Tube Cult Fest 2019: Zaum, Coltsblood, Oreyeon, Sherpa, Tuna de Tierra and More to Play

Posted in Whathaveyou on February 26th, 2019 by JJ Koczan

tube cult fest 2019 banner

Extra credit for Tube Cult Fest 2019 not making a single joke about this being the edition that ‘goes to 11.’ Way to play it with class. The Italian festival headed by Davide Straccione of Skeptic Events is indeed in its 11th incarnation this April, with ZaumColtsbloodWayfarer and Entropia serving in headliner roles and killer Italy natives like OreyeonSherpa and Tuna de Tierra, among others, obviously, rounding out the bill. I’m generally a fan of writing/daydreaming about fests in far-off (to me) places, but I feel compelled to add there are a few bands here I don’t know, and given the quality of the names that are more familiar, posting the full lineup here is as much a note to myself about homework to do as it is anything else. Like a to-do list. “Don’t forget to check out The Marigold,” and so on. I have little doubt I’ll be glad I did.

The full announcement from the festival follows here, courtesy of the PR wire:

tube cult fest 2019 poster

Tube Cult Fest is a true celebration of the Underground, an amp-worshipping ritual based in the coastal city of Pescara in the heart of Italy, delving deep into the realm of Heavy Psychedelia since its inception in 2008. The festival has seen a consistent growth throughout the years incorporating Stoner Rock, Doom, Sludge, Drone, Psych Rock, Post Metal as well as some of the most experimental and atmospheric forms of Extreme Metal, while keeping the same original spirit unchanged. In the previous 10 editions this little city on the Adriatic Sea has been touched by the likes of Weedeater, Ufomammut, Samsara Blues Experiment, Monkey3, 1000mods, Belzebong, Karma To Burn, Los Natas and many more.
Chapter 11 will be once again split in the two tiny venues Scumm and MamiWata, hosting 14 bands in 2 days:

Friday 19 April
WAYFARER (USA)
ENTROPIA (PL)
IMPURE WILHELMINA (CH)
THE MARIGOLD (IT)
OREYEON (IT)
THE BLACK CANVAS (IT)
DRESDEN WOLVES (MEX)

Saturday 20 April
ZAUM (CAN)
COLTSBLOOD (UK)
SHERPA (IT)
GORILLA PULP (IT)
S A R R A M (IT)
TUNA DE TIERRA (IT)
KATASTAH (IT)

DJ Aftershows by Moos (https://www.facebook.com/volksradiomoos666) and La Peligrosa (https://www.facebook.com/liathepeligro)

A juicy Free Entry Warm-Up is scheduled for Thursday 18 April always at Pescara’s Scumm with the Philadelphia Stoner-Doom Rockers HIGH REEPER.

Tickets can be reserved by sending an email to tubecultfest@gmail.com

Friday 19 April= 10 €
Saturday 20 April= 10 €
2-DAY PASS = 15 €

http://www.facebook.com/tubecultfest
https://www.instagram.com/tubecultfest
https://www.facebook.com/events/368216713728711

Zaum, Eidolon (2016)

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Review & Full Album Stream: Void Cruiser, Wayfarer

Posted in audiObelisk, Reviews on February 23rd, 2017 by JJ Koczan

void cruiser wayfarer

[Stream Void Cruiser’s Wayfarer in full by clicking play above. Album is out Feb. 27 on Argonauta Records.]

Though they seem to operate solely under a spaced-out thematic — members credited with “low frequency engine,” “battering apparatus,” and so on — the actual stylistic range with which Finland’s Void Cruiser operate feels much broader. Rather than simply live by the “what would Hawkwind do?” ethic, the Helsinki four-piece’s second album, Wayfarer (also their debut on Argonauta Records), follows 2015’s self-released Overstaying My Welcome and 2013’s Motherload EP and lives up to its name in the kind of meandering path it takes between aesthetics. Space is a factor for sure, but as they play between longer-form pieces like “I Didn’t Lie but I Know Now that I Should Have” and closer “Maailman Kallein Kaupunki” and the quicker shots of “As We Speak” and “All over Nowhere,” Void Cruiser actively defy pigeonholing any more specific than catchalls like “heavy” or “atmospheric,” and set their course for variety over redundancy.

With seven tracks and a 46-minute runtime, Wayfarer is substantial but not unmanageable, and the lineup of guitarist/vocalist Santeri “S-Salo” Salo, bassist/backing vocalist Lassi “T-Hug” Tähtinen, guitarist/backing vocalist Vili “V-Salo” Salo and drummer Teemu “T-Bag” Rantanen bring considerable breadth and personality to the material, commanding the turns they’re making rather than being led by them. Further, because even songs like “Madonnas and Whores” and “Seven Years Late,” which are relatively straightforward in their structure, have a marked tonal largesse and sense of patience, Wayfarer ties together its diverse sonic proposals with an overarching spaciousness of production that makes it all the more immersive to the listener. Surprises abound, but none of the moves Void Cruiser make feel out of place in a way they’re not intended to be. Some, however, are very definitely intended to be.

The prevailing first impression is one of patience as they begin with the rumble and slow roll of the introductory “A Day on Which No Man was Born,” starting with a low-toned drone and moving into an instrumental progression of slow nod that runs over five minutes, setting the listener up for some of Wayfarer‘s more heavy psychedelic aspects as they continue to play out in the subsequent “I Didn’t Lie but I Know Now that I Should Have.” Cumbersome in its name, the second track is likewise patient in how it unfurls, blending grunge — particularly in Santeri‘s vocals — with a languid drift as it makes a chorus of its title-line in its first half before shifting post-midpoint into more of a jam, vocals and all, as they build toward a shouted apex à la Facelift-era Alice in Chains, the key difference being the depth of mix surrounding Void Cruiser and the wash of wah in the solo that proceeds to lead them out of the song over the next couple minutes.

That turn to belting it out is the first clue of Void Cruiser‘s sonic range, and “As We Speak” adds to it immediately with a classic stoner feel run through the aforementioned effects-driven spaciousness. The vocals indulge a scream that speaks to some underlying metallic influence, but “As We Speak” feels more like a Lowrider single played at two-thirds speed than anything aggressive, even in that brief moment, and at 3:32, the shortest track on Wayfarer boosts the forward push that’s been subtly working all along with its quicker tempo ending giving way to “Madonnas and Whores” as the centerpiece. Despite ultra-prevalent low end, the beginning of the seven-minute “Madonnas and Whores” still holds to some rhythmic swing, but plays out moodier through its early verses and choruses, and the hook almost has a tinge of Southern metal as it stomps into a bridge that cuts suddenly just past the four-minute mark into a psych-jam of steady rumble and guitar noodling that comes back around in time for a full-boar solo finish into some hit-stops that bring the song to a close before an obscure sample presumably draws down an intended vinyl side A.

Perhaps the most unexpected transition on Wayfarer arrives in the form of “Seven Years Late,” which while consistent tonally with its surroundings takes on a goth-metal brooding that seems drawn directly from Type O Negative in its guitar work, in its play between slower and faster tempos, its low-voiced spoken part and the backing gang vocals that show up toward the end of its six-minute run. Void Cruiser telegraph the influence via the guitars early, so it’s not like they’re trying to get away with something, but while songs hint at metallurgy prior, the fuller dive of “Seven Years Late” kicks off side B with a genuine blindside punch that, as it gives way to the 4:38 thrust of the penultimate “All over Nowhere” barely has time to be as out of place as it feels like it should be and somehow isn’t. A rocker like “As We Speak” before it, “All over Nowhere” holds to the thickness of the album as a whole and has its context changed somewhat by “Seven Years Late,” but stands up to the task of re-centering Wayfarer in order that 10-minute finale “Maailman Kallein Kaupunki” can set resolutely to its charge of summarizing the record as a whole.

Unsurprisingly, the bassline helps a lot, especially early. Void Cruiser build through psych-grunge atmospheric rock, and top that low end with airy guitar work before solidifying around a forward progression, the lyrics in Finnish, that even seems to tip its hat toward the Type O Negative-ity of “Seven Years Late” as it rolls through its middle, eventually slowing to a nod that seems like it’s going to come apart entirely before eight minutes in, only to have a Kyuss-style desert riff take off at a sprint from the morass. The last push is one more surprise from an outing that’s offered plenty of them, and as they cut short and rumble their way out on a fade before hitting 10:00 flat, one almost can’t be certain there won’t be something else still to come.

Creating that feeling of unpredictability over the course of a single LP isn’t easy, and it’s commendable as a basic intention, but what makes Wayfarer stand out even more is how fluidly Void Cruiser navigate these aesthetic planes, pitting one element next to but not necessarily against the other in order to craft something more individual from them. This is a key factor in Wayfarer‘s success, but of course the occasional bit of rocking the hell out doesn’t hurt either.

Void Cruiser on Thee Facebooks

Void Cruiser on Bandcamp

Void Cruiser at Argonauta Records

Argonauta Records on Thee Facebooks

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Void Cruiser Confirm Feb. 27 Release for Wayfarer; New Single Posted

Posted in Whathaveyou on January 17th, 2017 by JJ Koczan

void cruiser

Originally set for issue this past Autumn, the sophomore full-length from Finland’s Void Cruiser has been given a firm release date of Feb. 27 through Argonauta Records. Preceded by the art and track info that you can see below as well as the cumbersomely-titled new single, “I Didn’t Lie but I Know Now that I Should Have,” the album is named Wayfarer and upon digging into the track, one finds an engaging blend of heavy psychedelia and grunge that seems to invite further inspection. A little bit the song brings Dwellers to mind, but is on an altogether more tripped-out wavelength, though how that might play across the whole release I don’t actually know. Haven’t heard it yet.

So it goes. In any case, at well over eight minutes, “I Didn’t Lie but I Know Now that I Should Have” is more than a snippet and should be plenty to dig into, so yeah, have at it. You’ll find the song under the info below, which came down the PR wire:

void cruiser wayfarer

VOID CRUISER reveal cover artwork and first single from their anticipated new album

Finnish cosmonauts VOID CRUISER reveal cover artwork and first single from their new album “Wayfarer”. The song “I didn’t lie but I know now that I should have” is available at this address: https://youtu.be/s0n5zTSWpXs

The band says: “This single track release is a taste from the upcoming album “Wayfarer”. The song ‘I Didn’t Lie But I Know Now That I Should Have’ was among the first two composed songs for the record and it became benchmark for the rest of the song writing progress. People who have listened to our debut album will realise that this time we have cruised deeper into the sonic unknown and tamed some of the previously unencountered euphonious anomalies. We hope that this track, having such a deep meaning for us, will also be meaningful for all of you.”

VOID CRUISER “Wayfarer”, a massive Heavy Space/Fuzz related Metal work, will be released in CD/DD by ARGONAUTA Records and available from February 27th, 2017. Preorders run here: http://bit.ly/2iglk1d

TRACKLIST:
1. A day on which no man was born
2. I didn’t lie but I know now that I should have
3. As we speak
4. Madonnas and whores
5. Seven years late
6. All over nowhere
7. Maailman kallein kaupunki

www.facebook.com/voidcruiser
https://voidcruiser.bandcamp.com/
https://www.facebook.com/ArgonautaRecords/
www.argonautarecords.com

Void Cruiser, “I Didn’t Lie but I Know Now that I Should Have”

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