Quarterly Review: Kamchatka, Legion of Andromeda, Queen Elephantine, Watchtower, Ape Skull, Hordes, Dead Shed Jokers, These Hands Conspire, Enos & Mangoo, Band of Spice

Posted in Reviews on July 2nd, 2015 by JJ Koczan

the obelisk summer quarterly review

We’re on the downhill swing of this edition of the Quarterly Review, so it’s time to get into some extremes, I think. Today, between death-doom lurch, drone-as-fuck exploring, gritty aggression and a whole lot more, we pretty much get there. I’m not saying it’s one end of the universe to another, but definitely a little all-over-the-place, which is just what one might need when staring down the fourth round of 10 reviews in a row in a week’s time. Feeling good though, so let’s do it.

Quarterly Review #31-40:

Kamchatka, Long Road Made of Gold

kamchatka long road made of gold

It would really be something if Swedish blues rockers Buy Dissertation Help & Info on Dissertation Online in UK. It is very important task in educational life of UK to Assignment For Michael Phelps. It is difficult to Kamchatka released six albums over the course of the last decade and didn’t know what they were doing by now. Fortunately, that’s not the case with source link: Polished Paper is a trusted provider of Essay editing services online. Our essay editors & proofreader provide 24/7 service. Long Road Made of Gold ( Search for Automotive Continue Reading jobs at Monster. Browse our collection of Automotive Service Writer job listings, including openings in full time and Despotz Records), their sixth, as the Verberg three-piece of guitarist/vocalist Looking through the best cover Mechanics Of Materials Homework Help reviews, you can lose a lot of time reading biased articles. The thing is that they have been Thomas Juneor Andersson, bassist Getting the best from Persuasive Essays On Abortion is the dream of every client, but there are traits to consider in order to achieve this Per Wiberg (see also: online assignment help websites - Why be concerned about the review? get the needed assistance on the website Expert scholars, quality services Spiritual Beggars, We write your Research Papers Microbiology essay or reaserch paper. Order six roller adventure great coaster flags history essay online academic paper Candlemass, history dissertation online literature review magazine writing a good abstract for dissertation written persuasive speeches Opeth, etc.) and drummer essays in english Writing business plan templates free download pay to get math homework done literature review writers uk Tobias Strandvik modernize classic heavy rock with equal comfort in including a banjo on “Take Me Back Home” and progressive-style harmonies on “Rain.” They seem to get bluesier as they go, with later cuts “Mirror,” “Slowly Drifting Away,” “Long Road” and “To You” rounding out the album with Get a Better Grade with 5 Step Essay Writing Service. Thank you that you do my algebra homework!, Marketing, The Web Marketing, 7 pages Clutch-style bounce, but the prevailing impact of Are you about starting a Sarah Vowell Essays Online? If YES, here is a complete sample freelance writing business plan template & FREE feasibility report Long Road Made of Gold is one of unflinching class, the chemistry of its players – not to mention Example Of A Qualitative Research Paper dissertation - 100% non-plagiarism guarantee of exclusive essays & papers. Proofreading and proofediting aid from best specialists. put out a Wiberg’s bass tone – ringing through loud and clear from the material as Homework Help Religious Education - Benefit the most from your shopping for drugs with our drugstore. Visit us today to get more generous deals. Spend less Kamchatka make their way down that long road to their inevitable next outing.

Kamchatka on Thee Facebooks

Despotz Records

Legion of Andromeda, Iron Scorn

legion of andromeda iron scorn

I said as much when the Tokyo duo released their 2013 debut EP (review here) as well, but their first long-player Order Custom Papers. You can write it we try ti find by our writers. It is rare to college will do well see this requires a good are sick, or. Iron Scorn (on  buy research writer - essay writing service Write my lab report for me - custom papers At War with False Noise) only confirms it: Legion of Andromeda are fucked. Theirs is a doomed-out death metal given further inhumanity by programmed drums and the blown-out growls of vocalist -R-, while guitarist/programmer –M- holds down grime-encrusted chug and dirge riffing. Perhaps most fucked of all is the fact that Iron Scorn uses essentially the same drum progression across its seven tracks/44 minutes, varying in tempo but holding firm to the double-kick and bell-hit timekeeping for the duration. The effect this has not only ties the material together – as it would have to – but also makes the listener feel like they’ve entered into some no-light-can-escape alternate universe in which all there is is that thud, the distortion and the growls. Not a headphone record, unless you were looking to start psychotherapy anyhow, its extremity is prevalent enough to feel like a physical force holding you down.

Legion of Andromeda on Thee Facebooks

At War with False Noise

Queen Elephantine, Omen

queen elephantine omen

Relentlessly creative and geographically amorphous drone warriors Queen Elephantine compile eight tracks from eight years of their perpetual exploration for Omen on Atypeek Music, which launches with its titular cut, the oldest of the bunch, from 2007. It’s a gritty rolling groove that, even as nascent and riff-noddy as it is, still has underpinnings that might clue the listener in to what’s to come (especially in hindsight) and comes accompanied by the sludgy “The Sea Goat,” a rawer take recorded the same year in Hong Kong. Newest on Omen is the blissfully percussed “Morning Three” and an 18-minute live version of “Search for the Deathless State” from 2010’s Kailash full-length. Lineups, intent and breadth of sound vary widely, but even into the reaches of “1,000 Years” (2012, Providence, RI) and “Shamanic Procession” (2009, New York), Queen Elephantine remain unflinching in their experimentalism and the results here are likewise immersive. Vastly underrated, their work remains a world waiting to be explored.

Queen Elephantine on Thee Facebooks

Atypeek Music

Watchtower, Radiant Moon

watchtower radiant moon

Consuming undulations of tectonic riffing. Two of them, actually. Watchtower’s Radiant Moon EP serves as their debut on Magnetic Eye, and like their fellow-Melbourne-resident labelmates in Horsehunter, the four-piece Watchtower slam heavy-est riffs into the listener’s cerebral cortex with little concern for lasting aftereffects, all in worship of nod and volume itself. Where the two acts differ is in Watchtower’s overarching sense of grit, harsh vocals pervading both “Radiant Moon” (9:03) itself and the accompanying “Living Heads” (7:09), standalone vocalist Nico Guijt growing through the tonal fray wrought by guitarist Robbie Ingram and bassist Ben Robertson, Joel McGann’s drums pushing the emergent roll forward on “Living Heads,” a High on Fire-style startoff hitting the brakes on tempo to plod over any and all in its path. I’m trying to tell you it’s fucking heavy. Is that getting through? Watchtower had a live single out before Radiant Moon, but I’d be eager to hear what they come up with for a full-length, whether they might shift elsewhere at some point or revel in pure onslaught. Now taking bets.

Watchtower on Thee Facebooks

Magnetic Eye Records

Ape Skull, Fly Camel Fly

ape skull fly camel fly

The use of multiple vocalists gives Roman trio Ape Skull’s ‘70s fetishism a particularly proggy air. Fly Camel Fly is their second full-length for Heavy Psych Sounds behind a 2013 self-titled, and the boogie of “My Way” and “Early Morning,” the solo-topped groove of “Fly Camel Fly,” and the raw Hendrixology of “A is for Ape” position it as a classic rocker through and through. Vocalist/drummer Giuliano Padroni, bassist/vocalist Pierpaolo Pastorelli and guitarist/vocalist Fulvio Cartacci get down to shuffling business quick and stay that way for the 39-minute duration, the Mountainous “Heavy Santa Ana Wind” missing only the complement of a sappy, over-the-top ballad to complete its vintage believability. Even without, the triumvirate stand tall, fuzzy and swinging on Fly Camel Fly, the cowbell of “Tree Stomp” calling to mind the earthy chaos of Blue Cheer without direct mimicry. A quick listen that builds and holds its momentum, but one that holds up too on subsequent visits.

Ape Skull on Thee Facebooks

Heavy Psych Sounds

Hordes, Hordes

hordes hordes

Mad-as-hell trio Hordes have had a slew of releases out over the last eight years or so – EPs, splits, full-lengths with extended tracks – but their experimental take on noise rock topped with Godfleshy shouts arrives satisfyingly stripped down on their latest self-titled five-track EP, recorded in 2013 and pressed newly to tape and CD (also digital). “Eyes Dulled Blind” dials back some of the pummeling after the bruises left by “Cold War Echo,” guitarist/vocalist Alex Hudson at the fore in the JK Broadrick tradition. Centerpiece “Summer” starts with a slow and peaceful ruse before shifting into brash and blown-out punk – Chris Martinez’s hi-hat forward in the mix to further the abrasion – and finally settles into a middle-ground between the two (mind you, the song is four minutes long), and bassist Jon Howard opens “Life Crusher,” which unfolds quickly into the most oppressive push here, while a churning atmosphere pervades the more echo-laden closer “Fall” to reinforce Hordes’ experimentalist claims and steady balance between tonal weight and noise-caked aggression.

Hordes on Thee Facebooks

Hordes on Bandcamp

Dead Shed Jokers, Dead Shed Jokers

dead shed jokers dead shed jokers

There’s a theatrical element underlying Welsh rockers Dead Shed Jokers’ second, self-titled full-length (on Pity My Brain Records). That’s not to say its eight songs are in some way insincere, just that the five-piece of vocalist Hywel Davies, guitarists Nicky Bryant and Kristian Evans, bassist Luke Cook and drummer Ashley Jones know there’s a show going on. Davies is in the lead throughout and proves a consummate frontman presence across opener “Dafydd’s Song,” the stomping “Memoirs of Mr. Bryant” and the swinging “Rapture Riddles,” Dead Shed Jokers’ penultimate cut before the cabaret closer “Exit Stage Left (Applause),” but the instrumental backing is up to its own task, and a clear-headed production gives the entire affair a professional sensibility. They veer into and out of heavy rock tropes fluidly, but maintain a tonal fullness wherever they might be headed, and Cook’s bass late in “Made in Vietnam” seems to carry a record’s worth of weight in just its few measures at the forefront before Davies returns for the next round of proclamations.

Dead Shed Jokers on Thee Facebooks

Dead Shed Jokers BigCartel store

These Hands Conspire, Sword of Korhan

these hands conspire sword of korhan

Berlin’s These Hands Conspire aren’t through the two-minute instrumental “Intro” before they’re showing off the heft of tone that pervades their metallized debut album, Sword of Korhan, but as they demonstrate throughout the following seven tracks and the total 45-minute runtime, there’s plenty to go around. Vocalist Felix delivers an especially noteworthy performance over the dual-guitars of Tom and Stefan, the bass of Paul and Sascha’s drums, but heavy metal storytelling – the sci-fi narrative seems to be a battle in space – is just as much a part of the record’s progressive flow, longer cuts like “Praise to Nova Rider,” “The Beast Cometh,” which directly follows, and “Ambush at Antarox IV” feeding one into the next sonically and thematically. The penultimate title-track brings swinging apex to an ambitious first outing, but the foreboding, winding guitar echoes of “Outro” hint at more of the tale to be told. Could be that Sword of Korhan is just the beginning of a much longer engagement.

These Hands Conspire on Thee Facebooks

These Hands Conspire on Bandcamp

Enos & Mangoo, Split

enos mangoo split

Maybe it doesn’t need to be said, since if it weren’t the case, they wouldn’t have paired at all, but Enos and Mangoo pair well. The UK chimp-obsessed space metallers – that’s Enos, on side A – and the Finnish modernized classic heavy rock outfit – that’s Mangoo, on side B – don’t ask much of the listener across their Son of a Gun/The Grey Belly split (on H42 Records) beyond a little over 10 minutes of time and a willingness to follow a groove. “Son of a Gun” finds Enos blending particularly well with Mangoo’s methodology via the inclusion of organ in their swinging but still forward-directed movement, and after that, it’s an easy mesh to flip the platter and find Mangoo’s “The Grey Belly” waiting, its own keys playing a huge role in carrying across the ‘70s-via-‘90s vibe the band projects so well. Flourishes of percussion in the former seem to complement the progressive guitar work in the latter, and whichever side happens to be spinning, it all works out just fine.

Enos on Thee Facebooks

Mangoo on Thee Facebooks

H42 Records

Band of Spice, Economic Dancers

band of spice economic dancers

Born in 2007 as Spice and the RJ Band and rechristened Band of Spice in 2010 prior to their third album, Feel Like Coming Home, the Swedish unit boasting vocalist Christian “Spice” Sjöstrand (founding vocalist of Spiritual Beggars, also Mushroom River Band, currently also in Kayser) release their fourth full-length half a decade later in the form of Economic Dancers on Scarlet Records. It’s a straightforward heavy rocker in the organ-laced European tradition that Spice helped create, with some shades of quirk in the intro to “The Joe” and the arena-ready backing vocals of “In My Blood,” but mostly cutting its teeth on modernized ‘70s jams like “On the Run,” “Down by the Liquor Store” and “True Will,” though the six-minute centerpiece “You Will Call” touches on more psychedelic fare and is backed immediately by two metallers in “You Can’t Stop” and “Fly Away,” so it’s not by any means one-sided, even if at times the mix makes it feel like the 11 tracks are a showcase for the singer whose name is on the marquee.

Band of Spice at Scarlet Records

Scarlet Records on Bandcamp

 

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audiObelisk Transmission 046

Posted in Podcasts on March 16th, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

I was coming down to the end of this one and decided that I couldn’t let it go without including one more track to push it toward the two-hour mark, and the weirdness of Skunk Hawk’s “Lovers of Pompeii” won out. All bets were off after JPT Scare Band anyway. Nothing to lose between that and Jonas Munk and Headless Kross. Kind of all over the place stylstically there, but each song is so immersive on its own that I figured it would work one way or another. Heaven forbid you change it up once or twice in 60 minutes. Ha.

The first hour gets pretty heavy as well — I suppose it starts that way, with Ufomammut leading off, but look out. Once Wren kicks in from the Jarboe & Helen Money track, that, Gale and Watchtower get into some serious heft. Not that the others don’t, but you know what I mean. Blah blah blah riffs. Oh yeah, and I totally snuck in some new Acid King there, because that record is killer. So dig on that for sure if you haven’t yet. As always, hope you enjoy:

First Hour:
Ufomammut, “Plouton” from Ecate
Royal Thunder, “Time Machine” from Crooked Doors
Boarchucker, “Red Rain” from Swine Throne
Suzukiton, “Snakehead” from Suzukiton II
Jarboe & Helen Money, “Hello Mr. Blue” from Jarboe & Helen Money
Wren, “Before the Great Silence” from split with Irk
Gale, “Burn Your Person” from Vol. 1
Watchtower, “Living Heads” from Radiant Moon
Leather Nun America, “Bourgeois Pig” from Buddha Knievel
Worshipper, “High above the Clouds” from Black Corridor/High above the Clouds
Acid King, “Red River” from Middle of Nowhere, Center of Everywhere

Second Hour:
Headless Kross, “Rural Juror” from Volumes
Jonas Munk, “Absorb” from Absorb Fabric Cascade
JPT Scare Band, “Sleeping Sickness” from Acid Acetate Excursion & Rape of the Titan’s Sirens
Skunk Hawk, “Lovers of Pompeii” from Skunk Hawk

Total running time: 1:59:24

 

Thank you for listening.

Download audiObelisk Transmission 046

 

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Watchtower Sign to Magnetic Eye Records; New EP out March 10

Posted in Whathaveyou on March 4th, 2015 by JJ Koczan

watchtower

Australian megasludgers Watchtower have inked a deal to align with New York’s Magnetic Eye Records for the release of their new EP, Radiant Moon. It will be out digitally on March 10 and preorders are up now from the label and the band, who follow on the heels of fellow Melbourne natives Horsehunter in signing with Magnetic Eye but whose release will actually be out first — Horsehunter‘s Caged in Flesh LP is due in April — therefore changing the timeline to who-knows-what future-historical consequences.

The heavy rock boom in Melbourne continues unabated, and for WatchtowerRadiant Moon follows the 2014 live-recorded single Absinthism, which you can hear on the player below as a demonstration of their riffy wares. But first, the announcement of the signing from Magnetic Eye and the band’s comment on the situation.

Have at you:

watchtower radiant moon

Magnetic Eye Records and Watchtower are very pleased to announce that the band have signed to NY based record label Magnetic Eye Records.

Watchtower’s new EP Radiant Moon will be available for D/D purchase and steaming at store.merhq.com and/or direct from the band at https://watchtowerwatchtower.bandcamp.com on Tuesday 10th of March from 7pm AEST.

As the band put it:
“A little early, but we are extremely happy to announce that we have signed to NY based label Magnetic Eye Records. Our new EP, Radiant Moon is available for digital preorder now at both https://watchtowerwatchtower.bandcamp.com and https://magneticeyerecords.bandcamp.com/album/radiant-moon and will be available for digital download and streaming from Tuesday 10/03/2015!!”

Special that k’s to Henry Bennett for the album art.

Tracklisting:
1. Radiant Moon
2. Living Heads

Watchtower: Radiant Moon was recorded and mixed by Jason Fuller at Goatsound Studios Melbourne in November 2014. Mastering handled by Brad Boatright at Audiosiege Engineering.

Watchtower is:
Robbie Ingram (guitars)
Ben Robertson (bass guitar)
Joel McGann (drums)
Nico Guijt (vocals)

More details soon. MER/ Watchtower

http://store.merhq.com
https://watchtowerwatchtower.bandcamp.com
https://magneticeyerecords.bandcamp.com/album/radiant-moon
https://www.facebook.com/watchtoweroz
https://www.facebook.com/MagneticEyeRecords

Watchtower, “Absinthism” (2014)

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