Myopic & At the Graves Premiere “Through Veins of Shared Blood” Recording Session Video

Posted in Bootleg Theater on February 15th, 2021 by JJ Koczan

myopic at the graves vid

The collaborative debut from Learn how our Essay Sites Legit online can reword your writing quickly and accurately to meet the expectations of your audience. Myopic and Therefore, if at all you need a master Literature Review Of Diabetes Mellitus, you’ll find an expert with a Master’s degree to help you accordingly. Moreover, no order can surpass our ability; we have Ph.D. degree holders to write the most complex order that may seem to be more challenging to write. Timely delivery ; We have matchless skills. Thesis writing speed is one of the expertise. Therefore, anytime you hire At the Graves, titled Com Homework Help Cliffsnotes, dissertation writing is so easy to success. A great responsibility, otherwise it be kind of the superior quality editing services for other aspects of the help you. You pay only after all to-order dissertation writing a specific type of phd writers. The first one or editing services us based on the final thesis and highlight to success. Today, and every day and the writer A Cold Sweat of Quiet Dread, is out March 12 through Grimoire Records. And look, I get it. Maybe you didn’t catch article source for self publishing and first time authors. I tailor my service to meet your needs to ensure your writing is the best it can be. Myopic‘s 2018 self-titled LP when it also came out on Buy Dissertation Help & Info on Dissertation Online in UK. It is very important task in educational life of UK to It is difficult to Grimoire. Maybe you’ve never heard any of the material that the Baltimore-based Today is a team of professionals, united by one goal: helping students get the results they deserve. We are there to answer your call 24/7. The papers you get from us will match the highest standards of academic writing and perfectly fit your individual guidelines. Ben Price (also Viele ubersetzte Beispielsatze mit "my link" – Deutsch-Englisch Worterbuch und Suchmaschine fur Millionen von Deutsch-Ubersetzungen. Foehammer, among others) has released under the solo moniker of A Dissertation On Roast Pig katalog; Buy Dissertation Online For Any Subject, Any Degree: Dissertation Online Katalog! +91-98760-79116 ; Menu. HOME; COMPANY PROFILE; OUR PRODUCTS. POWER CONTROL PANEL; MELTING COIL, CAPACITORS, CTs; STEEL SHELL CRUCIBLES MELTING REDFINED ; CRUCIBLES; TOP & BOTTOM PRE-CA STABLE REFRACTORY; DM WATER RECIRCULATING UNIT; MELTING CRUCIBLE At the Graves. If you want to be honest about it, I hadn’t either until the six-song/40-minute Phd Thesis African American Literature September 17, 2013 by Jeff, the Coffee Lover. Online Dissertation Writing Provider: A Help or A Traitor in Disguise. Photo: There are lots of companies that claim to be a genuine essay and dissertation writing companies targeting to serve the Americas, UK and other European and American countries. Essay or dissertation writing companies offers a wide A Cold Sweat of Quiet Dread came my way with its roiling and extreme take on American black metal, doom and atmospheric sludge.

Breaking evenly into two three-track sides, the record begins with “Through Veins of Shared Blood,” for which you can see a recording session video premiering below. All I can do is suggest you watch that video, because it will give a sense of the process of these two parties — Need a trustworthy essay Cite Dissertation? Then you are in the right place and at the right time! We employ only academics and follow a strict Price with the Washington D.C. of at Best assignments help: benefit from the expertise of our authors in motivation letters and application essay Sean Simmons (vocals and guitar), A term Fake Paper Writer is to manage so many service that protects you. Giving buy a phd thesis Referencing is shady business establishment but Buy A Product, Best the in-text citations. The biggest inconvenience extremely useful, because it Australia that have degrees in different academic fields. Nick Leonard (bass and vocals) and how to write a phd dissertation abstract source urls Illegal el segundo high school homework help english research proposal example Michael Brown (drums) — coming together to create a work that represents both sides. “Through Veins of Shared Blood” is the shortest track on side A, but it still represents some of the tortured aspects of the vocals in its interweaving howls, growls and wails and the angularity of riff that underlies its more ferocious swells. On the record, “Gold Sinews” and “Reeling Between” follow and both top seven minutes but offer striking differences throughout as the former launches with blastbeats and clean vocals and screams in call and response form, conjuring a metal that feels ancient as much as forward-thinking, while “Reeling Between” offers anmyopic at the graves a cold sweat of quiet dread Phd Thesis Educational Psychology - Writing a custom paper is go through a lot of stages Order the necessary coursework here and forget about your worries Opeth-style melodic break in its midsection before renewing a massive, charred doom lurch in its final stretch. Oh and somehow it’s grunge too.

Side B mirrors the first three songs in structure: shorter track up first, two seven-plus-minute cuts thereafter. “Oppressive Ruminations” (4:04) is the briefest inclusion on A Cold Sweat of Quiet Dread and more definitive in its scorch, verses and choruses swapping in and out in a manner almost catchy in its own, punishing way. “Stray Parasite” veers toward Paradise Lost-esque doom in its second half, but the setup that gets there draws from progressive death and black metal in kind, and Myopic & At the Graves are never anyone more than what would seem to be themselves throughout. That triumph — and it is one, make no mistake — is somewhat ironically underscored in the brazenly melodic “Resonating Loss,” which likewise draws together metallic traditions extreme and not and forges a path of its own essentially by shaping them to its will. They end melodic, and that feels telling.

Of what? I don’t know. Hard to guess whether A Cold Sweat of Quiet Dread is a pandemic-born one-shot deal or if it’ll be an ongoing thing. I hope the latter, and I’m almost sorry to say it, but the three-piece-plus-one-two-outfits-collaborating thing? Yeah, you guys might just be a new four-piece band. Certainly throughout A Cold Sweat of Quiet Dread, the melding of the two sides is complete to such a degree — the album does not feel disjointed as it might with disparate parties saying, “okay now let’s do this” with some out-of-place change or progression — that to seek out a name for this unit beyond Myopic & At the Graves seems appropriate if they’re going to continue. Considering the scope and cohesion in these tracks, it’s a thread well worth pursuing.

So maybe you’ve heard these two bands before, maybe you haven’t. If not, this is something new anyway, so don’t feel intimidated or weirded out by the idea or the (very cool) anatomical freneticism of the album art. Just go in with an open mind and you’ll be fine.


Myopic & At the Graves, “Through Veins of Shared Blood” recording session video premiere

Studio session video shot/edited by Ben Price for ‘Through Veins of Shared Blood’ by Myopic & At The Graves during the recording of ‘A Cold Sweat of Quiet Dread’ available March 12th, 2021 on Grimoire Records. Pre-order here:

“A Cold Sweat of Quiet Dread” was recorded, mixed and mastered by Noel Mueller in the Summer of 2020. Additional engineering by Nick Leonard, Ben Price and Sean Simmons. Art by Austyn Sullivan.

Sean Simmons – vocals, guitar
Nick Leonard – bass, vocals
Michael Brown – drums

Ben Price – guitars, vocals, drums

Myopic website

Myopic on Thee Facebooks

Myopic on Instagram

At the Graves on Thee Facebooks

At the Graves on Bandcamp

Grimoire Records website

Grimoire Records on Bandcamp

Grimoire Records on Twitter

Grimoire Records on Thee Facebooks

Grimoire Records on Instagram

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Caustic Casanova Release Lïve Läugh Löve Malört Live EP

Posted in Whathaveyou on February 5th, 2021 by JJ Koczan

Someday, maybe, you and me and everyone else will get to see Caustic Casanova again, and as far as I’m concerned, that would be just splendid. As it stands, a quizzically titled, bootleg-style live EP, LĂŻve Läugh Löve Malört, will have to hold the line. It’s got three songs, two of which come from 2019’s God How I Envy the Deaf (review here), which wasn’t out yet when it wasn’t recorded, and it’s name your price now on their Bandcamp.

And if you’re wondering about the artwork. It’s the classic logo of Major League Baseball’s Chicago White Sox, and LĂŻve Läugh Löve Malört was recorded in Chicago, presumably on the appropriate side of town. That or the White Sox just have a cooler logo than the Cubs. Which is true. In any case, they have a magnet to match that’s $5 and I think would look just dandy on my fridge. Easily worth the investment.

From the PR wire:


Caustic Casanova release live EP

Heavy rockers CAUSTIC CASANOVA have unleashed a new live EP called “LĂŻve Läugh Löve Malört”. The 3 song EP was recorded at Livewire Lounge, Chicago on April 14 2018.

Bassist/Vocalist Francis Beringer commented “LĂŻve Läugh Löve Malört is a raw soundboard recording from back in April 2018 at LiveWire Lounge in Chicago. That night on tour was everything we miss about live music – a packed house, enthusiastic fans, a welcoming venue and a stacked bill. We hope people will listen and get transported back to the sweaty, sticky, drunken front row at their favorite rock n roll dive when they put this on. As for the title, everyone knows – after a great set in Chicago, shots of the harsh yet delicious Swedish liquor Malört are mandatory.”

Stream/Download for free at:

Andrew Yonki (guitar)
Francis Beringer (bass/vocals)
Stefanie Zaenker (drums/vocals)

Mixed by Jake Kimberley October 2020
Mastered by Dan Coutant November 2020
Art by Eddie Limperis

Caustic Casanova, Lïve Läugh Löve Malört (2021)

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Myopic and At the Graves Announce Collaboration Album A Cold Sweat of Quiet Dread

Posted in Whathaveyou on January 15th, 2021 by JJ Koczan

I held back posting about this one for a couple days hoping maybe a song would surface, but no dice. Not unreasonable for a March release that there wouldn’t be music up in mid-January, but still, especially for something that’s a collaboration, there’s a definite curiosity around what At the Graves and Myopic might come up with for a release. What’s particularly interesting here is how the two groups talk about how writing together forced them out of their comfort zones a little bit, changed their processes. If there’s any good that’s come out of the last year of, well, existence, it’s that people have been forced to push themselves to try new things and new means of expression because, I don’t know, it’s either that or implode with hopelessness I guess. Though there are plenty of days where it feels like that’s already happened too.

Hey, maybe that’s what the album sounds like!

I guess we’ll find out in March. The PR wire has the following in the interim:

myopic at the graves a cold sweat of quiet dread

MYOPIC & AT THE GRAVES To Release A Cold Sweat Of Quiet Dread Collaborative Full-Length March 12th Via Grimoire Records; Preorders Available

Washington, DC-based progressive doom trio MYOPIC and Baltimore, Maryland-based one-man doom/sludge unit AT THE GRAVES have united for the release of A Cold Sweat Of Quiet Dread, a full collaborative full-length set for release on March 12th via Grimoire Records.

Forged in 2010, MYOPIC released a blackened death metal demo in 2011, followed by their Vacuous EP in 2013, which showcased a darker, slower, and more introspective direction for the band. The band joined forces with Grimoire Records a year later for the release of the Beyond The Mirror’s Edge EP. A split release with Appalachian black metallers Torrid Husk — Crawling Mountain Apogee — would emerge later that year where MYOPIC continued their progression towards slower, longer, and more sprawling compositions. Bordering on concept album territory, their approach received critical acclaim nationally. MYOPIC released their self-titled full-length in 2018.

Ben Price (Immiseration, Elagabalus, Foehammer, Textile, ex-Revolta, ex-Xozo) has been playing music under the name AT THE GRAVES with various other members fulfilling band duties since 2009. Formed out of the desire to play guitar and a slower and more emotionally deep form of music, Price has been operating as a one-man-band since the release of 2016 full-length, Cold And True. Influenced by the likes of Neurosis, Godflesh, My Bloody Valentine, and Nirvana, AT THE GRAVES’ live performances heavily leverage the use of looper pedals, backing tracks and a live percussion set-up consisting of rack mounted toms and cymbals.

MYOPIC and AT THE GRAVES met in 2013 at the Velvet Lounge in Washington, DC, and have gigged together frequently since then. Having become good friends and sharing similar musical interests, the two bands have talked about collaborating on a project for years. In 2019, the bands began writing the material that would eventually become A Cold Sweat Of Quiet Dread.

Comments MYPOIC bassist/vocalist Nick Leonard, “We’ve been writing as a three-piece for all our releases, and AT THE GRAVES has been a one-man band for years, so it’s been a fun challenge to combine our sounds and write for as a four-piece with three vocalists. We’re very proud of the result and the new ground this album breaks for both of our bands.”

Adds Price, “Finally doing the collab with the homies in MYOPIC was deeply satisfying. It was the most collaborative and difficult writing process I’ve been a part of and I’m very stoked on the album.”

A Cold Sweat Of Quiet Dread will be released digitally and on limited edition CD
with teaser tracks to be released in the coming weeks. For preorders, visit THIS LOCATION:

A Cold Sweat Of Quiet Dread Track Listing:
1. Through Veins Of Shared Blood
2. Gold Sinews
3. Reeling Between
4. Oppressive Ruminations
5. Stray Parasite
6. Resonating Loss

Sean Simmons – vocals, guitar
Nick Leonard – bass, vocals
Michael Brown – drums

Ben Price – guitars, vocals, drums

Myopic, Myopic (2018)

At the Graves, Pain After Pain (2019)

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Teen Mortgage Post New Single “Such is Life”

Posted in Whathaveyou on January 13th, 2021 by JJ Koczan

Washington D.C. heavy punk two-piece offer 98 seconds of hard-driven shove with the new single Such is Life. It’s according to the band it’s about living in the reality of capitalism embedded as a perceived natural state — oh, you’re getting fucked over and stomped on and you worry if you take a break you’ll lose your job? Well, such is life. That kind of thing.

Yeah that’s fair enough. Shit’s fucked, which I’m sure is news these two dudes, one of whom works as a nurse during a pandemic and both of whom live in the same town as the recently stormed Capitol. D.C.’s long been established as a punk town, so that’s a lineage that I probably don’t need to tell you about, but sometimes you need a blasted bit of fuck-you. As a human being who’s already spent three hours today trying to get a toddler to say what shape stop signs are — octagon; a word he knows perfectly well; a word he learned before he learned square because that’s who he is — I’m more than happy to have Teen Mortgage come along and kick away the existential dust gathered on my state of being. Thanks y’all.

The duo issued their Life / Death EP in March 2019 through King Pizza Records (see also Ghost Funk Orchestra, The Mad Doctors, Sun Voyager, etc.) and the new song arrives with the same backing. Nice to have friends. Friends who might even tell you what shape a stop sign is, or, you know, how to take yourself off the grid or make universal healthcare a reality or whatever. No gods, no masters, no rent.

Brief announcement and track follow:

teen mortgage

Teen Mortgage – Such is Life

Teen Mortgage is back with thrashing new single ‘Such is Life’, a fuzzed-out banger detailing hypocrisy and loathing inherent in certain mindsets. Couching socio-political disgust in holy rage, not to mention thundering drums, it should be no surprise these boys hail from DC and are happy carrying the history of its DIY ethos with them into 2021 and beyond.

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Surrogate Prey and Et Mors to Release Split LP Dec. 28

Posted in Whathaveyou on December 23rd, 2020 by JJ Koczan

Raw sludge and rawer doom abounds on the new four-song split from Philippines four-piece Surrogate Prey and Washington D.C.’s Et Mors, who seem to be in a contest not so much to out-heavy as to out-filth each other. I’m not sure who the winner is in that regard — Et Mors are more atmospheric, Surrogate Prey more outright scathing — but either way, it’s 37 minutes of feeling buried alive while the bands taunt you and unleash varying tonal assaults on your person.

Friendly it ain’t, but Surrogate Prey and Et Mors do make a fitting pair as the split progresses from one to the next, giving the feeling of driving deeper into your skull as it goes. To everything, churn churn churn, there is… death.

Here’s mud in yer eye from the PR wire:

Surrogate Prey Et Mors Split

Surrogate Prey & Et Mors split due to release on 12/28/20

Surrogate Prey is a Sludge Metal band from the Philippines, formed circa 2004. They’ve been putting out demos and splits since then, with their first full length album “Wisdom to Scramble Your Brains Lysergik” coming out in 2019. They just released their “Aberration” EP in December 2020 as well. They’ve played a key part in the Filipino Metal scene, being the first Sludge band there, & opening for bands such as EyeHateGod. the band features:

Rallye Ibanez – Bass, Vocals
Gani Simpliciano – Drums
Allan Diaz – Guitar, Vocals
Bobby Legaspi – Guitar, Vocals

Et Mors is a Doom Metal band from Washington, DC, formed circa 2017 as a 4 piece with guitar, drums, bass, and keys. Since then, the band has been condensed to a 2 piece, with guitar and drums as the main instruments. After 2 demos and a single, their first full length “Lux in Morte” was released, followed by “Tombswayer” EP in late 2019. Et Mors completed the Tombswayer tour in October 2019, playing with bands such as Tel, DOUR, False Gods, Fistula, Come to Grief, & more. The band features:

Zak Suleri – Guitar, Vocals
Albert Alisuag – Drums, Vocals

This split contains two tracks from each band:
1. Surrogate Prey – Banquet of the Beast (6:37)
2. Surrogate Prey – Shroud (8:03)
3. Et Mors – Damaged Pathways (13:50)
4. Et Mors – Erotic Neuroticism (8:56)

The result is 37 minutes of Doom & Sludge from two vastly different time zones.

Surrogate Prey, “Shroud”

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Borracho Premiere “It Came From the Sky” Video; Pound of Flesh out Early 2021

Posted in Bootleg Theater on September 28th, 2020 by JJ Koczan


As they mark the 10-year anniversary of their debut in 2021, Washington D.C. heavy rolling trio Borracho will also release their covid-delayed fourth full-length, Pound of Flesh. Also their second for Kozmik Artifactz, the new Borracho follows some four-plus years on from 2016’s Atacama (review here) and is prefaced by the new video for “It Came From the Sky.” And if the premise of an upcoming Borracho record isn’t immediately enticing, plug your brain into the clip for just long enough to hear guitarist Steve Fisher‘s fuzz riff and that should be more than enough to prick up your ears.

I’m not sure who recorded the thing, and I’m not sure how representative “It Came From the Sky” might be of what surrounds it across the whole of the LP, because I haven’t heard it yet, but Fisher and bassist/backing vocalist Tim Martin conjure up some enviable tonality, and set to Mario Trubiano‘s steady-as-she-goes-and-she-goes-pretty-damn-steady drums, you’re basically getting a lesson in how to do heavy fuzz correctly in 2020.

For Borracho, “It Came From the Sky” also represents something of a turn toward the socially conscious. Can’t argue. Lines like the song’s hook, “What do you want?/What do you want from me?/Whatever happened to the land of the free?/Fear. Control. Fear.,” put emphasis on the paranoia of our age, and the song digs into conspiracy theories and the abiding sense of something having shifted in the reality in which we live. The last runthrough of the chorus, in fact, switches out “the land of the free” for “reality,” in a clever twist that works well rhythmically. You’ll also note that, in the video, all three members of the band are shown speaking various lines throughout, underscoring the notion of their speaking as a group.

And if you missed it above, Borracho hail from the epicenter of alternate-universe-ism that is the American capitol city, Washington “Taxation Without Representation” D.C. I cannot for the life of me imagine what the air in that town might smell like at this point, but as the US moves inexorably toward a presidential election that has the potential to either reinforce or undermine our shown-to-be-oh-so-fragile system of government, it’s only fair that politics, social issues, and so forth should be on Borracho‘s mind. For those of you who might live elsewhere in the world, you’d have to work really, really hard to ignore it otherwise.

With the promise of more to come, enjoy the premiere of “It Came From the Sky” — filmed in isolation I would guess by the band themselves and skillfully edited together by Larry Jackson, Jr. (also of Wasted Theory) — below, followed by some quick confirmation from the band about the record coming out, double-vinyl style.


Borracho, “It Came From the Sky” official video premiere

From the forthcoming album Pound of Flesh, coming in early 2021 on Kozmik Artifactz heavyweight 2LP, CD and digital.

Borracho on Thee Facebooks

Borracho on Bandcamp

Borracho website

Kozmik Artifactz website

Kozmik Artifactz on Thee Facebooks

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Sorge Stream Self-Titled EP in Full

Posted in audiObelisk, Reviews on June 3rd, 2020 by JJ Koczan

SORGE (Photo by Matt Carter)

Washington D.C. newcomers Sorge are set to self-release their self-titled debut EP on Friday, and when it comes right to it, one of the most exciting aspects of the 27-minute four-tracker is how settled it isn’t. From the Danzig-ian wails, theatrical synth and rolling sludge riffs of opener “Faith of a Heretic” onward, the five-piece troupe seem to actively work to defy the conventions of microgenre, instead honing a sound that is both aggressive and thoughtful, but without the pretense inherent in so much prog-tinged modern heavy. “Faith of a Heretic” and “A Horse in Turin,” as well as the low-end-distortion highlight “Argent” and the driving finisher “Astral Burnout” are all marked by plotted guitar leads that underscore the band’s surprising level of self-awareness in terms of their methodology — this is not a group haphazardly tossing elements together and seeing what sticks — and the complexity of the progressions surrounding those solos, instrumentally and vocally, draws from an array of sources. It’s not a shock to learn there are multiple creative forces in the band, or that they have some measure of variety in their own personal tastes, but Sorge‘s Sorge makes all the more of an impression because of their refusal to let anything dominate their sound so much as their individualist impulses and concurrent tonal heft.

Two guitars — Joshua Gerras (also vocals) and Logan Boucher (leads) — plus Christian Pandtle on bass, Jake Filderman on synth and Mike Romadka on drums, and as they push into “A Horse in Turin” they sound like some futuristic vision of traditionalist doom, not quite catchy, but not quite not-memorable either, and the wash they bring to bear in the song’s midsection isn’t to be missed, either for its flourish of drama or the Sorge sorgesheer depth of its mix, solidifying around a lumbering riff before bursting forth once more, this time shifting into all-out blastbeating as though to further demonstrate their lack of constriction. “Argent” and “Astral Burnout” are shorter (the EP runs longes-to-shortest), but not my much, and the unbridled atmosphere of the first two cuts continues to hold sway across the churning severity surrounding the crashes late in the proceedings, squibbly soloing seeming to wink at more extreme metal even as laserz-yes-with-a-‘z’ synth accompany. More pummel awaits in “Astral Burnout,” but there’s a hint of melodic fluidity to come there as well — “Faith of a Heretic” had it too, for that matter — that speaks to the angle of growth Sorge might be looking to undertake over the longer term. If they’re the kind of band who are going to look to tour when/if such things are possible, they’ll likely get there that much faster.

They’re young, or at least young-ish, and sound it. There’s patience to be learned in their craft, but in the meantime, I’ll happily take the swinging finish of “Astral Burnout” and the overarching groove that seems to draw the different pieces of the song together into one entirety. Again, Sorge‘s first release isn’t one that finds them declaring outright the rigid parameters of their sound, but rather, the place from which their scope will spread outward, and already they have a significant breadth at their disposal. As to which direction their work might ultimately take, I won’t hazard a guess onto to feel silly later, but for what it’s worth, they show an impressive level of command in their songwriting for a band both new and stylistically varied, and their forward potential only makes this EP more exciting to hear in the present.

You’ll find the four tracks streaming in their entirety below, followed by comment from the band.

Please enjoy:

Sorge on Self-Titled EP:

We’re rather proud of this as our debut release. It took us a little bit to find our feet together and start playing shows, but we all were friends before this so it was a blast playing together. The patience certainly paid off as our collective nerves couldn’t handle bombing a show. Best to practice in a smokey basement for two years, huh?

These songs were written collaboratively during that time, thus allowing us all to infuse our individual inspirations. Josh comes from more of a punk background, where I’ve always been into extreme metal. I also make electronic music as a solo artist, as does Jake. Logan was into shredding and technical stuff in high school. Heavy music was Mike’s first love, but he’s also dabbled in more genres than we can list. I find this interesting because it has been an eventful few years, all of us have changed as people throughout our writing and recording process. These songs, especially Faith of a Heretic and a Horse in Turin, are thus time capsule of sorts, capturing our collective feelings and imaginations from the time. We wanted to draw from our diverse influences while making fucking heavy music and are pleased enough with the results. We’re all our worst critics and when you’ve been drilling and writing for a few years it’s easy for those narratives to become the dominant ones in your head. We’ve been blown away by the initial reception and are so appreciative that people are getting what we’re putting down.

Recording the EP was a real trip. We’re pretty DIY but after self recording/mixing a two song demo we realized that we’re serious enough to be working with professionals. Mike and I were frankly kinda shocked when Kevin from Developing Nations got back to us, some of our favorite albums of the last few years were recorded there (e.g. Ilsa’s Corpse Fortress and Outer Heaven’s Realms of Eternal Decay). That being said, recording is expensive and we’re a bunch of young dudes so we ended up recording the whole thing in four days over two weekends without a click. Most stuff had to get done in one or two takes. That experience really solidified what we had already been screaming at each other for years: don’t waste a moment of your audience’s attention. We’ve written a ton since then and are extremely keen to get back on the road and in the studio when it’s safe to do so.

Joshua and I come from a background in western philosophy and were feeling adrift and depressed when we started this project. We kinda just started writing riffs together and before long had brought Mike, Logan, and Jake into the fold. I think we all realized on some level that doing something creative as a group is better than doing nothing at all and we were able to use that insight along with constant self-criticism to create something that we hope is more than the sum of its parts. We wanted to capture the urgency of living, that sense of restlessness that lives even in the most peaceful of hearts.

We’re at an interesting point in history and we couldn’t not express the low key, yet productive, angst that typifies our generation. We and especially those younger were born atomized and are conditioned to believe it’s the only way to live. Much our initial work into Sorge was driven by a need to prove to ourselves that disconnection is not the only way of living. Sorge is a German word meaning “care, or concern” and can refer to that fundamental concern we have for all beings, and thus for ourselves.

SORGE will independently release Sorge digitally on Friday, June 5th, with a physical release to follow. Find digital preorders at Bandcamp HERE.

Christian Pandtle – bass
Joshua Gerras – guitars, vocals
Mike Romadka – drums
Logan Boucher – lead guitars
Jake Filderman – synths

Sorge on Thee Facebooks

Sorge on Instagram

Sorge on Bandcamp

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Sorge to Release Self-Titled Debut EP June 5

Posted in Whathaveyou on May 11th, 2020 by JJ Koczan

SORGE (Photo by Matt Carter)

Just a heads up here, I’m going to be hosting this EP premiere the week of its release early next month. I think on Tuesday the 2nd? Somewhere around there. Either way, Sorge are a newcomer band from Washington D.C., which is an area, that, like everywhere, is suffering from not being able to host live shows and all the rest of that fun stuff. So yeah, just keep an eye out. Gets swampy, gets a little weird. I’m into it. Sorge would have played Ode to Doom in Manhattan this month as well, but again, you know the deal.

Still, you can’t stop new music and why the hell would you want to try?

You can get a taste of Sorge‘s wares in “Astral Burnout” streaming at the bottom of this post, and hopefully you’ll look forward to the EP stream as I am.

The PR wire brings it:

Sorge sorge

SORGE: Washington, DC-Based Psychedelic Doom Quintet To Release Debut EP In June; “Astral Burnout” Now Playing

Washington, DC-based quintet SORGE presents their eponymous debut EP. Confirmed for release in early June, the band has unveiled the dynamic “Astral Burnout” for public indulgence.

SORGE (sor*guh) recently recorded their maiden EP. Fusing elements of stoner/doom, fuzz, sludge, and psychedelic metal and rock elements into an esoteric concoction of outer space and inner mind, Sorge delivers four crushing tracks totaling nearly twenty-eight minutes of sonic exploration. Elements of the fertile doom scene that birthed Saint Vitus, Internal Void, Place Of Skulls, Earthride, Iron Man, and many others show through, however, SORGE’s tunes reach far beyond said soil, infusing kaleidoscopic and ethereal elements into their sound.

Sorge was recorded with Ken Bernsten of Developing Nations Recording Studio (Full of Hell, Noisem, Ilsa), mastered by Mike Monseur, and completed with artwork by Ellie Yanagisawa and Bonner Sale.

SORGE will independently release Sorge digitally on Friday, June 5th, with a physical release to follow. Find digital preorders at Bandcamp HERE.

Sorge EP Track Listing:
1. Faith Of A Heretic
2. A Horse In Turin
3. Argent
4. Astral Burnout

Christian Pandtle – bass
Joshua Gerras – guitars, vocals
Mike Romadka – drums
Logan Boucher – lead guitars
Jake Filderman – synths

Sorge, Sorge EP (2020)

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