Bow to Your Masters: Thin Lizzy Tribute to Feature High on Fire, Mos Generator, Mothership, Harsh Toke, Egypt and More

Posted in Whathaveyou on May 23rd, 2017 by JJ Koczan

Not that this one really needs a plug, considering that as of this writing Glory or Death Records‘ Kickstarter campaign for a Thin Lizzy tribute to be titled Bow to Your Masters has hit 274 percent of its fundraising goal, but it’s pretty awesome that as a result of that, the label has added a second LP to the project and announced the first band who’ll take part in it is High on Fire. The way the numbers have played out pretty much underscores the absolute no-brainer, duh-of-course-head-slap awesomeness of the idea in the first place, and among life’s many worthy tenets, “The more Thin Lizzy, the better,” continues to resound as dogma.

Will there be a Volume 2? Will Glory or Death earn enough in the remaining week of the campaign to add a third LP here? Time will tell.

Background info and the latest tracklisting update follow here, courtesy of the label:

Bow to Your Masters Volume 1: Thin Lizzy Set for Winter Release

First Vinyl Release from Glory or Death will be a Tribute Featuring Heavy Underground Heavyweights

Glory or Death Records is extremely excited to announce our first vinyl release, and the first in our series of Bow to Your Masters tribute albums. For this first release we chose a special band to pay tribute to: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

The album announcement comes with a Kickstarter campaign that has already met the original goal, but is still going until 5/30/17. The Kickstarter preorder features limited vinyl and art packages and surprise rewards that will be added in the second half of the campaign. Buying now will grant access to the highly-limited first pressing of Bow to Your Masters Volume 1: Thin Lizzy, which will feature some of the best heavy metal, rock, and psych bands in the business putting their own unique spin on classic Thin Lizzy songs.

The album features bands from innovative labels like Doomentia Records, Riding Easy Records, Ripple Music, Tee Pee Records, and Totem Cat Records.

The 10 bands coming along for the ride are: Mos Generator (Seattle, WA), Egypt (Fargo, ND), White Dog (Austin, TX), Red Wizard (San Diego, CA), Slow Season (Visalia, CA), Mothership (Dallas, TX), KOOK (San Jose, CA), Great Electric Quest (Oceanside, CA), Sacri Monti (Encinitas, CA), and Harsh Toke (San Diego, CA).

**UPDATE-2nd LP announced, High on Fire First Band Added**

LP1 Band/Track Listing
Mos Generator-Massacre
Egypt-Suicide
White Dog-???
Red Wizard-???
Slow Season-She Knows
Mothership-???
KOOK-Thunder and Lightning
Great Electric Quest-???
Sacri Monti-???
Harsh Toke-???

LP2 Band/Track Listing
High on Fire-???
???
???
???

The launch teaser video for the Kickstarter campaign includes a sample of Mos Generator playing a monster cover of Massacre, and there is also a teaser of Egypt’s version of Suicide. The rest of the tracks will be revealed before the end of the Kickstarter campaign. The album will release in late 2017—with a current target of November.
The album cover features art from renowned album and band/poster artists David Paul Seymour and Austin Barrett; the 4-panel cover will feature re-interpretations of classic Thin Lizzy photos and album covers. The Kickstarter campaign has reward tiers that include the 4 original art pieces that make up the cover as well as signed screen-prints of the 4 cover panels.

Details:
Kickstarter Address: http://bit.ly/gloryordeath
Kickstarter pre-order deadline: 5/30/17

http://www.facebook.com/gloryordeathrecords
http://www.instagram.com/glory_or_death_records

Thin Lizzy, Fighting (1975)

Tags: , , , , , , , , , , , , , , ,

Track Premiere: Brown Acid: The Fourth Trip Sampler Megamix by Ben Westbeech

Posted in audiObelisk on April 11th, 2017 by JJ Koczan

brown-acid-the-fourth-trip

It would’ve been really easy for the Brown Acid compilation series to go the way of many, many others in either becoming academic retreads or simply fizzling out. Much to its credit, it’s done neither. Brown Acid: The Fourth Trip, out April 20 via RidingEasy Records, is as the title suggests the fourth installment in the collection focused on the years immediately following the heyday of psychedelia — circa 1970-1975 — which it has alternately called the “comedown era” or, as on the cover here, the “Underground Comedown.”

Whatever the name given, it’s that vision of the early ’70s that we see Johnny Depp as Raoul Duke explain in Fear and Loathing in Las Vegas: the darker years that followed in the wake of the Summer of Love when the war kept going and distortion got meatier. Brown Acid: The Fourth Trip basks in this vibe in the heavy blues of “Carry Me On” by Headstones and “Oceans Inside Me” by Stone Garden and groups included like Bungi, Axas and Zekes — the latter who are making their second appearance in the series with the eight-minute, cowbell-infused, Leaf Hound-style raw jam “Comin’ Back” at the outset of side B — set up a flow across the 10-track/35-minute LP span that’s as much about feeding one groove into the next as it is giving its audience of the converted among the converted a “betcha never heard this before” challenge. To wit, the full tracklisting:

VA, Brown Acid: The Fourth Trip:
01. Kanaan, “Leave It”
02. Stone Garden, “Oceans Inside Me”
03. Headstones, “Carry Me On”
04. Wrath, “Rock ‘n’ Roll Fever”
05. Bungi, “Numbers”
06. Erving Forbush, “The Train”
07. Zekes, “Comin’ Back” (previously unreleased)
08. Bad Axe, “Coachman”
09. Ash, “Warrant”
10. Axas, “Lucifer”

As ever for Brown Acid, the prevailing sensibility throughout is one of careful curation made to sound like someone’s just putting on rad singles they found one after the other, like a DJ set where the guy actually out-obscures the room instead of just putting on Atomic Rooster‘s “Death Walks Behind You” and desperately looking around for knowing nods of approval. Working in tandem with Los Angeles’ Permanent RecordsRidingEasy sets up these rarities not to show them off as trophy acquisitions, and not as lessons for their audience in the origins of riffs — because damn it, by now the audience for this stuff knows where riffs come from — but as explorations of cool heavy vibes and songs that kick ass.

I’m not even sure how, but Brown Acid: The Fourth Trip manages to be the heavy ’70s “lost tracks” comp that doesn’t come across as self-important or over-inflating in terms of its celebration of its contents. Nobody’s claiming the wah-soaked leads of Kanaan‘s “Leave It” invented anything. Nobody’s shying away from how much Axas‘ “Lucifer” owes directly to Black Sabbath‘s “N.I.B.” All that stuff is right there for the listener to hear. Whether it’s the motor-chug of Wrath on “Rock ‘n’ Roll Fever” (they have pills for it now), or the crotch-thrust boogie of Erving Forbush‘s “The Train,” the progression of songs wants neither in energy nor flow, and that only serves to emphasize the underlying effort put into making this chapter in the apparently-ongoing series. They make it sound easy. One doubts it actually is.

To herald the comp’s arrival — again, on April 20 — RidingEasy and Ben Westbeech have put together a 12-minute sampler platter of what’s in store on Brown Acid: The Fourth Trip, and today I have the pleasure of unveiling the thing, which runs through the included tracks and ties them together with old biker-movie samples (which are not actually featured on the comp itself). You can check it out in its entirety below, followed by more info from RidingEasy off the PR wire about the process of making this beast happen.

Hope you enjoy:

If you thought we were getting close to the end of the Brown Acid series with our last Trip, you were dead wrong…we’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and we are nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and we aren’t afraid to get our hands dirty. Hard calluses have formed from handling the shovel and we’ve sifted through a lot of dirt, but we’ve dug up another ten tremendous records to share with all the heavy heads out there. This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers.

You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording we legally obtained from the Beverly Hills records vaults. “Comin’ Back” is the longest tune we’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to us on the original 1/4″ master tape from Hollywood’s long-defunct Demars & Duffy Music. We did our best to preserve the recording and we think you’ll appreciate the rawness.

There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid.

The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! We’re lucky some of these guys are still alive and well enough to give us permission to use their masters.

RidingEasy Records website

RidingEasy Records on Thee Facebooks

RidingEasy Records on Twitter

RidingEasy Records on Soundcloud

Tags: , , , , , , , , , , , , , , ,

Heavy Psych Sounds Announces Volume II Label Sampler; New Music from Black Rainbows and Killer Boogie

Posted in Whathaveyou on March 16th, 2017 by JJ Koczan

The label compilation is kind of a lost art in this age of digital whathaveyou. Used to be imprints put together comps on the regular. Some had rough mixes, some had exclusive tracks or things that wound up getting dropped off albums, and they kind of became a place where you might find something special once and then not run into it again. Italy’s Heavy Psych Sounds, with an ever-expanding roster and an already-full slate of releases as a result, seems intent on reviving the tradition. In addition to the label, booking agency, four-way split series and now two organized festivals under its belt, last year saw the release of Heavy Psych Sounds Volume I, and it seems that, indeed, it was the beginning of a series.

Heavy Psych Sounds Volume II will feature exclusive tracks from Black Rainbows and Killer Boogie and will be released on March 24. The same day, Black Rainbows will release their “The Red Sky Above” as a digital single following-up on last year’s Stellar Prophecy (review here) and leading to speculation of a sixth long-player in the works from them.

From the PR wire:

heavy-psych-sounds-volume-ii

Heavy Psych Sounds Records presents: HPS CD SAMPLER VOL II (2017)

HEAVY PSYCH SOUNDS Records & Booking is stoked to announce: The HPS Records Sampler Vol 2

Europe’s ever-growing riff powerhouse HEAVY PSYCH SOUNDS is set to release the second chapter of its “Heavy Psych Sounds Sampler”, featuring 15 bands of the roster among which two exclusive new songs!

This new compilation features 15 tracks taken off the label’s most recent releases (Fatso Jetson, Nick Oliveri, The Freeks…) as well as a nice preview of some upcoming gems from The Sonic Dawn, Farflung, Duel or Cachemira. As an icing on this rifftastic cake, “Heavy Psych Sounds Sampler Vol. 2” offers two exclusive new singles from the mighty Black Rainbows and Killer Boogie.

HEAVY PSYCH SOUNDS VOLUME II TRACK LISTING:
Black Rainbows “The Red Sky Above” (exclusive track!)
Cachemira “Overpopulation”
Doctor Cyclops “Lonely Devil”
Duel “Witchbanger”
Farflung “You Will Kill For Me”
Fatso Jetson “Wire Wheels And Robots”
Giöbia “This World Was Being Watched Closely”
Glitter Wizard-Mycelia
Killer Boogie “Eight Ball” (exclusive track!)
Mothership “Crown Of Lies”
Nick Oliveri “Anything And Everything”
The Clamps “Must Destroy”
The Golden Grass “Flashing Out Of Sight”
The Freeks “Uncle Jack’s Truck”
The Sonic Dawn “Summer Voyage”

Heavy Psych Sounds Sampler Vol. 2
Out March 24th on Heavy Psych Sounds

Black Rainbows, “The Red Sky Above”

Unreleased dope track for the Italian fuzzsters, 6 minutes of Doomy, Stoner, Sabbathty groove stuff, recorded specifically for the new HPS Sampler. Recorded during their last tour in a cool studio surrounded by white snow mountains in the north of Italy last January 2017. You can taste the change of direction for the band with a monolithic style, more dark, more heavy, more straight in your face!

HEAVY PSYCH SOUNDS is an ever-growing European record label and booking agency specialized in stoner, hard, psychedelic, fuzzy, doomy rock and more largely, all kinds of blazing retro riffage. Since its creation in Roma in 2007, HPS has released projects for Black Rainbows, Nick Oliveri, Karma To Burn, Naam, White Hills, Farflung, Fatso Jetson, Deville, Hot Lunch, Killer Boogie, Mos Generator, Isaak, The Sonic Dawn, Mothership and many more.

https://www.facebook.com/HEAVYPSYCHSOUNDS/
heavypsychsoundsrecords.bandcamp.com
http://www.heavypsychsounds.com/

Black Rainbows, “The Red Sky Above”

Tags: , , , , , , , , , , , , , , , , , , ,

Magnetic Eye Records Adds Greenleaf, Mars Red Sky, Pallbearer, Yawning Man, ASG, Ruby the Hatchet, Sasquatch and More to The Wall [Redux]

Posted in Whathaveyou on March 2nd, 2017 by JJ Koczan

The clock is ticking on the crowdfunding campaign to support the making and release of Magnetic Eye Records‘ upcoming Pink Floyd tribute, The Wall [Redux], and the NY-based label has broken out some big guns in terms of confirmations for who will take part. Greenleaf, Mars Red Sky, Pallbearer, Ruby the Hatchet, ASG, Yawning Man, Mammoth Weed Wizard Bastard, The Ultra Electric Mega Galactic and Sasquatch, as well as the likes of Swedish crushers Domkraft, L.A.’s LowFlyingHawks and Ghastly Sound from the label’s own roster — along with the previously-announced Summoner — would seem to only bolster the offering as a whole, for which preorders are being taken directly through the Kickstarter. This is the third of these projects Magnetic Eye has done, and as ever, the scope of the thing is massive and the logistics seem, frankly, nightmarish.

You don’t need me to sell you on shit and you already know this is a cause worthy of your support, so I’ll spare you all that it’s-an-emergency-you-gotta-help-out whatnot, but suffice it to say that this thing happening only makes the world a better place. So there you go.

Here’s the latest update, courtesy of the label:

the wall redux

Magnetic Eye’s ambitious homage to Pink Floyd, THE WALL [REDUX], has gained some serious momentum in the final week of its preorder/crowdfunding campaign. The confirmation of several higher-profile artists, including Greenleaf, Pallbearer, Mars Red Sky, Yawning Man, Sasquatch and Noveller all signing on to bring their distinct voices to the project has prompted the MER to add an exclusive “Best of Pink Floyd” companion LP for Kickstarter backers. This complement to the main THE WALL [REDUX] will feature a range of cuts from throughout the Floyd catalog by even more fantastic artists from the scene and beyond.

There are still a few days left to support the project by pre-ordering one of several versions of the record, all of which will reflect Magnetic Eye’s well-documented aesthetic and penchant for gorgeous vinyl. This also means there’s still time for a final few hush-hush conversations to potentially yield even more intriguing artist confirmations.

To see what an undertaking this has been (and what an amazing spectacle the finished albums will surely be), here’s a quick review of the latest list of confirmed bands and an exclusive first reveal of some tracks, with numerous more still to be announced:

ASG, “Mother”
Domkraft
Ghastly Sound
Greenleaf
Mos Generator
Low Flying Hawks (feat. Dale Crover of The Melvins)
Mammoth Weed Wizard Bastard
Mars Red Sky, “Comfortably Numb”
Pallbearer, “Run Like Hell”
Ruby the Hatchet, “Pigs” (The Best of Pink Floyd)
Sasquatch
Sergeant Thunderhoof
The Slim Kings (feat. drummer Liberty DeVitto)
Solace, “In the Flesh”
Summoner
The Ultra Electric Mega Galactic (feat. Ed Mundell of Monster Magnet)
WhiteNails
Worshipper
Yawning Man
Year of the Cobra

https://www.kickstarter.com/projects/magneticeye/the-wall-2
store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Mars Red Sky, Alien Grounds short film

Tags: , , , , , , , , , , , , , , , , , ,

Brown Acid: The Fourth Trip Due April 20

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

RidingEasy Records returns in April with another dose of scuzzer-fuzz and proto-everything on Brown Acid: The Fourth Trip. In collusion with Permanent Records in Los Angeles, the latest in the apparently-ongoing series of oh-so-delightfully-obscure 45RPM singles and lost odds and ends from the late ’60s and early ’70s deep-dives once more into the roots of what we think of today as heavy, and comes out with a collection worthy of collectors, as the raw buzz of opening cut “Leave It” by Kanaan — which you can stream below, because it’s a whole past-meets-the-future thing, man — makes as plain as the melting face on yonder assortment of skulls. Vibe, vibe, vibe. How long can they keep the streak going?

Call it ripe for the diggin’, and then dig in. PR wire info follows:

brown-acid-the-fourth-trip

Brown Acid: The Fourth Trip compilation coming 4/20

Rare 60s-70s pre-metal, hard rock singles curated by L.A.’s Permanent Records & RidingEasy Records

L.A. label RidingEasy Records and retailer/label Permanent Records announce the upcoming release of the 4th edition in their celebrated compilation series of long-lost vintage 60s-70s proto-metal and stoner rock singles, Brown Acid today with a premiere of the first track. Hear and share Kanaan’s “Leave It.”

If you thought we were getting close to the end of the Brown Acid series with our last Trip, you were dead wrong…we’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and we are nowhere near tapped out. Most of these records were barely released and never properly distributed so they ain’t easy to find, but they’re out there if you’re willing to dig…and we aren’t afraid to get our hands dirty. Hard calluses have formed from handling the shovel and we’ve sifted through a lot of dirt, but we’ve dug up another ten tremendous records to share with all the heavy heads out there. This volume brings together eight insanely rare and skull-crushingly heavy 45s as well as two previously unreleased bangers.

You may remember the Zekes’ jaw dropper “Box” from the First Trip. If you don’t, you better go back and refresh your memory, you stoner. That song rips! And so does this previously unheard recording we legally obtained from the Beverly Hills records vaults. “Comin’ Back” is the longest tune we’ve yet to include on this series and it’s a full-on rager! The only surviving copy of this recording came to us on the original 1/4″ master tape from Hollywood’s long-defunct Demars & Duffy Music. We did our best to preserve the recording and we think you’ll appreciate the rawness.

There have been numerous groups named Bad Axe over the years, but the one you hear here is the baddest. This five-piece fresh outta high school kicked out this jam (and a few others) in a Chicago studio in 1973 just for the hell of it. As a garage band, they were previously named The Burlington Express and they went on to be known as Bitch, but these dudes hit their stride as Bad Axe and “Coachman” is their crowning achievement. It went completely unreleased until 2014 when Permanent Records issued it and “Poor Man, Run” as a limited edition 45 with a killer picture sleeve. It’s long out-of-print and only obtainable now on Brown Acid.

The rest of the records included on this volume vary in rarity, but at least two of them were virtually unknown until we discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of the records included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! We’re lucky some of these guys are still alive and well enough to give us permission to use their masters.

Artist: Various Artists
Album: Brown Acid: The Fourth Trip
Label: RidingEasy Records
Release Date: April 20th, 2017

01. Kanaan “Leave It”
02. Stone Garden “Oceans Inside Me”
03. Headstones “Carry Me On”
04. Wrath “Rock N’ Roll Fever”
05. Bungi “Numbers”
06. Erving Forbush “The Train”
07. Zekes “Comin’ Back” (previously unreleased)
08. Bad Axe “Coachman”
09. Ash “Warrant”
10. Axas “Lucifer”

http://www.ridingeasyrecs.com/
https://www.facebook.com/ridingeasyrecords/
https://twitter.com/EasyRiderRecord
https://soundcloud.com/easyriderrecords/

Tags: , , , , , , , , , , , , , , ,

Magnetic Eye Records Announces The Wall [Redux] Compilation

Posted in Whathaveyou on February 14th, 2017 by JJ Koczan

Well I mean, yes, clearly. I’m not even a Pink Floyd fan and it still makes almost too much sense to have a slew of heavy bands come together to honor their classic 2LP The Wall. Even setting aside whatever political commentary you might want to make, I just mean on a pure audio level, it’s one of those records that, even if you’re not into it, just about every band who ever walked the face of the earth either is or is influenced by another band who is, so yeah, pretty inescapable. And after the Jimi Hendrix tribute, Electric Ladyland [Redux] (review here), and taking on Helmet‘s genre-defining noise rock classic, Meantime, The Wall more than earns a spot in the pantheon of tributes the label is building.

But of course it would be nothing without the bands involved. So far, Magnetic Eye has announced Solace, Mos Generator, Worshipper, SummonerYear of the Cobra and The Slim Kings will take part in The Wall [Redux], and given the tracklisting there are many more to come. Room for just about everybody in a record so expansive.

I’ll keep you posted when I hear more, but for now here are the preliminaries hoisted from the project’s Kickstarter page:

magnetic eye records

Magnetic Eye Records – The Wall [Redux]

For our latest REDUX release, we re-imagine THE WALL from end to end… a project that couldn’t be more timely or challenging!

Magnetic Eye Records continues our REDUX release series, in which we choose an iconic album and invite an assortment of fantastic bands to re-imagine and cover its songs from end to end. Our first was ELECTRIC LADYLAND [REDUX], with bands like Earthless, All Them Witches, Mothership, Summoner, Wo Fat and Elephant Tree paying heed to the godfather of guitar gods, Jimi Hendrix.. This first installment in our REDUX series ruled. We worked with artists and illustrators such as Caitlin Hackett, Dale Sarok and David Paul Seymour who all contributed visual art to the project.

Our second REDUX release unleashed MEANTIME [REDUX], with Ken Mode, Meek is Murder, Fuck the Facts, Rosetta and other modern heavies taking on the Helmet hardcore classic. Jesse Schaller provided the layout design and cover art for Meantime [Redux] and the packaging alone was pretty amazing.

For our 3rd installment we are taking on one of the most ambitious projects we could imagine, Pink Floyd’s The Wall in full. The Wall is a 26 track album with a runtime of 121 minutes, making this our largest project to date. As this kickstarter campaign continues, we will release further details on bands and contributing artists and the members of our project team. We certainly cannot do this alone and need your full support!

We have already publicly announced that we have partnered again with David Paul Seymour, and he will be providing the cover art and layout for the project. Some of you may be aware that Magnetic Eye Records has worked with David many times on album art and label merchandise, and we are very involved with David and Tim Granda on their upcoming animated film, “The Planet of Doom.” You can visit their successfully funded Kickstarter campaign for the film at: https://www.kickstarter.com/projects/theplanetofdoom/the-planet-of-doom-an-animated-tale-of-metal-and-a

We are going all in on this project, and the team that’s being assembled to create it are right men and women, artists and bands, to make it our most incredible release to date.

Check back over the next few weeks as we make new band announcements and begin to fill in this iconic tracklist with artists we know you’ll be stoked to see involved:

Side one

1. In the Flesh?
2. The Thin Ice
3. Another Brick in the Wall (Part I)
4. The Happiest Days of Our Lives
5. Another Brick in the Wall (Part II)
6. Mother
Side Two

1. Goodbye Blue Sky
2. Empty Spaces
3. Young Lust
4. One of My Turns
5. Don’t Leave Me Now
6. Another Brick in the Wall (Part III)
7. Goodbye Cruel World
Side Three

1. Hey You
2. Is There Anybody Out There?
3. Nobody Home
4. Vera
5. Bring the Boys Back Home
6. Comfortably Numb
Side Four

1. The Show Must Go On
2. In the Flesh
3. Run Like Hell
4. Waiting for the Worms
5. Stop
6. The Trail
7. Outside the Wall

Confirmed Bands (Song Selections Will Roll Out Shortly As Well):

#1 SOLACE – Incredibly excited to have our longtime friends from Jersey kicking things off by getting on board. You may remember Solace’s unforgettable albums “Further,” “13” and “A.D.” – and if you do, you know they are going to decimate their version of a Pink Floyd original. What a way to begin!

#2 WORSHIPPER (TeePee Records) – Damn! These guys rule. In case you’ve not had the opportunity to hear this great band before now, you can stream their debut album Shadow Hymns in full below, and start getting excited about what they’ll bring to this undertaking!

#3 SUMMONER – It may not come as a surprise, but with Summoner being one of the pillars upon which Magnetic Eye was built, you know there was no way this project was coming together without their majestic psych-metal glory. Oh, and did we mention they have a new album coming in the first half of 2017 as well?

#4 MOS GENERATOR – Prolific, forward-thinking, quasi-legendary… you can say many things about Tony Reed’s endlessly boundary-pushing outfit, but the main thing to say right now is that what they’ll do with a Pink Floyd classic is something we can’t wait to hear. Cheers to Tony and co. for their enthusiasm to jump on board!

#5 THE SLIM KINGS – Growing up next door to Liberty DeVitto gave Magnetic Eye’s founder many things, including a firsthand look at the career and talent of a true music industry lifer. After numerous decades drumming for the likes of Billy Joel, Karen Carpenter, Stevie Nicks, and Rick Wakeman, DeVitto’s current outfit The Slim Kings steps to the plate to show what monster musicianship and unparalleled experience can bring to a Pink Floyd classic.

#6 YEAR OF THE COBRA – Since their inception two years ago, this Seattle-based TWO-PIECE has been on the rise, making converts and fielding festival invitations around the world, especially following the release of their Billy Anderson-produced 2016 debut full-length. We can only guess how their stripped-down power will translate to Pink Floyd’s carefully-layered arrangements… but we’re excited to hear the result!

https://www.kickstarter.com/projects/magneticeye/the-wall-2
store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Worshipper, Shadow Hymns (2016)

Tags: , , , , , , , , ,

Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Various Artists, Electric Funeral Cafe Vol. 3: Journeys End and Begin

Posted in Reviews on January 17th, 2017 by JJ Koczan

electric funeral cafe vol 3

Look. The thing is immense. One can barely hope to give a decent accounting of a compilation in a review in the easiest of scenarios, but to attempt to sum up the scope of Robustfellow ProductionsElectric Funeral Cafe Vol. 3, which spans three CDs in its physical incarnation and tops out at an astonishing 48 tracks and four-plus hours of listening material when the digital bonus tracks are included from the Bandcamp version, the idea itself becomes silly. All one can really do is the same thing the listener likely does: make your way through it at your own pace, try to absorb as much as you can, and step back to admire the incredible amount of coordinating effort that must have gone into its making.

The latter is particularly impressive as what’s been touted as the final installment of the Kiev-based Robustfellow‘s Electric Funeral Cafe trilogy — nothing like going out with a bang — is bigger even than its predecessors, which came out in 2016 and 2015 and were “only” two discs apiece. The first two were broken down into component Electric and Funeral halves, arranged along this theme by discs. This edition works much the same way, with the Electric discs more focused on heavy rock and the Funeral disc dug into dirge-style doom and sludge, but adds the Cafe disc, on which one might be hear the Beatles-gone-electro-pop psych of Black Maloka, the Creedence Clearwater Revival-style boogie of Freeky Clean or the pure Doorsian meandering of The Jossers, along with more familiar names like Krobak (a Stoned Jesus side-project) or The Legendary Flower Punk (a The Grand Astoria side-project).

As with the earlier volumes, the bulk of the inclusions here highlight the underground boom in the Ukraine itself. 38 of the total 48 groups involved hail from the Ukraine. Two more are from Russia (The Legendary Flower Punk and A Foggy Realm, also on the Cafe disc), and one each from Japan (Eternal Elysium, on the Electric disc), Finland (Loinen, Funeral disc), the US (Contra, Electric), Sweden (Suffer Yourself, Funeral), Belarus (Nebulae Come Sweet, Funeral), the UK (Sons of Alpha Centauri, Cafe), and Italy (Le Scimmie, Funeral). It’s easy to get lost in the sprawl of a release like this, certainly, but worth noting all the same that this is the first of the Electric Funeral Cafe offerings to branch outside the Ukraine itself, so even as Robustfellow ends the series, it does so by reaching into new territories, making the project all the more impressive. One imagines that if the label kept it going, it would only continue to grow.

ELECTRIC FUNERAL CAFE POSTER

Not that it’s lacking in its current form, of course. Pick your poison and it’s likely here somewhere, from the progressive heavy vibes of Stonefromthesky and Ethereal Riffian on the Electric disc to the deathly chug of Chainsaw Jack‘s “Crashing Waves” and post-hardcore-sludge of Nebulae Come Sweet on the Funeral disc to the ’90s-style psych of Vermilion Nocturne and beat-backed drone of Submatukana‘s “Genesis” — which boasts a sampled Bible reading amid creepy whispered vocals — on the Cafe disc. There are, of course, a host of bands here who aren’t so easily fit into one category or another, as Dreadnought foreshadow on the Electric disc some of the screaming that will be a running theme throughout most of the Funeral disc, and the huge Ufomammut-style roll, push and echoes of Soom on Funeral do likewise for Cafe, but each piece of Electric Funeral Cafe Vol. 3 offers something distinct from the others, and so the themes are not only ably established, but solidified while jumping from band to band, city to city, country to county, atmosphere to atmosphere.

And as ever for a worthy various-artists release, Electric Funeral Cafe Vol. 3 presents a number of curios warranting further investigation. In particular, Lviv’s 1914, who lead off the Funeral disc with “8×50 mm Repetiergewehr M95” would seem to have a fixation with WWI — remind me to tell you sometime about how it was the fall of Western Civilization; unless you’re European, in which case you already know — and Lucifer Rising on the Electric disc blend modern buzz tone with classic blues rock thrust, but there are a swath of such interest-piquers as the comp plays out, and the real challenge lies in not being overwhelmed by all of it.

Much to the credit of Robustfellow and to the benefit of the acts contributing, everyone is given a genuine chance to ply their sonic wares, whether that’s a sub-three-minute death-doom rumbler like Monmuth‘s “Vail Seven” or the nine-minute heavy post-rock rollout of Stonefromthesky‘s “67,” which makes sense in a if-you’re-going-to-do-it-and-it’s-already-huge-then-don’t-skimp kind of way, and if the tradeoff for that is there’s a lot of music to dig into, it’s the kind of issue a listener should probably be thankful to take on, even if it requires multiple rounds to get through the front-to-back experience — a four-hour listening session is a rare gift in these busy times. Bottom line is Electric Funeral Cafe Vol. 3 will be there, whether one wants to take it as a whole or in pieces — as a document of Ukrainian heavy, yes, but also the scene’s will to reach outside itself and include others in a creative conversation — and as that movement continues to flourish and progress, such an impulse can only help broaden a scope already shown here to be considerable. And by considerable, I mean staggering.

Various Artists, Electric Funeral Cafe Vol. 3 (2017)

Robustfellow Productions on Bandcamp

Robustfellow Productions on Thee Facebooks

Robustfellow Productions website

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,