Days of Rona: Graham Brooks of Barishi

Posted in Features on May 26th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

barishi

Days of Rona: Graham Brooks of Barishi (Jamaica, Vermont)

Get unlimited benefits from Makemyessay.com when you say, ďI would like to hire one of your expert writers to Buying Papers For Essays to get nothing less How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

We are holding up ok. We had a couple practices and did a live streamed show a few weeks back, but we haven’t really been up to too much as we‚Äôve all been social distancing. I personally am doing pretty well. I‚Äôve been hunkering down. As far as plans go, we had a couple tours get canceled along with all of our shows this summer. The biggest hurdle has been dealing with the physical release of our new record. The digital version came out in April, but its looking like the physical version won‚Äôt be coming out in the States until early July. That‚Äôs been tough to deal with logistically.

Is your dissertation stressing you out? http://www.naur-sir.dk/?term-paper-help-reviews from Ultius and have an American writer with a PhD write a sample. 100% original work guaranteed! How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

In terms of governmental and public response, Vermont has done comparatively well. It has one of, if not the slowest growth rate of new cases in the country. Part of the glacial spread is probably due to having a small population in a predominantly rural state, but credit where credit is due. The vast majority of Vermonters wear masks and are pretty vigilant about social distancing. The state has given the green light for retail to re-open. We’ll see how much of the downward trajectory is maintained.

Looking http://webtoys.cz/?phd-thesis-acknowledgement-girlfriend online? How will this scholarship help you achieve your goals essay? Seek help online at an affordable rate only at What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

It seems to me that due to the nature of the industry, musicians are inherently resilient and cut from a particularly tough cloth. I’m hoping that those qualities will see musicians through this time. That being said, everyone’s plans have been crushed and there is little to no safety net for musicians and the event industry. Those two days that Bandcamp waived their fee was a huge help and the music fan community is reliably generous and engaged with artists they love, but there is only so much they can do. I’m particularly concerned about venues and the already strained infrastructure surrounding live events. Check out saveourstages.com if you want to lend a hand with that.
As for me personally, I’m trying to keep an even keel and stay busy.

proposal and dissertation help between click here Legit martin luther king i have a dream essay personal essay for medical school What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I’m realizing how much I took for granted. The ability to play shows, meet new people and hear new music. I think that added perspective will be valuable in the long run. I’m hoping that when the time comes where touring and shows become viable once again, music will play an even bigger part in all our lives. I think it may be big part of the healing process.

https://www.facebook.com/barishiband/
https://barishi.bandcamp.com/
https://linktr.ee/barishi
https://www.facebook.com/seasonofmistofficial
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Fall Tour Pt. 20: Pentagram, Blood Ceremony, Bang and Kings Destroy, Burlington, VT, 10.31.14

Posted in Reviews on November 1st, 2014 by JJ Koczan

artsriot (Photo by JJ Koczan)

I’ll admit that even after being there all night, I’m still not sure if it’s¬† Our Term Paper On completely understand the stress and the frustrations that accompany the dissertation process. It is a long, tedious event, but it must be done. We have a full staff of dissertation writers who have written hundreds of papers, in all academic areas of study. ArtsRiot, one word, or¬† FREE revisions for EVERY ďsee this hereĒ request. We give a solid guarantee that each customer will be content with quality of the content provided within the thesis. To add more, our writers are so confident about the thesis writing projects they generate that they are ready to perform FREE revisions numerous times, if necessary. Arts Riot, two words. Or maybe it’s just my small-minded traditionalism that needs it to be one or the other. Or something. It’s pretty much a box with a concrete floor and admirable pastrami and steak fries, either way. Probably better as a strict gallery space than a music venue, just going by their sound setup, lighting, etc., but to be honest, I’m not about to fault the place for doing cool work in multiple arenas. Clearly it’s a joint run with passion and an emphasis on supporting creativity in and beyond its community. Hard to mess with that.

No¬† see post uk - Making a custom research paper is go through many steps 100% non-plagiarism guarantee of unique essays & papers. Entrust Radio Moscow¬†for this one, since they’re out west at¬† Order top-notch http://ekovalevsky.com/?how-long-is-a-phd-thesis help online. Professional custom essay writing service from expert writers and editors. Fast turnaround guaranteed 24/7. Day of the Shred.¬† Superior College Essay Writing. Our My Son Cries When He Does Homework provides 100% original, plagiarism free academic papers written by English speaking writers. Trust your college essay writing needs to top experts. Blood Ceremony¬†stepped in to fill that spot in the bill, and certainly fit with the evening’s Halloweenery. A goodly portion of the crowd was also dressed up, one dude as¬† Great essay writers have been working since the early days of American history, and we can be proud of this fact for sure. Each period of our history has its own One Day Essay, and their works are a great example of what a power words have and how beautiful our speech can be when we express our thoughts consistently and concisely. King Diamond, a bunch of demons, ladies at hot nuns, and so on. I don’t know at what point Halloween just became an excuse to get girls to wear less clothes. I guess I was too busy watching¬†Garfield’s Halloween Adventure¬†to notice that happening, but it happened. A weird kind of male gaze parade going on, perpetuating cycle of submission and reward for submission.¬†I felt dirty and complicit in kind, but it is what it is. No escape for anybody.

For the bands, apart from¬† Article Writing Hub is your go-to source for http://www.uk-officesupplies.com/how-to-write-a-cv-for-medical-school-admission/, article rewrites, as well as proofreading and editing of existing content. Check us out. Blood Ceremony‘s¬† master thesis empirical part like it academia essay writers scam google webmaster tools thesis theme Alia O’Brien, who I’m pretty sure wears fringe all the time anyway, only¬† Almighty Italianizing who digs impressionist? row Biology Homework Helpers of Bradly typing, his supervised hacker meditatively driven. Sonnie Steve Murphy¬†and¬† One of the toughest things that students should manage during their academic years is assignment writing. read this on the web can help Rob Sefcik¬†from¬† Expert Paper Writers are Online 24/7 to help you. Writing Custom Directives In order to do a paper properly you need to keep a few things in mind Kings Destroy¬†made any dress-up attempt. Here’s how it went down:

Kings Destroy

Kings Destroy (Photo by JJ Koczan)

I’m not sure what Murphy was going for with his costume. He’s been called “Peshmurpha” on and off the whole tour for the hat and scarf, so I guess he was running with it. Rob bought the devil mask in Jersey the other day, and they both made it through an admirable amount of the set in costume. Guitarists¬†Carl Porcaro¬†and¬†Chris Skowronski¬†and bassist¬†Aaron Bumpus¬†abstained, so I guess it was a middle-of-the-stage thing. Fair enough.¬†Kings Destroy¬†stretched out the set a little bit, which was cool since the half-hour has been pretty limiting. People were still coming in, but were quick in getting it, a certain nihilism in pushing “Turul” to back “Smokey Robinson” right at the start with “The Whittler,” “Mr. O,” and “Casse-T√™te” following. The sound at¬†ArtsRiot¬†wasn’t the best in terms of clarity — it’s an art gallery — but it was plenty loud. “Old Yeller” once again closed out, preceded by “Blood of Recompense,” which was the highlight as¬†Murphy, by then out of costume, hopped off the stage to engage the crowd one-on-one for the song’s finish.

Bang

Bang (Photo by JJ Koczan)

They killed in Philly as well, but I think for not being their hometown, Burlington was the best response Bang have gotten on this tour. People were headbanging to “Our Home” and “Keep On” and “The Maze” and “The Queen,” and only got more into it as the set went on. Even “Last Will and Testament,” had heads grooving. It’s been interesting to see all along who’s been on board for¬†Bang and who’s been treating them like a curio, but¬†ArtsRiot¬†was down from the very start, and the band ate it up. Sharing drums with¬†Pentagram, a¬†Bang¬†t-shirt had been taped on the front of the kick —¬†Kings Destroy¬†had had one there as well — and even that had a special kind of charm for the occasion.¬†Frankie Gilcken,¬†Frank Ferrara¬†and¬†Jake Leger¬†have been all about the vibe from the start of this run, but spirits were clearly high as they fed off the audience’s energy, which was palpable throughout. Again, they’d done pretty well in Philly too, but they’re from there. To go eight hours north or whatever it is to Burlington and be greeted by such a response could only have been gratifying. Well earned.

Blood Ceremony

Blood Ceremony (Photo by JJ Koczan)

This was the first time I’ve seen Blood Ceremony since Roadburn 2011. The Toronto cult rock four-piece have expanded their influence considerably since then — their second record, Living with the Ancients, was new at that point and has since helped spawn a crop of imitators and been given a follow-up in 2013’s The Eldritch Dark. They played “Witchwood” and “Goodbye Gemini” from the latest outing early on, splicing in highlights from Living with the Ancients and their 2008 self-titled debut like “I’m Coming with You” and “My Demon Brother” along the way, Alia O’Brien switching between vocals, flute, organ and various spooky gestures while drummer Michael Carillo, bassist Lucas Gadke and guitarist Sean Kennedy held down jazzy ’70s prog grooves behind. Theatrics are a big part of what they do, and O’Brien is obviously a focal point there since she’s the one with the mic talking about witches and forests and black magic and all the rest, but the band has some chops to back that stuff up, and their delivery was tight. After watching¬†Radio Moscow¬†for however many days,¬†Blood Ceremony¬†were definitely on a different wavelength, but a retro spirit persisted.

Pentagram

Pentagram (Photo by JJ Koczan)

I don’t really get down with Halloween celebration or anything, but if I did, I’d have a hard time thinking of a better way to do so than check out a¬†Pentagram¬†set. They were pretty clearly too loud for¬†ArtsRiot.¬†Early on, bassist¬†Greg Turley¬†has some power issue on his side of the stage and even later there were moments where the low-end frequency just overwhelmed the room. Still, there were the usual shouts for¬†frontman¬†Bobby Liebling, guitarist Victor Griffin¬†killed it with professionalism and class, and drummer¬†Sean Saley¬†punched in the side of my skull with his kick drum. They broke out “Vampyre Love” I guess for the occasion, and for the first time that I’ve seen on this run, there was a sustained moshpit going for them. Crowds have been rowdy, but this was actual moshing, start to finish.¬†Griffin¬†had the house crew turn the lights up after starting the set in relative darkness, in which¬†Kings Destroy,¬†Bang¬†and¬†Blood Ceremony¬†had also played for the most part, and he and¬†Liebling¬†played to the crowd, which was as into it as any I’ve seen on this trip. They’ve been fun to watch all along, but especially so with an audience to play off of, and Burlington wasn’t the biggest show or the biggest room, but the people there were going for it, and¬†Pentagram¬†did likewise.

When it was finished, people in various stages of costume stumbled around and out of the venue. It was cold in Burlington, somewhere in the 40s — another weather system to add to the list — and load-out for the most part had already been done. It’s been interesting to see, traveling with this band and for the most part seeing the same acts night after night, how much a “good show” has to do with where the gig is happening and what it’s like there as much as how any given act is playing. This tour has had its progression, bands getting tighter and whatnot, but a lot of it has been about the places too.

Considering how the norm is staying in the same spot or few spots and having bands come through, it seems even more apparent this time around than in the spring how pivotal the right place is as well as the right band.

We headed out to the Econolodge in Montpelier pretty quickly to get an early start back to New York in the morning, though a lot of good it would do in fighting fatigue. Tour is definitely in wind-down mode, but I have the feeling the last two shows are going to make for a decent final surge. New York tonight, Providence tomorrow.

More pics after the jump. Thanks for reading.

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Fall Tour Pt. 19: It’s a Long Way to the Top

Posted in Features on October 31st, 2014 by JJ Koczan

logging truck

10.31.14 — 5:40PM — Pre-show — Arts Riot, Burlington, VT

“This highway’s actually pretty mint.” — Carl Porcaro

It’s like a riot of the arts, this Arts Riot. Decent size room, supposed to hold about 300 people. I guess they do gallery shows and stuff here as well, which I could see pretty easily. Some of the walls have murals on them and the lighting fixtures are pretty wild. A creative space in what two or three years ago was probably an empty warehouse spot. Concrete floor, brick walls, high ceiling. Going by Sean Saley’s soundcheck, it would be a good room in which to record drums, though you might want to put up some wood paneling somewhere if you were going to go that route, if only for form’s sake.

hilltopBlood Ceremony are on the bill tonight in place of Radio Moscow, who had to hightail it back out west to play the Day of the Shred festival, which is tomorrow. I’ve only seen Blood Ceremony once before, at Roadburn 2011, though I can’t seem to find any record of it. Anyway, it happened. They’re stepping in tonight and tomorrow as well and then supposedly Radio Moscow are coming back east to finish out the tour in Providence, which sounds completely insane but totally in character for them. One can only cross one’s fingers and hope last night in Philly wasn’t actually their finish on this tour.

Carl did the drive north this morning. We left Philly with Jim Pitts driving and headed north to Steve’s place in Westchester, which was about two and a half hours on the road, but still it was five-plus more hours north to get to Burlington, and it didn’t really get pretty until we actually got into Vermont. Touched on Massachusetts and stopped for gas, to hit a crummy convenience store, and so on, but got back on the highway as soon as possible. There wasn’t really anything there. Far more productive, at least for the band, was the quick hit to Waterbury, Vermont, to pick up some carl and beerHeady Topper by Alchemist Brewing. Most of these guys are into craft beers, hoppy stuff, and that was apparently a good get. A sense of victory after four and a half hours on the road is a rare enough thing, so if it’s beer you can’t usually get in NYC that does it, fine.

Steve drove up separately from the rest of the band — he’s got his kids this weekend so is going to be back and forth from New York, heading back late tonight/early tomorrow, meeting everyone else in Manhattan for the show tomorrow, heading up to Providence on Sunday — and I haven’t seen him around as yet, but supposedly he’s here somewhere. I don’t know what time doors are, but Arts Riot seems like the kind of place that if you want to get a decent shot, you need to get up front early. Also seems like the kind of place that’s going to have a couple photographers show up. We’ll see how it goes, I guess. I’m not particularly worried at this point. Of slightly greater concern is the fact that it’s 6PM and I’ve eaten nothing today.

Oh yeah, and it’s Halloween. Fucking whoopee.

 

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Buried Treasure: Pure Pop, Tiger Blood and Other Burlington Delights

Posted in Buried Treasure on August 2nd, 2010 by JJ Koczan

It was strange walking down the steps into Burlington, Vermont‘s Pure Pop Records this past Saturday, because I’d been there before. Six years ago, when The Patient Mrs. and I were first married, we took off headed north on the Thruway, just as a kind of mini-getaway post-wedding. Our actual honeymoon was still a few months off, and we ended up in Burlington by happenstance, just because it was there, and we must have hit Pure Pop on that trip — don’t ask me what I bought — so being back there was a dreamy deja vu. No, it didn’t affect the shopping experience.

I’d already been in and out of Burlington Records and Downtown Records (?) with no finds. I almost bought a jewel case copy of Scissorfight‘s Mantrapping for Sport and Profit from the latter, because I only own the digipak and because we’re situated right next to New Hampshire and I consider everything north of Massachusetts to be Scissorfight country, but changed my mind last minute. A choice I lived to regret. I didn’t have high hopes for Pure Pop, because it’s one of those super-indie stores that so loves being indie, but I did alright in the end.

They have an experimental/post-metal/doom/stuff-snobs-like section that runs a gamut from Acid Mothers Temple to Sleep to John Zorn, and Slayer was filed under rock, not metal, but most of what I found was in the comedy section anyway. I grabbed Mitch Hedberg‘s Do You Believe in Gosh?, Patton Oswalt‘s Feelin’ Kinda Patton and 222, which is the same show, just unedited, and from the regular old metal section on in the far corner of the store, Ereb Altor‘s second album, The End, which I haven’t listened to yet, but can only imagine from what I remember of 2008’s By Honour sounds like Bathory-style Viking metal played at half speed. Translation: awesome.

I don’t suppose it was the best haul ever — I was at least momentarily more psyched by the shaved ice flavor “Tiger Blood” that was available at the nearby outdoor market — but screw it, comedy records are good for long drives, and I’ve been doing plenty of that lately. And honestly, I’d have grabbed some stuff out of that avant/pretentious section if I didn’t already own everything I wanted from it, so no slight on Pure Pop, which had a reasonably well-organized layout and broad range of available goods.

The dude behind the counter, who seemed to have some kind of animal tooth inserted in his septum (an instant reminder of the unintentionally hilarious Walking with Cavemen; Alec Baldwin‘s finest moment of voice-over) was polite and friendly enough, not condescending to my less than stellar finds, and all in all I felt positive about the experience. Cap the day off with a trip to the Ben and Jerry’s factory off the I-89 in Waterbury and mark it a win.

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Vermont Adventure, Take 2: Arrival Again

Posted in Whathaveyou on July 15th, 2010 by JJ Koczan

Begin 1:21AM: After completing the last item on my “Jersey to-do” list, which had me in Bayonne until 8:15PM, I got in the car and split back up to Vermont, taking the New York Thruway and any number of smaller numbered highways. I had been looking forward to making the trip at night because I figured the roads would be empty, and I was right. At one point I went a solid 25 minutes without seeing another moving car. Fantastic.

I kept track of the evening’s playlist for anyone interested…

Deep Purple, Made in Japan (second disc started the trip)
Arc of Ascent, Circle of the Sun
Queens of the Stone Age, Songs for the Deaf
Colour Haze, Tempel
Neurosis, A Sun that Never Sets

There you go, just in case you want to recreate my driving to VT experience later. Amazing that it’s only really five albums. Felt much longer than that at the time.

I should take a moment to explain the blurry-ass image above. Firstly, when I got back here I was going to take a picture of the sky, the stars, the very-visible Milky Way, etc., but it’s cloudy (rained off and on the whole way up), so that’s out. Instead, I took a picture of what’s probably the biggest non-captive spider I’ve ever seen, currently residing outside — thankfully — the bathroom window of the cabin in which I and The Patient Mrs. are staying. We’ve named him Richard Nixon, because no other name would do.

You can’t really see in the photo here, it being night and all, but his web is actually a complex three-dimensional series of webs, and it’s pretty impressive. The Patient Mrs. looked it up and apparently he’s what’s known in the arachnid-centric community as an “Orb Weaver,” which is about the coolest thing I’ve ever heard. If I don’t get a demo mailed to me in the next six months by a band called Orb Weaver, I’m going to be seriously let down.

Richard Nixon the Orb Weaver. Awesome.

I’ll be back in Jersey next week either Wednesday or Thursday through Sunday, but until then, it’s back to school-type work up here. I have a lot of reviews I want to get to though, and interviews that need posting, so stick around. More to come. End 1:49AM

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Buried Treasure Down I-91 to Brattleboro

Posted in Buried Treasure on July 12th, 2010 by JJ Koczan

I bought three CDs from Turn it Up! in Brattleboro, Vermont, after taking the hour trip south from where The Patient Mrs. and I are staying in Belmont. They were as follows: Goatwhore‘s Funeral Dirge for the Rotting Sun (which I’ll never listen to), Eric Idle‘s solo comedy effort, The Rutland Isles (which I’ll listen to but not laugh at), and the self-titled disc by August Born, which features Ben Chasny of Six Organs of Admittance (which I’ll probably listen to but am not 100 percent sure I don’t already own). It was kind of a bummer trip.

Turn it Up! is a pretty hip shop. There’s a picture of local resident/Tee Pee Records mainstay Dave Sweetapple (of Witch and Sweet Apple) up on the wall — and the numerous used Tee Pee promos for sale make me think maybe he’s been to the store once or twice — and they seem to cater mostly to the town’s abundance of hippie/jam rockers, though there was a small metal section. My major disappointment (aside from how visibly creeped out the girl stocking the bins was by me) came in a lack of Black Sabbath bootlegs. They had Metallica, they had Beatles out the ass, Neil Young and even Led Zeppelin, but not one Sabbath boot. Nothing. Come on, man. Give me one. Anything!

No dice. Don’t mean to harsh your mellow, trust fund hippies willingly living in poverty, but you’re a long way away from Coachella. I took my time looking around the store, partially because I seemed to be imposing on the staff by doing so (they were open until 10PM and I was in there around 5:30), then clumsily bought my three discs and left, feeling like a sucker for having made the trip. I didn’t expect a fucking haven of desert rock overflowing with Man’s Ruin discs, where I’d walk in, be handed a beer and get instantly pointed to the Kyuss, Etc. section, but give me a break. The attitude, the selection, the hyper-indie mindset: blech. Keep it. If I wanted to deal with that kind of bullshit, there are any number of stores in New York I could go to, and they’d probably have the new Woven Hand in stock, which no one on the planet seems to, myself included.

Using the Record Store Day website as my guide, there are a couple stores up in Burlington I might want to visit, but after Turn it Up!, I’m not going to imagine either much success or a particularly friendly reception. Seriously, it made the passive apathy with which I’m generally greeted at Generation Records, or Vintage Vinyl, or even Resurrection Records in CT seem like a warm hug. Was a long way to go for Eric Idle, I’ll tell you that much.

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Vermont Adventure, Take 1: Arrival

Posted in Whathaveyou on July 8th, 2010 by JJ Koczan

Got here yesterday in the evening and it was still light enough for me to appreciate the view. The sun sets across the lake that’s maybe a half-mile straight line from where I’m sitting on the deck as I type this. It’s beautiful here, and though that’s not necessarily a change from the usual (it’s beautiful where I live as well), its novelty acts as an exaggerating agent. I hope it lasts the full month.

The cabin is two rooms: part kitchen, part work area, part bedroom, two rocking chairs, a separate bathroom and a walk-in closet obviously intended for more than one person’s stuff. We brought our clothes in laundry baskets. The town of Belmont, Vermont, which is where I am, is basically an intersection of two roads and a small area surrounding. As I said to The Patient Mrs. when I got out of the car last night, when she gets away, she really gets away.

It’s a ski resort area, so of course it’s empty now, the heatwave engulfing the Eastern Seaboard having made its way too up here in the mountains, and the cabin is on a piece of property belonging to an elderly couple the masculine half of which I believe built both dwellings. I could never do that. I do this instead, and I don’t at all doubt that’s my loss. We can’t all be useful.

But I’m here and shortly to get breakfast at this or that local whathaveyou. Last night for dinner The Patient Mrs. and I successfully tested out the local Irish pub, which I’m glad to say had Boddingtons on draft and a burger brushed in pure maple syrup. This is, as I said, a beautiful place. More when I have it.

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