside guitarist/vocalist/keyboardist Jack Thomas, drummer/vocalist Adam Nohe and bassist Seth Bostick, the lineup that appears on the nine-song/46-minute The Thief feels wholly solidified in its songwriting approach, taking cues from modern progressive metal, NWOBHM and shades of traditional doom. Thomas‘s vocals remind here and there of Butch Balich‘s work in Argus — thinking of songs like “A Joyless King” and the later “Fathoms,” but it’s a comparison one might make elsewhere too, and not a comparison made lightly — and the winding course of riffing over which he and Nohe harmony-shout is reminiscent of the likes of Leviathan-era Mastodon in its hard edge and obviously considered composition.

Across intense pieces like “Drowning Bird” and “The Fisherman’s Vow,” they manifest crunch and gallop in kind and still set up a smooth-moving flow within and between the songs. It’s fast, and it’s a lot to keep up with, but that’s the idea, and when Horseburner are at a sprint, as on “Hand of Gold, Man of Stone” (premiered here), the effect is righteously head-spinning. Movements within songs mesh well together and take shape as verses and choruses, and as its two-minute titular introduction, and the likewise-timed centerpiece “Seas Between” and closer “Thiefsong” weave an acoustic-based thread throughout all the heft, the feeling of a masterplan at work becomes all the more prevalent.

If Horseburner are telling a story here — and they may or may not be; I haven’t had the benefit of a lyric sheet — then it’s one that sets up across intricately conceived chapters that balance indulgence and creative will against sheer impact of groove, “A Joyless King,” “Drowning Bird” and “The Fisherman’s Vow” separated by “Seas Between” from the side B salvo “Hand of Gold, Man of Stone,” “The Oak” and “Fathoms.” The underlying modus doesn’t necessarily change between the two sections — in fact, I’d argue The Thief is best enjoyed on a linear format so as to get the whole effect of “Seas Between” as the centerpiece without having to worry about a side flip as one would on vinyl — but flourish of proggy guitar interplay and keyboard in “The Oak” and the fact that “Fathoms” is the only song on the record to top eight minutes does speak to a certain amount of branching out, though there’s no question that in the case of the latter, its position as the full-album payoff is purposeful as well.

 

HORSEBURNER new lineup

One imagines that if Horseburner didn’t already know it when they were writing the song, it quickly became clear in the recording process that “Fathoms” would close out ahead of “Thiefsong,” such is the thump with which it lands and the heights to which it soars in its finishing, solo-topped sway. That puts further emphasis on the flow that’s been happening all along throughout The Thief, as all the more it seems “A Joyless King” and “Drowning Bird” are meant to draw the listener into the varied but linear whole-album progression. The short version is it works, and with deceptive subtlety, because as they’re setting up this linear motion, Horseburner are also bashing and crashing through killer chug and hairpin-turn rhythms, stomping through headbang-ready heavy parts and adding more than hints of nuance to deepen the proceedings beyond what might otherwise be “cool riffs, bro.”

Nothing against that, understand, but The Thief is on a different and more complex mission, and the band bear that out in the means by which they maintain both the thoughtfulness of the material and the conversation they’re having with their audience here. Because whatever layering there might be between Thomas‘s keys and guitar, the recording itself is geared toward capturing a live setting. With so much vitality, it could hardly be otherwise. Tracked at Amish Electric Chair Studios and Green Mist Studios respectively by Neil Tuuri (who also mixed) and Thomas himself, there’s no lack of clarity in the offering, and even the most distorted, driving moments have a crispness to them that speaks further to the band’s will to actively engage their listenership, but the balance with raw energy across The Thief‘s span is striking, and it’s exactly that engagement that’s the reason why.

Horseburner want you to get into this album. They make it plain. The Thief is the output of a band who’ve been around for 10 years, have gotten their shit together, built up some momentum and decided to make a real push at having an impact. They sound hungry more than angry, but most of all they sound ready, and that’s true in the brief quiet interlude in “The Fisherman’s Vow” as much as in the fist-pumping early dual-guitar theatrics and subsequent all-out start-stop crunch of “The Oak.” The only question is what that engagement is leading to? If, after 10 years as a band, Horseburner want to hit the road and make a go of selling full-color t-shirts to various US and eventually European cities, I have no doubt in my mind they could pull that off in a fashion that’s at least no more or less sustainable than anyone else doing the same. Time will tell what their goals ultimately are and whether or not they get there, but most importantly, The Thief is a resonant announcement of their arrival, and that is not at all to be missed.

Horseburner website

Horseburner on Thee Facebooks

Horseburner on Bandcamp

Horseburner on Instagram

Ripple Music on Thee Facebooks

Ripple Music on Bandcamp

Ripple Music website

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Horseburner Set Aug. 9 Release for The Thief; Tour Dates Announced

Posted in Whathaveyou on July 11th, 2019 by JJ Koczan

horseburner

Yeah, I’ve got it on now and this one’s pretty sick. Like, gonna-be-on-a-lot-of-lists sick. Maybe mine. Horseburner will make their debut on Ripple Music with The Thief and they’ve already got shows booked into November to support it, so that’s nifty, but listening to the album, it’s got stomper riffs and modern prog metal inflection galore in its winding guitar lines and not-at-all-overplayed drums, taking a cue from the Mastodons of the world without, well, sucking, I guess. It can be a fine line to walk, but Horsebuner would seem to have found the balance between nuance and groove and melody in these tracks that, yes, will be very well received. Bandcamp’s gonna go apeshit for this one. I hope Ripple has an ample supply.

I’m gonna try to set up another track premiere — the first one was here back in March — to go with a review a proper review, but in the meantime, here’s some info from the PR wire:

horseburner the thief

HORSEBURNER: Hard Hitting Road/Riff Merchants Return With New Album + Tour Dates

The Thief by Horseburner is officially released on 9th August on Ripple Music

Pre-order the album now at www.ripple-music.com

Together since 2008 and borne from the wild Appalachian green of West Virginia, Horseburner has never cowered from hard toil. From performing their first live show, self-recording and releasing two EPs (2009’s Dirt City and Strange Giant in 2013), putting on an inaugural tour in 2011 and releasing their debut full-length album, Dead Seeds, Barren Soil in 2016, the band has quite simply, done it all themselves.

Having played hundreds of shows over the past decade, performing alongside acts such as Torche, Weedeater, Goatwhore, Obituary, Corrosion of Conformity, The Obsessed, Karma to Burn and Bell Witch, in 2017 the band reissued their debut album through Hellmistress Records, which quickly reignited that song writing/recording flame, resulting in the gift of new music.

This year, as well as hitting the road for a monster Summer/Fall Tour of the US, the band join forces with Ripple Music, the California-based record label and world leader in Heavy Rock, Stoner, Doom and Heavy Psych to bring you the hard rocking yield of that fruitful and inspired year. The official worldwide release of their brand-new album, The Thief. As the band explains:

“We are thrilled to finally be putting out new music after almost three years and several member changes, and we can’t wait for people to hear, ‘Hand of Gold, Man of Stone’. It was the first song we finished for this new album, and we think it really sets the tone for what’s to come this summer when the full album is released. It’s loud, it’s aggressive, it’s a little weird… It’s also the shortest song. Brevity has never been our strong suit, but there is a much larger story waiting to be told, and this song is just one chapter. We’re even more excited to be teaming up with Ripple Music for the new record. We love so many bands on their roster, it’s such a well curated label. We’re honored to be joining the Ripple Family, and honestly, that’s what it feels like, a family.”

TRACK LISTING:
1. The Thief
2. A Joyless King
3. Drowning Bird
4. The Fisherman’s Vow
5. Seas Between
6. Hand of Gold Man of Stone
7. The Oak
8. Fathoms
9. Thiefsong

LIVE DATES (MORE DATES TBC):
2/8 – Richmond, VA – Wonderland
3/8 – Beckley, WV – Melody’s
23/8 – Athens, OH – Casa
24/8 – Youngstown, OH – Westside Bowl
25/8 – Cleveland, OH – Grog Shop
27/8 – Canton, OH – Buzzbin
5/9 – Huntington, WV – V Club
6/9 – Johnson City, TN – Hideaway
7/9 – Charlotte, NC – Skylark
8/9 – Jacksonville, FL – Jack Rabbits
9/9 – Miami, FL – Las Rosas
11/9 – Savannah, GA – El Rocko
12/9 – Athens, GA – Caledonia Lounge
27/9 – Toronto, ON – Bovine Sex Club
5/10 – Pittsburgh, PA – Gooski’s
6/10 – Buffalo, NY – Electric Avenue
7/10 – Saratoga Springs, NY – Desperate Annie’s
11/10 – Brooklyn, NY – The Well
12/10 – Wilmington, DE – Oddity Bar
13/10 – Baltimore, MD – The Depot
29/11 –Marietta, OH – Adelphia

HORSEBURNER:
Adam Nohe – Drums, Vocals, Percussion
Jack Thomas – Guitar, Vocals, Keys
Seth Bostick – Bass
Zach Kaufman – Guitar

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Horseburner, “Hand of Gold, Man of Stone”

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Brimstone Coven & Spillage Announce August Tour Dates

Posted in Whathaveyou on May 8th, 2019 by JJ Koczan

brimstone coven

spillage

This August, West Virginia’s Brimstone Coven and Chicago’s own Spillage will head out on tour together through Texas and various destination points in the Midwest. The run is 10 shows in 10 days, no nights off, and will begin on Aug. 8 as Brimstone Coven head out behind last year’s What Was and What Shall Be, which was their first offering as a three-piece after issuing their second album, Black Magic (review here), through Metal Blade in 2016. They also just appeared this past weekend at the New England Stoner and Doom Fest II in Jewett City, Connecticut, which by all accounts I’ve seen was a win.

Spillage meanwhile appeared at Maryland Doom Fest last year and in January released their second album, Blood of Angels, and their classic Chicago-style deep-dish doom/metal should make a fun pairing with Brimstone Coven‘s harmonies. The tour is presented by Mercyful Mike Management, which is long-since aligned with Spillage, having booked them as well as support for its Sheavy tour and featured the band on Days of the Doomed III way back when in Wisconsin. That was just about six years ago. Time flies and all that.

Texas gets its due here, but there’s plenty of non-TX dates as well for anyone not of a Lone Star persuasion. Cheers to the bands on getting out. An independent tour of 10 shows in a row could easily be a slog, but something tells me these guys will keep good company.

Dates follow:

brimstone coven spillage tour

Happy to officially announce all dates of the “Blood and Hellfire” tour featuring Brimstone Coven and SPILLAGE! See you all in August!

8/8 – Little Rock, Arkansas @ The White Water Tavern
8/9 – San Antonio, Texas @ Limelight
8/10 – Houston, Texas @ Dan Electros
8/11 – Austin, Texas @Beerland
8/12 – Kansas City, Missouri @ TBA
8/13 – Des Moines, Iowa @Lefty’s Live Music
8/14 – Bloomington, Illinois @ NIghtshop
8/15 – Indianapolis, Indiana @ Black Circle Brewing Co.
8/16 – Milwaukee, Wisconsin @ Club Garibaldi
8/17 – Lombard, Illinois @ Brauer House

https://www.facebook.com/brimstonecoven
https://brimstonecoven.bandcamp.com/

http://www.facebook.com/spillagerocks
https://spillage.bandcamp.com/

Brimstone Coven, What Was and What Shall Be (2018)

Spillage, Blood of Angels (2019)

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Horseburner Premiere “Hand of Gold, Man of Stone”; Announce The Thief on Ripple Music

Posted in audiObelisk, Whathaveyou on March 15th, 2019 by JJ Koczan

horseburner

It’s a time of change for West Virginian riffers Horseburner. A decade into their run and after releasing their incredibly well received debut, Dead Seeds, Barren Soil (review here), on their own in 2016 and through Hellmistress Records in 2017, the band are getting ready to bid farewell to guitarist Zach Kaufman following some final dates together as part of their Spring tour, most of which will feature StonecuttersNick Burks in that role alongside guitarist/vocalist Jack Thomas, bassist Seth Bostick and drummer/vocalist Adam Nohe.

At the same time, Horseburner have signed to Ripple Music and are newly unveiling the single “Hand of Gold, Man of Stone” taken from their upcoming second album, The Thief, which will be their first outing for the label. In a sharply-edged five minutes, the song burns horses and barns alike with heroic guitar lines and vocal harmonies drawn from modern progressive metallurgy, but manages as well to hold tight to an underlying groove and build in energy while touching on vibes as much NWOBHM as they are noise rock, the two-guitar dynamic and two-vocal dynamic working in concert to make the track unpredictable despite the solid rhythmic foundation on which it rests — or, when one considers the tempo, doesn’t at all rest.

Already confirmed for Grim Reefer Fest in Baltimore and New England Stoner & Doom Fest in Jewett City, Connecticut — with 40,000 other bands, apparently — Horseburner bring precise execution and weighted tones to bear with motion and largesse in like measure. Through clear production and intent, they would seem to be poised to bring their stamp to the pastiche of modern heavy, and if the purpose of an advance single is to pique interest, “Hand of Gold, Man of Stone” is mission accomplished.

Kudos to the band and to Ripple on the signing. The PR wire brings a full update and you’ll find the premiere of “Hand of Gold, Man of Stone” at the bottom of this post.

Enjoy:

horseburner-hand-of-gold-man-of-stone

HORSEBURNER: West Virginian Heavy Stoner Metalists To Release New Album ‘THE THIEF’ with Ripple Music; Share New Song “Hand Of Gold, Man Of Stone” & Announce U.S. Spring Tour

Together since 2008, borne from the wild Appalachian green of West Virginia, HORSEBURNER has never cowered from hard toil. From their first live show performed, a first EP ‘Dirt City’ self-released in 2009, an initial tour in 2011, to a second EP 7” ‘Strange Giant’ in 2013, and right up to a debut full-length ‘Dead Seeds, Barren Soil’ in 2016, it’s all been DIY and self-released.

They’ve played hundreds of shows over the past decade, alongside such acts as Torche, Weedeater, Skeletonwitch, Goatwhore, Obituary, Corrosion of Conformity, The Obsessed, Karma to Burn, Prong, Byzantine, Cough, ASG, Rosetta, and Bell Witch. In 2017, the band altered their DIY stride with a reissue of their full-length through Hellmistress Records and reignited their flame with writing and recording new music during 2018.

Horseburner continues to step up the pace in 2019, with a recent signing with RIPPLE MUSIC to release their sophomore full-length, ‘THE THIEF’, later this year, as well as the announcement of a U.S. Spring Tour. To introduce the upcoming album, a new song is being released today – “Hand of Gold, Man of Stone” off the upcoming album ‘The Thief.’

The band’s reaction to the new venture:
“We are thrilled to finally be putting out new music after almost three years and several member changes, and we can’t wait for people to hear “Hand of Gold, Man of Stone.” It was the first song we finished for this new album, and we think it really sets the tone for what’s to come this summer when the full album is released. It’s loud, it’s aggressive, it’s a little weird… It’s also the shortest song. Brevity has never been our strong suit, but there is a much larger story waiting to be told, and this song is just one chapter. We’re even more excited to be teaming up with Ripple Music for the new record. We love so many bands on their roster, it’s such a well curated label. We’re honored to be joining the Ripple Family, and honestly, that’s what it feels like, a family. “

Some excitement from Todd Severin of Ripple Music:
“It’s not that often that a band comes by and just blows my mind, but Horseburner is one of them. They’re taking the raw soul of stoner and taking it in fresh, exciting new directions. The sky is the limit for where these guys will soar.”

The band also shares some words about the upcoming tour:
“We’re definitely ready to be back on the road, as well. We haven’t been out there as much as we like to this past year, and we’re ready to throw off the rust and see some new faces. We’re hitting a few places for the first time ever, and returning to some old favorites, so this will be a good time.

On top of all that, we’ve got one of our best pals, Nick Burks from Louisville’s Stonecutters, filling in on guitar for the April tour and some of the May dates, it’s going to be killer. Then with Zach’s exit from the band, and him doing a handful of farewell shows before he leaves for good… having Zach’s last show with us in Columbus, Ohio in May – ten years from our first ever show, which was also in Columbus – bittersweet is definitely one way to put it.”

horseburner-tour-spring-2019U.S. Spring Tour Dates:
March 22 – Huntington, WV @ V Club (w/ Cavern, Embracer, Signals)
March 23 – Johnson City, TN @ The Hideaway (w/ Indighost, Haal)
*April 12 – Detroit, MI @ The Fireside (w/ Gear Jammer, Black Heiron)
*April 13 – Toronto, ONT @ The Bovine Sex Club (w/ Ol’ Time Moonshine, Jahgernaut, Quiet Earth)
*April 14 – Buffalo, NY @ Mohawk Place (w/ Malarchuk, Yanari, Tines)
*April 15 – Saratoga Springs, NY @ Desperate Annie’s for Super Dark Monday (w/ Ghastly Sound, The Tenants)
*April 16 – Winooski, VT @ The Monkey House (w/ Ghastly Sound, Wolfhand, Sachem)
*April 17 – Bangor, ME @ Downunder Club (w/ Ghastly Sound, + more)
*April 18 – Boston, MA @ OBrien’s (w/ VOS, Greylock)
*April 19 – Brooklyn, NY @ The Well (w/ Godmaker, + more)
*April 20 – Baltimore, MD @ Ottobar for Grim Reefer Fest (w/ Ruby the Hatchet, Heavy Temple, Haze Mage, Mountainwolf, Book of Wyrms, YATRA, Tombtoker)
May 3 – Pottsville, PA @ Goodfellas (w/ 44 Mag, Brain Candle, The Hands Resist, Faith in Exile) *Playing as a trio*
*May 4 – Jewett City, CT @ Altone’s for New England Stoner Doom Fest (w/ Stonecutters, Brimstone Coven, + 40,000 bands)
*May 5 – Washington, D.C. @ Atlas Brew Works (w/ Stonecutters, Dirt Eater)
May 17 – Parkersburg, WV @ The Dils Center (w/ Lo-Pan, Louts, + more)
May 18 – Columbus, OH @ Ace of Cups (Zach’s last show!)

*Nick Burks from Stonecutters on Guitar

Horseburner:
Adam Nohe – Drums/Vocals
Jack Thomas – Guitar/Vocals
Seth Bostick – Bass
Zach Kaufman – Guitar

https://www.horseburner.com/
https://www.facebook.com/Horseburner/
https://horseburner.bandcamp.com/
https://www.instagram.com/horseburner/
https://twitter.com/horseburner
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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Negative Reaction Execute “Order 66”; New Album in Progress

Posted in audiObelisk, Whathaveyou on October 19th, 2018 by JJ Koczan

It’s been a couple years now since Negative Reaction frontman Kenny ‘Ken-E’ Bones moved himself and therefore the band from Long Island, New York, to Central West Virginia. In that time, he’s partnered with bassist Trey Crane and drummer Kevin King in a new incarnation of the band, embarked on a solo career playing outlaw country, and taken the helm at Steer Run Studios, his own recording facility. Not too shabby, and a rebuilding of band and life alike go a long way to explaining the years it’s been since Frequencies from Montauk (review here) came out in 2011. These things take time.

But the next record — the title of which is decided but not yet revealed — is being recorded with Bones himself as producer/engineer, and in order to demonstrate progress toward its completion, Negative Reaction are premiering the new single “Order 66.” The title is a Star Wars reference, as Order 66 was that which then-Senator Palpatine gave to the Stormtroopers to start executing the Jedi. I think that was Episode III? Obi-Wan and Yoda got away, so yeah. Bones is a big fan, which is an understatement, what with the tattoos and all.

The song bridges the two sides of Negative Reaction‘s long-established approach in its sludgy aggression and spacey jamming. No coincidence that in the note below, Bones refers to “captain of the spaceship.” HawkwindMonster Magnet — this is the stuff of life, and “Order 66” serves those impulses well in its second-half cosmojam. Whatever it’ll be called, the album is still in progress, so keep an eye out, but you can hear the song at the bottom of this post. Ken-E‘s always up to something.

Dig it:

negative reaction

A word from the Captain of the Spaceship Negative Reaction………

Hello my fellow Sludgenaughts. I hope this transmission finds you well.

NR has finished mixing and mastering the single to our next release. The single is a song called Order 66. We have sent it out to multiple parties but one in particular that, We, NR are most attracted to has sent very positive feedback to it. We hope to release this next album Of SLUDGE with this said group of great people.

The title of this album has been established but it will remain unknown until an agreement has been reached between NR and said record label to agree on the release. This song and the new album are recorded and mastered at Steer Run Studios, engineered and produced by Ken-E Bones. We are currently recording new songs for the album.

A NR bandcamp page will also be up in a few days as well. It will have ALL of our releases up including some rare tracks from the past!

Thank you all for the love and support. I love each and every one of you. I mean it when I say NR has the greatest fans and family a band could hope for. All the best to you and thanx again for believing in us. Cheers to YOU!!!!”

End Of Line…….
-Capt’N KB

Negative Reaction is:
Ken-E Bones: guitar, vocals
Trey Crane: bass guitar
Kevin King: Drums

https://www.facebook.com/NegativeReaction

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R.I.P. Rev. Jim Forrester, 1974-2017

Posted in Whathaveyou on December 19th, 2017 by JJ Koczan

rev jim forrester photo shane gardner

UPDATE 1:00PM: According to the Baltimore Sun, Jim Forrester was shot outside Baltimore Tattoo Museum, where he worked. Tina Giles Forrester also elaborated on the situation:

I know that there are many questions. I will not keep this private. I want everyone to know that Jim was murdered. He was shot to death by a gutless coward. This may seem harsh to put out there, but this piece of fucking shit is still out there. I will continue to tell each and every person until this waste of a fucking life is caught and has to look me in my eyes. I want justice. I will not stop until I have justice.

6:00AM Details are few and far between at the time of this writing, and it seems likely that one way or another some sort of memorial fund or benefit will be set up in his honor, so this post may be updated in the near future, but word has been made public about the passing of Rev. Jim Forrester, current bassist for Foghound and Serpents of Secrecy and a co-founder of Maryland-based heavy rockers Sixty Watt Shaman.

Born Dec. 5, 1974, Forrester, with his body covered in tattoos all the way up to the top of his shaved head — bandanna-clad, of course — his piercings and his wide smile, cut a figure that was both larger than life and deeply human. His wife, Tina Giles Forrester, made the announcement on social media:

Tina Giles Forrester:

I cannot convey the amount of sadness in my heart as I type this post. Tonight.. my husband was tragically ripped from my life, from all of our lives. I cannot express the amount of love he had for the music, his fellow artists, and fans. I am left with tragic sadness and a searing rage. I will use my last breath to make sure the animal who did this will be caught and held accountable for this senseless atrocity. I love you Jim Forrester my sweet dark prince.

While the exact circumstances of his death remain unknown — and from the statement above, it would seem some outside party was involved one way or another — the veteran heavy rocker had suffered numerous health problems over the course of this past year stemming from a blood clot in his liver, which he detailed here in an interview just over a week ago:

Jim Forrester on health issues:

Over Memorial Day weekend, the Sunday to be exact, I awoke from a dead sleep to the most abhorrent abdominal pain I’ve ever experienced… I had a blood clot in my portal vein (liver) that was cutting off blood flow to my liver, pancreas, intestines, and various extremities… Blood thinners saved my ass, but also caused esophageal varices to burst, resulting in me puking up half my blood supply, intubation, and a three-day medically induced coma in which I almost checked out a few times as well… Three days later I awoke to what I thought was a heart attack. Returned to the hospital to find a pulmonary embolism, and a grouping of blood clots behind my right knee. Another week in the hospital, and back home with increased blood thinners (self-administered stomach injections, very metal)…

I had liver issues back in 2012 that I had worked through, I thought pretty successfully… It’s no secret I previously was a drink and drug enthusiast (no hard drugs for years now I will note) as cliche as it is, and I managed to do some significant damage to myself over the years. At various points I’ve been a bit of a mess, and have a lot of regrets regarding that aspect of my time. That aside, I lived a pretty hard life for an extended spell, pushed myself physically in ways that have consequences, and some of that is a factor as well… (read more here)

Forrester was also waiting to undergo hip surgery in the New Year after dealing with long-term damage due in part to a past ACL tear, though again, whether or not any of this was a factor in his passing is unconfirmed.

After cutting his teeth in the mid ’90s and early ’00s in Sixty Watt Shaman, Forrester moved to from Maryland and took part in a band called Angels of Meth before eventually relocating to West Virginia and rejoining his Sixty Watt Shaman bandmate Chuck Dukehart in Foghound and Serpents of Secrecy. In 2014, Sixty Watt Shaman got back together to play Desertfest Berlin and a few other limited engagements to celebrate their three albums — Ultra Electric (1998), Seed of Decades (2000) and Reason to Live (2002) — but the reunion would be short-lived as old personal issues resurfaced and the band once again split.

In 2016, he added low-end charge to Foghound’s second album, The World Unseen, fueling a more aggressive take from that band as they made their debut on Ripple Music. The debut single from Serpents of Secrecy was released earlier in 2017 through an alliance with Salt of the Earth Records, and both groups had or have new material in progress for issue in 2018. His last performance was an acoustic set with Foghound on Dec. 17 at the Baltimore Tattoo Museum’s annual holiday party.

On behalf of this site and on behalf of myself, I send condolences and strength to Rev. Jim’s many friends, fans and of course his family. As a personal note, even aside from this recent interview, he and I have been in touch for years and I know he was excited to get his health problems behind him, get back on stage full-boar and get back in the studio to make new music with bandmates he truly loved. He was someone second to nobody in passion for what he did, and his death is a significant loss. As much as I’ve enjoyed his work over the years, I will remember more the sincerity of his character and the wholesome spirit beneath his gruff exterior, and like all who were lucky enough to know him during his time, I will miss Jim.

Rest in Peace Jim Forrester, 1974-2017.

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Negative Reaction Begin Recording New Album

Posted in Whathaveyou on October 12th, 2017 by JJ Koczan

Holy macaroni, it’s been six years since Negative Reaction released their last record. Wow. Not that it doesn’t feel like it’s been a while, but once you put a number to it the whole context changes. Six years! That album from the early sludge innovators and mainstays was Frequencies from Montauk (review here), a collection that was arguably their most adventurous to-date, bringing in elements of psychedelia and drone and languid heavy rock alongside the trademark Eastern Seaboard hardcore punk-influenced intensity that they’ve always brandished so passionately.

In the years since sending FrequenciesNegative Reaction‘s inimitable frontman, Kenny Bones (who seems to have dropped the “Ken-E” spelling previously used for what seemed like forever), has relocated himself and thus the band from Long Island, New York, to Normantown, West Virginia — a significant geographic shift that’s also brought an entirely new lineup with it. Hardly the first time Bones has revamped Negative Reaction, but it’s still a major part of the change. He’s also embarked on a solo career playing outlaw country under his own name and opened Steer Run Studio to track his own work as well as that of other area groups.

To that end, Negative Reaction have apparently begun recording their next studio offering. I’ve got no details on what it might be called, when it might be done or what it might sound like — been a while since I had a proper chat with Kenny — but after so long and so much realignment on his part and the band’s, it would be pointless to speculate anyway. It could go pretty much anywhere, which only means it’ll be more fun to find out where it ends up.

Here’s a quick update Bones posted on the social medias:

negative reaction

Wow what a busy few days here at Steer Run Studio….

The Kenny Bones Solo album is finally finished….(Details on the release soon)

Negative Reaction has just started recording a new album here….

And Browbeater has been recording here and I have just started the mix down and mastering for the new Browbeater EP!!!!!! It’s gunna be some Heavy shit!!!!!!

https://www.facebook.com/Negative-Reaction-166679340107961/
https://www.facebook.com/pages/Steer-Run-Studio/152766388654183

Negative Reaction, “Docking Bay 94” Live at Stoner Hands of Doom XII, 2012

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Horseburner Sign to Hellmistress Records; New Video & Tour Dates Posted

Posted in Whathaveyou on July 5th, 2017 by JJ Koczan

horseburner

Just a scant couple of days before West Virginian progressive heftbringers Horseburner strike out on tour with Maryland’s Cavern, shooting as far north as Canada in support of their 2016 debut album, Dead Seeds, Barren Soil (review here). Today, the newly-minted Hellmistress Records announces it will put its stamp on an official release for that record before the end of 2017, CD and LP both. Horseburner are the first pickup for Hellmistress, and as they’ve already sold through self-released pressings of the album, yeah, it seems like a solid grab on the part of label founder Melanie Streko, formerly of MeteorCity.

Marking both occasions — the tour and the signing; keep up — Horseburner also have a new video for “Eleleth” that you can see at the bottom of this post, right under the press release I wrote and received back down the trusty PR wire, which follows here:

horseburner-cavern-tour

HORSEBURNER Sign to Hellmistress Records; On Tour Starting this Week

West Virginia progressive heavy rockers unveil “Eleleth” video

Horseburner will release their debut full-length, Dead Seeds, Barren Soil, via Hellmistress Records on July 14 to coincide with the launch of a tour alongside Maryland’s Cavern. Today, they premiere a video for “Eleleth,” the album’s longest and closing track.

The progressive heavy rockers – recently announced as taking part in the inaugural Descendants of Crom Festival on Sept. 30 in Pittsburgh, Pennsylvania – originally issued Dead Seeds, Barren Soil digitally in July 2016. After a massive response to the album, Hellmistress Records snapped up the band for the CD and an impending vinyl release due later this year.

“I’ve had my eye on Horseburner for a while,” notes Hellmistress Records founder Melanie Streko, formerly of MeteorCity. “They’re the perfect band to launch the label, with a take on heavy that’s their own. Dead Seeds, Barren Soil kicked my ass and I’m excited to give their album a wider audience! They put on an amazing high energy show so be sure to catch them live when they come to town!”

Horseburner are set to begin their stint of East Coast tour dates this week, and will head through Ohio and into Canada before circling back into New York, Pennsylvania, Maryland and Washington D.C., with bassist Mike Lorenzen pulling double-duty also playing in Cavern. Dates follow here:

HORSEBURNER Tour Dates w/ Cavern:
7/7 Toledo, OH – New Longhorn Saloon
7/8 Toronto, ON – Bovine Sex Club
7/9 Montreal, QC – Turbo Haus
7/10 Buffalo, NY – Mohawk Place
7/11 Philadelphia, PA – Safety Meeting
7/12 Brooklyn, NY – Saint Vitus
7/13 Stroudsburg, PA – Sherman Theatre
7/14 Baltimore, MD – Sidebar
7/15 Washington, DC – The Pinch
7/16 Pittsburgh, PA – Howlers
9/30 Pittsburgh, PA – Descendants of Crom Fest

Dead Seeds, Barren Soil will be available via the Hellmistress webstore at: https://hellmistressrecords.com/collections/label

Stay tuned for more from Horseburner and Hellmistress Records in the weeks and months to come!

Horseburner is:
Adam Nohe – Drums/vocals
Jack Thomas – Guitar/vocals
Zach Kaufman – Guitar
Mike Lorenzen – Bass

www.facebook.com/Horseburner
www.twitter.com/horseburner
www.instagram.com/horseburner
horseburner.bandcamp.com
www.facebook.com/HellmistressRecords
www.hellmistressrecords.com

Horseburner, “Eleleth” official video

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