Stahv Premiere “Jardín Infinito”; Self-Titled Debut out in January

Posted in audiObelisk on December 1st, 2017 by JJ Koczan

stahv

Seattle’s Stahv has set a January release date for its self-titled but on cassette through Solid 7 Records, with an LP edition to follow later in the year. The moody and progressive heavy ambient outfit is comprised of Solomon Arye Rosenschein, and the album basks in an insular feeling driven alternately by post-JK Broadrick electronic beatmaking on a cut like “Djinn Rumi” and swells of atmospheric, buzzing distortion and minimalist dronescapes on the penultimate “Preta Realm.” All told, it’s seven tracks in a manageable 32 minutes of solo studio experimentalism writ large. Each piece feels somewhat self-contained in its purpose — to wit, “The Test” indeed sounds like Rosenschein is trying something new out — but the whole of Stahv‘s Stahv ties together through its arrangements of guitar, bass, keys, drums and programming, as well as the evocative places its instrumental progressions lead toward.

Centerpiece “Forest Dweller” draws on Isis-style contemplation, while the subsequent “Benevolus” finds a niche between guitar solo flourish, strummed noisemaking, stahv self titledretro keyboard work and synth beats. Where Stahv most succeeds as an album, however, is in bringing these varied pieces together. Rosenschein has more to do in this regard in terms of transitioning from one track to the next, but even as it stands on this first offering, Stahv sets a tone early with opener “Jardín Infinito” that leaves the contextual foundation for everything that follows wide open. Which is to say, it’s not like one goes from the organ-topped rollout and near-Earth dronemaking of “Jardín Infinito” into “The Test” with an expectation of more of the same.

Rather, by attuning himself to the fine details of the sounds he’s composing and how each element and layer affects the whole, Rosenschein allows his scope to grow broader as each track plays out. And it just so happens to do exactly that, right through the somewhat kitchen-sink freakout of closer “Grüver,” which holds together various noises electric and electronic over a core acoustic progression. It’s a strangely fitting (and just generally strange) way to end Stahv‘s Stahv, but again, context is everything, and as far out as Rosenschein has already gone at that point, he leaves himself little reason not to push that much further.

One hopes he’ll continue to do so as Stahv undertakes its sonic development from this point on. In the meantime, I’m happy today to host the premiere of “Jardín Infinito” ahead of the album’s release next month. You’ll find it on the player below, followed by a few words from Rosenschein about its making and some more PR wire background concerning the record.

Please enjoy:

Solomon Arye Rosenschein on “Jardín Infinito”:

“‘Jardín Infinito’ is the sound of time spent in the gloaming, losing the way and finding the way and losing it again. It’s two and a half decades of ears pressed against speakers—the infernal fears of a teenage wastrel talking on the phone to Anton Newcombe about jumping off mountains. It’s placing half steps against whole steps and seeing what shakes out.

STAHV is Solomon Arye Rosenschein, one human creating instrumental post-metal incorporating shoegaze, funeral doom, psychedelia, and esoterica. The name means autumn in Hebrew and winter in both Arabic and Aramaic. For twenty years Rosenschein has released records under a variety of monikers. He lives in Seattle, where he writes fiction and creative nonfiction and is half of spectral-folk duo The Royal Oui.

STAHV’s debut will be available as a limited edition cassette with unique packaging through Solid 7 Records in January 2018 and on vinyl through Forbidden Place later in year.

Stahv on Thee Facebooks

Stahv on Soundcloud

Solid 7 Records on Bandcamp

Forbidden Place Records website

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Mos Generator Reissue Nomads LP via Stickman Records

Posted in Whathaveyou on November 16th, 2017 by JJ Koczan

Like the ace in the hole of US heavy rock that they are, Washington trio Mos Generator are currently wrapping up a round of West Coast tour dates with legends-o’-fuzz Fu Manchu. Just last month, they announced their new album, Shadowlands, was in progress toward a 2018 release, and now Stickman Records has unveiled a reissue of 2012’s Nomads (review here), which if you think about it is where all this craziness got started in the first place.

When Mos Generator issued Nomads via a then-relatively-nascent Ripple Music, it was after several years of inactivity that found frontman Tony Reed directly exploring classic rock roots in Stone Axe. I don’t know who could’ve guessed at the time the furious rate of activity Nomads would kick off, but in addition to revamping the lineup and taking the show on the road as a complete touring act, Reed has overseen the release of two studio albums and more EPs, splits and singles than I can count, and turned Mos Generator into one of the West Coast’s most essential purveyors, all while also keeping up his studio work as producer/mixer/masterer of other people’s bands and sacrificing nothing of his own standard for top-crafted heavy rock and roll. To put it mildly, it’s been quite a half-decade.

I loved Nomads when it came out, and listening back to it via the Bandcamp player now for the first time in a while, turns out I still do. Stickman‘s LP reissue comes with a slew of digital bonus tracks. Info follows as culled from their store page:

MOS GENERATOR NOMADS REISSUE

Stickman Records – PSYCHOBABBLE 094 : Mos Generator – Nomads (re-release)

We’ve reissued Mos Generator’s classic album Nomads including a slew of bonus tracks for hardcore fans.

Mos Generator has been setting the standard in excellent rock music for the better part of the last twenty years, never letting trends or paradigm shifts get in the way. Tony Reed, guitarist and vocalist of the band, heads up the project as well as writing and producing the band‘s material. When the band released Nomads in 2012, their first record in 7 years, they had already established themselves as masters of their craft, not just able to write airtight songs but to do so with the same knack for originality as their famous progenitors.

The record‘s nine songs span a wide swath of classic rock territory, beginning with the heavy lumber of the space-themed “Cosmic Ark”, moving through mid-paced headbangers like the single “Lonely One Kenobi” and even giving a nod to the 80’s with a cover of Judas Priest’s “Solar Angels”. Reed has the natural conviction of a man with music in his DNA and the chops to back it up, but Nomads is a testament to the band’s pop sensibilities as much as their ability to rock. Once these riffs get in your head, they definitely won’t be leaving any time soon.

Stickman Records is re-releasing Nomads album on colored 180gr. vinyl including a download of the album, including 8 bonus tracks from the Nomads recording sessions. Long live rock n’ roll!

Tracklist:
Cosmic Ark
Lonely One Kenobi
Torches
Step Up
Solar Angels
For Your Blood
Can’t Get Where I Belong
Nomads
This is the Gift of Nature

Bonus material (included in digital download):
Step Up (7 Version)
Cosmic Ark (Demo)
Lonely One Kenobi (Demo)
Torches (Demo)
For Your Blood (Demo)
Can’t Get Where I Belong (Demo)
Lonely One Kenobi (Video Edit)

MOS GENERATOR supporting Fu Manchu*
11/17 Tacoma, WA the Valley
11/18 Bremerton, WA the Manette Saloon

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
https://www.stickman-records.com/shop/mos-generator-nomads/
https://www.facebook.com/Stickman-Records-1522369868033940/

Mos Generator, Nomads (2012)

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Mos Generator Announce Headlining Dates, Shadowlands Recording Plans

Posted in Whathaveyou on October 20th, 2017 by JJ Koczan

mos generator

Port Orchard, Washington, heavy rock specialists Mos Generator are currently wrapping up a round of dates in Europe supporting Saint Vitus. Not a bad gig, but then neither was Mos Generator guitarist/vocalist Tony Reed producing the doom legends’ last album, so there you go. Hopefully he does the next one as well, and by that I also mean hopefully there’s a next one.

As regards Reed‘s own band, there seems perpetually to be a “next one.” Dude does not sit still, and in drummer Jono Garrett and bassist Sean Booth, he’s got a rhythm section that seems to have no trouble keeping up with these existential tempo shifts. So the Vitus tour is almost done. Then Mos Generator have a few headlining dates lined up that carry them into early next month. They come home for a couple days, maybe — maybe — get over the jetlag, and then head out supporting Fu Manchu on the West Coast for what’s gotta be one of the flight-booking-worthiest pairings I’ve heard of this year.

After that? Oh, how about putting the finishing touches on their next album, which I’m happy to reveal today will be titled Shadowlands and out in 2018? Sounds badass all the way around, right? That’s because it is. Here’s the latest from the band, direct update from Reed, dates and all:

We are going to use the off dates to re-record some of the songs for our next album “Shadowlands”. I figure after 7 weeks on the road we will be able to better capture the energy of some of the songs we recorded earlier this year. Also, I’ve been writing on the road so we will be able to work some of those ideas out for possible inclusion as well.

Headlining dates:
25.10.2017 DE Dresden-Chemiefabrik
26.10.2017 DE Erfurt-Tiko
27.10.2017 DE Osnabruck-Bastard Club
28.10.2017 DE Siegen-Vortex
29.10.2017 CH Basel-Renee Bar
30.10.2017 DE Frankfurt-Dreikonigskel
31.10.2017 CH Olten-Coq D’or
01.11.2017 IT Parma
02.11.2017 IT Abano Terme-Laboratorio IM
03.11.2017 IT Torino-Blah Blah
04.11.2017 IT Trieste-Tetris

MOS GENERATOR
West Coast Tour supporting Fu Manchu*
11/7 San Francisco, CA Slim’s*
11/8 Eugene OR, Old Nick’s (w/Sasquatch)
11/9 Portland, OR Dantes*
11/10 Seattle WA Chop Suey*
11/13 Grants Pass, OR The Sound Lounge (w/ Mothership)
11/14 San Jose, CA Ritz*
11/17 Tacoma, WA the Valley
11/18 Bremerton, WA the Manette Saloon

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/track/the-dance-of-red-a-the-dance-of-maya-b-red
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
http://www.shop-listenable.net/fr/47_mos-generator

Mos Generator, The Dance of Red (2017)

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Review & Track Premiere: Year of the Cobra, Burn Your Dead

Posted in audiObelisk, Reviews on October 18th, 2017 by JJ Koczan

year-of-the-cobra-burn-your-dead

[Click play above to stream ‘The Descent’ from Year of the Cobra’s new EP, Burn Your Dead, out Oct. 27 via Magnetic Eye Records.]

Play raw, take chances — this might very well be the ethic under which Year of the Cobra operate. The Seattle two-piece issued one of 2016’s finest debut full-lengths via STB Records with …In the Shadows Below (review here), and their follow-up EP, Burn Your Dead, arrives via Magnetic Eye Records with five songs that not only continue the thread from that offering, but push forward the sense of stylistic adventurousness that began to show itself there. To wit, no doubt the core of …In the Shadows Below was in the heavy rock roll conjured together by bassist/vocalist Amy Tung Barrysmith (interview here) and drummer Jon Barrysmith.

Together, they offered thickened groove and memorable nod given all the more of a post-Acid King feel thanks to the production of Billy Anderson (Sleep, Neurosis, so many others I get embarrassed even listing them). A song like “Vision of Three” reveled in a churning tempo where “Persephone” and “White Wizard” offered a speedier take, but heft was at the root one way or the other, and while that continues on the 25-minute Burn Your Dead, there’s also significant branching out being done on aesthetic terms, as Amy and Jon not only reaffirm what they did with the preceding album in a piece like “Cold” or “The Howl,” but move brazenly and boldly forward as songwriters less bound by genre than they were even a year ago with the LP.

They’ve done a fair amount of touring to support …In the Shadows Below and did for the prior 2015 three-songer The Black Sun (review here) as well, and if that’s the source of the progression shown in Burn Your Dead, then all the better for it being so well earned, but wherever it might stem from, it finds Year of the Cobra with a burgeoning sense of fearlessness when it comes to their craft. Yes, songs like opener “Cold” and the subsequent “The Descent” are still heavy in the sense of the weighted tonality of Amy‘s bass and the crash of Jon‘s drums. However, the confidence and range of Amy‘s vocals has seen a marked increase, and a headphone listen reveals in “Cold” vague, deeply-mixed whispers behind her verse lines that, along with the keys playing the root notes throughout and other vague samples in the open, between-chorus midsection, add not only a sense of the ethereal, but a sense of horror atmosphere as well that comes through subtler and creepier than the average Hammer Productions movie clip.

year of the cobra billy anderson

“Cold” revives its shove patiently and builds intensity on Jon‘s snare as it makes its way back to the hook, but the immediate message is that Year of the Cobra didn’t even come close to playing their full hand on the debut, and each of the songs that follows adds something of its own to the proceedings, whether it’s the late-Kylesa proggy melodicism of “The Descent,” the raw punker scathe and gang shouts of “Burn Your Dead,” the doom pop croon and swirl of “The Howl” or how “And They Sang…” rounds out seeming to smash “The Descent” and “Burn Your Dead” together with sudden changes in pace and spaciousness.

In this jumping from one feel to another, Burn Your Dead is very much an EP — essentially a showcase for Year of the Cobra‘s growing audience of ideas that might or might not come to further fruition in their sound that simultaneously expands the context of the band as a whole — but that does nothing to undercut the quality of their performance, construction or attention to detail. Whether it’s the thrust of “Burn Your Dead” and “And They Sang…” or the taking-its-time fluidity of “The Descent” from whence the former charges out, the duo are careful in their presentation. Not necessarily in a way that undercuts the natural feel of their sound as two players — “play raw, take chances” — but the taking-chances part of that equation finds them perhaps capitalizing on the impulse that drove “Temple of Apollo” toward such poppishness on …In the Shadows Below; that same feeling of not shying away from manifesting an idea because it might not strictly conform to the tenets of genre.

If Burn Your Dead has an underlying purpose, it might be to realize this notion as a central aspect of Year of the Cobra‘s approach, and if so, the EP is all the more praiseworthy both on its own level and in the metamorphic sensibility it adds to the release that came before it, essentially enriching an already rich listen by building so gracefully on its foundation. It may make it harder to predict where Year of the Cobra might go with their next batch of material — other than on tour; that’s a pretty easy guess — but whether they seek to tie the melodic airiness of “The Howl” to a more earthbound nodder vibe or simply take Burn Your Dead as a model for adopting multiple sonic facets simultaneously across a broader collection of tracks and somehow manage to create fluidity between them, the band leaves little doubt as to their ability to manipulate and foster their individualism as they see fit while maintaining a strong grip on their songwriting.

Wherever they go on Burn Your Dead, they never seem lost, and thus it is all the more a joy to follow Year of the Cobra along this brief journey. A sure-fire bet as one of 2017’s best short releases.

Year of the Cobra on Thee Facebooks

Year of the Cobra on Bandcamp

Magnetic Eye Records website

Magnetic Eye Records on Bandcamp

Magnetic Eye Records on Thee Facebooks

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Bell Witch Announce US Touring; Mirror Reaper Movie Trailer Posted

Posted in Whathaveyou on October 6th, 2017 by JJ Koczan

As they prepare to plunge the universe into an underside of chaos-churning ultra-doom with their 80-minute opus Mirror Reaper, which is out Oct. 20 via the brave souls of Profound Lore, Seattle duo Bell Witch are likewise making ready to head out on a US tour alongside Denver skullcrush specialists Primitive Man. That run starts Oct. 24, just days after Mirror Reaper hits, and though it’s curiously short on West Coast dates — coming closest in Arizona — a new round of touring has just been announced for December alongside France’s Monarch that makes up for the gap. In both cases, one can only argue Bell Witch are keeping suitable company.

The two piece, also newly confirmed to play Mirror Reaper in its entirety at Roadburn 2018 next April, have also posted a six-minute trailer for a short film based around the album that you can see below, along with copious background info and the tour dates, all courtesy of ye olde PR wire:

bell witch tour

BELL WITCH: Seattle Doom Metal Duo Announces US Tour Dates With Monarch!; Mirror Reaper Movie Trailer Posted + North American Tour With Primitive Man Draws Near

Seattle doom metal duo, BELL WITCH, will join French doom metalists/labelmates Monarch! for a stretch of US live dates this December. The tour will commence on December 1st and run through December 7th with additional performances to be announced in the coming days. The trek follows BELL WITCH’s previously announced North American tour with Denver doom troupe Primitive Man from October 25th to November 17th. See all confirmed dates below.

Additionally, BELL WITCH will bring their devastating odes to the stages of Roadburn Festival 2018. Set to take place in Tilburg, The Netherlands, the band will perform two sets, the first on Saturday April 21st at the 013 venue and Sunday, April 22nd at Het Patronaat. BELL WITCH will be recreating their soon-to-be-released, eighty-three-minute offering, Mirror Reaper, in its crushingly exquisite entirety. The feat requires the input of honorary member, vocalist Erik Moggridge (Aerial Ruin), who will be joining the band to complete the performance. Expect his fragile yet evocative vocal style to lend an even more ghastly and ethereal quality to BELL WITCH’s already otherworldly sound.

The anticipated Mirror Reaper is set for release worldwide via Profound Lore Records on October 20th. With their latest output BELL WITCH has created a truly enormous work – one continuous, eighty-three-minute piece unfolding as a single track. Engineered and mixed by veteran producer Billy Anderson (Swans, Sleep, Neurosis), the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ) have pushed the band’s sound further beyond their landmark 2015 LP, Four Phantoms. While retaining the colossal heaviness of their previous releases, Mirror Reaper sees the band explore the more meditative, melancholy, and introspective aspects to their sound through the introduction of long, lonely organ passages and the return of Moggridge, offering a prominent presence.

In conjunction with the release, BELL WITCH has created a feature-length music video. The film is a video collage comprised of dozens of archival films. Each of these clips are woven together with the album to build a patient, heavy, and haunting narrative. The film aims to hold the viewer in the state of a lucid dream, feeling trapped as a specter drifting through places of darkness. Mirror Reaper will be a projection for the band’s live performances, as well as a standalone cinematic experience.

Issues director Taylor Bednarz, “I was given the opportunity to work with Dylan and Jesse on their incredibly ambitious new project, Mirror Reaper. I had started making small fan music videos by chopping up old archival film originally as editing practice. I started to find that you could craft these visceral narratives by weaving these different films together with the context of the music. What developed were deep and mysterious stories that were framed in the tone and rhythm of the music. I noticed how much symbolism and atmosphere I could pack into these four-five minute songs that I knew it had very unique cinematic potential.

When I met Dylan and Jesse, they were just finishing up the last of the album and had been kicking around the idea of a music video. I mentioned I was a filmmaker, showed them some of my work, and they extended the opportunity to make a film with them. After listening to the album and talking with the two, I started collecting dozens of old horror movies, anatomical films, historical documentaries. I am so honored to have gotten the opportunity to be a part of such an incredible project.”

BELL WITCH’s Mirror Reaper will be available on 2xCD, 2xLP, and digital formats. Preorder your copy today at THIS LOCATION.

BELL WITCH w/ Primitive Man:
10/24/2017 Diabolical Records – Salt Lake City, UT * no Primitive Man
10/25/2017 Hi Dive – Denver, CO
10/26/2017 O’Leavers – Omaha, NE
10/27/2017 Cobra Lounge – Chicago, IL
10/28/2017 Rock Island Brewery – Rock Island, IL
10/29/2017 The New Dodge – Hamtramck, MI
10/30/2017 Ace Of Clubs – Columbus, OH
10/31/2017 Brillobox – Pittsburgh, PA
11/01/2017 Coalition – Toronto, ON
11/02/2017 Bar Le Ritz – Montreal, QC
11/03/2017 Geno’s – Portland, ME
11/04/2017 Cop Frat – Oneonta, NY
11/05/2017 ONCE – Boston, MA
11/06/2017 Saint Vitus Bar – Brooklyn, NY
11/07/2017 Kung Fu Necktie – Philadelphia, PA
11/08/2017 The Meatlocker – Montclair, NJ
11/09/2017 Sidebar – Baltimore, MD
11/10/2017 Strange Matter – Richmond, VA
11/11/2017 Drunken Unicorn – Atlanta, GA
11/12/2017 Exit/In – Nashville, TN
11/13/2017 White Water Tavern – Little Rock, AR
11/14/2017 Growlers – Memphis, TN
11/15/2015 Santos – New Orleans, LA
11/16/2017 Lost Well – Austin, TX
11/17/2017 Ridgelea Lounge – Fort Worth, TX
11/19/2017 Club Red – Mesa, AZ w/ Thra, Ceremented * no Primitive Man
w/ Monarch:
11/30/2017 Cobalt – Vancouver, BC * Bell Witch only
12/01/2017 Highline – Seattle, WA
12/02/2017 Tonic Lounge – Portland, OR
12/03/2017 Old Nick’s – Eugene, OR
12/05/2017 Blue Lamp – Sacramento, CA
12/06/2017 Golden Bull – Oakland, CA
12/07/2017 Five Star Bar – Los Angeles, CA

http://www.facebook.com/BellWitchDoom
http://www.profoundlorerecords.com
http://www.facebook.com/profoundlorerecords
https://profoundlorerecords.bandcamp.com/album/mirror-reaper

Bell Witch, Mirror Reaper movie trailer

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Year of the Cobra Tour Starts Sept. 28; Burn Your Dead EP out Oct. 27

Posted in Whathaveyou on September 18th, 2017 by JJ Koczan

year of the cobra

So here’s the deal: I’ve heard the new Year of the Cobra EP, Burn Your Dead, which as the headline above says is out Oct. 27 on Magnetic Eye Records. It’s got five tracks on it and each one gives a different look at a new place the Seattle two-piece of Amy Tung and Jon Barrysmith are going with their sound coming off their 2016 debut, …In the Shadows Below (review here). That’s a pretty impressive feat it itself, but you should note that while a given song might be more leaning toward punk or ambient fare, whatever it is, it’s still all tied together through a sense of sonic weight and so the progression from the LP makes sense. It’s like they took a cue from “Temple of Apollo” on the record, which toyed with poppishness in a particularly brave way, and decided they could do whatever the hell they wanted with their sound and it would be fine.

I’ll have a proper review up sooner or later, but that’s the gist of it. Bottom line is it bodes really well for their next full-length in terms of showcasing genuine growth on the part of the band.

You might recall Year of the Cobra did the first leg of a tour this past summer when the initial hints of the EP release were dropped. Well, the second leg starts Sept. 28. Dates are below.

Here’s a press release I wrote, as circled back through the PR wire:

year-of-the-cobra-burn-your-dead

YEAR OF THE COBRA Put the Past Behind Them; New EP ‘Burn Your Dead’ out Oct. 27

Year of the Cobra (Amy Tung and Jon Barrysmith) are moving forward. Unmitigated, unhindered, unrestrained. The Seattle bass and drum two-piece boldly tackle new styles and new substance on new EP, Burn Your Dead.

Produced like their 2016 STB Records debut full-length, …In the Shadows Below, by Billy Anderson (Sleep, Neurosis, the Melvins, etc.) at The Type Foundry in Portland, Oregon, Burn Your Dead still offers plenty of tonal largesse to go with its striking Joshua M. Wilkinson cover art.

But its five tracks also showcase new avenues of exploration for Year of the Cobra, whether it’s the ambience and creepy sampling worked into opener “Cold,” the progressive atmospheric rock of “The Howl” and centerpiece “The Descent,” reaching new heights of melodic accomplishment in Tung’s vocals, or the uptempo punker thrust of the gang-shouting title-track and the finale “And They Sang.”

That final track not only conveys the rawness of Year of the Cobra’s live show but – bolstered by the mastering work of Justin Weis at Trakworx in San Francisco – also the growth they’ve been able to enact through such relentless road work since their 2015 debut EP, The Black Sun, which has seen them quickly become coast-to-coast veterans, hit Europe for the first time and appear at Psycho Las Vegas and other festivals around the country, never failing to leave a trail of blown minds in their wake.

Look for Year of the Cobra to continue their refinement in live performances as they keep their momentum toward the future with Burn Your Dead. More tours, more fests, more trips abroad – and most of all – more evolution, because as YOTC put …In the Shadows Below behind them, they answer that album’s massive, rolling groove with a boldness of stylistic expanse that on Burn Your Dead serves as a funereal procession for the expectations of anyone who thought they knew what they were getting from the band. Pure, multifaceted fire.

Tracklisting:
1. Cold
2. The Descent
3. Burn Your Dead
4. The Howl
5. And They Sang…

Band:
Amy Tung: Bass / Vocals / Keys
Jon Barrysmith: Drums

On Tour:
Thu Sep 28 – Bozeman MT – The Filling Station
Fri Sep 29 – Black Hills Vinyl – Rapid City SD
Sat Sep 30 – Stoned Meadow of Doom – Sioux Falls SD
Sun Oct 1 – Kansas City – TBA
Mon Oct 2 – Highland’s Taproom Metal Monday – Louisville KY
Tue Oct 3 – Frequency – Madison WI
Wed Oct 4 – Reggie’s Music Joint – Chicago IL
Thu Oct 5 – Green Bay WI – TBA
Friday Oct 6 – Doomed and Stoned – Indianapolis IN
Saturday Oct 7 – Doomed and Stoned – Indianapolis IN
Sunday Oct 8 – Des Moines IA – TBA
Monday Oct 9 – Denver CO – TBA
Tuesday Oct 10 – Salt Lake City UT – Beehive Social Club
Wednesday Oct 11- Bottom of the Hill – San Francisco CA
Thursday Oct 12 – Bunk Bar – Portland, OR
Friday Oct 13 – Manette Saloon – Bremerton WA
Saturday Oct 14 – Eugene OR – The Black Forest

Pre-orders: https://yearofthecobra.bandcamp.com/album/burn-your-dead

http://yearofthecobra.com
https://www.facebook.com/yearofthecobraband/
https://yearofthecobra.bandcamp.com/
stbrecords.bigcartel.com/
https://stbrecords.bandcamp.com/
http://www.facebook.com/pages/STB-Records/471228012921184

Year of the Cobra, …In the Shadows Below (2016)

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Bible Black Tyrant to Release Regret Beyond Death in Feb. 2018

Posted in Whathaveyou on September 4th, 2017 by JJ Koczan

There’s no audio public yet, so you’re going to have to take my word for now that Bible Black Tyrant‘s upcoming debut album, Regret Beyond Death, is absolutely crushing. Claustrophobic in its tonality and atmosphere the whole way through. February is a long ways off, but with Aaron D.C. Edge (Lumbar, Roareth, Iamthethorn) at the helm, one would have to expect no less.

Edge has joined forces in Bible Black Tyrant with vocalist/guitarist/noisemaker David S. Fylstra and drummer Tyler Smith and you can see the formidable pedigree they share between them below, but consider the news that they’ll offer Regret Beyond Death through Argonauta Records (CD), Cheddar Brothers Records (LP) and Anima Recordings (tape) an early heads up, because it’s one you aren’t going to want to miss if you’ve ever enjoyed the process of feeling like your head’s about to cave in. And haven’t we all?

Here’s word from the PR wire:

bible black tyrant

Bible Black Tyrant – Regret Beyond Death

We’re excited to welcome in our roster US supergroup BIBLE BLACK TYRANT, an oppressive sonic endeavor that features Tyler Smith, Aaron D.C. Edge and David S. Fylstra (members of Eagle Twin, Lumbar, KVØID, Form of Rocket, Minor Fret, Wasting Seasons, Iamthethorn, etc.).

Their impressive album “Regret Beyond Death” will be released during February 2018 on CD/DD (Argonauta Records) – vinyl (Cheddar Brothers Records), cassette (Anima Recordings).

“Beginning with a crushing density, Bible Black Tyrant’s ‘Regret Beyond Death’ offering immediately transports the listener into the dark forests of the Pacific Northwest at dusk; conjuring images of the sun setting against indecipherable, deciduous silhouettes. The air thickens as we continue a climb along a gently worn route to an unknown, undisclosed location. As the journey – and the record – lengthens, we are granted a strong scent of smoke and hemlock, of moss. Fear swirls ’round us now, fusing with the clamorous chants of a distant, uprising swarm, a loaded weight of atmospheric composition. Onward, and as the album nears its climactic conclusion, Bible Black Tyrant’s simultaneously oppressive and liberating mass projects a clear message written in the smoldering ashes: ‘Walk this path with us’”.

Drums documented by Andy Patterson at The Boar’s Nest. Guitar and bass documented by Aaron Edge at Myelin Studio. Vocals, additional guitar and soundscapes documented by David Fylstra at Candlewolfe Sound. Drum mix by Andy Patterson. Final mix by David Fylstra and Aaron Edge at Candlewolfe Sound. Mastered by Zach Weeks.

Bible Black Tyrant is:
Aaron D.C. Edge: Guitar / Bass / Vocals
Tyler Smith: Percussion
David S. Fylstra: Additional Guitar / Vocals / Soundscapes

https://www.facebook.com/BibleBlackTyrant
https://bibleblacktyrant.bandcamp.com/
www.argonautarecords.com
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Lumbar, The First and Last Days of Unwelcome (2013)

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Bell Witch: New Album Mirror Reaper Available to Preorder; Out Oct. 20

Posted in Whathaveyou on August 7th, 2017 by JJ Koczan

Seattle’s Bell Witch earned copious album-of-the-year-type nods with 2015’s Four Phantoms (review here) and there’s no reason to expect anything different from their third offering, Mirror Reaper, which will arrive Oct. 20 via Profound Lore as an 83-minute single-song 2LP/2CD release. Yes, you read that correctly. 83 minutes. One song. Next time you’re looking for a qualified example of something that’s probably completely over the top and awesome anyway, go ahead and keep the idea of an 83-minute Bell Witch track in mind. Do you think it’s any coincidence that Mirror Reaper comes out just a week before the second season of Stranger Things?

Okay, yes, it probably is, but if you had to imagine any house band from the monster-filled Upside Down, wouldn’t it be Bell Witch? And wouldn’t they be mired in an 83-minute single track at all times? Yeah, of course they would.

The PR wire is brave enough to bring release details:

bell witch mirror reaper

BELL WITCH: Seattle Doom Metal Duo To Release Mirror Reaper October 20th Via Profound Lore; Preorders Available

Preorder BELL WITCH’s Mirror Reaper HERE.

Seattle doom metal duo, BELL WITCH, will release their third full-length, Mirror Reaper, worldwide on October 20th via Profound Lore Records.

With Mirror Reaper, BELL WITCH has created a truly enormous work – one continuous, eighty-three-minute piece unfolding as a single track. Engineered and mixed by veteran producer Billy Anderson (Swans, Sleep, Neurosis), the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ) have pushed the band’s sound further beyond their landmark 2015 LP, Four Phantoms. While retaining the monolithic heaviness of their previous releases, Mirror Reaper sees the band explore the more meditative, melancholy, and introspective aspects to their sound through the introduction of long, lonely organ passages and the return of honorary BELL WITCH member, vocalist Erik Moggridge (Aerial Ruin), offering a prominent presence. The artwork for Mirror Reaper was painted by Mariusz Lewandowski.

On the themes surrounding the concept and lyrics of Mirror Reaper the band issues, “The title ‘Mirror Reaper’ is indicative of the Hermetic axiom ‘As Above, So Below,’ written with two sides to form one whole. The song is both its own and its reflection, as an opposite is whole only with its contrary. Our focus as a band has always been the perception of ghosts and the implied archetype of the dichotomy of life/death therein. ‘Mirror Reaper’ is a continuation of that concept. During the writing process we were devastated by the loss of our dear friend and former drummer, Adrian Guerra. In love and respect to his memory, we reserved an important yet brief section in the song for him that features unused vocal tracks from our last album. This specific movement serves as a conceptual turn in the piece, or point of reflection. We believe he would be proud of it as well. ‘Mirror Reaper’ was the first collaborative writing project with the new lineup, and Adrian’s death during it brought extra emotional weight. We sought to match the complexity and weight of these events within the composition of the piece.”

BELL WITCH’s Mirror Reaper will be available on 2xCD, 2XLP, and digital formats. Preorder your copy today at THIS LOCATION.

Mirror Reaper Track Listing:
1. Mirror Reaper

Formed by Desmond and ex-drummer/vocalist Adrian Guerra, BELL WITCH released their first self-titled demo in 2011 and partnered with Profound Lore Records for their debut album, Longing, in 2012. The duo’s second LP, 2015’s acclaimed Four Phantoms was recognized as one of doom metal’s triumphs of the year. The band extensively toured in North America and Europe, securing notable festival appearances including Roadburn, Basilica Soundscape, Sled Island, and Psycho California.

http://www.facebook.com/BellWitchDoom
http://www.profoundlorerecords.com
http://www.facebook.com/profoundlorerecords
https://profoundlorerecords.bandcamp.com/album/mirror-reaper

Bell Witch, Four Phantoms (2015)

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